The overwhelming majority of fiction is set on or features the Earth, as the only planet home to humans or known to have life. This also holds true of science fiction, despite perceptions to the contrary. Works that focus specifically on Earth may do so holistically, treating the planet as one semi-biological entity. Counterfactual depictions of the shape of the Earth, be it flat or hollow, are occasionally featured. A personified, living Earth appears in a handful of works. In works set in the far future, Earth can be a center of space-faring human civilization, or just one of many inhabited planets of a galactic empire, and sometimes destroyed by ecological disaster or nuclear war or otherwise forgotten or lost.
The Moon has appeared in fiction as a setting since at least classical antiquity. Throughout most of literary history, a significant portion of works depicting lunar voyages has been satirical in nature. From the late 1800s onwards, science fiction has successively focused largely on the themes of life on the Moon, first Moon landings, and lunar colonization.
Fictional depictions of Mercury, the innermost planet of the Solar System, have gone through three distinct phases. Before much was known about the planet, it received scant attention. Later, when it was incorrectly believed that it was tidally locked with the Sun creating a permanent dayside and nightside, stories mainly focused on the conditions of the two sides and the narrow region of permanent twilight between. Since that misconception was dispelled in the 1960s, the planet has again received less attention from fiction writers, and stories have largely concentrated on the harsh environmental conditions that come from the planet's proximity to the Sun.
Jupiter, the largest planet in the Solar System, has appeared in works of fiction across several centuries. The way the planet has been depicted has evolved as more has become known about its composition; it was initially portrayed as being entirely solid, later as having a high-pressure atmosphere with a solid surface underneath, and finally as being entirely gaseous. It was a popular setting during the pulp era of science fiction. Life on the planet has variously been depicted as identical to humans, larger versions of humans, and non-human. Non-human life on Jupiter has been portrayed as primitive in some works and more advanced than humans in others.
Saturn has made appearances in fiction since the 1752 novel Micromégas by Voltaire. In the earliest depictions, it was portrayed as having a solid surface rather than its actual gaseous composition. In many of these works, the planet is inhabited by aliens that are usually portrayed as being more advanced than humans. In modern science fiction, the Saturnian atmosphere sometimes hosts floating settlements. The planet is occasionally visited by humans and its rings are sometimes mined for resources.
Pluto has appeared in fiction as a setting since shortly after its 1930 discovery, albeit infrequently. It was initially comparatively popular as it was newly discovered and thought to be the outermost object of the Solar System and made more fictional appearances than either Uranus or Neptune, though still far fewer than other planets. Alien life, sometimes intelligent life and occasionally an entire ecosphere, is a common motif in fictional depictions of Pluto. Human settlement appears only sporadically, but it is often either the starting or finishing point for a tour of the Solar System. It has variously been depicted as an originally extrasolar planet, the remnants of a destroyed planet, or entirely artificial. Its moon Charon has also appeared in a handful of works.
Asteroids have appeared in fiction since at least the late 1800s, the first one—Ceres—having been discovered in 1801. They were initially only used infrequently as writers preferred the planets as settings. The once-popular Phaëton hypothesis, which states that the asteroid belt consists of the remnants of the former fifth planet that existed in an orbit between Mars and Jupiter before somehow being destroyed, has been a recurring theme with various explanations for the planet's destruction proposed. This hypothetical former planet is in science fiction often called "Bodia" in reference to Johann Elert Bode, for whom the since-discredited Titius–Bode law that predicts the planet's existence is named.
Neptune has appeared in fiction since shortly after its 1846 discovery, albeit infrequently. It initially made appearances indirectly—e.g. through its inhabitants—rather than as a setting. The earliest stories set on Neptune itself portrayed it as a rocky planet rather than as having its actual gaseous composition; later works rectified this error. Extraterrestrial life on Neptune is uncommon in fiction, though the exceptions have ranged from humanoids to gaseous lifeforms. Neptune's largest moon Triton has also appeared in fiction, especially in the late 20th century onwards.
In science fiction, a time viewer, temporal viewer, or chronoscope is a device that allows another point in time to be observed. The concept has appeared since the late 19th century, constituting a significant yet relatively obscure subgenre of time travel fiction and appearing in various media including literature, cinema, and television. Stories usually explain the technology by referencing cutting-edge science, though sometimes invoking the supernatural instead. Most commonly only the past can be observed, though occasionally time viewers capable of showing the future appear; these devices are sometimes limited in terms of what information about the future can be obtained. Other variations on the concept include being able to listen to the past but not view it.
Fictional planets of the Solar System have been depicted since the 1700s—often but not always corresponding to hypothetical planets that have at one point or another been seriously proposed by real-world astronomers, though commonly persisting in fiction long after the underlying scientific theories have been refuted. Vulcan was a planet hypothesized to exist inside the orbit of Mercury between 1859 and 1915 to explain anomalies in Mercury's orbit until Einstein's theory of general relativity resolved the matter; it continued to appear in fiction as late as the 1960s. Counter-Earth—a planet diametrically opposite Earth in its orbit around the Sun—was originally proposed by the ancient Greek philosopher Philolaus in the fifth century BCE, and has appeared in fiction since at least the late 1800s. It is sometimes depicted as very similar to Earth and other times very different, often used as a vehicle for satire, and frequently inhabited by counterparts of the people of Earth.
Planets outside of the Solar System have appeared in fiction since at least the 1850s, long before the first real ones were discovered in the 1990s. Most of these fictional planets do not differ significantly from the Earth, and serve only as settings for the narrative. The majority host native lifeforms, sometimes with humans integrated into the ecosystems. Fictional planets that are not Earth-like vary in many different ways. They may have significantly stronger or weaker gravity on their surfaces, or have a particularly hot or cold climate. Both desert planets and ocean planets appear, as do planets with unusual chemical conditions. Various peculiar planetary shapes have been depicted, including flattened, cubic, and toroidal. Some fictional planets exist in multiple-star systems where the orbital mechanics can lead to exotic day–night or seasonal cycles, while others do not orbit any star at all. More fancifully, planets are occasionally portrayed as having sentience, though this is less common than stars receiving the same treatment or a planet's lifeforms having a collective consciousness.
The Tunguska event—an enormous explosion in a remote region of Siberia on 30 June 1908—has appeared in many works of fiction.
Black holes, objects whose gravity is so strong that nothing—including light—can escape them, have been depicted in fiction since at least the pulp era of science fiction, before the term black hole was coined. A common portrayal at the time was of black holes as hazards to spacefarers, a motif that has also recurred in later works. The concept of black holes became popular in science and fiction alike in the 1960s. Authors quickly seized upon the relativistic effect of gravitational time dilation, whereby time passes more slowly closer to a black hole due to its immense gravitational field. Black holes also became a popular means of space travel in science fiction, especially when the notion of wormholes emerged as a relatively plausible way to achieve faster-than-light travel. In this concept, a black hole is connected to its theoretical opposite, a so-called white hole, and as such acts as a gateway to another point in space which might be very distant from the point of entry. More exotically, the point of emergence is occasionally portrayed as another point in time—thus enabling time travel—or even an entirely different universe.
The concepts of space stations and space habitats feature in science fiction. The difference between the two is that habitats are larger and more complex structures intended as permanent homes for substantial populations, but the line between the two is fuzzy with significant overlap and the term space station is sometimes used for both concepts. The first such artificial satellite in fiction was Edward Everett Hale's "The Brick Moon" in 1869, a sphere of bricks 61 meters across accidentally launched into orbit around the Earth with people still onboard.
Supernovae, extremely powerful explosions of stars, have been featured in works of fiction since at least the early 1900s. The idea that the Sun could explode in this manner has served as the basis for many stories about disaster striking Earth, though it is now recognized that this cannot actually happen. Recurring themes in these stories include anticipating the inevitable destruction while being helpless and evacuating the planet, sometimes with the assistance of helpful aliens. The destruction of Earth in this manner occasionally serves as backstory explaining why humanity has started colonizing the cosmos. Another recurring scenario is radiation from more distant supernovae threatening Earth. Besides humans, alien civilizations are also occasionally subject to the dangers of supernovae. Supernovae are induced intentionally in several works, typically for use as weapons but sometimes for more peaceful purposes, and naturally occurring supernovae are likewise exploited in some stories.
Comets have appeared in works of fiction since at least the 1830s. They primarily appear in science fiction as literal objects, but also make occasional symbolical appearances in other genres. In keeping with their traditional cultural associations as omens, they often threaten destruction to Earth. This commonly comes in the form of looming impact events, and occasionally through more novel means such as affecting Earth's atmosphere in different ways. In other stories, humans seek out and visit comets for purposes of research or resource extraction. Comets are inhabited by various forms of life ranging from microbes to vampires in different depictions, and are themselves living beings in some stories.
Starship Through Space is a science-fiction novel written by G. Harry Stine under the pseudonym Lee Correy. It was published in 1954 by Henry Holt and Company. The book tells the story of the building of the first starship and of its flight to Alpha Centauri.
The Sun has appeared as a setting in fiction at least since classical antiquity, but for a long time it received relatively sporadic attention. Many of the early depictions viewed it as an essentially Earth-like and thus potentially habitable body—a once-common belief about celestial objects in general known as the plurality of worlds—and depicted various kinds of solar inhabitants. As more became known about the Sun through advances in astronomy, in particular its temperature, solar inhabitants fell out of favour save for the occasional more exotic alien lifeforms. Instead, many stories focused on the eventual death of the Sun and the havoc it would wreak upon life on Earth. Before it was understood that the Sun is powered by nuclear fusion, the prevailing assumption among writers was that combustion was the source of its heat and light, and it was expected to run out of fuel relatively soon. Even after the true source of the Sun's energy was determined in the 1920s, the dimming or extinction of the Sun remained a recurring theme in disaster stories, with occasional attempts at averting disaster by reigniting the Sun. Another common way for the Sun to cause destruction is by exploding, and other mechanisms such as solar flares also appear on occasion.
Impact events have been a recurring theme in fiction since the 1800s.
Neutron stars—extremely dense remnants of stars that have undergone supernova events—have appeared in fiction since the 1960s. Their immense gravitational fields and resulting extreme tidal forces are a recurring point of focus. Some works depict the neutron stars as harbouring exotic alien lifeforms, while others focus on the habitability of the surrounding system of planets. Neutron star mergers, and their potential to cause extinction events at interstellar distances due to the enormous amounts of radiation released, also feature on occasion. Neutronium, the degenerate matter that makes up neutron stars, often turns up as a material existing outside of them in science fiction; in reality, it would likely not be stable.
