"Edda" is an Old Norse term that has been applied by modern scholars to the collective of two Medieval Icelandic literary works: what is now known as the Prose Edda and an older collection of poems now known as the Poetic Edda. The term historically referred only to the Prose Edda, but this usage has fallen out of favour because of confusion with the other work. Both works were written down in Iceland during the 13th century in Icelandic, although they contain material from earlier traditional sources, reaching back into the Viking Age. The books provide the main sources for medieval skaldic tradition in Iceland and for Norse mythology.
In Norse mythology, Rán is a goddess and a personification of the sea. Rán and her husband Ægir, a jötunn who also personifies the sea, have nine daughters, who personify waves. The goddess is frequently associated with a net, which she uses to capture sea-goers. According to the prose introduction to a poem in the Poetic Edda and in Völsunga saga, Rán once loaned her net to the god Loki.
In Norse mythology, Hlín is a goddess associated with the goddess Frigg. Hlín appears in a poem in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, and in kennings found in skaldic poetry. Scholars have debated whether the stanza referring to her in the Prose Edda refers to Frigg. Hlín serves as a given name in Iceland, and Hlín receives veneration in the modern era in Germanic paganism's modern extension, Heathenry.
In Norse mythology, Eir is a goddess or valkyrie associated with medical skill. Eir is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources; the Prose Edda, written in the 13th century by Snorri Sturluson; and in skaldic poetry, including a runic inscription from Bergen, Norway from around 1300. Scholars have theorized about whether these three sources refer to the same figure, and debate whether Eir may have been originally a healing goddess or a valkyrie. In addition, Eir has been compared to the Greek goddess Hygieia.
The Poetic Edda is the modern name for an untitled collection of Old Norse anonymous narrative poems in alliterative verse. It is distinct from the closely related Prose Edda, although both works are seminal to the study of Old Norse poetry. Several versions of the Poetic Edda exist: especially notable is the medieval Icelandic manuscript Codex Regius, which contains 31 poems.
The Prose Edda, also known as the Younger Edda, Snorri's Edda or, historically, simply as Edda, is an Old Norse textbook written in Iceland during the early 13th century. The work is often considered to have been to some extent written, or at least compiled, by the Icelandic scholar, lawspeaker, and historian Snorri Sturluson c. 1220. It is considered the fullest and most detailed source for modern knowledge of Norse mythology, the body of myths of the North Germanic peoples, and draws from a wide variety of sources, including versions of poems that survive into today in a collection known as the Poetic Edda.
In prosody, alliterative verse is a form of verse that uses alliteration as the principal device to indicate the underlying metrical structure, as opposed to other devices such as rhyme. The most commonly studied traditions of alliterative verse are those found in the oldest literature of the Germanic languages, where scholars use the term 'alliterative poetry' rather broadly to indicate a tradition which not only shares alliteration as its primary ornament but also certain metrical characteristics. The Old English epic Beowulf, as well as most other Old English poetry, the Old High German Muspilli, the Old Saxon Heliand, the Old Norse Poetic Edda, and many Middle English poems such as Piers Plowman, Sir Gawain and the Green Knight, Layamon's Brut and the Alliterative Morte Arthur all use alliterative verse.
A skald, or skáld is one of the often named poets who composed skaldic poetry, one of the two kinds of Old Norse poetry in alliterative verse, the other being Eddic poetry. Skaldic poems were traditionally composed to honor kings, but were sometimes extempore. They include both extended works and single verses (lausavísur). They are characteristically more ornate in form and diction than eddic poems, employing many kennings, which require some knowledge of Norse mythology, and heiti, which are formal nouns used in place of more prosaic synonyms. Dróttkvætt metre is a type of skaldic verse form that most often use internal rhyme and alliteration.
Sagas are prose stories and histories, composed in Iceland and to a lesser extent elsewhere in Scandinavia.
In Icelandic literature, a ríma is an epic poem written in any of the so-called rímnahættir. They are rhymed, they alliterate and consist of two to four lines per stanza. The plural, rímur, is either used as an ordinary plural, denoting any two or more rímur, but is also used for more expansive works, containing more than one ríma as a whole. Thus Ólafs ríma Haraldssonar denotes an epic about Ólafr Haraldsson in one ríma, while Núma rímur are a multi-part epic on Numa Pompilius.
A mansǫngr is a form of Norse poetry. In scholarly usage the term has often been applied to medieval skaldic love-poetry; and it is used of lyric openings to rímur throughout the Icelandic literary tradition.
Bragi Boddason, known as Bragi the Old was a Norwegian skald active in the first half of the 9th century, the earliest known skald from whom verses have survived. Portions of his Ragnarsdrápa are preserved in Snorri Sturluson's Edda.
Old Norse poetry encompasses a range of verse forms written in the Old Norse language, during the period from the 8th century to as late as the far end of the 13th century. Old Norse poetry is associated with the area now referred to as Scandinavia. Much Old Norse poetry was originally preserved in oral culture, but the Old Norse language ceased to be spoken and later writing tended to be confined to history rather than for new poetic creation, which is normal for an extinct language. Modern knowledge of Old Norse poetry is preserved by what was written down. Most of the Old Norse poetry that survives was composed or committed to writing in Iceland, after refined techniques for writing were introduced—seemingly contemporaneously with the introduction of Christianity: thus, the general topic area of Old Norse poetry may be referred to as Old Icelandic poetry in literature.
A legendary saga or fornaldarsaga is a Norse saga that, unlike the Icelanders' sagas, takes place before the settlement of Iceland. There are some exceptions, such as Yngvars saga víðförla, which takes place in the 11th century. The sagas were probably all written in Iceland, from about the middle of the 13th century to about 1400, although it is possible that some may be of a later date, such as Hrólfs saga kraka.
Þjóðólfr ór Hvini, was a Norwegian skald, said to have been one of the court-poets of the Norwegian king Harald Fairhair. His name suggests that he was from the region of Hvinir (Kvinesdal). Two skaldic poems, Haustlǫng (Autumn-long) and Ynglingatal, are generally attributed to him.
Ragnarsdrápa is a skaldic poem said to have been composed in honour of the Scandinavian hero, Ragnar Lodbrok, but likely actually addressed to some later Ragnar. It is attributed to the oldest known skald, Bragi Boddason, who lived in the 9th century, and was composed for the Swedish king Björn at Haugi. Bragi describes the images on a decorated shield which Ragnar had given to him. The images included:
Einarr Helgason, known by the epithet skálaglamm ("tinkle-scales") was a 10th-century Icelandic skald. He was a court poet of Lord Hákon to whom he dedicated his magnum opus, the Vellekla. Einarr's added name skálaglamm means "tinkle-scales" and refers to a set of balances and weights with divinatory powers, given to him by Hákon.
Sonatorrek is a skaldic poem in 25 stanzas, that appears in Egil's Saga, an Icelandic saga focusing on the life of skald and viking, Egill Skallagrímsson. The work laments the death of two of the poet's sons, Gunnar, who died of a fever, and Böðvarr, who drowned during a storm. In the assessment of Margaret Clunies Ross, Sonatorrek "has probably received, from the second half of the nineteenth century onwards, the greatest literary approbation accorded to any single skaldic poem". According to the saga, after Egill placed Böðvarr in the family burial mound, he locked himself in his bed-chamber, determined to starve himself to death. Egill’s daughter, Thorgerdr, diverted him from this plan in part by convincing him to compose a memorial poem for Böðvarr, to be carved on a rune-staff.
Baldur Ragnarsson was an Icelandic poet and author of Esperanto works. He was a teacher and a superintendent of schools in Iceland.
Germanic heroic legend is the heroic literary tradition of the Germanic-speaking peoples, most of which originates or is set in the Migration Period. Stories from this time period, to which others were added later, were transmitted orally, traveled widely among the Germanic speaking peoples, and were known in many variants. These legends typically reworked historical events or personages in the manner of oral poetry, forming a heroic age. Heroes in these legends often display a heroic ethos emphasizing honor, glory, and loyalty above other concerns. Like Germanic mythology, heroic legend is a genre of Germanic folklore.
