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The comedy film is a film genre that emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the oldest genres in film, and it is derived from classical comedy in theatre. Some of the earliest silent films were slapstick comedies, which often relied on visual depictions, such as sight gags and pratfalls, so they could be enjoyed without requiring sound. To provide drama and excitement to silent movies, live music was played in sync with the action on the screen, on pianos, organs, and other instruments. When sound films became more prevalent during the 1920s, comedy films grew in popularity, as laughter could result from both burlesque situations but also from humorous dialogue.
A film genre is a stylistic or thematic category for motion pictures based on similarities either in the narrative elements, aesthetic approach, or the emotional response to the film.
Horror is a genre of speculative fiction that is intended to disturb, frighten, or scare. Horror is often divided into the sub-genres of psychological horror and supernatural horror, which are in the realm of speculative fiction. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length ... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society.
Science fiction films This is a list of science fiction films organized chronologically. These films have been released to a cinema audience by the commercial film industry and are widely distributed with reviews by reputable critics. This includes silent film–era releases, serial films, and feature-length films. All of the films include core elements of science fiction, but can cross into other genres such as drama, mystery, action, horror, fantasy, and comedy.
Genre fiction, also known as formula fiction or popular fiction, is a term used in the book-trade for fictional works written with the intent of fitting into a specific literary genre in order to appeal to readers and fans already familiar with that genre.
Romance may refer to:
Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir.
Romance films involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films make the search for romantic love the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints or family resistance. As in all quite strong, deep and close romantic relationships, the tensions of day-to-day life, temptations, and differences in compatibility enter into the plots of romantic films.
Supernatural fiction or supernaturalist fiction is a subgenre of speculative fiction that exploits or is centered on supernatural themes, often contradicting naturalist assumptions of the real world.
Weird West, also known as Weird Western, is a term used for the hybrid genres of fantasy Western, horror Western and science fiction Western. The term originated with DC's Weird Western Tales in 1972, but the idea is older as the genres have been blended since the 1930s, possibly earlier, in B-movie Westerns, comic books, movie serials and pulp magazines. Individually, the hybrid genres combine elements of the Western genre with those of fantasy, horror and science fiction respectively.
The following outline is provided as an overview of and topical guide to film:
Giannina Braschi is a Puerto Rican poet, novelist, dramatist, and scholar. Her notable works include Empire of Dreams (1988), Yo-Yo Boing! (1998) and United States of Banana (2011).
AFI's 10 Top 10 honors the ten greatest American films in ten classic film genres. Presented by the American Film Institute (AFI), the lists were unveiled on a television special broadcast by CBS on June 17, 2008. In the special, various actors and directors, among them Clint Eastwood, Quentin Tarantino, Kirk Douglas, Harrison Ford, Martin Scorsese, Steven Spielberg, George Lucas, Roman Polanski, and Jane Fonda, discussed their admiration for and personal contributions to the films cited.
In film and television, drama is a category or genre of narrative fiction intended to be more serious than humorous in tone. The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject matter, or they combine a drama's otherwise serious tone with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline.
Thriller film, also known as suspense film or suspense thriller, is a broad film genre that evokes excitement and suspense in the audience. The suspense element found in most films' plots is particularly exploited by the filmmaker in this genre. Tension is created by delaying what the audience sees as inevitable, and is built through situations that are menacing or where escape seems impossible.
The following outline is provided as an overview of and topical guide to science fiction:
Yo-Yo Boing! (1998) is a postmodern novel in English, Spanish, and Spanglish by Puerto Rican author Giannina Braschi. The cross-genre work is a structural hybrid of poetry, political philosophy, musical, manifesto, treatise, memoir, and drama. The work addresses tensions between Anglo-American and Hispanic-American cultures in the United States.
Empire of Dreams is a postmodern poetry epic by Puerto Rican author Giannina Braschi, who is considered "one of the most revolutionary voices in Latin American literature today".
References
- 1 2 Chandler, Daniel; Munday, Rod (2020). "hybrid genre". A Dictionary of Media and Communication (3rd ed.). Oxford, England: Oxford University Press. ISBN 978-0198841838 . Retrieved 21 July 2023– via Oxford Reference.
- ↑ M. Singer/W. Walker, Bending Genre (2013) p. 21-2
- ↑ Aldredge, Jourdan (29 August 2022). "A Guide to the Basic Film Genres (and How to Use Them)". PremiumBeat. Shutterstock . Retrieved 3 December 2024.
- ↑ "The Psychology of Jumping Genres: Why Audiences Love Hybrid Films". Stylesphere Source. 8 May 2024. Retrieved 3 December 2024.
- ↑ "Reviews: Z213: Exit by Dimitris Lyacos". Write From Wrong Literary Magazine. Writefromwrongmag.wordpress.com. 14 March 2011. Retrieved 7 November 2015.
- ↑ "How I Learned To Love Experimental Fiction As A Brown Girl By Seeking Out Books By Women Of Color". Bustle. 25 January 2019. Retrieved 11 October 2020.
- ↑ ""What to Read Now: Mixed-Genre Literature," Giannina Braschi". World Literature Today. 6 August 2012. Retrieved 11 October 2020.
- ↑ Marting, Diane E. (2010). "New/Nueva York in Giannina Braschi's "Poetic Egg": Fragile Identity, Postmodernism, and Globalization". The Global South. 4 (1): 167–182. doi:10.2979/gso.2010.4.1.167. ISSN 1932-8648. JSTOR 10.2979/gso.2010.4.1.167.
- ↑ "13 Latina Fantasy Books For the Sci-Fi Lover in Your Life". Fierce. 9 January 2019. Retrieved 11 October 2020.
- ↑ Koontz, Dean. "Afterword", Lightning, G.P. Putnam's Sons hardcover edition, January 1988. Berkley Publishing Group, mass market edition, May 1989. p. 360
- 1 2 3 4 5 6 Tibbs, Ros (4 August 2022). "10 essential films that define genre-hybridity". Far Out . Retrieved 21 July 2023.
- ↑ Ding, Kevin (13 July 2017). "The 20 Best Genre-Hybrid Movies of The 21st Century (1)". Taste of Cinema. Retrieved 21 July 2023.
- 1 2 Ding, Kevin (13 July 2017). "The 20 Best Genre-Hybrid Movies of The 21st Century (3)". Taste of Cinema. Retrieved 21 July 2023.
- 1 2 Ding, Kevin (13 July 2017). "The 20 Best Genre-Hybrid Movies of The 21st Century (2)". Taste of Cinema. Retrieved 21 July 2023.
- ↑ VanDerWerff, Todd. "The Lost Interviews". Vox . Retrieved 28 November 2024.
- ↑ "When crime meets fantasy in fiction". the Guardian. 15 May 2014. Retrieved 18 February 2022.