Romanian science fiction began in the 19th century and gained popularity in Romania during the second half of the 20th century. While a few Romanian science fiction writers were translated into English, none proved popular abroad.
The country's earliest science fiction story is Al. N. Dariu's Finis Romaniae (1873), an alternate history short story which presents the history of Romania after the sudden death of Carol I and a revolution against the new prince, which declares Romania a republic. [1]
The following story was Spiritele anului 3000 , a utopia written two years later, in 1875, by a teenager under the pen name "Demetriu G. Ionnescu", who would later become the statesman Take Ionescu. The short story is set in the year 3000, when the Earth is populated by humans of small stature who reach maturity by age 15. Politically, the monarchies have been abolished, with all the states being republics and part of a world confederation. Religion and wars have disappeared and Bucharest, a garden city, is the capital of a Romania within its natural (ethnic) borders, following a ruling from a Supreme Tribunal. [2]
In the early 1900s, Victor Anestin was a notable popularizer of science who, apart from writing hundreds of articles and books about science, wrote three science fiction novels: În anul 4000 sau O călătorie la Venus ("In the year 4000, or A trip to Venus", 1899), O tragedie cerească, Poveste astronomică ("A Celestial Tragedy, An Astronomical Story", 1914) and Puterea ştiinţei, sau Cum a fost omorât Răsboiul European, Poveste fantastică ("The Power of Science, or How the European War was Killed, Fantasy Story", 1916). A Celestial Tragedy had one of the earliest descriptions of the possibility of using atomic power for war purposes, being published in February 1914, the same year as H. G. Wells' The World Set Free . [3]
In 1914, Henri Stahl published Un român în lună ("A Romanian on the Moon"), themed around the possibility of a Moon landing. [4]
After World War II, the new communist regime supported science fiction, using it as a means of popularizing science and of ideological indoctrination. A weekly science fiction magazine, Colecţia de povestiri ştiinţifico-fantastice was founded; this was an important factor in the promotion of science fiction in Romania. [5]
The most popular writers of the era, I.M. Ştefan and Radu Nor, wrote sci-fi adventure novels which sometimes included a Marxist ideological bent. [5] Adrian Rogoz, Sergiu Fărcăşan and Camillo Baciu were the most important science fiction writers of the era, while Vladimir Colin was the first major writer of fantasy. [5]
During the 1980s, the most notable publication of science fiction was the yearly Anticipaţia almanac, edited by Ioan Albescu. Many of the writers of the 1980s had scientific studies, which meant that their writings tended to be closer to hard science fiction. They were not very fruitful as during the 1980s, it was very difficult to get published and during the 1990s, they moved on to other fields. (For example, Cristian Tudor Popescu became a well-known journalist.) [5]
After the Romanian Revolution, initially, the science fiction genre experienced a boom, as many translations which had not been accepted by the communist authorities were published. Notably, between 1992 and 2003, the Nemira publishing house turned out hundreds of translations and a few Romanian novels, among which Aşteptând în Ghermana by Dănuţ Ungureanu, the steampunk novel 2484 Quirinal Ave and the cyberpunk novel Cel mai înalt turn din Baabylon by Sebastian A. Corn. [5]
Currently, there is a trend to focus more on fantasy rather than science fiction, with only a few publishing houses still publishing Romanian science fiction writers, among them being Amaltea and Tritonic. [5]
Feminist science fiction is a subgenre of science fiction focused on such feminist themes as: gender inequality, sexuality, race, economics, reproduction, and environment. Feminist SF is political because of its tendency to critique the dominant culture. Some of the most notable feminist science fiction works have illustrated these themes using utopias to explore a society in which gender differences or gender power imbalances do not exist, or dystopias to explore worlds in which gender inequalities are intensified, thus asserting a need for feminist work to continue.
Science fiction and fantasy serve as important vehicles for feminist thought, particularly as bridges between theory and practice. No other genres so actively invite representations of the ultimate goals of feminism: worlds free of sexism, worlds in which women's contributions are recognized and valued, worlds that explore the diversity of women's desire and sexuality, and worlds that move beyond gender.
Iuliu Barasch or Baraş was a Galician-born Jewish physician, philosopher, pedagogue and promoter of Romanian culture and science who made his career in Romania. He played a leading role in disseminating the ideas of the Haskalah, or Jewish Enlightenment, among the Jews of Bucharest.
Cristian Tudor Popescu is a Romanian journalist, essayist, engineer, short-story writer and political commentator. Author of science fiction stories during his youth, he also hosted talk shows for various television stations, and had contributions as a literary critic and translator.
Ioan Mihai Cochinescu is a Romanian novelist and essayist. He is also a film script author and director, an art photographer, teacher, musicologist and composer.
Science fiction is an important genre of modern Japanese literature that has strongly influenced aspects of contemporary Japanese pop culture, including anime, manga, video games, tokusatsu, and cinema.
Vladimir Colin was a Romanian short story writer and novelist. One of the most important fantasy and science fiction authors in Romanian literature, whose main works are known on several continents, he was also a noted poet, essayist, translator, journalist and comic book author. After he and his spouse at the time Nina Cassian rallied with the left-wing literary circle Orizont during the late 1940s, Colin started his career as a communist and socialist realist writer. During the early years of the Romanian Communist regime, he was assigned offices in the censorship and propaganda apparatus. His 1951 novel Soarele răsare în Deltă was an early representative of local socialist realist school, but earned Colin much criticism from the cultural establishment of the day, for what it perceived as ideological mistakes.
Leonard Oprea is a Romanian novelist, poet, and essayist. In the late 1980s, he wrote two books of fiction that were banned by the Communist regime and gained him repute among dissidents. Following the 1989 Revolution, the books were published but did not attract significant notice during the political upheaval of the time. He left Romania for the United States in 1999, after which the pair of previously banned works was once again released. In the 2000s, he wrote the fictional series Theophil Magus, and by 2020 this series included 17 separate titles. Piero Scaruffi considers his work "Cele Nouă Învățături ale lui Theophil Magus despre Magia Transilvană/ The Nine Teachings Of Theophil Magus On Transylvanian Magic" (2000) among the ten best novels in the Romanian language.
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Victor Anestin was a Romanian journalist, science popularizer, astronomer and science fiction writer.
Henri Joseph Stahl was a Romanian stenographer, graphologist, historian and fiction writer. Born to educated immigrant parents, he was a friend and disciple of Nicolae Iorga, doyen of modern Romanian historiography. Much of his work in the field resulted in a monographic and conservationist study of his native Bucharest, which was published by Iorga in 1910.
Chinese science fiction is genre of literature that concerns itself with hypothetical future social and technological developments in the Sinosphere.
Mărgărita Miller-Verghy was a Romanian socialite and author, also known as a schoolteacher, journalist, critic and translator. A cultural animator, she hosted a literary club of Germanophile tendencies during the early part of World War I, and was later involved with Adela Xenopol in setting up feminist cultural venues. Her main contributions to Romanian literature include translations from English literature, a history of feminine writing in the national context, a novella series and an influential work of detective fiction. Many of her other works have been described as mediocre and didactic.
Sandu Florea is a Romanian-American comic book and comic strip creator, also known as an inker and book illustrator. A trained architect and a presence on the science fiction scene during the 1970s, he became a professional in the comics genre with albums such as Galbar, and was allegedly the only artist to have obtained a steady income in this way during the communist period. A prolific contributor to Romanian children's magazines, Florea had his activity curbed by communist censorship when he first publicized his intention of emigrating to the United States. He eventually left the country shortly after the 1989 Revolution, and soon after began collaborating with Marvel, DC Comics and other leading enterprises in the field of comic book publishing. He became especially noted for his activities as an inker, with contributions on series such as Buffy the Vampire Slayer, The Executioner, X-Men: The End, Batman R.I.P. and Batman: Battle for the Cowl.
Horia-Răzvan Gârbea or Gîrbea is a Romanian playwright, poet, essayist, novelist and critic, also known as an academic, engineer and journalist. Known for his work in experimental theater and his Postmodernist contributions to Romanian literature, he is a member of the Writers' Union of Romania (USR), its public relations executive and the head of its Bucharest chapter. Also recognized for his contribution to Romanian humor and his essays, he has published regularly in journals such as Contemporanul, Luceafărul, Ramuri and Săptămâna Financiară. His career in the media also covers screenwriting for Romanian television stations and the popularization of contract bridge. The author of several scientific works on engineering, Gârbea is also a faculty member at the University of Agronomical Sciences and Veterinary Medicine.
Petru Comarnescu was a Romanian literary and art critic and translator.
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Gelu Vlașin is a Romanian poet and essayist.
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