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The Theory and Practice of Oligarchical Collectivism is a fictional book in George Orwell's dystopian novel Nineteen Eighty-Four (written in 1949). The fictional book was supposedly written by Emmanuel Goldstein, the principal enemy of the state of Oceania's ruling party (The Party). The Party portrays Goldstein as a former member of the Inner Party who continually conspired to depose Big Brother and overthrow the government. [1] In the novel, the fictional Goldstein's book is read by the protagonist, Winston Smith, after a supposed friend, O'Brien, provided one copy to him. Winston had recalled that "There were ... whispered stories of a terrible book, a compendium of all the heresies, of which Goldstein was the author, and which circulated clandestinely here and there. It was a book without a title. People referred to it, if at all, simply as The Book."
In Nineteen Eighty-Four, the protagonist Winston Smith writes a diary in which he confesses thought crimes, such as his secret hatred of Big Brother and the Party. [2] In the course of his work life at the Ministry of Truth, Winston approaches O'Brien, a member of the Inner Party, believing him part of the Brotherhood, Goldstein's conspiracy against Oceania. [3] Initially, O'Brien appears as such, especially in arranging to give Winston a copy of "The Book", the possession of which is a crime in Oceania. In conversation, O'Brien tells Winston that "The Book" reveals the true, totalitarian nature of the dystopian society that The Party established in Oceania, and that full membership to the Brotherhood requires reading "The Book". [4] Winston describes his first encounter with "The Book":
A heavy black volume, amateurishly bound, with no name or title on the cover. The print also looked slightly irregular. The pages were worn at the edges, and fell apart easily, as though the book had passed through many hands. The inscription on the title-page ran: [5]
THE THEORY AND PRACTICE OF
OLIGARCHICAL COLLECTIVISM
by
Emmanuel Goldstein
The term Oligarchical Collectivism refers to Ingsoc, the dominant ideology of Oceania, and to the ideologies of Neo-Bolshevism in Eurasia and Death-worship (Obliteration of the Self) in Eastasia. Winston reads two long excerpts establishing how the three totalitarian super-states – Eastasia, Eurasia, Oceania – emerged from a global war, thus connecting the past to his present, the year 1984, and explains the basic political philosophy of the totalitarianism that derived from the authoritarian political tendencies manifested in the twentieth century. That the three, ostensibly opposing ideologies are functionally identical is the central revelation of "The Book". [6]
Theoretically, Oligarchical Collectivism recalls the theory of bureaucratic collectivism put forth by some Trotskyists in the late 1930s as a description of the Soviet Union under Stalin. Oceania's principal enemy of the people, Emmanuel Goldstein, is modelled after Leon Trotsky, a former member of the inner circle of the Bolshevik Party whom Stalin purged and then declared an enemy of the people of the Soviet Union, the socialist state that Trotsky had helped found in Russia. [7] From exile, Trotsky criticised the social system of the Soviet Union.
"Chapter I: Ignorance is Strength", and "Chapter III: War is Peace" of "The Book" are titled with The Party's slogans; O'Brien later refers to chapters featuring a programme for deposing the inner party.
Chapter II, presumably titled "Freedom is Slavery" after the remaining inner party's slogan, is not detailed in the novel. However, O'Brien later explains the meaning of the slogan: the free man is always condemned to defeat and death; only when he submits to the collective and eternal Party can he become omnipotent and immortal.
"Ignorance is Strength" details the perpetual class struggle characteristic of human societies; [8] beginning with the historical observation that societies always have hierarchically divided themselves into social classes and castes: the High (who rule); the Middle (who work for, and yearn to supplant the High), and the Low (whose goal is daily survival). Cyclically, the Middle deposed the High, by enlisting the Low. Upon assuming power, however, the Middle (the new High class) recast the Low into their usual servitude. In the event, the classes perpetually repeat the cycle, when the Middle class speaks to the Low class of "justice" and of "human brotherhood" in aid of becoming the High class rulers.
Ian Slater writes that Goldstein goes beyond George Orwell's beliefs in earlier work, such as A Clergyman's Daughter , in which the Middle makes a pretence of believing in equality. In Animal Farm , the state sought power to improve society, but once technological advances make equality possible, the Middle abandons their former promises, as socialism only stands in the way of their aims; they become explicitly tyrannical and openly hostile to equality. The new rhetoric of the Middle becomes Ingsoc and hierarchical collectivism. This naked pursuit of power, without any pretense of concern for equality, distinguishes The Party from previous tyrannies, though The Party initially justifies its control through dedication to socialism. By focusing on collectivism, The Party can consolidate their power and present Ingsoc as an inevitable followup to capitalism in which the Low are no longer exploited. In reality, the social castes are no longer necessary, and collectivism only serves to prolong the exploitation of the Low. Slater states that while O'Brien does not own his mansion, he still lives in luxury compared to the lower castes. Once The Party consolidates its power, all justifications are abandoned. The Party itself is a meritocracy, not hereditary. This is not rooted in egalitarianism but practicality, as The Party realizes that its continuation depends on purity of orthodoxy, rather than a bloodline. [9]
Unlike Orwell's prior writing, The Party's exploitation in this case is fully intentional. Slater writes that Orwell desired to show through The Party's unrealistic politics that modern authoritarianism was growing more lustful of power for power's sake. Orwell believed that modern states could bring about the desires of the Spanish Inquisition not only to control people but also to control their thoughts. This could be achieved through technological breakthroughs, such as the telescreen, a two-way television that allows continuous government surveillance of the population. Efficient use of such technology to control the populace requires centralisation, and the four ministries of Oceania – the Ministries of Truth, Peace, Love, and Plenty – fill this need. [10]
The Proles usually are not subject to propaganda. Instead, it is the middle class – the Outer Party – that the Inner Party fears. Because the Proles have lost everything and have nothing, they have no future. The Party, through the Ministry of Truth, practices historical revisionism, which robs the Proles of a past, too. Robbed of the ability to learn from history and the worries of the future, the Proles exist in a state of constant present and are incapable of revolution. [11] In order to prevent any unorthodoxy, the Ministry of Truth uses Newspeak, an impoverished language that makes heresy impossible by omitting words that could express it. Newspeak also reduces thought to simple opposites, such as good and "ungood", an intentional dichotomy that hides nuance and ambiguity while promoting black and white thinking. Inner party's members are further subject to self-deceptive habits of mind, such as crimestop ("preventive stupidity"), which halts thinking at the threshold of politically dangerous thought, and doublethink , which allows simultaneously holding and believing contradictory thoughts without noticing the contradiction, [12] to wit:
... but by the exercise of doublethink he also satisfies himself that reality is not violated ... To tell deliberate lies while genuinely believing in them, to forget any fact that has become inconvenient, and then, when it becomes necessary, to draw it back from oblivion for just so long as it is needed, to deny the existence of objective reality and all the while to take account of the reality which one denies – all this is indispensably necessary. Even in using the word doublethink it is necessary to exercise doublethink.
Before reading the first chapter, Winston reads the third chapter "War is Peace", which explains that slogan-title's meaning, by reviewing how the global super-states were established: The United States merged with the British Empire (and later Latin America) to form Oceania; the Soviet Union absorbed mainland Europe to form Eurasia; and Eastasia emerged "after a decade of confused fighting", with China proper's annexation of Japan, Korea and parts of Mongolia and Tibet. In various alliances, they have warred for twenty-five years. Yet the perpetual war is militarily nonsensical, because "it is a warfare of limited aims between combatants who are unable to destroy one another, have no material cause for fighting and are not divided by any genuine ideological difference", since each is a totalitarian state. [13]
Scientific advance is held carefully in check, as The Party does not want to allow for any unaccounted abundance of goods, which could conceivably raise the quality of life beyond bare subsistence for the Proles. The only technological advances permitted are in mind control and genocide, the twin goals of each of the superstates. Once mind control is perfected, the superstates are free to destroy their counterparts in a theoretical single, decisive strike that precludes retaliation. Technological advancement, even in war, can be counterproductive to the goals of The Party; none of the superstates are a true threat to each other, as they all must exist in a state of permanent limited war to survive. By harnessing the hysteria of war and demand for self-sacrifice, each of the nations declare war not on each other but on their own populace, who are kept ignorant, on the brink of starvation, and overworked. Permanent limited war also allows for The Party to divert attention away from domestic concerns and their failures. Instead of promises of an "easy, safe life", Slater writes that Orwell believed that the populace requires heroic nationalism. Thus, war becomes a psychological tool to establish a kind of ironic "peace", a stasis where progress is impossible and nothing ever changes, except for the possibility of eventual global conquest. [14] However, even though inner party's members have devoted their lives to establishing Oceania as the universal world power, they use doublethink also in connection with the war, knowing that it is necessary for the conflict to go on indefinitely to keep the structure of Oceanic society intact.
Winston never has the opportunity to finish reading The Theory and Practice of Oligarchical Collectivism, and learn the "Whys?" of Oceania and the world order in 1984 before the Thought Police arrest him and Julia, yet he believes that the hope of change lies within the Proles. The question of 'Why?' is later revealed to him by O'Brien during the torture: power is an end in itself.
"Always we shall have the heretic here at our mercy, screaming with pain, broken up, contemptible--and in the end utterly penitent, saved from himself, crawling to our feet of his own accord. That is the world that we are preparing, Winston. A world of victory after victory, triumph after triumph after triumph: an endless pressing, pressing, pressing upon the nerve of power."
O'Brien rejects as nonsense Winston Smith's perspective that Big Brother and The Party can be overthrown, because he is a fiercely devoted member of the inner party, and not a revolutionary of the Brotherhood. At the Miniluv, O'Brien tortures Winston to "cure" him of his political insanity: the belief that there exists an objective reality that is external to the reality of The Party. In their torture chamber conversations, he tells Winston that "The Book" (fictional book supposedly written by Goldstein) was actually written by a committee that included himself. When Winston asks O'Brien if "The Book" is true, he replies: "As description, yes. The programme it sets forth is nonsense." [15] The reader never knows whether O'Brien's version is true, or Goldstein's authorship is the truthful version, since The Party changes the past in order to control the present and the future, that stands on the words: "those who control the past control the future. And who controls the present controls the past". So, The Party (in each superstate) controls the present, changes the past, and forces the future in their interest and pervasive existence (avoiding "the Middles") to do what they did in order to reach power and control through government and bureaucratic collectivism. Therefore, keeping the oligarchical collectivism and perpetuating Big Brother's rule.
Eric Cheyfitz noted that "whatever the function of [this book] is within the plot of the novel, Orwell uses its extensive elaboration in the novel to make political points about the present of 1949 and the future he imagines unfolding from this present." [16]
The book has been described as a parody and critique of The Revolution Betrayed: What Is the Soviet Union and Where Is It Going? (1937), by Leon Trotsky; [17] and The Managerial Revolution (1941), by James Burnham, a former Trotskyist. [18] [19]
Big Brother is a character and symbol in George Orwell's dystopian 1949 novel Nineteen Eighty-Four. He is ostensibly the leader of Oceania, a totalitarian state wherein the ruling party, Ingsoc, wields total power "for its own sake" over the inhabitants.
In the dystopian novel Nineteen Eighty-Four, thoughtcrime is the offense of thinking in ways not approved by the ruling Ingsoc party. In the official language of Newspeak, the word crimethink describes the intellectual actions of a person who entertains and holds politically unacceptable thoughts; thus the government of The Party controls the speech, the actions, and the thoughts of the citizens of Oceania.
Telescreens are two-way video devices that appear in George Orwell's dystopian 1949 novel Nineteen Eighty-Four. Omnipresent and almost never turned off, they are an unavoidable source of propaganda and tools of surveillance.
2 + 2 = 5 or two plus two equals five is a mathematical falsehood which is used as an example of a simple logical error that is obvious to anyone familiar with basic arithmetic.
A memory hole is any mechanism for the deliberate alteration or disappearance of inconvenient or embarrassing documents, photographs, transcripts or other records, such as from a website or other archive, particularly as part of an attempt to give the impression that something never happened. The concept was first popularized by George Orwell's 1949 dystopian novel Nineteen Eighty-Four, where the Party's Ministry of Truth systematically re-created all potentially embarrassing historical documents, in effect, re-writing all of history to match the often-changing state propaganda. These changes were complete and undetectable.
In the dystopian novel Nineteen Eighty-Four (1949) by George Orwell, the Two Minutes Hate is the daily period during which members of the Outer and Inner Party of Oceania must watch a film depicting Emmanuel Goldstein, the principal enemy of the state, and his followers, the Brotherhood, and loudly voice their hatred for the enemy and then their love for Big Brother.
In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, the Thought Police are the secret police of the superstate of Oceania, who discover and punish thoughtcrime. Using criminal psychology and omnipresent surveillance the Thinkpol monitor the citizens of Oceania and arrest all those who have committed thoughtcrime in challenge to the status quo authority of the Party and of the régime of Big Brother.
Julia is a fictional character in George Orwell's 1949 dystopian novel Nineteen Eighty-Four. Her last name is not revealed in the novel, but she is called Dixon in the 1954 BBC TV production.
1984 is a 1956 British black-and-white science fiction film, based on the 1949 novel Nineteen Eighty-Four by George Orwell, depicting a totalitarian future of a dystopian society. The film followed a previous Westinghouse Studio One adaptation and a BBC-TV made-for-TV adaptation. 1984 was directed by Michael Anderson and starring Edmond O'Brien as protagonist Winston Smith, and featured Donald Pleasence, Jan Sterling, and Michael Redgrave.
In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, Hate Week is a psychological operation designed to increase as much as possible the population's hatred of the current enemy of the totalitarian Party, whichever of the two opposing super-states that may be.
References to George Orwell's 1949 dystopian political novel Nineteen Eighty-Four themes, concepts and plot elements are also frequent in other works, particularly popular music and video entertainment. While the novel is technically public domain under United Kingdom copyright, it is still copyrighted in the United States and as such most uses of it are as non-infringing metaphors.
Nineteen Eighty-Four is a 1984 dystopian film written and directed by Michael Radford, based upon George Orwell's 1949 novel. Starring John Hurt, Richard Burton, Suzanna Hamilton, and Cyril Cusack, the film follows the life of Winston Smith (Hurt), a low-ranking civil servant in a war-torn London ruled by Oceania, a totalitarian superstate. Smith struggles to maintain his sanity and his grip on reality as the regime's overwhelming power and influence persecutes individualism and individual thinking on both a political and personal level.
In George Orwell's 1949 dystopian novel Nineteen Eighty-Four, the world is divided into three superstates: Oceania, Eurasia and Eastasia, who are all fighting each other in a perpetual war in a disputed area mostly located around the equator. All that Oceania's citizens know about the world is whatever the Party wants them to know, so how the world evolved into the three states is unknown; and it is also unknown to the reader whether they actually exist in the novel's reality, or whether they are a storyline invented by the Party to advance social control. The nations appear to have emerged from nuclear warfare and civil dissolution over 20 years between 1945 and 1965, in a post-war world where totalitarianism becomes the predominant form of ideology, through Neo-Bolshevism, English Socialism, and Obliteration of the Self.
Winston Smith is a fictional character and the protagonist of George Orwell's dystopian 1949 novel also being born in 1945-46 according to the book Nineteen Eighty-Four. The character was employed by Orwell as an everyman in the setting of the novel, a "central eye ... [the reader] can readily identify with."
In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, Emmanuel Goldstein is the principal enemy of the state of Oceania. The political propaganda of The Party portrays Goldstein as the leader of The Brotherhood, a secret, counter-revolutionary organization who violently oppose the leadership of Big Brother and the Ingsoc régime of The Party.
Doublethink is a process of indoctrination in which subjects are expected to simultaneously accept two conflicting beliefs as truth, often at odds with their own memory or sense of reality. Doublethink is related to, but differs from, hypocrisy.
In the dystopian novel Nineteen Eighty-Four (1949), by George Orwell, Newspeak is the fictional language of Oceania, a totalitarian superstate. To meet the ideological requirements of Ingsoc in Oceania, the Party created Newspeak, which is a controlled language of simplified grammar and limited vocabulary designed to limit a person's ability for critical thinking. The Newspeak language thus limits the person's ability to articulate and communicate abstract concepts, such as personal identity, self-expression, and free will, which are thoughtcrimes, acts of personal independence that contradict the ideological orthodoxy of Ingsoc collectivism.
Nineteen Eighty-Four is a dystopian novel and cautionary tale by English writer Eric Arthur Blair, who wrote under the pen name George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. Thematically, it centres on the consequences of totalitarianism, mass surveillance, and repressive regimentation of people and behaviours within society. Orwell, a staunch believer in democratic socialism and member of the anti-Stalinist Left, modelled the Britain under authoritarian socialism in the novel on the Soviet Union in the era of Stalinism and on the very similar practices of both censorship and propaganda in Nazi Germany. More broadly, the novel examines the role of truth and facts within societies and the ways in which they can be manipulated.
O'Brien is a fictional character and the main antagonist in George Orwell's 1949 novel Nineteen Eighty-Four. The protagonist Winston Smith, living in a dystopian society governed by the Party, feels strangely drawn to Inner Party member O'Brien. Orwell never reveals O'Brien's first name. The name indicates that O'Brien is of Irish origin, but this background is never shown to have any significance.
The Ministry of Truth, the Ministry of Peace, the Ministry of Love, and the Ministry of Plenty are the four ministries of the government of Oceania in the 1949 dystopian novel Nineteen Eighty-Four, by George Orwell.
The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation. These contradictions are not accidental, nor do they result from ordinary hypocrisy: they are deliberate exercises in doublethink.