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Here at Last... Bee Gees... Live | ||||
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Live album by the Bee Gees | ||||
Released | May 1977 | |||
Recorded | 20 December 1976 | |||
Venue | The Forum, Los Angeles, California | |||
Genre | ||||
Length | 84:05 | |||
Label | RSO | |||
Producer |
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The Bee Gees chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
The Rolling Stone Album Guide | [2] |
Here at Last... Bee Gees... Live is the first live album by the Bee Gees. It was recorded on December 20, 1976 at the LA Forum and was released in May 1977 by RSO Records. It reached No. 8 in the US, No. 8 in Australia, No. 1 in New Zealand, and No. 2 in Spain.
Here at Last was the first official live recording released by the Bee Gees though many bootlegs have existed throughout the years of earlier performances. The concert was filmed and a TV special was planned, but after reviewing the footage of the Bee Gees were unhappy with the quality of the video so it has not been released. A single from the concert "Edge of the Universe" was released in Canada and the US where it hit No. 16 and No. 26 respectively on the singles charts. A promo single with "Lonely Days" live was released in the US, but did not chart.
The album was recorded at the LA Forum on December 20, 1976 and Barry Gibb can be heard wishing the audience a Merry Christmas at the end.
The content of the show consisted chiefly of songs that had been hit singles plus songs from the recent hit albums Main Course and Children of the World . There was also a rendition of "Down the Road" from the more obscure 1974 album Mr. Natural .
The album was originally released as a 2 part LP record and was later released as a 2-disc CD in 1990.
All compositions by Barry, Robin and Maurice Gibb except where noted
Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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United States (RIAA) [13] | Platinum | 1,000,000^ |
^ Shipments figures based on certification alone. |
Saturday Night Fever is the soundtrack album from the 1977 film Saturday Night Fever starring John Travolta. The soundtrack was released on November 15, 1977 by RSO Records. Prior to the release of Thriller by Michael Jackson, Saturday Night Fever was the best-selling album in music history, and still ranks among the best-selling soundtrack albums worldwide, with sales figures of over 40 million copies.
Cucumber Castle is the seventh studio album by the Bee Gees, released in April 1970. It was produced by Barry Gibb, Maurice Gibb, and Robert Stigwood. It consists of songs from their television special of the same name, which was named after a song on their 1967 album Bee Gees' 1st. Cucumber Castle is the only Bee Gees album not to feature any recorded contributions from Robin Gibb, as he had left the group before the album was recorded.
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Mr. Natural is the twelfth studio album by the Bee Gees, released in 1974. It was the first Bee Gees release produced by Arif Mardin, who was partially responsible for launching the group's later major success with the follow-up album Main Course. The album's rhythm and blues, soul, funk, and hard rock sounds initiated the group's reinvention as a disco and blue-eyed soul act, which would solidify on subsequent albums. However, Barry Gibb has said that the album was "whiter" than Main Course. The cover photograph was taken at 334 West 4th Street, Greenwich Village, New York City by Frank Moscati, which is today known as The Corner Bistro tavern.
Odessa is the sixth studio album by the Bee Gees, a double vinyl LP released in February 1969, initially in an opulent red flocked cover with gold lettering. Despite reaching the UK Top Ten and the US Top 20, the album was not particularly well-received, though now is regarded by many as the most significant of the group's Sixties albums. An ambitious project, originally intended as a concept album on the loss of a fictional ship in 1899, it created tension and disagreements in the band regarding the work's direction; finally, a dispute over which song to release as a single led to Robin Gibb temporarily leaving the group.
Spirits Having Flown is the fifteenth album by the Bee Gees, released in 1979 by RSO Records. It was the group's first album after their collaboration on the Saturday Night Fever soundtrack. The album's first three tracks were released as singles and all reached No. 1 in the US, giving the Bee Gees an unbroken run of six US chart-toppers in a one-year period and equaling a feat shared by Bing Crosby, Elvis Presley, and The Beatles. It was the first Bee Gees album to make the UK top 40 in ten years, as well as being their first and only UK No. 1 album. Spirits Having Flown also topped the charts in Australia, Canada, Germany, New Zealand, Sweden and the US. The album has sold more than 20 million copies worldwide.
Main Course is the thirteenth studio album by the Bee Gees, released in 1975 by RSO Records. It was the group's last album to be released by Atlantic Records in the US under its distribution deal with Robert Stigwood. This album marked a great change for the Bee Gees as it was their first album to include mostly R&B, soul and funk-influenced songs, and created the model for their output through the rest of the 1970s. It rejuvenated the group's career and public image, particularly in the US, after the commercial disappointment of their preceding albums. Main Course was the first album to feature keyboardist Blue Weaver who had just left the Strawbs and toured with Mott the Hoople. The album cover with the band's new logo designed by US artist Drew Struzan made its first appearance here.
Children of the World is the fourteenth studio album by the Bee Gees, released in 1976 by RSO Records. The first single, "You Should Be Dancing", went to No. 1 in the US and Canada, and was a top ten hit in numerous other territories. The album was re-issued on CD by Reprise Records and Rhino Records in 2006. This was the first record featuring the Gibb-Galuten-Richardson production team which would have many successful collaborations in the following years.
"Alone" is a song by musical group the Bee Gees. The ballad, written by Barry, Robin, and Maurice Gibb, is the opening track on their 21st studio album, Still Waters (1997), and was the first single released from the album on 17 February 1997. In the United Kingdom, the song was backed with two B-sides: "Closer Than Close" and "Rings Around the Moon", while in the United States, a live version of "Stayin' Alive" was included on the single releases.
Idea is the fifth album by the Bee Gees. Released in September 1968, the album sold over a million copies worldwide. The album was issued in both mono and stereo pressings in the UK. The artwork on the Polydor release designed by Wolfgang Heilemann featured a "beehive" neon lightbulb with a group photo in its base, while the North American ATCO release designed by Klaus Voormann featured a composite head made from each band member. It was their third internationally released album – the first two albums being released only in the Australian market.
2 Years On is the eighth studio album by the Bee Gees, which reached No. 32 on the US charts. Released in 1970, the album saw the return of Robin Gibb to the group after an earlier disagreement and subsequent split following Odessa. 2 Years On was the first album with drummer Geoff Bridgford, who remained a full-time member of the group until 1972 although he was not pictured on the sleeve. The best-known track is "Lonely Days". Released as the first single by the reunited brothers, it charted high in the US, but peaked at No. 33 in the United Kingdom.
To Whom It May Concern is the tenth album by the Bee Gees. Released in October 1972, it is the follow-up to, and continues the melancholic and personal sound of its predecessor, Trafalgar. The album was recognised as "a farewell to the old Bee Gees" as the album marked the end of an era for the group in several ways: it was their last album to be recorded solely at IBC Studios, in London, their last with conductor and arranger Bill Shepherd, who had guided them since 1967, and their last under their first contract with Robert Stigwood. Some of the songs were old ones finished or rewritten for the occasion.
Life in a Tin Can is the Bee Gees' eleventh studio album, released in January 1973.
"I've Gotta Get a Message to You" is a song by the Bee Gees. Released as a single in 1968, it was their second number-one hit in the UK Singles Chart, and their first US Top 10 hit. Barry Gibb re-recorded the song with Keith Urban for his 2021 album Greenfields.
"Lonely Days" is a ballad written and performed by the Bee Gees. It appeared on their album 2 Years On, and was released as a single, becoming their first Top Five hit in the US, peaking at number three in the Billboard Hot 100 and reaching number one in the Cashbox and Record World charts. Barry Gibb later re-recorded the song with country quartet Little Big Town for his 2021 album Greenfields.
"Living Eyes" is a power ballad recorded by the Bee Gees and was released in November 1981 as the second single and title track off the LP of the same name. It was written by Barry, Robin & Maurice Gibb. The sound of this single was closer musically to the rest of the album than its predecessor, "He's a Liar".
"To Love Somebody" is a song written by Barry and Robin Gibb. Produced by Robert Stigwood, it was the second single released by the Bee Gees from their international debut album, Bee Gees 1st, in 1967. The single reached No. 17 in the United States and No. 41 in the United Kingdom. The song's B-side was "Close Another Door". The single was reissued in 1980 on RSO Records with "How Can You Mend a Broken Heart" as its flipside. The song ranked at number 94 on NME magazine's "100 Best Tracks of the Sixties". It was a minor hit in the UK and France. It reached the top 20 in the US. It reached the top 10 in Canada.
"Mr. Natural" is a song by the Bee Gees, written by Barry and Robin Gibb. On 29 March 1974, it was released as a single and also released on the album of the same name in 1974. It was backed with a folk rock number "It Doesn't Matter Much to Me". The group's first single which was produced by Arif Mardin.
"Run to Me" is a song by the Bee Gees, the lead single from the group's album To Whom It May Concern (1972). The song reached the UK Top 10 and the US Top 20.
"Boogie Child" is the third hit single from the Bee Gees' 1976 platinum album Children of the World, released in the US in early 1977. The song peaked at no. 12 on the Billboard Hot 100 as an A-side and was then used as the B-side of the single "Children of the World" in the UK. It was the last song recorded by the Bee Gees for their album Children of the World.