Related Research Articles
In folklore, crossroads may represent a location "between the worlds" and, as such, a site where supernatural spirits can be contacted and paranormal events can take place. Symbolically, it can mean a locality where two realms touch and therefore represents liminality, a place literally "neither here nor there", "betwixt and between".
Oduduwa was a Yoruba divine king, legendary founder of the Ife Empire and a creator deity (orisha) in the Yoruba religion. According to tradition, he was the holder of the title of the Olofin of Ile-Ife, the Yoruba holy city. He ruled briefly in Ife, and also served as the progenitor of a number of independent royal dynasties in Yorubaland.
Orishas are spirits that play a key role in the Yoruba religion of West Africa and several religions of the African diaspora that derive from it, such as Cuban, Dominican and Puerto Rican Santería and Brazilian Candomblé. The preferred spelling varies depending on the language in question: òrìṣà is the spelling in the Yoruba language, orixá in Portuguese, and orisha, oricha, orichá or orixá in Spanish-speaking countries.
Candomblé Ketu is the largest and most influential branch (nation) of Candomblé, a religion practiced primarily in Brazil. The word Candomblé means "ritual dancing or gather in honor of gods" and Ketu is the name of the Ketu region of Benin. Its liturgical language, known as yorubá or Nagô, is a dialect of Yoruba. Candomblé Ketu developed in the early 19th century and gained great importance to Brazilian heritage in the 20th century.
Little people have been part of the folklore of many cultures in human history, including Ireland, Greece, the Philippines, the Hawaiian Islands, New Zealand, Flores Island, Indonesia, and Native Americans.
The Yoruba religion, or Isese, comprises the traditional religious and spiritual concepts and practice of the Yoruba people. Its homeland is in present-day Southwestern Nigeria, which comprises the majority of Oyo, Ogun, Osun, Ondo, Ekiti, Kwara and Lagos States, as well as parts of Kogi state and the adjoining parts of Benin and Togo, commonly known as Yorubaland. It shares some parallels with the Vodun practiced by the neighboring Fon and Ewe peoples to the west and to the religion of the Edo people and Igala people to the east. Yoruba religion is the basis for a number of religions in the New World, notably Santería, Umbanda, Trinidad Orisha, and Candomblé. Yoruba religious beliefs are part of Itàn (history), the total complex of songs, histories, stories, and other cultural concepts which make up the Yoruba society.
Nana Buluku, also known as Nana Buruku, Nana Buku or Nanan-bouclou, is the female supreme being in the West African traditional religion of the Fon people and the Ewe people (Togo). She is one of the most influential deities in West African theology, and one shared by many ethnic groups other than the Fon people, albeit with variations. For example, she is called the Nana Bukuu among the Yoruba people and the Olisabuluwa among Igbo people but described differently, with some actively worshiping her while some do not worship her and worship the gods originating from her.
Haitian mythology consists of many folklore stories from different time periods, involving sacred dance and deities, all the way to Vodou. Haitian Vodou is a syncretic mixture of Roman Catholic rituals developed during the French colonial period, based on traditional African beliefs, with roots in Dahomey, Kongo and Yoruba traditions, and folkloric influence from the indigenous Taino peoples of Haiti. The lwa, or spirits with whom Vodou adherants work and practice, are not gods but servants of the Supreme Creator Bondye. A lot of the Iwa identities come from dieties formed in the West African traditional regions, especially the Fon and Yoruba. In keeping with the French-Catholic influence of the faith, Vodou practioneers are for the most part monotheists, believing that the lwa are great and powerful forces in the world with whom humans interact and vice versa, resulting in a symbiotic relationship intended to bring both humans and the lwa back to Bondye. "Vodou is a religious practice, a faith that points toward an intimate knowledge of God, and offers its practitioners a means to come into communion with the Divine, through an ever evolving paradigm of dance, song and prayers."
The Famished Road is a novel by Nigerian author Ben Okri, the first book in a trilogy that continues with Songs of Enchantment (1993) and Infinite Riches (1998). Published in London in 1991 by Jonathan Cape, The Famished Road follows Azaro, an abiku, or spirit child, living in an unnamed African city. The novel employs a unique narrative style, incorporating the spirit world with the "real" world in what some have classified as animist realism. Others have labelled the book African traditional religion realism, while still others choose simply to call the novel fantasy literature. The book exploits the belief in the coexistence of the spiritual and material worlds that is a defining aspect of traditional African life.
The traditional beliefs and practices of African people are highly diverse, including various ethnic religions. Generally, these traditions are oral rather than scriptural and are passed down from one generation to another through folk tales, songs, and festivals, and include beliefs in spirits and higher and lower gods, sometimes including a supreme being, as well as the veneration of the dead, and use of magic and traditional African medicine. Most religions can be described as animistic with various polytheistic and pantheistic aspects. The role of humanity is generally seen as one of harmonizing nature with the supernatural.
Babalú-Aye, Oluaye, Ṣọpọna, Ayé in Trinidad Orisha, or Obaluaiye, is one of the orishas or manifestations of the supreme creator god Olodumare in the Yoruba religion of West Africa. Babalú-Aye is the spirit of the Earth and strongly associated with infectious disease, and healing.
Durodola Durosomo Duroorike Timothy Adisa Ladipo, more commonly known as Duro Ladipo, was one of the best known and critically acclaimed Yoruba dramatists who emerged from postcolonial Africa. Writing solely in the Yoruba language, he captivated the symbolic spirit of Yoruba mythologies in his plays, which were later adapted to other media such as photography, television and cinema. His most famous play, Ọba kò so, a dramatization of the traditional Yoruba story of how Ṣango became the Orisha of Thunder, received international acclaim at the first Commonwealth Arts Festival in 1965 and on a Europe an tour, where a Berlin critic, Ulli Beier, compared Ladipọ to Karajan. Ladipo usually acted in his own plays.
Abiku is a Yoruba word that can be translated as "predestined to death". It is from (abi) "that which was born" and (iku) "death".
A soucouyant, among other names, is a kind of shape-shifting, blood-sucking hag present in Caribbean folklore.
Akpeteshie is a liquor produced by distilling palm wine or sugar cane, primarily in the region of Western Africa. It is the national spirit of Ghana. In Nigeria it is known as Ògógóró (Ogog'), a Yoruba word, usually distilled locally from fermented Raffia palm tree juice, where it is known as the country's homebrew. Today, there is a misconception that Ogogoro can be pure ethanol, but traditionally, it had to come from the palm tree and then be distilled from this source.
Various LGBT themes are present in different in African diasporic mythologies, primary among them being Voodoo.
Akan religion comprises the traditional beliefs and religious practices of the Akan people of Ghana and eastern Ivory Coast. Akan religion is referred to as Akom Although most Akan people have identified as Christians since the early 20th century, Akan religion remains practiced by some and is often syncretized with Christianity. The Akan have many subgroups, so the religion varies greatly by region and subgroup. Similar to other traditional religions of West and Central Africa such as West African Vodun, Yoruba religion, or Odinani, Akan cosmology consists of a senior god who generally does not interact with humans and many gods who assist humans.
West African mythology is the body of myths of the people of West Africa. It consists of tales of various deities, beings, legendary creatures, heroes and folktales from various ethnic groups. Some of these myths traveled across the Atlantic during the period of the Trans-Atlantic slave trade to become part of Caribbean, Cuban and Brazilian mythology.
Trinidad Orisha, also known as Orisha religion and Shango, is a syncretic religion in Trinidad and Tobago and the Caribbean, originally from West Africa. Trinidad Orisha incorporates elements of Spiritual Baptism, and the closeness between Orisha and Spiritual Baptism has led to use of the term "Shango Baptist" to refer to members of either or both religions. Anthropologist James Houk described Trinidad Orisha as an "Afro-American religious complex", incorporating elements mainly of traditional African religion and Yoruba and incorporates some elements of Christianity, Hinduism, Islam, Buddhism, Judaism, Baháʼí, and Amerindian mythologies.
References
- ↑ Crowther, Samuel; Vidal, Owen Emeric (1852). A Vocabulary of the Yoruba Language. Seeleys. p. 80.
- ↑ Dopamu, Ade. "The Yoruba Religious System". Africa Update 6.3 (1999): 2-17, p. 7.
- ↑ Jimoh, Shaykh Luqman. "The Yoruba concept of spirit husband and the Islamic belief in intermarriage between jinn and man: A comparative discourse". International Conference on Humanities, Literature and Management (ICHLM'15), Jan. 9-10, 2015, Dubai (UAE). 2015, p. 1.
 | This article relating to an African myth or legend is a stub. You can help Wikipedia by expanding it. |