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Tsimshian mythology is the mythology of the Tsimshian, an Aboriginal people in Canada and a Native American tribe in the United States. The majority of Tsimshian people live in British Columbia, while others live in Alaska.[ citation needed ]
Tsmishian myth is known from orally-passed tales. An adaawx(or true tellings) is a story concerning animal spirits in human guise and is usually linked to the origin of the Earth and the peoples on it. A malesk, in contrast, is an adventure or history tale that purports to entertain rather than explain.
The Raven spirit is known as We-gyet or Txamsem. [1] Txamsem is said to have a brother named Logobola who is responsible for the lack of fresh and clear water as well as the existence of the fog into which Txamsem became lost.
The Raven, known as Txamsem or Giant, is a central figure in Tsimshian mythology, part of the Raven Tales mythology connecting the indigenous peoples of the Pacific Northwest Coast. The Raven is viewed as the creator of the universe and an intermediary between its physical and spiritual incarnations. [2] : 160
Tsimshian creation myth presupposes a dark and still universe populated by a variety of animal spirits. [2] : 165 An animal chief pampers his son, causing him to fall sick and die, and his intestines are burned. The next day a new youth appears in the bed, healthy and visible in the darkness, "bright as fire." The boy is adopted by the chief. Initially, this boy does not eat, but slave spirits trick him into eating scabs. This triggers an enormous appetite in the boy, who begins to eat so much that the chief and villagers send him away with a raven blanket. The boy leaves, and becomes Raven. [2] : 165
As Raven arrives in the mainland, he is insatiably hungry, causing great disruptions to those he meets. At various points of the myth he serves as a trickster. [2] : 171 For example, after creating a slave from rotted wood, he disguises himself as a king and arrives in a village. The villagers tell the slave to invite Raven for dinner, but the slave says Raven is not hungry, and takes the food for himself. Raven builds a bridge from cabbage and as the slave crosses, he falls to his death. Raven descends into the valley to eat the food from the dead slave's belly. [2] : 171
As Raven begins to develop a sense of generosity, he hosts a potlatch, in which he shares food with many guests. As he speaks, he wishes they would all turn to stone, and they do, giving form to a previously immaterial world. [2] : 176
The thunderbird is a legendary creature in particular North American indigenous peoples' history and culture. It is considered a supernatural being of power and strength.
Cherokee spiritual beliefs are held in common among the Cherokee people – Native American peoples who are indigenous to the Southeastern Woodlands, and today live primarily in communities in North Carolina, and Oklahoma. Some of the beliefs, and the stories and songs in which they have been preserved, exist in slightly different forms in the different communities in which they have been preserved. But for the most part, they still form a unified system of theology.
Seneca mythology refers to the mythology of the Onödowáʼga:, one of the six nations of the Haudenosaunee from the northeastern United States and Canada.
Anansi is an Akan folktale character and the god of stories, wisdom, knowledge, and trickery, most commonly depicted as a spider, in Akan religion. Taking the role of a trickster, he is also one of the most important characters of West African, African American and West Indian folklore. Originating in Ghana, these spider tales were transmitted to the Caribbean by way of the transatlantic slave trade. Anansi is best known for his ability to outsmart and triumph over more powerful opponents through his use of cunning, creativity and wit. Despite taking on a trickster role, Anansi is often portrayed as a protagonist due to his ability to transform his apparent weaknesses into virtues. He is among several West African tricksters including Br'er Rabbit and Leuk Rabbit, who have persisted in popular culture globally.
The Indigenous peoples of the Americas comprise numerous different cultures. Each has its own mythologies, many of which share certain themes across cultural boundaries. In North American mythologies, common themes include a close relation to nature and animals as well as belief in a Great Spirit that is conceived of in various ways.
A nian beast is a beast in Chinese mythology. Nian live under the sea or in the mountains. The Chinese character nian more usually means "year" or "new year". The earliest written sources that refer to the nian as a creature date to the early 20th century. As a result, it is unclear whether the nian creature is an authentic part of traditional folk mythology, or a part of a local oral tradition that was recorded in the early 20th century. Nian is one of the key characters in the Chinese New Year. Scholars cite it as the reason behind several practices during the celebration, such as wearing red clothing and creating noise from drums and fireworks.
The Tsimshian are an Indigenous people of the Pacific Northwest Coast. Their communities are mostly in coastal British Columbia in Terrace and Prince Rupert, and Metlakatla, Alaska on Annette Island, the only reservation in Alaska.
Philippine mythology is the body of stories and epics originating from, and part of, the indigenous Philippine folk religions, which include various ethnic faiths distinct from one another. Philippine mythology is incorporated from various sources, having similarities with Indonesian and Malay myths, as well as Hindu, Muslim, Shinto, Buddhist, and Christian traditions, such as the notion of heaven, hell, and the human soul. Philippine mythology attempts to explain the nature of the world through the lives and actions of heroes, deities, and mythological creatures. The majority of these myths were passed on through oral tradition, and preserved through the aid of community spiritual leaders or shamans and community elders.
Amala is a mythological giant who supports the world in the mythology of the Tsimshian, Nass, Skidegate, Kaigani, Massett, and Tlingit Native Americans. He supports the Earth which he balances on a spinning pole. He receives an annual application of wild duck-oil to his muscles from a servant which brings relief to his muscles. The belief is that when all the ducks are hunted out, there will no longer be any duck-oil available in the world. At this point, Amala dies and the world topples off the pole and comes to an end.
Raven Tales are the traditional human and animal creation stories of the indigenous peoples of the Pacific Northwest Coast. They are also found among Athabaskan-speaking peoples and others. Raven stories exist in nearly all of the First Nations throughout the region but are most prominent in the tales of the Haida, Tsimshian, Tlingit and Tahltan people.
Coyote is a mythological character common to many cultures of the Indigenous peoples of North America, based on the coyote animal. This character is usually male and is generally anthropomorphic, although he may have some coyote-like physical features such as fur, pointed ears, yellow eyes, a tail and blunt claws. The myths and legends which include Coyote vary widely from culture to culture.
The mythology of the Miwok Native Americans are myths of their world order, their creation stories and 'how things came to be' created. Miwok myths suggest their spiritual and philosophical world view. In several different creation stories collected from Miwok people, Coyote was seen as their ancestor and creator god, sometimes with the help of other animals, forming the earth and making people out of humble materials like feathers or twigs.
Many references to ravens exist in world lore and literature. Most depictions allude to the appearance and behavior of the wide-ranging common raven. Because of its black plumage, croaking call, and diet of carrion, the raven is often associated with loss and ill omen. Yet, its symbolism is complex. As a talking bird, the raven also represents prophecy and insight. Ravens in stories often act as psychopomps, connecting the material world with the world of spirits.
Kutkh is a Raven spirit traditionally revered in various forms by various indigenous peoples of the Russian Far East. Kutkh appears in many legends: as a key figure in creation, as a fertile ancestor of mankind, as a mighty shaman and as a trickster. He is a popular subject of the animist stories of the Chukchi people and plays a central role in the mythology of the Koryaks and Itelmens of Kamchatka. Many of the stories regarding Kutkh are similar to those of the Raven among the indigenous peoples of the Pacific Northwest Coast, suggesting a long history of indirect cultural contact between Asian and North American peoples.
In mythology and the study of folklore and religion, a trickster is a character in a story who exhibits a great degree of intellect or secret knowledge and uses it to play tricks or otherwise disobey normal rules and defy conventional behavior.
West African mythology is the body of myths of the people of West Africa. It consists of tales of various deities, beings, legendary creatures, heroes and folktales from various ethnic groups. Some of these myths traveled across the Atlantic during the period of the Trans-Atlantic slave trade to become part of Caribbean, Cuban and Brazilian mythology.
The mythology of Indonesia is very diverse, the Indonesian people consisting of hundreds of ethnic groups, each with their own myths and legends that explain the origin of their people, the tales of their ancestors and the demons or deities in their belief systems. The tendency to syncretize by overlying older traditions with newer foreign ideas has occurred. For example, the older ancestral mythology might be merged with foreign mythology, such as Hindu, Islam, or Christian biblical mythology.
The Sea Tsar and Vasilisa the Wise is a Russian fairy tale published by author Alexander Afanasyev in his collection of Russian Fairy Tales, numbered 219. The tale features legendary characters Tsar Morskoi and Vasilisa the Wise.
The Goose Wife is a mythical female character that appears in tales from the Inuit and other ethnic groups that dwell across the circumpolar Arctic region. The usual story is that the geese alight on land, become women by taking off their goose-skins and bathe in a lake. However, they are unaware that a human hunter is spying on them, and he steals the goose-skin of one of them, forcing her to be his wife. Due to the great similarities between both characters, the goose wife has been compared to the swan maiden, another female that alternates between human and bird forms.
Taíno creation myths are symbolic narratives about the origins of life, the Earth, and the universe, intrinsically shaped from the nature of the tropical islands the Taíno inhabited. The Taíno people were the predominant indigenous people of the Caribbean and were the ones who encountered the explorer Christopher Columbus and his men in 1492. They flourished across much of the Caribbean for nearly 1,000 years before the arrival of Europeans and were one of the region’s most developed cultures.