A sphinx is a mythical creature with the head of a human, the body of a lion, and the wings of an eagle.
The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archaeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest hieroglyphic inscriptions ever found. The tablet is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. Along with the Scorpion Macehead and the Narmer Maceheads, also found together in the main deposit at Nekhen, the Narmer Palette provides one of the earliest known depictions of an Egyptian king. On one side, the king is depicted with the bulbed White Crown of Upper (southern) Egypt, and the other side depicts the king wearing the level Red Crown of Lower (northern) Egypt, which also makes it the earliest known example of a king wearing both types of headdress. The Palette shows many of the classic conventions of Ancient Egyptian art, which must already have been formalized by the time of the Palette's creation. The Egyptologist Bob Brier has referred to the Narmer Palette as "the first historical document in the world".
Lama, Lamma, or Lamassu is an Assyrian protective deity.
The Potnia Theron or Lady/Queen of Animals is a widespread motif in ancient art from the Mediterranean world and the ancient Near East, showing a central human, or human-like, female figure who grasps two animals, one to each side. Although the connections between images and concepts in the various ancient cultures concerned remain very unclear, such images are often referred to by the Greek term Potnia Theron regardless of culture of origin.
Nekhen, also known as Hierakonpolis was the religious and political capital of Upper Egypt at the end of prehistoric Egypt and probably also during the Early Dynastic Period.
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that bear relatively little resemblance to the original. In ancient Greek and Roman uses it is also known as the anthemion. It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics. It is very often a component of the design of a frieze or border. The complex evolution of the palmette was first traced by Alois Riegl in his Stilfragen of 1893. The half-palmette, bisected vertically, is also a very common motif, found in many mutated and vestigial forms, and especially important in the development of plant-based scroll ornament.
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.
In ancient Egypt, cats were represented in social and religious scenes dating as early as 1980 BC. Several ancient Egyptian deities were depicted and sculptured with cat-like heads such as Mafdet, Bastet and Sekhmet, representing justice, fertility, and power, respectively. The deity Mut was also depicted as a cat and in the company of a cat.
The Master of Animals, Lord of Animals, or Mistress of the Animals is a motif in ancient art showing a human between and grasping two confronted animals. The motif is very widespread in the art of the Ancient Near East and Egypt. The figure may be female or male, it may be a column or a symbol, the animals may be realistic or fantastical, and the human figure may have animal elements such as horns, an animal upper body, an animal lower body, legs, or cloven feet. Although what the motif represented to the cultures that created the works probably varies greatly, unless shown with specific divine attributes, when male the figure is typically described as a hero by interpreters.
The Gerzeh culture, also called Naqada II, refers to the archaeological stage at Gerzeh, a prehistoric Egyptian cemetery located along the west bank of the Nile. The necropolis is named after el-Girzeh, the nearby contemporary town in Egypt. Gerzeh is situated only several miles due east of the oasis of Faiyum.
The serpopard is a mythical animal known from ancient Egyptian and Mesopotamian art. The word "serpopard" is a modern coinage. It is a portmanteau of "serpent" and "leopard", derived from the interpretation that the creature represents an animal with the body of a leopard and the long neck and head of a serpent. However, they have also been interpreted as "serpent-necked lions". There is no known name for the creature in any ancient texts.
An oriental rug is a heavy textile made for a wide variety of utilitarian and symbolic purposes and produced in "Oriental countries" for home use, local sale, and export.
Lion Gate is the popular modern name for the main entrance of the Bronze Age citadel of Mycenae in southern Greece. It was erected during the thirteenth century BC, around 1250 BC, in the northwestern side of the acropolis. In modern times, it was named after the relief sculpture of two lionesses in a heraldic pose that stands above the entrance.
Cultural depictions of lions are known in countries of Afro-Eurasia. The lion has been an important symbol to humans for tens of thousands of years. The earliest graphic representations feature lions as organized hunters with great strength, strategies, and skills. In later depictions of human cultural ceremonies, lions were often used symbolically and may have played significant roles in magic, as deities or close association with deities, and served as intermediaries and clan identities.
The Bull Palette is the fragment of an Ancient Egyptian greywacke palette, carved in low relief and used, at least in principle, as a cosmetic palette for the grinding of cosmetics. It is dated to Naqada III, the final two centuries of the fourth millennium BC, immediately preceding the Early Dynastic Period). It is in the collection of the Louvre, inventory no. E11255.
Carpets of Middle-Eastern origin, either from Anatolia, Persia, Armenia, Levant, the Mamluk state of Egypt or Northern Africa, were used as decorative features in Western European paintings from the 14th century onwards. More depictions of Oriental carpets in Renaissance painting survive than actual carpets contemporary with these paintings. Few Middle-Eastern carpets produced before the 17th century remain, though the number of these known has increased in recent decades. Therefore, comparative art-historical research has from its onset in the late 19th century relied on carpets represented in datable European paintings.
The Manshiyat Ezzat Palette is an ornately adorned schist cosmetic palette from predynastic Egypt found at a cemetery in the eastern Delta town of Manshiyat Ezzat, Dakahlia Governorate. The gravesite is from Pharaoh Den's reign, First Dynasty of Egypt. The palette is of low to moderate bas relief.
Anatolian animal carpets represent a special type of pile-woven carpet, woven in the geographical region of Anatolia during the Seljuq and early Ottoman period, corresponding to the 14th–16th century. Very few animal-style carpets still exist today, and most of them are in a fragmentary state. Animal carpets were frequently depicted by Western European painters of the 14th–16th century. By comparison of the few surviving carpets with their painted counterparts, these paintings helped to establish a timeline of their production, and support our knowledge about the early Turkish carpet.
Persian art or Iranian art has one of the richest art heritages in world history and has been strong in many media including architecture, painting, weaving, pottery, calligraphy, metalworking and sculpture. At different times, influences from the art of neighbouring civilizations have been very important, and latterly Persian art gave and received major influences as part of the wider styles of Islamic art. This article covers the art of Persia up to 1925, and the end of the Qajar dynasty; for later art see Iranian modern and contemporary art, and for traditional crafts see arts of Iran. Rock art in Iran is its most ancient surviving art. Iranian architecture is covered at that article.
Silver-gilt bowl is a 7th century BC silver-gilt bowl. It is in the collection of the Metropolitan Museum of Art. It dates to c. 725–675 BC.
