West African mythology

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West African mythology is the body of myths of the people of West Africa. It consists of tales of various deities, beings, legendary creatures, heroes and folktales from various ethnic groups. Some of these myths traveled across the Atlantic during the period of the Trans-Atlantic slave trade to become part of Caribbean, African-American and Brazilian mythology. [1]

Contents

Mami Wata, a prominent figure from West African mythology Mami Wata poster.png
Mami Wata, a prominent figure from West African mythology

Written myths from West Africa were not established until the 1800s. [2] Most myths were passed from one generation to another orally. These myths were told by storytellers and grandparents. It is also told by griots in Mali and Senegal, Niger and northern Nigeria. [2] Elements and figures of West African mythology might sometimes be regarded as part of West Africa Traditional religion.

By Country

Benin

Mythology from Benin mostly comes from Dahomey. Several gods exist in the Dahomean Religion, with each having its own mythology. Myths of the Fon and Ewe people feature Aziza, fairy like creatures who live in the forest. According to legend, they provide good magic for hunters, and are also known to have given practical and spiritual knowledge to people. Common descriptions of Aziza people state that they are hairy people, and are said to live in anthills and silk-cotton trees. [3]

Gambia

In the Gambia, most folklore proposes the existence of Ninki Nanka; descriptions of this creature vary, but most contend that the animal is reptilian and possibly dragon-like. The Ninki Nanka lives in the swamps. It attracted mainstream attention when in 2006, a group of "dragon hunters" from the Centre for Fortean Zoology (CFZ) went to Gambia to investigate the Ninki Nanka and take testimony from those who have claimed to have seen the mythical creature. [4]

Ghana

In the Ewe folklore of Togo and Ghana, the Adze is a vampiric being that takes the form of a firefly, though it will transform into human shape upon capture. When in human form, the adze has the power to possess humans. In firefly form, the adze would pass through closed doors at night and suck blood from people as they slept. The victim would later fall sick and die. [5]

A similar mythology from the Akan people of southern Ghana, as well as Côte d'Ivoire, Togo [6] and 18th century Jamaica features creatures called Asasabonsam. These are vampire like beings who live in the forest and feed on people that wander around their home. An Asasabonsam is said to have iron teeth, pink skin, long red hair and iron hooks for feet. It lives in trees, attacking from above while in its humanoid form. It possesses bat-like features, including wings. [7] [8]

Obayifo is a vampire/witch-like mythological creature from the folklore of the Ashanti. In Ashanti folklore, obayifo are very common and may inhabit the bodies of any man or woman. They are described as having shifty eyes and being obsessed with food. When travelling at night, they are said to emit a phosphorescent light from their armpits and anus. The obayifo is similar to the Asiman of the Dahomey people, a creature that can shapeshift and fly, turning itself into a ball of light and hunting for prey in the night sky. [9]

Anansi, a trickster spider god from the Akan mythology, is also prevalent. He is often depicted in folktales interacting with the Supreme Being and other deities who frequently bestow him with temporary supernatural powers, such as the ability to bring rain or to have other duties performed for him. Some folkloric traditions portray Anansi as the son of the Earth Mother Asase Yaa. In others, Anansi is sometimes also considered an Abosom (lesser deity) in Akan spirituality, despite being commonly recognized as a trickster. [10] [11]

Mali

Malian mythology comes from a variety of ethnicities; among the Dogon people, Nommos are usually described as amphibious, hermaphroditic, fish-like creatures. Folk art depictions of Nommos show creatures with humanoid upper torsos, legs/feet, and fish-like lower torsos and tails. Nommo are the first living creatures. According to Dogon Astrology, the Nommos were inhabitants of a world circling the star Sirius. The Nommos descended from the sky in a vessel accompanied by fire and thunder. After arriving, the Nommos created a reservoir of water and subsequently dove into the water. The Dogon legends state that the Nommos required a watery environment in which to live. [12] [13]

Niger

In Niger mythology, Hira is a mythical monster which occurs in epic and folklore tales of the Songhai people, particularly the Bozo people; [14] its greatest opponent is Moussa Gname.

Zin are mythical water spirits that inhabit rivers and lakes in the mythology of the Songhai people, it is similar to the Zin Kibaru - a blind, river-dwelling spirit who commands fish. [15] [16]

Nigeria

The mythology of Nigeria is diverse because of the various ethnic groups that share the country. Elements of Yoruba mythology overlaps with Yoruba religion and include the Orisha, a pantheon of gods who are also venerated in the Candomble, Santeria, and Haitian Vodou religions in the African diaspora.

Another category of supernatural entity in Yoruban mythology is the Abiku, children from the spirit world who die before reaching puberty. Abiku also refers to the spirits which historically are said to inhabit trees. [17] [18]

Egbere are malevolent spirits that inhabit bushes and forests. They are seen at night. An Egbere is said to be short, own a small mat, and cry all the time. According to legend, anyone who takes the mat from it will become rich. [19] [20]

In the mythology of the Igbo people from southeast Nigeria, Ogbanje are evil spirits that are disguised as children, spirits who cause misfortune and grief. [21] It was believed that within a certain amount of time from birth (usually before puberty), the ọgbanje would deliberately die and then be reborn into the next child of the family before then repeating the cycle, causing much grief. The evil spirits are said to have stones called Iyi-uwa, which they bury somewhere secret. The Iyi-uwa serves as a talisman for the ọgbanje to return to the human world and to find its targeted family; destroying the Iyi-uwa cuts the connection of the ogbanje and frees the family from the torment. [22] [23]

In northern Nigeria, among the Kanuri people of the Borno Emirate in the Lake Chad region, beliefs of a form of werehyenas referred to as bultungin which translates into "I change myself into a hyena" exist. [24] It was once traditionally believed that one or two of the villages in the region was populated entirely by werehyenas, [25] such as Kabultiloa. [26]

Mami Wata are spirits or creatures that dwell in rivers and oceans. They are often described as mermaid-like figures, with a woman's upper body (often nude) and the hindquarters of a fish or serpent. In other tales, Mami Wata is fully human in appearance; though never human. The existence and spiritual importance of Mami Wata is deeply rooted in the ancient tradition and mythology of the coastal southern Nigeria. Mami Wata often carries expensive baubles such as combs, mirrors, and watches. Large snakes frequently accompany them, wrapping themselves around them and laying their heads between their breasts. Other times, a Mami Wata may try to pass as completely human, wandering through busy markets or patronising bars. She may also manifest in a number of other forms, including as a man. [27] [28] [29]

Hausa mythology stems from the indigenous Bori religion in Hausa land. Dodo is a mythical monster or bogey most times believed to Inhabit baobab and tamarind trees. He is described as a giant and has very long hair, and a tail. He is capable of swallowing full humans and animals. [30] Zankallala, is a tiny creature resembling a mouse, he carries a snake in his hand as a walking-stick, he wears a pair of scorpions as spurs, and a swarm of bees as a hat. He rides upon the jerboa, and flocks of birds attend him, to sing his praises, and to worry those with whom he fights. The zankallala is a folk hero who helps people attacked by Dodo. [30]

Tortoises (Yoruba: Ijapa, Igbo: Mbeku) are also part of Nigerian mythology, as they are considered to be tricksters and feature heavily in folklore of southern Nigeria while the hare (Hausa: Zomo) and Spider (Hausa: Gizzo) features heavily in northern Nigeria. [31] [32] [33]

Senegal

In the mythology of the Wolof people and Lebou people, Yumboes are supernatural beings who closely resemble European fairies. They are also called Bakhna Rakhna, which literally means good people. They are completely of a pearly-white colour. They are sometimes said to have silver hair. They stand about two feet tall.

The Yumboes live beneath the Paps hills and come out to dance in the moonlight. They feast on large tables, waited on by servants who are invisible except for their hands and feet. Yumboes eat corn, which they steal from the humans and fish. They invite both natives and foreigners to their feast. [34] [35]

Folktales

See also

Related Research Articles

<span class="mw-page-title-main">Orisha</span> Spirit that reflects one of the manifestations of Olodumare (God) in the Yoruba religious system

Orishas - correct spelling: singular - òrìṣà, plural - òrìṣàs - are divine spirits that play a key role in the Yoruba religion of West Africa and several religions of the African diaspora that derive from it, such as Cuban, Dominican and Puerto Rican Santería and Brazilian Candomblé. The preferred spelling varies depending on the language in question: òrìṣà is the spelling in the Yoruba language, orixá in Portuguese, and orisha, oricha, orichá or orixá in Spanish-speaking countries.

<span class="mw-page-title-main">Nommo</span> Primordial ancestral spirits in Dogon religion and cosmogony

The Nommo or Nummo are primordial ancestral spirits in Dogon religion and cosmogony venerated by the Dogon people of Mali. The word Nommos is derived from a Dogon word meaning "to make one drink." Nommos are usually described as amphibious, hermaphroditic, fish-like creatures. Folk art depictions of Nommos show creatures with humanoid upper torsos, legs/feet, and a fish-like lower torso and tail. Nommos are also referred to as "Masters of the Water", "the Monitors", and "the Teachers". Nommo can be a proper name of an individual or can refer to the group of spirits as a whole. For purposes of this article, "Nommo" refers to a specific individual and "Nommos" is used to reference the group of beings.

<span class="mw-page-title-main">Cosmic egg</span> Common motif in mythology and cosmogony

The cosmic egg, world egg or mundane egg is a mythological motif found in the cosmogonies of many cultures that is present in Proto-Indo-European culture and other cultures and civilizations. Typically, the world egg is a beginning of some sort, and the universe or some primordial being comes into existence by "hatching" from the egg, sometimes lain on the primordial waters of the Earth. Typically, the upper half of the egg, or its outer shell, becomes the heaven (firmament) and the lower half, or the inner yolk, becomes the Earth. The motif likely stems from simple elements of an egg, including its ability to offer nourishment and give rise to new life, as is reflected by the Latin proverb omne vivum ex ovo.

Haitian mythology consists of many folklore stories from different time periods, involving sacred dance and deities, all the way to Vodou. Haitian Vodou is a syncretic mixture of Roman Catholic rituals developed during the French colonial period, based on traditional African beliefs, with roots in Dahomey, Kongo and Yoruba traditions, and folkloric influence from the indigenous Taino peoples of Haiti. The lwa, or spirits with whom Vodou adherents work and practice, are not gods but servants of the Supreme Creator Bondye. A lot of the Iwa identities come from deities formed in the West African traditional regions, especially the Fon and Yoruba. In keeping with the French-Catholic influence of the faith, Vodou practioneers are for the most part monotheists, believing that the lwa are great and powerful forces in the world with whom humans interact and vice versa, resulting in a symbiotic relationship intended to bring both humans and the lwa back to Bondye. "Vodou is a religious practice, a faith that points toward an intimate knowledge of God, and offers its practitioners a means to come into communion with the Divine, through an ever evolving paradigm of dance, song and prayers."

<span class="mw-page-title-main">Mami Wata</span> African water spirit

Mami Wata is a water spirit venerated in West, Central, and Southern Africa and in the Afro-American diaspora. Mami Wata spirits are usually female but are sometimes male.

African-American folktales are the storytelling and oral history of enslaved African Americans during the 1700s-1900s. Prevalent themes in African-American folktales include tricksters, life lessons, heartwarming tales, and slavery. African Americans created folktales that spoke about the hardships of slavery and told stories of folk spirits that could outwit their slaveholders and defeat their enemies. These folk stories gave hope to enslaved people that folk spirits would liberate them from slavery. One of these heroes that they looked up to was the charming High John the Conqueror, who was a cunning trickster against his slave masters. He often empowered newly freed slaves, saying that if they needed him, his spirit would be in a local root. Other common figures in African-American folktales include Anansi, Brer Rabbit, and Uncle Monday. Many folktales are unique to African-American culture, while others are influenced by African, European, and Native American tales.

Abiku is a Yoruba word that can be translated as "predestined to death". It is from (abi) "that which was born" and (iku) "death".

<span class="mw-page-title-main">Colombian folklore</span>

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<span class="mw-page-title-main">Trickster</span> Literary archetype

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<i>Skin of the Sea</i> 2021 young adult novel by Natasha Bowen

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Amma is an African tribal deity – the supreme creator god in the Dogon religion. The Dogon story of the creation of the world relates that the sky god Amma mated with the earth goddess, and because Amma was prevented from joining the goddess's clitoris in the form of a giant termite mound, he produced only an imperfect offspring – a desert fox or jackal – and therefore eventually removed the termite mound. Leaving the earth, he instituted the religious ritual of female circumcision. After removing the termite mound, the god Amma with the earth goddess continued procreating and begat humans. Duality is central to Dogon religion, the heavenly forces also have a dual character: the supreme god Amma has androgynous characteristics. The birth of twins is celebrated among the Dogon with a special religious ritual, as twins refer to the original dual structure of creation and to the harmony between earthly and heavenly.

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Further reading