Samhan or the Three Kingdoms of Korea refers to the three kingdoms of Goguryeo, Baekje, and Silla. Goguryeo was later known as Goryeo, from which the modern name Korea is derived. The Three Kingdoms period is defined as being from 57 BC to 668 AD. The "Korean Three Kingdoms" contributed to what would become Korea; and the Goguryeo, Baekje and Silla peoples became what we know as the Korean people.
Gobeunok or Gogok are comma-shaped or curved beads and jewels that appeared from middle age of Mumun Period through the Three Kingdoms of Korea. The Gogok is posited by researchers to have been a symbol of prestige among Mumun culture community leaders as the tombs of presumably powerful figures were oftentimes accompanied by bronze daggers, stone daggers, and comma-shaped jewels. The Gogok's role as a symbol of prestige would carry onto the Three Kingdoms Period of Korea (as Gogok would remain a salient feature of Korean royal paraphernalia. They range in size range from 1 to 10 centimetres, and are oftentimes fashioned with a hole to be attached or threaded to another object. The origin of these comma-shaped jewels are posited by some to originate from the dragon-shaped jadeite ornament of the Hongshan culture of the Liao River Basin. However due to the spatial and temporal distance, most researchers have been skeptical of their genealogical relationship. The generally accepted interpretation in academia is that the form of the comma-shaped jewel originated from the canine teeth of predator animals as Magatama which first appeared in Japan in the Final Jōmon period or as a symbol of a half-moon sacred to moon worshippers, or as a symbol of fetus and or fertility.
Seong of Baekje was the 26th king of Baekje, one of the Three Kingdoms of Korea. He was a son of Muryeong of Baekje and is best known for making Buddhism the state religion, moving the national capital to Sabi, and reclaiming the center of the Korean Peninsula. His demise eventually came at the hands of an ally who betrayed him. The name Seong translates as 'The Holy.'
Gaya was a Korean confederacy of territorial polities in the Nakdong River basin of southern Korea, growing out of the Byeonhan confederacy of the Samhan period.
A National Treasure is a tangible treasure, artifact, site, or building which is recognized by the South Korean government as having exceptional artistic, cultural and historical value to the country. The title is one of the eight State-designated heritage classifications assigned by the administrator of the Cultural Heritage Administration (CHA) in accordance with the Cultural Heritage Protection Act after deliberation by the Cultural Heritage Committee.
Korean ceramic history begins with the oldest earthenware from around 8000 BC. Throughout the history, the Korean peninsula has been home to lively, innovative, and sophisticated art making. Long period of stability have allowed for the establishment of spiritual traditions, and artisan technologies specific to the region. Korean ceramics in Neolithic period have a unique geometric patterns of sunshine, or it's decorated with twists. In Southern part of Korea, Mumun pottery were popular. Mumun togi used specific minerals to make colors of red and black. Korean pottery developed a distinct style of its own, with its own shapes, such as the moon jar or Buncheong sagi which is a new form between earthenware and porcelain, white clay inlay celadon of Goryeo, and later styles like minimalism that represents Korean Joseon philosophers' idea. Many talented Korean potters were captured and brought to Japan during the invasions of Korea, where they heavily contributed to advancing Japanese pottery. Arita ware, founded by Yi Sam-pyeong opened a new era of porcelain in Japan. Another Japanese representative porcelain, Satsuma ware was also founded by Dang-gil Shim and Pyeong-ui Park. 14th generation of Su-kwan Shim have been using the same name to his grandfather and father to honor they are originally Korean, 14th Su-kwan Shim is honorable citizen of Namwon, Korea.
Korean arts include traditions in calligraphy, music, painting and pottery, often marked by the use of natural forms, surface decoration and bold colors or sounds.
The tradition of Korean jade carving dates back to neolithic finds along the Namgang river basin in Gyeongju. Jade rings and accessories made from both nephrite and jadeite were worn by the higher classes of society, especially women, from the three kingdoms period and reached their peak in the Joseon dynasty, the golden age of jadework. Carved jade artifacts found in Silla dynasty tombs appear to be made from jade originating from Japan and Taiwan, suggested sea trade of jade existed prior to the 5th century AD. Korean jadework often includes Buddhist motifs, cicadas, and small peanut-shaped or comma-shaped good luck talismans, as well as larger-scale architectural pieces. A gold crown featuring 58 hanging jade pendants and a gold girdle with 13 jade pendants were both found in the Silla-era tomb of an unknown king, called Cheonmachong, first excavated in 1973.
The Proto–Three Kingdoms period refers to the proto-historical period in the Korean Peninsula, after the fall of Gojoseon and before the maturation of Goguryeo, Baekje, and Silla into full-fledged kingdoms. It is a subdivision of what is traditionally called Korea's Three Kingdoms Period and covers the first three centuries of the Common Era, corresponding to the later phase of the Korean Iron Age.
The crowns of Silla were made in the Korean kingdom of Silla approximately in the 5th–7th centuries.
The National Museum of Korea is the flagship museum of Korean history and art in South Korea and is the cultural organization that represents Korea. Since its establishment in 1945, the museum has been committed to various studies and research activities in the fields of archaeology, history, and art, continuously developing a variety of exhibitions and education programs.
The Gilt-bronze Maitreya in Meditation is a gilt-bronze statue of what is believed to be the Maitreya, the future Buddha, in a semi-seated contemplative pose. It is commonly referred to as the Contemplative Bodhisattva, Pensive Bodhisattva, or Gilt-Bronze Seated Maitreya in English. In Korean it is frequently referred to as pan'gasayusang. It is the National Treasure of Korea No. 83.
The Crown of Baekje refers to several artifacts excavated that are believed to be the royal headgear of the kings, queens, and nobility of the Baekje Kingdom. Some of the crowns follow the same tradition as Silla crowns in that they share the tree-motif and the hints of shamanistic traditions. However, the diadems of the kings and queens suggest that Baekje people had a distinct tradition for their royal headgear.
Cheonmachong, formerly Tomb No.155 in South Korea, is a tumulus located in Gyeongju, South Korea. The name "Cheonmachong" means Sky horse tomb. This tomb was built in the style of Silla. Excavation of the tomb began on April 16, 1973 and is believed to date probably from the fifth century but perhaps from the sixth century CE. The tomb was for an unknown king of the Silla Kingdom.
The Gold Crown Tomb (Geumgwanchong), is a Silla tumulus located in modern-day Gyeongju, South Korea, the former capital of the ancient Silla Kingdom. Believed to date from the fifth or sixth century CE, the tomb was excavated in 1921. It was the first tomb that was found to contain a gold crown of the Silla royalty, and is still the largest crown excavated thus far. The tomb takes its name from the crown. Over 40,000 other artifacts were recovered from the tomb, including "gold, silver, and bronze vessels, gold and silver weapons, gilt-bronze plate armor, stoneware vessels, 20,000 mainly blue Indo-Pacific beads, and horse fittings."
Several gold girdles of Korea have been excavated. They were symbols of royalty and status, but lesser belts were also worn by governmental officials. These belts have been found in the tombs of Silla and Baekje kings, queens, and the lesser nobility. The lesser girdles can be distinguished based on their size, material, and color. All royal girdles follow a general scheme. The royal girdles are made from pure gold metal plates attached to each other and are adorned with many charms, such as gogok. The symbolism of these charms and their significance has yet been fully ascertained. The practice of wearing girdles probably derives from Chinese traditions. They were generally accessories that were either worn on a crown or pieces of jewellery that symbolized wealth.
The Tomb of King Muryeong, also known as Songsan-ri Tomb No. 7, is the ancient tumulus of King Muryeong, who ruled the Baekje from 501 to 523, and his queen. The rarity of intact Baekje tombs makes this one of the major archaeological discoveries in Korea and a crucial source for the understanding of Baekje, one of the Three Kingdoms of Korea.
Korean Buddhist sculpture is one of the major areas of Korean art. Buddhism, a religion originating in what is now India, was transmitted to Korea via China in the late 4th century. Buddhism introduced major changes in Korean society. The complexity of the religious sutras sent to Korea required the aristocrats who adopted the religion to become literate and required the training and importation of literate scribes. Little evidence of religious art exists in Korea before the introduction of Buddhism. Subsequent to its introduction, the religion inspired the production of devotional art as well as the beginnings of sophisticated temple architecture.
Yamato Japan and the Gaya Confederacy, which were located directly across the Korea Strait from one another, had very close diplomatic and commercial ties since prehistory until the conquest of Gaya by Silla in 562 AD.
The Gyerim-ro Dagger and Sheath are ornately decorated treasures that were excavated from an ancient Korean tomb from the Silla Kingdom in 1973. They are understood to originate from the Black Sea area, testifying to the expansiveness of the Silk Road network in the ancient world.
