This Is Where I Came In | ||||
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Studio album by the Bee Gees | ||||
Released | 24 April 2001 | |||
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Genre | ||||
Length | 52:24 | |||
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Producer |
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The Bee Gees chronology | ||||
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Singles from This Is Where I Came In | ||||
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This Is Where I Came In is the twenty-second and final studio album by the Bee Gees. It was released on 24 April 2001 by Polydor in the UK and Universal in the US, [1] less than two years before Maurice Gibb died from a cardiac arrest before surgery to repair a twisted intestine. [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
Entertainment Weekly | C [4] |
Jam! | unfavorable [5] |
Rolling Stone | [6] |
The Rolling Stone Album Guide | [7] |
Muzykalnaya Gazeta | favorable [8] |
It is the only album of all-new material released by them on the Universal Music label (which had acquired the rights to the group's releases on Polydor Records when they bought that label's parent PolyGram). The album peaked at No. 6 in the UK, while the single, "This Is Where I Came In", reached No. 18. In the US, the album peaked at No. 16. The group appeared on the A&E concert series Live by Request in April 2001 to promote the new album.
The brothers saw the album as a return to the original Bee Gees formula as well as a new beginning. [9] The album marked the fifth decade of recording for the band. [9] It was one of the first Bee Gees albums to be re-released on Reprise Records in 2006, when the brothers regained the rights to all of their recordings.
The album features main vocals from all three of the brothers, and employs a variety of musical styles. [9] "This Is Where I Came In" recalls the rock theme more commonly found on 1960s Bee Gees songs. [9] "She Keeps on Coming" and "Voice in the Wilderness" have strong rock themes, while "Sacred Trust", "Just in Case" and "Wedding Day" continue the Bee Gees' trend for love songs. Maurice plays the Epiphone guitar given to him by John Lennon on "She Keeps On Coming" [10] Two of Robin's songs, "Embrace" and "Promise The Earth" are Europop dance songs, while Barry's "Technicolor Dreams" is an exception to the rule, as it is an homage to the typical 1930s Tin Pan Alley melody. Maurice Gibb provides lead vocals for two songs, "Man in the Middle" and "Walking on Air". [9] In the United Kingdom, two bonus tracks were published, "Just in Case" and "Promise the Earth" as well as other countries issued the album with 14 tracks. [1]
One song in the album, "Sacred Trust" was recorded in early 1998 in Miami Beach. [11] Around 1999, the Bee Gees recorded "I Will Be There" but only as a demo as they sent it to Tina Turner and she recorded it for her album Twenty Four Seven that same year. Maurice Gibb was busy producing songs for the band Luna Park. Also in 1999, three new Barry Gibb compositions "Technicolor Dreams", "Loose Talk Costs Lives" and "Voice in the Wilderness" were recorded as well as four new Maurice Gibb compositions, but only "Walking on Air" and "Man in the Middle" were released. Also in 1999, the new Robin Gibb composition, "Embrace" was recorded. In October that year, the group recorded "Wedding Day". [12] The next year 2000, the group recorded five more songs including the title track, "This Is Where I Came In". [13]
All songs written by Barry, Robin and Maurice Gibb, except where noted.
No. | Title | Lead vocal(s) | Length |
---|---|---|---|
1. | "This Is Where I Came In" | Robin and Barry | 4:55 |
2. | "She Keeps on Coming" | Robin | 3:57 |
3. | "Sacred Trust" | Barry | 4:53 |
4. | "Wedding Day" | Barry and Robin | 4:44 |
5. | "Man in the Middle" (Maurice Gibb, Barry Gibb) | Maurice | 4:21 |
6. | "Déjà vu" | Robin | 4:17 |
7. | "Technicolor Dreams" (Barry Gibb) | Barry | 3:05 |
8. | "Walking on Air" (Maurice Gibb) | Maurice | 4:05 |
9. | "Loose Talk Costs Lives" (Barry Gibb) | Barry | 4:19 |
10. | "Embrace" (Robin Gibb) | Robin | 4:43 |
11. | "The Extra Mile" | Barry and Robin | 4:20 |
12. | "Voice in the Wilderness" (Barry Gibb, Ben Stivers, Alan Kendall, Steve Rucker, Matt Bonelli) | Barry | 4:37 |
No. | Title | Lead vocal(s) | Length |
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13. | "Just in Case" | Barry and Robin | 4:22 |
14. | "Promise the Earth" | Robin | 4:29 |
Bee Gees
Additional musicians
Orchestra on "The Extra Mile"
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [31] | Gold | 35,000^ |
Canada (Music Canada) [32] | Gold | 50,000^ |
Germany (BVMI) [33] | Gold | 150,000^ |
New Zealand (RMNZ) [34] | Platinum | 15,000^ |
Spain (PROMUSICAE) [35] | Gold | 50,000^ |
Switzerland (IFPI Switzerland) [36] | Gold | 20,000^ |
United Kingdom (BPI) [37] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
Maurice Ernest Gibb was a British musician. He achieved worldwide fame as a member of the pop group Bee Gees. Although his elder brother Barry Gibb and fraternal twin brother Robin Gibb were the group's main lead singers, most of their albums included at least one or two songs featuring Maurice's lead vocals, including "Lay It on Me", "Country Woman" and "On Time". The Bee Gees are one of the most successful pop-rock groups of all time.
Sir Barry Alan Crompton Gibb is a British musician, singer, songwriter and record producer. He rose to worldwide fame as a member of the Bee Gees, with his younger brothers, Robin and Maurice, one of the most commercially successful groups in the history of popular music. Gibb's career has spanned over 60 years.
Saturday Night Fever is the soundtrack album from the 1977 film Saturday Night Fever starring John Travolta. The soundtrack was released on November 15, 1977 by RSO Records. Prior to the release of Thriller by Michael Jackson, Saturday Night Fever was the best-selling album in music history, and still ranks among the best-selling soundtrack albums worldwide, with sales figures of over 40 million copies.
One Night Only is a live album and DVD/Blu-ray by the Bee Gees. It features the group's concert at the MGM Grand in Las Vegas in 1997 and includes many of their greatest hits.
Mr. Natural is the twelfth studio album by the Bee Gees, released in 1974. It was the first Bee Gees release produced by Arif Mardin, who was partially responsible for launching the group's later major success with the follow-up album Main Course. The album's rhythm and blues, soul, funk, and hard rock sounds initiated the group's reinvention as a disco and blue-eyed soul act, which would solidify on subsequent albums. However, Barry Gibb has said that the album was "whiter" than Main Course. The cover photograph was taken at 334 West 4th Street, Greenwich Village, New York City by Frank Moscati, which is today known as The Corner Bistro tavern.
Size Isn't Everything is the twentieth studio album by the Bee Gees, released in the UK on 13 September 1993, and the US on 2 November of the same year. The brothers abandoned the contemporary dance feel of the previous album High Civilization and went for what they would describe as "A return to our sound before Saturday Night Fever".
"Jive Talkin'" is a song by the Bee Gees, released as a single in May 1975 by RSO Records. This was the lead single from the album Main Course and hit number one on the Billboard Hot 100; it also reached the top-five on the UK Singles Chart in the middle of 1975. Largely recognised as the group's comeback song, it was their first US top-10 hit since "How Can You Mend a Broken Heart" (1971).
Still Waters is the twenty-first and penultimate studio album by the Bee Gees, released on 10 March 1997 in the UK by Polydor Records, and on 6 May the same year in the US by A&M Records. The group made the album with a variety of top producers, including Russ Titelman, David Foster, Hugh Padgham, and Arif Mardin.
Spirits Having Flown is the fifteenth album by the Bee Gees, released in 1979 by RSO Records. It was the group's first album after their collaboration on the Saturday Night Fever soundtrack. The album's first three tracks were released as singles and all reached No. 1 in the US, giving the Bee Gees an unbroken run of six US chart-toppers in a one-year period and equaling a feat shared by Bing Crosby, Elvis Presley, and The Beatles. It was the first Bee Gees album to make the UK top 40 in ten years, as well as being their first and only UK No. 1 album. Spirits Having Flown also topped the charts in Australia, Canada, Germany, New Zealand, Sweden and the US. The album has sold more than 20 million copies worldwide.
Children of the World is the fourteenth studio album by the Bee Gees, released in 1976 by RSO Records. The first single, "You Should Be Dancing", went to No. 1 in the US and Canada, and was a top ten hit in numerous other territories. The album was re-issued on CD by Reprise Records and Rhino Records in 2006. This was the first record featuring the Gibb-Galuten-Richardson production team which would have many successful collaborations in the following years.
"You Should Be Dancing" is a song by the Bee Gees, from the album Children of the World, released in 1976. It hit No. 1 for one week on the American Billboard Hot 100, No. 1 for seven weeks on the US Hot Dance Club Play chart, and in September the same year, reached No. 5 on the UK Singles Chart. The song also peaked at No. 4 on the Billboard Soul chart. It was this song that first launched the Bee Gees into disco. It was also the only track from the group to top the dance chart.
Their Greatest Hits: The Record is the career retrospective greatest hits album by the Bee Gees, released on UTV Records and Polydor in November 2001 as HDCD. The album includes 40 tracks spanning over 35 years of music. Four of the songs were new recordings of classic Gibb compositions originally recorded by other artists, including "Emotion", "Heartbreaker", "Islands in the Stream", and "Immortality". It also features the Barry Gibb duet with Barbra Streisand, "Guilty", which originally appeared on Streisand's 1980 album of the same name. It is currently out of print and has been supplanted by another compilation, The Ultimate Bee Gees.
Living Eyes is the sixteenth studio album by the Bee Gees, released in 1981. It was the band's final album on RSO Records, which would be absorbed into Polydor and subsequently discontinued. The album showcased a soft rock sound that contrasted with their disco and R&B material of the mid-to-late 1970s; having become a prominent target of the popular backlash against disco, the Bee Gees were pressured to publicly disassociate from the genre.
E.S.P. is the seventeenth studio album by the Bee Gees released in 1987. It was the band's first studio album in six years, and their first release under their new contract with Warner Bros. It marked the first time in twelve years the band had worked with producer Arif Mardin, and was their first album to be recorded digitally. The album sold well in Europe, reaching No. 5 in the UK, No. 2 in Norway and Austria, and No. 1 in Germany and Switzerland, though it failed to chart higher than No. 96 in the US. The album's first single, "You Win Again", reached No. 1 in the UK, Ireland, Switzerland, Germany, Austria and Norway.
High Civilization is the nineteenth studio album by the Bee Gees, released on 25 March 1991 in the U.K., and 14 May 1991 in the U.S. It was their last album recorded for Warner Bros. Records, after a four-year contract. Possibly in reaction to firm resistance from U.S. radio to the previous two albums, E.S.P. (1987) and One (1989), which had done well in other countries, the U.S.-based Warner Bros gave this one less promotion and did not issue remixes. They recorded this album and their next album Size Isn't Everything with engineer Femi Jiya.
"You Win Again" is a song written by Barry, Robin and Maurice Gibb and performed by the Bee Gees. The song was produced by the brothers, Arif Mardin and Brian Tench. It was released as the first single on 7 September 1987 by Warner Records, from their seventeenth studio album E.S.P. (1987). It was also their first single released from the record label. The song marked the start of the group's comeback, becoming a No. 1 hit in many European countries, including topping the UK Singles Chart—their first to do so in over eight years—and making them the first group to score a UK No. 1 hit in each of three decades: the 1960s, 1970s, and 1980s.
"Living Eyes" is a power ballad recorded by the Bee Gees and was released in November 1981 as the second single and title track off the LP of the same name. It was written by Barry, Robin & Maurice Gibb. The sound of this single was closer musically to the rest of the album than its predecessor, "He's a Liar".
Here at Last... Bee Gees... Live is the first live album by the Bee Gees. It was recorded on December 20, 1976 at the LA Forum and was released in May 1977 by RSO Records. It reached No. 8 in the US, No. 8 in Australia, No. 1 in New Zealand, and No. 2 in Spain.
How Old Are You? is the second solo album released by British singer Robin Gibb in 1983, thirteen years after his debut Robin's Reign in 1970. The album was not a great success in America and failed to chart in Britain but it did spawn an international hit in "Juliet" which topped the charts in Germany. The album reached No. 6 in Germany. The album was produced by Robin and Maurice Gibb with Dennis Bryon.
In the Now is the second solo album by British singer-songwriter Barry Gibb, released on 7 October 2016 by Columbia Records. Although his second solo album, it is the first of all new material since the Bee Gees' final studio album This Is Where I Came In (2001). Gibb said of the album: "This is a dream come true for me. It's a new chapter in my life. I always hoped one day that the Bee Gees would be with Columbia or indeed Sony so, it's a great joy for me to start again this way with such great people."
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: CS1 maint: unfit URL (link)-- Является ли альбом "This Is Where I Came In" свежим началом или ретроспективой? -- Ну, думаю, что и то и другое, потому что когда бы мы не записывали новый альбом, люди говорят, что мы "опять вернулись".