Main Course | ||||
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Studio album by the Bee Gees | ||||
Released | June 1975 (US) August 1975 (UK) | |||
Recorded | 6 January – 21 February 1975 | |||
Studio | ||||
Genre | ||||
Length | 40:56 | |||
Label | RSO | |||
Producer | Arif Mardin | |||
The Bee Gees chronology | ||||
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Singles from Main Course | ||||
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Main Course is the thirteenth studio album (eleventh worldwide) by the Bee Gees, released in 1975 by RSO Records. It was the group's last album to be released by Atlantic Records in the US under its distribution deal with Robert Stigwood. This album marked a great change for the Bee Gees as it was their first album to include mostly R&B, soul and funk-influenced songs, and created the model for their output through the rest of the 1970s. It rejuvenated the group's career and public image, particularly in the US, after the commercial disappointment of their preceding albums. Main Course was the first album to feature keyboardist Blue Weaver who had just left the Strawbs and toured with Mott the Hoople. The album cover with the band's new logo designed by US artist Drew Struzan made its first appearance here.
Working with Atlantic producer Arif Mardin, who had also produced their previous album, Mr. Natural , and engineer Karl Richardson at Criteria Studios in Miami, their music became much more influenced by Funk sound over a base of R&B style being produced in Miami at the time. Main Course also featured the first prominent use of Barry Gibb's falsetto. From Mr. Natural , the brothers retained new drummer Dennis Bryon and longtime lead guitarist Alan Kendall but added a new keyboard player, Bryon's former Amen Corner colleague Blue Weaver, who would become one of only a small handful of non-Gibb musicians to receive composition credits on Bee Gees songs. At the suggestion of Eric Clapton, the Bee Gees moved to Criteria Studios in Miami, to start recording their next album. Barry recalled Clapton's suggestion when he was trying to make a comeback: "Eric said, 'I've just made an album called 461 Ocean Boulevard in Miami. Why don't you guys go to America and do the same and maybe the change of environment will do something for you?' I think it was really good advice." [1]
Maurice Gibb, on the other hand, cites their manager Robert Stigwood as the first to suggest Miami as the best place to record new songs. "He [Robert] showed us the picture on the cover [of 461 Ocean Boulevard] and said, 'You can rent that place and live there and record and get a sun tan.' We decided that it was our big chance to get serious about our music again so we went out there and did Main Course." [1]
According to producer Arif Mardin, when the Bee Gees arrived in Florida to record new material, he discovered that at the time, they were listening to a lot of American R&B groups' songs; as Mardin was known as an R&B producer, he suggested that they also listen to several high-charting R&B artists such as Stevie Wonder for an idea as to the kind of music he felt they should be making. [1]
The band's sound became more technologically current with Mardin's incorporation of modern synthesizers and dual bass lines (the synthesizer bass was played by Blue Weaver and bass guitar by Maurice Gibb) on many of the songs, which started when Weaver decided to overdub a synthesizer bass line on the original demo of "Jive Talkin'." Weaver later commented that "nothing new has been invented to make such a tremendous difference to the sound as the synthesizer did, compared to an orchestra." [1]
At first, the brothers were still writing in their old ways, with many of the songs being slower rock ballads. The first song recorded for the album was an unreleased track "Was It All in Vain?". The next songs recorded were "Country Lanes" and "Wind of Change". After co-producer Robert Stigwood heard these songs, he urged them to record in a more R&B style and "Wind of Change" was re-recorded again in February in its more familiar version. Another unreleased track, "Your Love Will Save the World" was recorded on 9 January, though it was later recorded by Percy Sledge. Once the Gibb brothers changed their style of writing, songs like "Jive Talkin'", "Nights on Broadway" and "Edge of the Universe" were recorded with an R&B influence, though ballads like "Songbird" and "Come on Over" were more country than R&B. The final song recorded for the album was "Baby As You Turn Away" which featured Barry singing the verses in falsetto, though not the strong falsetto which he would develop and use on future songs like "You Should Be Dancing" and "Stayin' Alive". [2]
Review scores | |
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Source | Rating |
AllMusic | [3] |
Christgau's Record Guide | B+ [4] |
Encyclopedia of Popular Music | [5] |
The Great Rock Discography | 7/10 [6] |
Rolling Stone | (ambivalent) [7] |
The Rolling Stone Album Guide | [8] |
The album peaked at No. 14 on the US Billboard album chart in 1975 and remained on Billboard's Top 200 albums chart for 74 weeks until December 1976 on the strength of its three singles that charted on Billboard's single chart: "Fanny (Be Tender with My Love)" at No. 12, "Nights on Broadway" at No. 7, and "Jive Talkin'" at No. 1. A live version of a fourth song, "Edge of the Universe" from the album Here at Last... Bee Gees... Live , reached No. 26. "Come on Over" later became a moderate hit (#23) in a cover version by country/pop artist Olivia Newton-John. The album also peaked No. 1 at the Canada's RPM Albums Chart.
No. | Title | Writer(s) | Lead vocal(s) | Length |
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1. | "Nights on Broadway" | Barry Gibb, Robin Gibb, Maurice Gibb | Barry and Robin | 4:36 |
2. | "Jive Talkin'" | Barry Gibb, Robin Gibb, Maurice Gibb | Barry | 3:47 |
3. | "Wind of Change" | Barry Gibb, Robin Gibb | Barry and Robin | 5:01 |
4. | "Songbird" | Barry Gibb, Robin Gibb, Maurice Gibb, Blue Weaver | Barry | 3:35 |
5. | "Fanny (Be Tender with My Love)" | Barry Gibb, Robin Gibb, Maurice Gibb | Barry and Robin | 4:06 |
No. | Title | Writer(s) | Lead vocal(s) | Length |
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1. | "All This Making Love" | Barry Gibb, Robin Gibb | Barry and Robin | 3:03 |
2. | "Country Lanes" | Barry Gibb, Robin Gibb | Robin (with Barry) | 3:31 |
3. | "Come On Over" | Barry Gibb, Robin Gibb | Robin and Barry | 3:27 |
4. | "Edge of the Universe" | Barry Gibb, Robin Gibb | Barry and Robin | 5:25 |
5. | "Baby As You Turn Away" | Barry Gibb, Robin Gibb, Maurice Gibb | Barry | 4:29 |
Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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Canada (Music Canada) [18] | 2× Platinum | 200,000^ |
United States (RIAA) [19] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
The Bee Gees were a musical group formed in 1958 by brothers Barry, Robin, and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in the mid-to-late 1970s.
Saturday Night Fever is the soundtrack album from the 1977 film Saturday Night Fever starring John Travolta. The soundtrack was released on November 15, 1977 by RSO Records. Prior to the release of Thriller by Michael Jackson, Saturday Night Fever was the best-selling album in music history, and still ranks among the best-selling soundtrack albums worldwide, with sales figures of over 40 million copies.
Mr. Natural is the twelfth studio album by the Bee Gees, released in 1974. It was the first Bee Gees release produced by Arif Mardin, who was partially responsible for launching the group's later major success with the follow-up album Main Course. The album's rhythm and blues, soul, funk, and hard rock sounds initiated the group's reinvention as a disco and blue-eyed soul act, which would solidify on subsequent albums. However, Barry Gibb has said that the album was "whiter" than Main Course. The cover photograph was taken at 334 West 4th Street, Greenwich Village, New York City by Frank Moscati, which is today known as The Corner Bistro tavern.
"Night Fever" is a song written and performed by the Bee Gees. It first appeared on the soundtrack to Saturday Night Fever on RSO Records. Producer Robert Stigwood wanted to call the film Saturday Night, but singer Robin Gibb expressed hesitation at the title. Stigwood liked the title Night Fever but was wary of marketing a movie with that name. The song bounded up the Billboard charts while the Bee Gees’ two previous hits from Saturday Night Fever soundtrack were still in the top ten. The record debuted on the Billboard Hot 100 Chart at #76, then leaped up 44 positions to #32. It then moved: 32–17–8–5–2–1. It remained at #1 for eight weeks, and ultimately spent 13 weeks in the top 10. For the first five weeks that "Night Fever" was at #1, "Stayin' Alive" was at #2. Also, for one week in March, Bee Gees related songs held five of the top positions on the Hot 100 chart, and four of the top five positions, with "Night Fever" at the top of the list. The B-side of "Night Fever" was a live version of "Down the Road" taken from the Bee Gees 1977 album, Here at Last... Bee Gees... Live.
"Nights on Broadway" is a song by the Bee Gees from the Main Course album released in 1975. The second single released from the album, it immediately followed their number-one hit "Jive Talkin'". This track was credited to Barry, Robin and Maurice Gibb.
"Jive Talkin'" is a song by the Bee Gees, released as a single in May 1975 by RSO Records. This was the lead single from the album Main Course and hit number one on the Billboard Hot 100; it also reached the top-five on the UK Singles Chart in the middle of 1975. Largely recognised as the group's comeback song, it was their first US top-10 hit since "How Can You Mend a Broken Heart" (1971).
"Love You Inside Out" is a 1979 hit single by the Bee Gees from their album, Spirits Having Flown. It was their last chart-topping single on the Billboard Hot 100, interrupting Donna Summer's "Hot Stuff", becoming the third single from the album to do so. In the UK, the single peaked at No. 13 for two weeks. It was the ninth and final number-one hit for the Bee Gees in the US, and the twelfth and final number-one hit in Canada as well. The trio would not return to the top 10 for ten years, with the song, "One".
Children of the World is the fourteenth studio album by the Bee Gees, released in 1976 by RSO Records. The first single, "You Should Be Dancing", went to No. 1 in the US and Canada, and was a top ten hit in numerous other territories. The album was re-issued on CD by Reprise Records and Rhino Records in 2006. This was the first record featuring the Gibb-Galuten-Richardson production team which would have many successful collaborations in the following years.
"You Should Be Dancing" is a song by the Bee Gees, from the album Children of the World, released in 1976. It hit No. 1 for one week on the American Billboard Hot 100, No. 1 for seven weeks on the US Hot Dance Club Play chart, and in September the same year, reached No. 5 on the UK Singles Chart. The song also peaked at No. 4 on the Billboard Soul chart. It was this song that first launched the Bee Gees into disco. It was also the only track from the group to top the dance chart.
Living Eyes is the sixteenth studio album by the Bee Gees, released in 1981. It was the band's final album on RSO Records, which would be absorbed into Polydor and subsequently discontinued. The album showcased a soft rock sound that contrasted with their disco and R&B material of the mid-to-late 1970s; having become a prominent target of the popular backlash against disco, the Bee Gees were pressured to publicly disassociate from the genre.
E.S.P. is the seventeenth studio album by the Bee Gees released in 1987. It was the band's first studio album in six years, and their first release under their new contract with Warner Bros. It marked the first time in twelve years the band had worked with producer Arif Mardin, and was their first album to be recorded digitally. After the band's popularity had waned following the infamous Disco Demolition Night of 1979, the Gibb brothers had spent much of the early 1980s writing and producing songs for other artists, as well as pursuing solo projects, and E.S.P. was very much a comeback to prominence. The album sold well in Europe, reaching No. 5 in the UK, No. 2 in Norway and Austria, and No. 1 in Germany and Switzerland, though it failed to chart higher than No. 96 in the US. The album's first single, "You Win Again", reached No. 1 in the UK, Ireland, Switzerland, Germany, Austria and Norway.
"Edge of the Universe" is a rock song by the Bee Gees, written by Barry and Robin Gibb from the album Main Course released in 1975, and also released as a B-side of "Nights on Broadway".
Here at Last... Bee Gees... Live is the first live album by the Bee Gees. It was recorded on December 20, 1976 at the LA Forum and was released in May 1977 by RSO Records. It reached No. 8 in the US, No. 8 in Australia, No. 1 in New Zealand, and No. 2 in Spain.
"Mr. Natural" is a song by the Bee Gees, written by Barry and Robin Gibb. On 29 March 1974, it was released as a single and also released on the album of the same name in 1974. It was backed with a folk rock number "It Doesn't Matter Much to Me". The group's first single which was produced by Arif Mardin.
"Wouldn't I Be Someone" is a song by the Bee Gees. It was released on 22 June 1973 in the United Kingdom and in July 1973 in the United States. The photo on the cover of the single was also used on Best of Bee Gees, Volume 2.
"Boogie Child" is the third hit single from the Bee Gees' 1976 platinum album Children of the World, released in the US in early 1977. The song peaked at no. 12 on the Billboard Hot 100 as an A-side and was then used as the B-side of the single "Children of the World" in the UK. It was the last song recorded by the Bee Gees for their album Children of the World.
"Fanny (Be Tender with My Love)" is a song written and performed by the Bee Gees for their Main Course album in 1975. It was the third single release from the album, peaking at number 12 on the United States Billboard Hot 100 and number two in Canada. According to Maurice Gibb, producer Quincy Jones called "Fanny" one of his favorite R&B songs of all time.
"Spirits (Having Flown)" is a song by the Bee Gees which was originally released on the 1979 album Spirits Having Flown. Though not issued as a single in conjunction with the parent album, it was released in the UK to promote the compilation Greatest, which was released in December 1979. Its B-side was a 1975 song "Wind of Change" from the group's Main Course.
"You Stepped into My Life" is a song released by the Bee Gees in September 1976 on the album Children of the World. It was also released as the B-side of "Love So Right". Written by Barry, Robin & Maurice Gibb.
How Old Are You? is the second solo album released by British singer Robin Gibb in 1983, thirteen years after his debut Robin's Reign in 1970. The album was not a great success in America and failed to chart in Britain but it did spawn an international hit in "Juliet" which topped the charts in Germany. The album reached No. 6 in Germany. The album was produced by Robin and Maurice Gibb with Dennis Bryon.