Genre | Dramatic anthology, adaptations of great novels, with programs for college credit |
---|---|
Running time | 1 hour |
Language(s) | English |
Syndicates | NBC Radio |
Written by | Albert Harris (music), Ernest Kinoy, George Lefferts, Claris A. Ross, Richard E. Davis |
Directed by | Andrew C. Love |
Original release | 30 July 1948 – 14 February 1951 |
Podcast |
NBC University Theater (also known as NBC University Theater of the Air, NBC Theater of the Air or NBC Theater) was a brand the National Broadcasting Co. applied to a category of radio programming. Although it was not actually a university, some colleges and universities participated by including some of the programming in their curriculum. NBC University Theater's most well-known radio series was The World's Great Novels. NBC used the name "University Theater" or similar from about 1923–1947.
Most NBC University Theater programming aired on NBC's Red Network, but the Blue Network (later to become ABC) also participated. [1] The Armed Forces Radio Network also distributed some of the programs. About 1948, NBC replaced this category with NBC Presents .
The World's Great Novels was one of the radio series included in NBC University Theater. The series was produced by Margaret Cuthbert [2] and directed by Homer Heck. It presented adaptations of classic novels, often described as "Anglo-American literature." The show was born The World's Great Novels on WMAQ, Chicago, and NBC from 1944 to 1948, and adopted its better known name when it relocated to Hollywood in July 1948.It initially aired Saturdays at 7:00 pm CST during the first 1944–45 season and then moved to Fridays at 11:30 pm. Music for the series was composed by Emil Soderstrom (né Emil Otto Edvard Söderström; 1901–1972) and conducted by Bernard "Whitey" Berquist (né Bernard H. Berquist; 1903–1962). [3]
The Chicago-based programs were a production of The NBC University of the Air. Through agreements with the University of Louisville, the University of Tulsa, Kansas State Teachers College, and Washington State College, listeners could receive college credit through accredited, radio-assisted literature correspondence courses. A study guide, The Handbook of the World's Great Novels, was available for 25 cents. [3]
The series began October 28, 1944, with Henry Fielding's Tom Jones , followed by Voltaire's Candide and Jane Austen's Emma . Over the next four years, it aired adaptations of such novels as Kidnapped , The Last of the Mohicans , Thomas Hardy's The Mayor of Casterbridge , Moby-Dick , A Tale of Two Cities and War and Peace . Since this was a half-hour program, many of the novels were serialized in multi-part adaptations of two to six 30-minute episodes.
The group of Chicago actors heard on the series included Larry Alexander, Ernie Andrews, Everett Clarke, Johnny Coons, Maurice Copeland, Harry Elders, Sidney Ellstrom, Charles Flynn, Donald Gallagher, Hilda Graham, Ken Griffin, Jonathan Hole, Geraldine Kay, Eloise Kummer, Jack Lester, Ken Nordine, Hope Summers and Lee Young. Some episodes were narrated by Nordine. The announcers were Charles Chan, John Conrad and Dave Garroway. [3]
Some shows in the series had guest speakers. Amy Loveman, an editor with The Saturday Review of Literature , was the guest commentator with the 1944 adaptation of Emma. The novelist Ida Alexa Ross Wylie was the guest commenting on Charles Dickens' The Pickwick Papers . The adaptation of Theodore Dreiser's Free (July 9, 1948) featured a brief talk by the Dean of the University of Chicago.
On July 23, 1948, the final program featured readings from different works by Thomas Wolfe.
The series was retooled by Cuthbert and renamed NBC University Theater (aka NBC University Theater of the Air, NBC Theater of the Air and NBC Theater) [4] [5] and moved from Chicago to Hollywood. That series was heard from July 30, 1948, to February 14, 1951. [6] In the new format, the program also included adaptations of short stories and plays in addition to novels and occasionally featured commentary on the original work by distinguished writers and critics. The new series won a Peabody Award in 1948 and was considered one of the most distinguished radio programs of its day; all the episodes from this period still survive.
The NBC University of the Air also produced a summer replacement series, American Novels, which was broadcast when The World's Great Novels was off during the summers of 1947 and 1948. [6]
Some sources give the title of the 1944–48 series as The World's Greatest Novels, but there is no evidence this title was ever used. [6]
A partial list.
Between 1942 and 1946, NBC made a distinction between the "University of the Air" and the "Inter-American University of the Air". The former tended to be focused on the United States while the latter was more global. [7]
The Campbell Playhouse (1938–1940) was a live CBS radio drama series directed by and starring Orson Welles. Produced by Welles and John Houseman, it was a sponsored continuation of The Mercury Theatre on the Air. The series offered hour-long adaptations of classic plays and novels, as well as adaptations of popular motion pictures.
Academy Award is a CBS radio anthology series, which presented 30-minute adaptations of plays, novels, or films.
Ford Theatre, spelled Ford Theater for the original radio version and known, in full, as The Ford Television Theatre for the TV version, is a radio and television anthology series broadcast in the United States in the 1940s and 1950s. At various times the television series appeared on all three major television networks, while the radio version was broadcast on two separate networks and on two separate coasts. Ford Theatre was named for its sponsor, the Ford Motor Company, which had an earlier success with its concert music series, The Ford Sunday Evening Hour (1934–42).
The Screen Guild Theater is a radio anthology series broadcast from 1939 until 1952 during the Golden Age of Radio. Leading Hollywood stars performed adaptations of popular motion pictures. Originating on CBS Radio, it aired under several different titles including The Gulf Screen Guild Show, The Gulf Screen Guild Theater, The Lady Esther Screen Guild Theater and The Camel Screen Guild Players. Fees that would ordinarily have been paid to the stars and studios were instead donated to the Motion Picture Relief Fund, and were used for the construction and maintenance of the Motion Picture Country House.
Author's Playhouse is an anthology radio drama series created by Wynn Wright, that aired on Mutual in 1940–1941, and on the NBC Blue Network from March 5, 1941, until October 1941. It then moved to the NBC Red Network where it was heard until June 4, 1945. Philip Morris was the sponsor between 1942 and 1943.
NBC Presents: Short Story is a half-hour American radio program offering dramatizations of contemporary American short stories that began on NBC on February 21, 1951, and ended on May 30, 1952. The primary goal of the series, as stated by script editor Hugh Kemp, was to combat what appeared to be a widespread lack of respect for the short story as a form. "America's serious writers have, by and large, put into their short stories the same kind of penetrating insight that has gone into their widely read novels. [...] In this series we hope to get some of the material off the dusty shelves and out into the homes of the vast audience of radio."
The Zero Hour was a 1973–74 American radio drama anthology series hosted by Rod Serling. With tales of mystery, adventure and suspense, the program was broadcast for two seasons.
Ernest Kinoy was an American writer, screenwriter and playwright.
Ireene Wicker was an American singer and actress, best known to young radio listeners in the 1930s and 1940s as “The Singing Lady”, which was the title of her radio program. She added the second 'e' in her first name on the advice of an astrologer.
This Is My Best is an American radio anthology series, sponsored by Cresta Blanca wines, which ran on CBS Radio from 1944 to 1946 in 30-minute episodes.
This is a comprehensive listing of the radio programs made by Orson Welles. Welles was often uncredited for his work, particularly in the years 1934–1937, and he apparently kept no record of his broadcasts.
Radio is what I love most of all. The wonderful excitement of what could happen in live radio, when everything that could go wrong did go wrong. I was making a couple of thousand a week, scampering in ambulances from studio to studio, and committing much of what I made to support the Mercury. I wouldn't want to return to those frenetic 20-hour working day years, but I miss them because they are so irredeemably gone.
Everyman's Theater is a 30-minute old-time radio dramatic series. Its 26 episodes were broadcast on NBC from October 4, 1940, through March 28, 1941.
The Adventures of Ellery Queen was a radio detective program in the United States. Several iterations of the program appeared on different networks, with the first one broadcast on CBS on June 18, 1939, and the last on ABC on May 27, 1948.
For the television series of the same name, see The Silver Theatre.
Eddie Condon's Jazz Concerts is an American old-time radio program featuring Dixieland and jazz music. It was broadcast on the Blue Network from May 20, 1944, to April 7, 1945.
Favorite Story is an American old-time radio dramatic anthology. It was nationally syndicated by the Ziv Company from 1946 to 1949. The program was "advertised as a show that 'stands head and shoulders above the finest programs on the air'". Originating at KFI in Los Angeles, California, Favorite Story apparently was not related to the similarly named My Favorite Story that ran on KNX in Los Angeles earlier.
Johnny Fletcher is a fictional character created by Frank Gruber. Fletcher is a con-man and reluctant amateur detective. The character was the protagonist of several mystery novels published between 1940 and 1964. Additionally, he was featured in a feature film adaptation scripted by Gruber, and a short lived radio series.
Margaret Cuthbert was a Canadian-born pioneer radio woman in the United States. After earning a degree in fine art from Cornell University, she worked briefly at the British Embassy in Washington, D.C., and at Cornell, before embarking on a radio career in 1924. She was initially the director of speakers and was promoted to Director of Talks when NBC took over WEAF from AT&T. She became known for the range of celebrities she was able to secure to broadcast readings and presentations. Later, she was promoted to Director of Women's Activities, Director of the Children's Department and Director of Public Affairs.