A hybrid genre is a literary or film genre that blends themes and elements from two or more different genres. Works in hybrid genres are also referred to as cross-genre, multi-genre, mixed genre, or fusion genre. The Dictionary of Media and Communication describes hybrid genre as "the combination of two or more genres", which may combine elements of more than one genre and/or which may "cut across categories such as fact and fiction". [1] Some such sub-genres have acquired their own specialised names, such as comedy drama, romantic comedy ("rom-com"), horror Western, and docudrama.
Hybrid genres are a longstanding element in the fictional process. An early example is William Blake's Marriage of Heaven and Hell , with its blend of poetry, prose, and engravings. [2]
In contemporary literature, Dimitris Lyacos's trilogy Poena Damni combines fictional prose with drama and poetry in a multilayered narrative developing through the different characters of the work. [3]
Many contemporary women of color have published cross-genre works, including Theresa Hak Kyung Cha, Giannina Braschi, Guadalupe Nettel, and Bhanu Kapil. [4] Giannina Braschi creates linguistic and structural hybrids of comic fantasy and tragic comedy in Spanish, Spanglish, and English prose and poetry. [5] [6] Carmen Maria Machado mixes psychological realism and science fiction with both humor and elements of gothic horror. [7]
Dean Koontz considers himself a cross-genre writer, not a horror writer: "I write cross-genre books-suspense mixed with love story, with humor, sometimes with two tablespoons of science fiction, sometimes with a pinch of horror, sometimes with a sprinkle of paprika..." [8]
Examples of hybrid genre films include:
The comedy film is a film genre that emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and it is derived from classical comedy in theatre. Some of the earliest silent films were slapstick comedies, which often relied on visual depictions, such as sight gags and pratfalls, so they could be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue.
A film genre is a stylistic or thematic category for motion pictures based on similarities either in the narrative elements, aesthetic approach, or the emotional response to the film.
Genre fiction, also known as formula fiction or popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre in order to appeal to readers and fans already familiar with that genre.
Romance may refer to:
A literary genre is a category of literature. Genres may be determined by literary technique, tone, content, or length. They generally move from more abstract, encompassing classes, which are then further sub-divided into more concrete distinctions. The distinctions between genres and categories are flexible and loosely defined, and even the rules designating genres change over time and are fairly unstable.
Romance films involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations, and differences in compatibility enter into the plots of romantic films.
Fantasy literature is literature set in an imaginary universe, often but not always without any locations, events, or people from the real world. Magic, the supernatural and magical creatures are common in many of these imaginary worlds. Fantasy literature may be directed at both children and adults.
Supernatural fiction or supernaturalist fiction is a subgenre of speculative fiction that exploits or is centered on supernatural themes, often contradicting naturalist assumptions of the real world.
Latin American poetry is the poetry written by Latin American authors. Latin American poetry is often written in Spanish, but is also composed in Portuguese, Mapuche, Nahuatl, Quechua, Mazatec, Zapotec, Ladino, English, and Spanglish. The unification of Indigenous and imperial cultures produced a unique and extraordinary body of literature in this region. Later with the introduction of African slaves to the new world, African traditions greatly influenced Latin American poetry. Many great works of poetry were written in the colonial and pre-colonial time periods, but it was in the 1960s that the world began to notice the poetry of Latin America. Through the modernismo movement, and the international success of Latin American authors, poetry from this region became increasingly influential.
The following outline is provided as an overview of and topical guide to film:
Giannina Braschi is a Puerto Rican poet, novelist, dramatist, and scholar. Her notable works include Empire of Dreams (1988), Yo-Yo Boing! (1998) and United States of Banana (2011).
AFI's 10 Top 10 honors the ten greatest American films in ten classic film genres. Presented by the American Film Institute (AFI), the lists were unveiled on a television special broadcast by CBS on June 17, 2008. In the special, various actors and directors, among them Clint Eastwood, Quentin Tarantino, Kirk Douglas, Harrison Ford, Martin Scorsese, Steven Spielberg, George Lucas, Roman Polanski, and Jane Fonda, discussed their admiration for and personal contributions to the films cited.
The female epic is a concept in literary criticism that seeks to expand generic boundaries by identifying ways in which women authors have adapted the masculine epic tradition to express their own heroic visions.
In film and television, drama is a category or genre of narrative fiction intended to be more serious than humorous in tone. The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject matter, or they combine a drama's otherwise serious tone with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline.
The following outline is provided as an overview of and topical guide to science fiction:
Empire of Dreams is a postmodern poetry epic by Puerto Rican author Giannina Braschi, who is considered "one of the most revolutionary voices in Latin American literature today".
Romance, is a "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". This genre contrasted with the main tradition of the novel, which realistically depict life. These works frequently, but not exclusively, take the form of the historical novel. Walter Scott describes romance as a "kindred term", and many European languages do not distinguish between romance and novel: "a novel is le roman, der Roman, il romanzo".