Heraldry is a discipline relating to the design, display and study of armorial bearings, as well as related disciplines, such as vexillology, together with the study of ceremony, rank and pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a shield, helmet and crest, together with any accompanying devices, such as supporters, badges, heraldic banners and mottoes.
A coat of arms is a heraldic visual design on an escutcheon, surcoat, or tabard. The coat of arms on an escutcheon forms the central element of the full heraldic achievement, which in its whole consists of a shield, supporters, a crest, and a motto. A coat of arms is traditionally unique to the armiger. The term "coat of arms" itself, describing in modern times just the heraldic design, originates from the description of the entire medieval chainmail "surcoat" garment used in combat or preparation for the latter.
The Senegambia is, in the narrow sense, a historical name for a geographical region in West Africa, which lies between the Senegal River in the north and the Gambia River in the south. However, there are also text sources which state that Senegambia is understood in a broader sense and equated with the term the Western region. This refers to the coastal areas between Senegal and Sierra Leone, where the inland border in the east was not further defined.
The coat of arms of Andorra is the heraldic device consisting of a shield divided quarterly by the arms of the Bishop of Urgell and the Count of Foix – who have historically been the two co-princes of Andorra – in addition to the emblems of Catalonia and the Viscount of Béarn. Utilized unofficially since the Middle Ages, its status as the coat of arms of the Principality of Andorra was formalized in 1993 upon the implementation of their new constitution. The escutcheon is featured on the flag of Andorra.
The flag of Senegal is a tricolour consisting of three vertical green, yellow and red bands charged with a five-pointed green star at the centre. Adopted in 1960 to replace the flag of the Mali Federation, it has been the flag of the Republic of Senegal since the country gained independence that year. The present and previous flags were inspired by the French tricolour, which flew over Senegal until 1960.
This armorial of sovereign states shows the coat of arms, national emblem, or seal for every sovereign state. Although some countries do not have an official national emblem, unofficial emblems which are de facto used as national emblems are also shown below.
The Coat of arms of the Republic of Latvia was officially adopted by the Constitutional Assembly of Latvia on 15 June 1921, and entered official use starting on 19 August 1921. It was created using new national symbols, as well as elements of the coats of arms of Polish and Swedish Livonia and of the Duchy of Courland and Semigallia. Thus, the coat of arms combines symbols of Latvian national statehood, as well as symbols of its historical regions. The Latvian national coat of arms was designed by Latvian artists Vilhelms Krūmiņš and Rihards Zariņš.
The coat of arms of Greece or national seal of Greece comprises a white Greek cross on a blue escutcheon, surrounded by two laurel branches. It has been in use in its current form since 1975. Prior to the adoption of the current coat of arms, Greece used a number of different designs, some of which were not heraldic; the first heraldic design was introduced in 1832 and its main element, the blue shield with the white cross, has been the base for all other national coats of arms since then. The design is a heraldic representation of the Greek national flag adopted in 1822, which featured a white cross on a blue field.
The current national emblem of Sudan was adopted in 1985.
Fama Diagne Sène is a Senegalese writer. Educated in Thiès, she became a teacher there. Ken Bugul listed her among "illustrious women" in Senegalese literature. In 1997, she won the presidential award for art and literature with Chant des ténèbres. Born to a Serer family, Fama's controversial play Mbilem ou le baobab du lion denounces Serer tradition and received great criticism from the Serer traditionalists of Senegal. The Mbilim is a religious festival in the Serer calendar, celebrated once a year and is equivalent to the new year. In pre-colonial times, right until recently, some Serer griots were buried in the trunks of a baobab tree rather than buried in a pyramid tomb with all the regalia dictated by Serer religion. Tomb burial and mummification were always given to the Serer nobility, but some Serer griots were not buried this way. In this play, she criticises this tradition and came head on with the Serer priestly class.
The coat of arms of the British Virgin Islands consists of a green escutcheon (shield) charged with a woman in a white dress and gold-coloured sandals, holding a lit golden oil lamp and surrounded by eleven other golden lamps. Adopted shortly after the islands became a Crown colony, it has been the coat of arms of the British Virgin Islands since 1960. The escutcheon dates from the early 19th century and is featured on the flag of the territory. The woman and the lamps represent Saint Ursula and her companions, the namesake of the islands.
The coat of arms of the Turks and Caicos Islands consists of a gold-coloured escutcheon (shield) charged with a conch shell, lobster and a cactus, supported by two flamingos, and topped with a pelican in the crest. Adopted three years after the islands became a Crown colony, it has been the coat of arms of the Turks and Caicos Islands since 1965. The escutcheon is featured on the flag of the territory. The previous badge featured two mounds of salt in front of a ship, with doors added to the mounds after they were reportedly mistaken for igloos.
The coat of arms of Jersey is the heraldic device consisting of a shield charged with three gold lions on a red field. Utilised unofficially before the 20th century, its status as the coat of arms of the Bailiwick of Jersey was formalized in 1907. The escutcheon is featured on the flag of the dependency.
The coat of arms of Togo was adopted on 14 March 1962. Since this Togolese national symbol does not follows the rules of heraldry for a traditional coat of arms, then it could be considered a national emblem instead.
The emblem of Mali is a national emblem consisting of a circle charged with a bird at the top, a mosque in the centre flanked by two bows and arrows, and the rising sun at the bottom. Adopted thirteen years after the country gained independence, it has been the seal of the Republic of Mali since 1973. It is utilized on official documents as a coat of arms.
The Serer religion, or a ƭat Roog, is the original religious beliefs, practices, and teachings of the Serer people of Senegal in West Africa. The Serer religion believes in a universal supreme deity called Roog. In the Cangin languages, Roog is referred to as Koox, Kopé Tiatie Cac, and Kokh Kox.
A national emblem is an emblem or seal that is reserved for use by a nation state or multi-national state as a symbol of that nation. Many nations have a seal or emblem in addition to a national flag.
A national coat of arms is a symbol which denotes an independent state in the form of a heraldic achievement. While a national flag is usually used by the population at large and is flown outside and on ships, a national coat of arms is normally considered a symbol of the government or the head of state personally and tends to be used in print, on armorial ware, and as a wall decoration in official buildings. The royal arms of a monarchy, which may be identical to the national arms, are sometimes described as arms of dominion or arms of sovereignty.
Albanian heraldry is the use of heraldic symbols in Albania. The earliest form of Albanian heraldry is from the late 12th century, with the creation of the first Albanian medieval state, the Principality of Arbanon in 1190. During the 13th to the 15th century, a great number of medieval Albanian noble families had at their coat of arms the symbol of eagle like the Kastrioti, Muzaka, Arianiti, Dukagjini, but the most prominent being the Kastrioti's coat of arms, having a black double headed eagle, which became a national symbol of the Albanians during Skanderbeg's reign in the 15th century, as well as the official national flag of Albania from 1912.
The coat of arms of Castile was the heraldic emblem of its monarchs. Historian Michel Pastoureau says that the original purpose of heraldic emblems and seals was to facilitate the exercise of power and the identification of the ruler, due to what they offered for achieving these aims. These symbols were associated with the kingdom, and eventually also represented the intangible nature of the national sentiment or sense of belonging to a territory.
