Sculpture of Bangladesh

Last updated

Sculpture has been an indispensable part of Bangladeshi culture. Bangladesh was at times an important centre influencing stone sculpture in South Asia, especially in the post-Gupta and medieval periods. Terracotta reliefs are a particular local characteristic of Hindu temples (with figures) and mosques (without figures) in recent centuries.

Contents

Jagroto Chowrongi Jagroto Chowrongi.jpg
Jagroto Chowrongi

The earliest sculptures in Bangladesh discovered so far date back to the 3rd century BC. Since ancient times, sculptures have been serving as a substantial manifestation of the profound heritage of Bangladeshi culture and history.

Historic significance

Sculptures have been a key of source of rendering the historic identity of the ancient Bangladesh. Even though the art of sculptures in Bangladesh began almost 2500 years ago, it mostly flourished during the Gupta, Pala and Sena dynasty all of which belong to the early Middle Ages (1–1200 CE). Bengali Artists of Bengal Subah pioneered Ivory arts.

Gupta sculptures

The Gupta rulers were devoted Vaishnavas, and early Gupta sculptures are found to be mostly representations of Vishnu or any of his incarnations. The earliest example of this seems to be the Vishnu from Machmoil Bagmara in the district of Rajshahi carved in grey sandstone. The image shows a broken form of the god in a strict frontally standing pose. Though modelling and iconic features betray its early Gupta style, its aesthetic attainment is so negligible that it may be stylistically placed in a point of transition between the Kusana and the Gupta phases. The image is preserved with quite a number of other Vishnus of the Gupta period in the Varendra Research Museum. The Gupta sculptures of Bangladesh are mostly icons and their forms were determined by the characteristics of the gods as prescribed by the priests of Central India.

Pala sculptures

During more than four hundred years of Pala rule (8th–12th century AD), many centres of sculptural art flourished simultaneously in different regions of the extensive empire of Bangladesh. The products of these centres were not only varied but also numerous. Thousands of sculptures of this period have been discovered and they now form part of the collections of a number of museums in Bangladesh. Many of them have also found their ways into a number of museums in Europe and America. Most of these sculptures have been found through the excavations in Somapura Mahavihara. Pala sculpture derives its origins from the late Gupta style, but later on deviated from it.

Sena sculptures

A large number of sculptures representing Hindu gods and goddesses belong to the phase of artistic activity initiated under the Sena rulers (c 1097–1223 AD). From the artistic point of view, Sena sculpture is a continuation of the Pala style in vogue till the late 11th century AD. The slender body form of the late Pala period sculpture is retained in the Sena period, but the modelling quality shows a marked deterioration.

Mughal sculptures

Ivory sculptures were prevalent during Mughal rule in Bengal. The Mughals greatly patronised this industry. Emperor jahangir mentions in his autobiography that he permanently employed a number of ivory craftsmen. [1]

Ivory sculpture of Royal peacock barge of Nawabs of Bengal Royal Peacock Barge LACMA M.82.154.jpg
Ivory sculpture of Royal peacock barge of Nawabs of Bengal

Materials

Most of the ancient sculptures discovered in Bangladesh are made of Ivory, terracotta, bronze, black stone etc. The earliest sculptures were made of terracotta dating back as early as 3rd century BC. The trend of using bronze for sculptures started from the 7th century. The black stone sculptures also originated from that period.

Ivory

The ivory craft underwent some changes after the advent of the Muslims. Emperor Jahangir mentions in his autobiography that he permanently employed a number of ivory craftsmen. [2]

Terracotta

The history of terracotta sculpture in Bangladesh starts from the Mauryan age (324–187 BC). It is believed that in pre-Mauryan times it was the Matrika (Mother-Goddess) statues that dominated. From the presentation and aesthetic standard of the Mauryan sculpture it can be inferred that the art had a long and continuous heritage. These sculptures became much more elegant, refined, well-shaped and worldly in the 2nd and 1st centuries BC. Decorative carved or moulded plaques of terracotta (the same material as the brick) are a special feature of Bengal Sultanate art. Muslim terracotta art in Bengal thus developed a hybrid style with a distinct personality of its own. Terracotta was raised to the status of a major art in Muslim architectural ornamentation. [3]

Bronze

The trend of using bronze in sculptures started in the 7th century CE mainly from the Chittagong region. As the region was dominated by believers of Buddhism, most of these earliest bronze sculptures were depictions of Gautam Buddha. However, later on sculptures depicting the Hindu deities were also made with bronze.

Black stone

Stone sculptures so far discovered from Bangladesh that are assignable to the first three centuries of the Common era are few. These sculptures in general represent a style, which is, in the development of the art in North India, recognised as related to the Kusanas. The centre of the art was Mathura, which evolved during the period the images of the deities worshipped by the followers of the three major religions of the time, namely, Brahmanism, Buddhism and Jainism.

Religious depictions

The Bangladeshi sculptures, especially those belonging to the ancient and early Middle Ages mostly depict the Hindu deities and the deities worshiped by the Buddhists, especially Gautam Buddha. Thus, these sculptures can be divided in two major categories considering their religious significance.

Hindu sculptures

Sculptures depicting the Hindu deity fall in this category. The beginning of the art of Hindu sculptures is believed to be from the Gupta period. Most of these sculptures depicts the Hindu deity called Vishnu. Many of them also depict the deities namely Durga, Brahma, Ganesha and others. Mahishamardini figure from Sarsabaz, Bogra, now in the Mahasthangarh Museum is the most magnificent early image of the deity not only from Bangladesh but from the Indian Subcontinent.

Buddhist sculptures

These sculptures mostly depict the Gautam Buddha and Buddhist believes. The oldest Buddhist sculptures in Bangladesh are believed to be the belongings of the ancient kingdom of Pundravardhana. These sculptures are discovered from the archaeological sites, most of which situated in the Rajshahi and Rangpur region of the country.

Modern sculptures

Aparajeyo Bangla Aparajeyo Bangla.jpg
Aparajeyo Bangla

Sculptures, created after the independence of Bangladesh can be referred as modern sculptures. Most of these sculptures depict the gallant struggle of Bangladeshis during the Bangladesh liberation war. Some notable sculptures depicting the liberation war are Aparajeyo Bangla, Shabash Bangladesh, Jagroto Chowrongi, Pataka Ekattor by Rupam Roy, Imran Hossain Piplu and Muhammad Ziaul Huq Shimul etc. Nitun Kundu, Shyamal Choudhury, Mrinal Haque are some of the notable modern sculptors.

Related Research Articles

<span class="mw-page-title-main">Varendra Research Museum</span> Museum and research centre in Rajshahi, Bangladesh

Varendra Museum is a museum, research centre, and popular visitor attraction at the heart of Rajshahi and maintained by Rajshahi University in Bangladesh. It is considered the oldest museum in Bangladesh. It was the first museum to be established in East Bengal in 1910. The museum started out as the collection for Varendra Anushandan Samiti and got its current name in 1919. The Rajahs of Rajshahi and Natore, notably prince Sharat Kumar Ray, donated their personal collections to Varendra Museum. Varendra refers to an ancient Janapada roughly corresponding to modern northern Bangladesh.

<span class="mw-page-title-main">History of Bengal</span>

The history of Bengal is intertwined with the history of the broader Indian subcontinent and the surrounding regions of South Asia and Southeast Asia. It includes modern-day Bangladesh and the Indian states of West Bengal, Tripura and Assam's Karimganj district, located in the eastern part of the Indian subcontinent, at the apex of the Bay of Bengal and dominated by the fertile Ganges delta. The region was known to the ancient Greeks and Romans as Gangaridai, a powerful kingdom whose war elephant forces led the withdrawal of Alexander the Great from India. Some historians have identified Gangaridai with other parts of India. The Ganges and the Brahmaputra rivers act as a geographic marker of the region, but also connects the region to the broader Indian subcontinent. Bengal, at times, has played an important role in the history of the Indian subcontinent.

<span class="mw-page-title-main">Bogra District</span> District in Rajshahi Division, Bangladesh

Bogra District, officially Bogura District since April 2018, is a district in the northern part of Bangladesh, in the Rajshahi Division. Bogra is an industrial city where many small and mid-sized companies are sited. Bogra was a part of the Pundravardhana territory of ancient Bengal and the ruins of its capital can be found in northern Bogra.

<span class="mw-page-title-main">Chandra dynasty</span> Ancient Indian dynasty of Bengal region

The Chandra dynasty was a Buddhist dynasty, originating from the South East Bengal region of Indian subcontinent, which ruled the Samatata area of Bengal, as well as Arakan. Later it was a neighbor to the Pala Empire to the north. Rulers of Chandra kingdom were adherents of Buddhism. The Kings of Chandra dynasty were identified as the kings of Vangaladesha in the Tirumulai inscription of Chola dynasty. The dynasty was founded around the 4th century AD.

<span class="mw-page-title-main">Kamboja Pala dynasty</span> Historical dynasty ruling parts of Bengal in the 10th-11th centuries

The Kamboja-Pala dynasty ruled parts of Bengal in the 10th to 11th centuries CE, after invading the Palas during the reign of Gopala III. The last Kamboja ruler of the Kamboja-Pala Dynasty Dharmapala was defeated by the south Indian Emperor Rajendra Chola I of the Chola dynasty in the 11th century.

<span class="mw-page-title-main">Bikrampur</span> Former administrative unit in Bangladesh

Bikrampur was a historic region and a sub-division of Dhaka within the Bengal Presidency during the period of British India. Located along the banks of the Padma River, it was a significant cultural and political centre in Bengal. Today, the region is part of the Munshiganj District in Bangladesh.

<span class="mw-page-title-main">Sculpture in the Indian subcontinent</span>

Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.

<span class="mw-page-title-main">History of Dhaka</span> History of the capital city of Bangladesh

Dhaka (Dacca) is a modern megacity with origins dating from 500 BC to 200 BC. The history of Dhaka region begins with the existence of urbanised settlements that were ruled by Gangaridai, Gupta Empire, Gauda Kingdom and Buddhist or Shaivite Pala Empire before passing to the control of the Hindu Sena dynasty in the 10th century CE. After the reign of Sena dynasty, the region was ruled by the Hindu Deva dynasty.

<span class="mw-page-title-main">Tajhat Palace</span> Historic palace of Bangladesh

Tajhat Palace is a historic palace of Bangladesh, located in Tajhat, Rangpur. This palace now holds the Rangpur museum. Tajhat Palace is situated six km. south-east of the city of Rangpur, on the outskirts of town.

<span class="mw-page-title-main">Culture of Bengal</span> Overview of the Bengali culture

The culture of Bengal defines the cultural heritage of the Bengali people native to eastern regions of the Indian subcontinent, mainly what is today Bangladesh and the Indian states of West Bengal and Tripura, where they form the dominant ethnolinguistic group and the Bengali language is the official and primary language. Bengal has a recorded history of 1,400 years. After the partition, Bangladeshi culture became distinct from the mainstream Bengali culture, thus their culture evolved differently, still there are many commonalities in Bangladeshi culture & West Bengali culture which connects them both together as Bengali culture.

Narayanapala was the seventh emperor of the Pala Empire of the Eastern regions of the Indian subcontinent, mainly the Bengal and Bihar regions.

<span class="mw-page-title-main">Somapura Mahavihara</span> Ancient Buddhist monastery in Bangladesh

Somapura Mahavihara or Paharpur Buddhist Vihara in Paharpur, Badalgachhi, Naogaon, Bangladesh is among the best known Buddhist viharas or monasteries in the Indian Subcontinent and is one of the most important archaeological sites in the country. It was designated as a UNESCO World Heritage Site in 1985. It is one of the most famous examples of architecture in pre-Islamic Bangladesh. It dates from a period to the nearby Halud Vihara and to the Sitakot Vihara in Nawabganj Upazila of Dinajpur District.

Chandbibi (চাঁদবিবি) is a Hindu goddess and folk deity in Bengal, worshipped in conjunction with the goddesses Oladevi, Ajgaibibi, Jholabibi, Bahadabibi, Jhetunebibi and Asanbibi.

Ballāla Sena or Ballal Sen, also known as Ballal Sen in vernacular literature, was the second ruler of the Sena dynasty of Bengal region of the Indian subcontinent. He was the son and successor of Vijaya Sena, and ended the Pala Empire by defeating Govinda Pala.

Chandradwip or Chandradvipa is a small region in Barisal District, Bangladesh. It was the ancient and medieval name of Barishal.

<span class="mw-page-title-main">Pundranagar</span> Also named as Paharpur

Pundranagar in Paundrabhukti was the most important city in the ancient Bengal region, now identified with the current site of Mahasthan, located in Bogra, Bangladesh. It was a vibrant administrative, religious and cultural centre from the 3rd century BC to the 12th century AD that is from the Maurya Empire time to the Sena dynasty period. Archaeological remains and literary descriptions speak of a truly planned and magnificent city. City walls, elaborate gates, palaces, common dwellings, assembly halls, temples, viharas, shops, ponds and even suburban temples and viharas characterised the city; Chinese pilgrim, Xuanzang, visiting in the 7th century AD, particularly mentions ponds, orchards, flowers and pleasure gardens.

<span class="mw-page-title-main">Bangladeshi art</span>

Bangladeshi art is a form of visual arts that has been practiced throughout the land of what is now known as Bangladesh. Bangladeshi art has a perennial history which originated more than two thousand years ago and is practiced even to this date. Among the various forms of Bangladeshi art, photography, architecture, sculpture and painting are the most notable.

<span class="mw-page-title-main">Bengali Muslims</span> Bengalis who follow Islam

Bengali Muslims are adherents of Islam who ethnically, linguistically and genealogically identify as Bengalis. Comprising about two-thirds of the global Bengali population, they are the second-largest ethnic group among Muslims after Arabs. Bengali Muslims make up the majority of Bangladesh's citizens, and are the largest minority in the Indian states of West Bengal, Tripura and Assam.

<span class="mw-page-title-main">History of Jessore</span> Region of Bangladesh

The Greater Jessore region predominantly includes the districts of Jessore, Jhenaidah, Narail and Magura in Bangladesh, as well as the Bangaon subdivision of India. Nestled close to the Sundarbans, the region experienced human settlement early on. It served as the capital city of the Samatata realm and passed through several Buddhist and Hindu kingdoms such as the Palas and Senas. Jessore was ruled by Khan Jahan Ali of Khalifatabad, under the Muslim Sultanate of Bengal, who is credited with establishing the Qasbah of Murali and urbanising the region through advancements in transportation and civilization. Jessore later came to be ruled by various chieftains such as Pratapaditya and became familiar to contemporary European travellers as Chandecan before being annexed to the Mughal Empire in the seventeenth century. By 1757, the British East India Company had dominated and started to establish themselves in the region. British rule lasted up until 1947, with Jessore coming under the Provisional Government of Bangladesh from 1971 onwards.

References