In American science fiction of the 1950s and '60s, psionics was a proposed discipline that applied principles of engineering (especially electronics) to the study (and employment) of paranormal or psychic phenomena, such as extrasensory perception, telepathy and psychokinesis. [1] The term is a blend word of psi (in the sense of "psychic phenomena") and the -onics from electronics . [1] [2] [3] [4] The word "psionics" began as, and always remained, a term of art within the science fiction community [5] and—despite the promotional efforts of editor John W. Campbell, Jr.—it never achieved general currency, even among academic parapsychologists. In the years after the term was coined in 1951, it became increasingly evident that no scientific evidence supports the existence of "psionic" abilities. [6]
In 1942, two authors—biologist Bertold Wiesner and psychologist Robert Thouless—had introduced the term "psi" (from ψ psi, 23rd letter of the Greek alphabet) to parapsychology in an article published in the British Journal of Psychology . [7] (This Greek character was chosen as apropos since it is the initial letter of the Greek word ψυχή [psyche]—meaning "mind" or "soul". [8] [9] ) The intent was that "psi" would represent the "unknown factor" in extrasensory perception and psychokinesis, experiences believed to be unexplained by any known physical or biological mechanisms. [10] [11] In a 1972 book, [12] Thouless insisted that he and Wiesner had coined this usage of the term "psi" prior to its use in science fiction circles, explaining that their intent was to provide a more neutral term than "ESP" that would not suggest a pre-existing theory of mechanism. [13]
The word "psionics" first appeared in print in a novella by science fiction writer Jack Williamson—The Greatest Invention [14] —published in Astounding Science Fiction magazine in 1951. [15] Williamson derived it from the "psion", a fictitious "unit of mental energy" described in the same story. (Only later was the term retroactively described in non-fiction articles in Astounding as a portmanteau of "psychic electronics", by editor John W. Campbell. [16] [17] ) The new word was derived by analogy with the earlier term radionics. [1] [18] (“Radionics” combined radio with electronics and was itself devised in the 1940s [19] to refer to the work of early 20th century physician and pseudoscientist Albert Abrams.) The same analogy was subsequently taken up in a number of science fiction-themed neologisms, notably bionics (bio- + electronics; coined 1960) [20] and cryonics (cryo- + electronics; coined 1967). [21]
In the 1930s, three men were crucial to inciting John W. Campbell's early enthusiasm for a "new science of the mind" construed as "engineering [principles] applied to the mind". [22] The first was mathematician and philosopher Norbert Wiener—known as the "father of cybernetics"—who had befriended Campbell when he was an undergraduate (1928–31) at MIT. The second was parapsychologist Joseph Banks Rhine whose parapsychology laboratory at Duke University was already famous for its investigations of "ESP" when Campbell was an undergraduate there (1932–34). [23] [24] The third was a non-academic: Charles Fort, the author and paranormal popularizer whose 1932 book Wild Talents strongly encouraged credence in the testimony of people who had experienced telepathy and other "anomalous phenomena".
The idea that ordinary people only utilize a small fraction of the (potentially enormous) capabilities of the human brain had become a particular "pet idea" for Campbell by the time he first published his own science fiction writings as a college student. [25] In a 1932 short story he asserted that "no man in all history ever used even half of the thinking part of his brain". [26] He followed up on this notion in a note to another story published five years later:
The total capacity of the mind, even at present, is to all intents and purposes, infinite. Could the full equipment be hooked into a functioning unit, the resulting intelligence should be able to conquer a world without much difficulty. [27]
In 1939, he wrote in an editorial in the magazine Unknown , which he edited:
Is it so strange a thing that this unknown mass [the human brain] should have some unguessed power by which to feel and see beyond, directly, meeting mind to mind in telepathy, sensing direct the truth of things by clairvoyance? [28]
Along with Charles Fort, Campbell believed that there were already many individuals with latent "psi powers" among us unwittingly and he took this belief a step further in considering development of such powers to be the "next step" in human evolution. Throughout his career, Campbell had sought grounds for a new "scientific psychology" and he was instrumental in formulating the brainchild of one of his more imaginative science fiction writers—the "Dianetics" of L. Ron Hubbard. [29] [30] Campbell's enthusiasm for Dianetics—which later morphed into the Church of Scientology—was red hot in 1949 and 1950, but had considerably cooled by 1951 when he saw Hubbard for the last time. [31]
With Campbell's encouragement, or at his direction, "psionic" abilities began to appear frequently in magazine science fiction stories in the mid-1950s, providing characters with supernormal or supernatural abilities. [32] The first example was Murray Leinster's novella The Psionic Mousetrap published in early 1955. [33] [30] Examples of psychic abilities in fiction, whether attributed to supernatural agencies or otherwise, predated the "psionics" vogue. But the editors of The Encyclopedia of Science Fiction [34] [35] describe and define a post-war "psi-boom" in genre science fiction—"which he [Campbell] engineered"—dating it from the mid-1950s to the early 1960s. They cite James Blish's Jack of Eagles (1952), Theodore Sturgeon's More Than Human (1953), Wilson Tucker's Wild Talent (1954) and Frank M. Robinson's The Power (1956) as examples. Alfred Bester's The Demolished Man (1953) is a pioneering example of a work depicting a society in which people with "psi" abilities are fully integrated. Since the "psi-boom" years coincided with the darkest and most paranoid period of the Cold War, it is natural that many examples of the utility of telepathy in espionage (for example those of Randall Garrett) would be produced. In terms of literary continuity, the editors of The Encyclopedia of Science Fiction point out that:
All the psi powers, of course, used to be in the repertoire of powerful magicians, and most are featured in occult romances. [36]
In 1956, Campbell began promoting a psionics device known as the Hieronymus machine. It faced skepticism from scientists who viewed it as pseudoscientific and even as an example of quackery. [37] [38]
Some of the wind was taken out of the sails of psionics in 1957 when Martin Gardner, in the updated edition of his book Fads and Fallacies in the Name of Science , wrote that the study of psionics is "even funnier than Dianetics or Ray Palmer's Shaver stories", and criticized the beliefs and assertions of Campbell as anti-scientific nonsense. [37]
Extrasensory perception (ESP), also known as a sixth sense, or cryptaesthesia, is a claimed paranormal ability pertaining to reception of information not gained through the recognized physical senses, but sensed with the mind. The term was adopted by Duke University botanist J. B. Rhine to denote psychic abilities such as intuition, telepathy, psychometry, clairvoyance, clairaudience, clairsentience, empathy and their trans-temporal operation as precognition or retrocognition.
John Wood Campbell Jr. was an American science fiction writer and editor. He was editor of Astounding Science Fiction from late 1937 until his death and was part of the Golden Age of Science Fiction. Campbell wrote super-science space opera under his own name and stories under his primary pseudonym, Don A. Stuart. Campbell also used the pen names Karl Van Kampen and Arthur McCann. His novella Who Goes There? was adapted as the films The Thing from Another World (1951), The Thing (1982), and The Thing (2011).
Parapsychology is the study of alleged psychic phenomena and other paranormal claims, for example, those related to near-death experiences, synchronicity, apparitional experiences, etc. Criticized as being a pseudoscience, the majority of mainstream scientists reject it. Parapsychology has also been criticised by mainstream critics for claims by many of its practitioners that their studies are plausible despite a lack of convincing evidence after more than a century of research for the existence of any psychic phenomena.
Telepathy is the purported vicarious transmission of information from one person's mind to another's without using any known human sensory channels or physical interaction. The term was first coined in 1882 by the classical scholar Frederic W. H. Myers, a founder of the Society for Psychical Research (SPR), and has remained more popular than the earlier expression thought-transference.
A psychic is a person who claims to use powers rooted in parapsychology such as extrasensory perception (ESP) to identify information hidden from the normal senses, particularly involving telepathy or clairvoyance, or who performs acts that are apparently inexplicable by natural laws, such as psychokinesis or teleportation. Although many people believe in psychic abilities, the scientific consensus is that there is no proof of the existence of such powers, and describes the practice as pseudoscience. The word "psychic" is also used as an adjective to describe such abilities.
A Hieronymus machine is any of the patented radionics devices invented by electrical engineer Thomas Galen Hieronymus. Hieronymus received a U.S. Patent for his invention in 1949, which was described in the patent application title as a device for "detection of emanations from materials and measurement of the volumes thereof".
John Stewart Williamson, who wrote as Jack Williamson, was an American science fiction writer, one of several called the "Dean of Science Fiction". He is also credited with one of the first uses of the term genetic engineering. Early in his career he sometimes used the pseudonyms Will Stewart and Nils O. Sonderlund.
X Minus One is an American half-hour science fiction radio drama series that was broadcast from April 24, 1955, to January 9, 1958, in various timeslots on NBC. Known for high production values in adapting stories from the leading American authors of the era, X Minus One has been described as one of the finest offerings of American radio drama and one of the best science fiction series in any medium.
Unknown was an American pulp fantasy fiction magazine, published from 1939 to 1943 by Street & Smith, and edited by John W. Campbell. Unknown was a companion to Street & Smith's science fiction pulp, Astounding Science Fiction, which was also edited by Campbell at the time; many authors and illustrators contributed to both magazines. The leading fantasy magazine in the 1930s was Weird Tales, which focused on shock and horror. Campbell wanted to publish a fantasy magazine with more finesse and humor than Weird Tales, and put his plans into action when Eric Frank Russell sent him the manuscript of his novel Sinister Barrier, about aliens who own the human race. Unknown's first issue appeared in March 1939; in addition to Sinister Barrier, it included H. L. Gold's "Trouble With Water", a humorous fantasy about a New Yorker who meets a water gnome. Gold's story was the first of many in Unknown to combine commonplace reality with the fantastic.
"The Cold Equations" is a science fiction short story by American writer Tom Godwin (1915–1980), first published in Astounding Magazine in August 1954. In 1970, the Science Fiction Writers of America selected it as one of the best science-fiction short stories published before 1965, and it was therefore included in The Science Fiction Hall of Fame, Volume One, 1929–1964. It has been widely anthologized and dramatized.
A science fiction magazine is a publication that offers primarily science fiction, either in a hard-copy periodical format or on the Internet. Science fiction magazines traditionally featured speculative fiction in short story, novelette, novella or novel form, a format that continues into the present day. Many also contain editorials, book reviews or articles, and some also include stories in the fantasy and horror genres.
The Golden Age of Science Fiction, often identified in the United States as the years 1938–1946, was a period in which a number of foundational works of science fiction literature appeared. In the history of science fiction, the Golden Age follows the "pulp era" of the 1920s and 1930s, and precedes New Wave science fiction of the 1960s and 1970s. The 1950s are, in this scheme, a transitional period. Robert Silverberg, who came of age in the 1950s, saw that decade as the true Golden Age.
Super Science Stories was an American pulp science fiction magazine published by Popular Publications from 1940 to 1943, and again from 1949 to 1951. Popular launched it under their Fictioneers imprint, which they used for magazines, paying writers less than one cent per word. Frederik Pohl was hired in late 1939, at 19 years old, to edit the magazine; he also edited Astonishing Stories, a companion science fiction publication. Pohl left in mid-1941 and Super Science Stories was given to Alden H. Norton to edit; a few months later Norton rehired Pohl as an assistant. Popular gave Pohl a very low budget, so most manuscripts submitted to Super Science Stories had already been rejected by the higher-paying magazines. This made it difficult to acquire good fiction, but Pohl was able to acquire stories for the early issues from the Futurians, a group of young science fiction fans and aspiring writers.
Sinister Barrier is an English-language science fiction novel by British writer Eric Frank Russell. The novel originally appeared in the magazine Unknown in 1939, the first novel to appear in its pages. It was first published in book form in 1943 by The World's Work, Ltd. Russell revised and expanded the book for its first US publication by Fantasy Press in 1948. Most subsequent editions were based on the Fantasy Press version.
Shasta Publishers was a science fiction and fantasy small press specialty publishing house founded in 1947 by Erle Melvin Korshak, T. E. Dikty, and Mark Reinsberg, who were all science fiction fans from the Chicago area. The name of the press was suggested by Reinsberg in remembrance of a summer job that he and Korshak had held at Mount Shasta.
Analog Science Fiction and Fact is an American science fiction magazine published under various titles since 1930. Originally titled Astounding Stories of Super-Science, the first issue was dated January 1930, published by William Clayton, and edited by Harry Bates. Clayton went bankrupt in 1933 and the magazine was sold to Street & Smith. The new editor was F. Orlin Tremaine, who soon made Astounding the leading magazine in the nascent pulp science fiction field, publishing well-regarded stories such as Jack Williamson's Legion of Space and John W. Campbell's "Twilight". At the end of 1937, Campbell took over editorial duties under Tremaine's supervision, and the following year Tremaine was let go, giving Campbell more independence. Over the next few years Campbell published many stories that became classics in the field, including Isaac Asimov's Foundation series, A. E. van Vogt's Slan, and several novels and stories by Robert A. Heinlein. The period beginning with Campbell's editorship is often referred to as the Golden Age of Science Fiction.
The 10% of the brain myth states that humans generally use only one-tenth of their brains. It has been misattributed to many famous scientists and historical figures, notably Albert Einstein. By extrapolation, it is suggested that a person may 'harness' or 'unlock' this unused potential and increase their intelligence.
Two Complete Science-Adventure Books was an American pulp science fiction magazine, published by Fiction House, which lasted for eleven issues between 1950 and 1954 as a companion to Planet Stories. Each issue carried two novels or long novellas. It was initially intended to carry only reprints, but soon began to publish original stories. Contributors included Isaac Asimov, Robert A. Heinlein, Arthur C. Clarke, Poul Anderson, John Brunner, and James Blish. The magazine folded in 1954, almost at the end of the pulp era.
Science-fiction and fantasy magazines began to be published in the United States in the 1920s. Stories with science-fiction themes had been appearing for decades in pulp magazines such as Argosy, but there were no magazines that specialized in a single genre until 1915, when Street & Smith, one of the major pulp publishers, brought out Detective Story Magazine. The first magazine to focus solely on fantasy and horror was Weird Tales, which was launched in 1923, and established itself as the leading weird fiction magazine over the next two decades; writers such as H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard became regular contributors. In 1926 Weird Tales was joined by Amazing Stories, published by Hugo Gernsback; Amazing printed only science fiction, and no fantasy. Gernsback included a letter column in Amazing Stories, and this led to the creation of organized science-fiction fandom, as fans contacted each other using the addresses published with the letters. Gernsback wanted the fiction he printed to be scientifically accurate, and educational, as well as entertaining, but found it difficult to obtain stories that met his goals; he printed "The Moon Pool" by Abraham Merritt in 1927, despite it being completely unscientific. Gernsback lost control of Amazing Stories in 1929, but quickly started several new magazines. Wonder Stories, one of Gernsback's titles, was edited by David Lasser, who worked to improve the quality of the fiction he received. Another early competitor was Astounding Stories of Super-Science, which appeared in 1930, edited by Harry Bates, but Bates printed only the most basic adventure stories with minimal scientific content, and little of the material from his era is now remembered.
Alec Nevala-Lee is an American biographer, novelist, and science fiction writer. He was a Hugo and Locus Award finalist for the group biography Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction. His most recent book is Inventor of the Future, a biography of the architectural designer and futurist Buckminster Fuller, which was selected by Esquire as one of the fifty best biographies of all time. He is currently at work on a biography of the physicist Luis W. Alvarez.
Psionic is a word invented in the 20th century as an umbrella term to describe human paranormal behavior. It refers to all powers of the mind—from the passive (telepathy or clairvoyance) to the active (telekinesis or pyrokinesis). Psionics is the study of all these powers.
The essential problem is that a large portion of the scientific community, including most research psychologists, regards parapsychology as a pseudoscience, due largely to its failure to move beyond null results in the way science usually does. Ordinarily, when experimental evidence fails repeatedly to support a hypothesis, that hypothesis is abandoned. Within parapsychology, however, more than a century of experimentation has failed to conclusively demonstrate the mere existence of paranormal phenomenon, yet parapsychologists continue to pursue that elusive goal.
'I guess you and I, Doc, weren't so sensitive – if you want to believe in telepathy.' 'I have to,' Copper sighted. 'Dr. Rhine of Duke University has shown that it exist, shown that some are much more sensitive than others.'
He had gotten interested in the work that Joseph Rhine was conducting in psi phenomena at Duke University. I had written With Folded Hands without consultation with Campbell at all. He liked it and accepted it for publication, but he suggested that I look into Rhine.