Mr. Natural | ||||
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Studio album by the Bee Gees | ||||
Released | May 1974 [1] | |||
Recorded | 14 November 1973 – 28 January 1974 | |||
Studio | ||||
Genre | ||||
Length | 45:26 | |||
Label | RSO | |||
Producer | Arif Mardin | |||
The Bee Gees chronology | ||||
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Singles from Mr. Natural | ||||
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Mr. Natural is the twelfth studio album (tenth internationally) by the Bee Gees, released in 1974. It was the first Bee Gees release produced by Arif Mardin, who was partially responsible for launching the group's later major success with the follow-up album Main Course . The album's rhythm and blues, soul, funk, and hard rock sounds initiated the group's reinvention as a disco and blue-eyed soul act, which would solidify on subsequent albums. However, Barry Gibb has said that the album was "whiter" than Main Course. [2] The cover photograph was taken at 334 West 4th Street, Greenwich Village, New York City by Frank Moscati, which is today known as The Corner Bistro tavern. [3]
The LP was the Bee Gees' poorest charting album at the time, reaching No. 178 on the Billboard 200, but failing to chart elsewhere including in Europe where the group had previously enjoyed their most consistent popularity. However, it was a moderate success in the group's adopted home of Australia where it reached No. 20.
The decision to work with Mardin came after the RSO label rejected the brothers' post-Life in a Tin Can album, which had been provisionally entitled A Kick in the Head Is Worth Eight in the Pants . [4] Robert Stigwood was not ready to give up on the Bee Gees, but he did not believe in the musical direction they were taking. At the suggestion of Jerry Wexler and Ahmet Ertegun of Atlantic, Stigwood sent them to work with Atlantic producer and arranger Arif Mardin, who began to draw out their love of rhythm and blues music. Mardin brought the band's attention to the dance scene unfolding at the time and the brothers Gibb in turn adapted their songwriting and arrangements to a more upbeat style. [5]
Recording began in November 1973 and although they were self-conscious about doing a really black sound, their first goal was to record songs in a way that they could reproduce on stage. They made more use of Alan Kendall's lead guitar and added a keyboardist, which resulted in less recording for Maurice who had long overdubbed many instrumental and backing vocal parts; he would now focus almost exclusively on playing bass and singing backing vocals during the trio's R&B/disco era. The new sound was more electric than much of what they had done since regrouping in 1970.
With Mardin at the helm, the Bee Gees returned to IBC Studios in London where they had recorded much of their pre- Life in a Tin Can output. The first two songs recorded were harder rock ("Heavy Breathing" and "I Can't Let You Go"), both written in Los Angeles. This was a deliberate attempt to record a new sound compared to the acoustic sounds found on Life in a Tin Can. There were also two new backing musicians: Dennis Bryon on drums and Geoff Westley on keyboards who were in the tour band now made their debut with the Bee Gees on disc. Bryon was a friend of Kendall and would be the Bee Gees' drummer until 1980. The big change here was having Westley or in fact anyone play most of the piano and keyboard parts that had been Maurice's domain for years. [6] Westley would soon be replaced as keyboardist by ex-Strawbs keyboardist Derek "Blue" Weaver whom Bryon had played with in Amen Corner.
Around this time, Maurice's problems with alcohol began to surface; although he wrote few songs in 1974, he never missed a show or a recording session, but on this album, most of the new songs were written by Barry and Robin only. [7] Three songs were written by all three brothers; one, "Lost in Your Love" was a solo Barry composition while "Give A Hand, Take A Hand" was a Barry/Maurice composition (further information in the next paragraph). The songs "Mr. Natural" and "Had a Lot of Love Last Night" were recorded and completed at the Command Studios in London. The songs "Give a Hand, Take a Hand" and "Lost in Your Love" were recorded at Atlantic Studios in 1974. [6] Maurice said in an interview with Lynn Redgrave that his alcoholism didn't affect his recording sessions and concerts until around the time of Spirits Having Flown . [8]
"When we did Mr. Natural, we didn't have a positive direction", Maurice said, "We were thrashing about". [2] In an interview with the Bee Gees for Billboard on 24 March 2001, Maurice recalls about producer Arif Mardin, "Arif was brilliant, full of ideas. That's why we did the Mr. Natural album with him, which was like a rehearsal". [9]
The gospel tinged song "Give a Hand, Take a Hand" was written in 1969 (hence Robin's lack of writing credit since he wasn't working with his brothers at the time) and originally recorded for their 1970 album Cucumber Castle , but was not released and was used by P.P. Arnold; her version was released in September 1969 as a single, which was produced by Barry Gibb. [10] The Staple Singers also covered "Give a Hand, Take a Hand"; their version was released on their 1971 album The Staple Swingers .
Review scores | |
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Source | Rating |
AllMusic | [11] |
Rolling Stone | (not rated) [12] |
The Rolling Stone Album Guide | [13] |
In a retrospective review, Bruce Eder of AllMusic said it was the "sultriest and most soulful record" from the group. He added that Mr. Natural was the "liveliest, most invigorating body of music to come from the group." He noted the "extraordinary sensuality" of the songs "Charade" and "Had a Lot of Love Last Night." At the end of his review, Eder concluded the album generated no hits, but it was their best album since Odessa . [11]
All tracks written by Barry and Robin Gibb, except where noted.
No. | Title | Writer(s) | Lead vocal(s) | Length |
---|---|---|---|---|
1. | "Charade" | Barry and Robin | 4:13 | |
2. | "Throw a Penny" | Barry and Robin | 4:54 | |
3. | "Down the Road" | Barry | 3:35 | |
4. | "Voices" | Barry Gibb, Robin Gibb, Maurice Gibb | Robin and Barry | 4:50 |
5. | "Give a Hand, Take a Hand" | Barry Gibb, Maurice Gibb | Barry | 4:44 |
No. | Title | Writer(s) | Lead vocal(s) | Length |
---|---|---|---|---|
1. | "Dogs" | Barry | 3:43 | |
2. | "Mr. Natural" | Robin and Barry | 3:46 | |
3. | "Lost in Your Love" | Barry Gibb | Barry | 4:36 |
4. | "I Can't Let You Go" | Barry Gibb, Robin Gibb, Maurice Gibb | Barry | 3:45 |
5. | "Heavy Breathing" | Barry and Robin | 3:26 | |
6. | "Had a Lot of Love Last Night" | Barry Gibb, Robin Gibb, Maurice Gibb | Barry | 4:07 |
Credits from Bee Gees historian and sessionographer Joseph Brennan. [14]
Chart (1974) | Peak position |
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Australian Albums Chart [15] | 20 |
US Billboard 200 [16] | 178 |
The Bee Gees were a musical group formed in 1958 by brothers Barry, Robin, and Maurice Gibb. The trio were especially successful in popular music in the late 1960s and early 1970s, and later as prominent performers in the disco music era in the mid-to-late 1970s.
Maurice Ernest Gibb was a British musician. He achieved worldwide fame as a member of the pop group Bee Gees. Although his elder brother Barry Gibb and fraternal twin brother Robin Gibb were the group's main lead singers, most of their albums included at least one or two songs featuring Maurice's lead vocals, including "Lay It on Me", "Country Woman" and "On Time". The Bee Gees are one of the most successful pop-rock groups of all time.
Sir Barry Alan Crompton Gibb is a British musician, singer, songwriter and record producer. Along with his younger twin brothers, Robin and Maurice, he rose to worldwide fame as a member of the Bee Gees, one of the most commercially successful groups in the history of popular music. Gibb is well known for his wide vocal range including a far-reaching high-pitched falsetto. Gibb's career has spanned over 60 years.
Cucumber Castle is the seventh studio album by the Bee Gees, released in April 1970. It was produced by Barry Gibb, Maurice Gibb, and Robert Stigwood. It consists of songs from their television special of the same name, which was named after a song on their 1967 album Bee Gees' 1st. Cucumber Castle is the only Bee Gees album not to feature any recorded contributions from Robin Gibb, as he had left the group before the album was recorded.
Main Course is the thirteenth studio album by the Bee Gees, released in 1975 by RSO Records. It was the group's last album to be released by Atlantic Records in the US under its distribution deal with Robert Stigwood. This album marked a great change for the Bee Gees as it was their first album to include mostly R&B, soul and funk-influenced songs, and created the model for their output through the rest of the 1970s. It rejuvenated the group's career and public image, particularly in the US, after the commercial disappointment of their preceding albums. Main Course was the first album to feature keyboardist Blue Weaver who had just left the Strawbs and toured with Mott the Hoople. The album cover with the band's new logo designed by US artist Drew Struzan made its first appearance here.
Children of the World is the fourteenth studio album by the Bee Gees, released in 1976 by RSO Records. The first single, "You Should Be Dancing", went to No. 1 in the US and Canada, and was a top ten hit in numerous other territories. The album was re-issued on CD by Reprise Records and Rhino Records in 2006. This was the first record featuring the Gibb-Galuten-Richardson production team which would have many successful collaborations in the following years.
The Bee Gees Sing and Play 14 Barry Gibb Songs is the debut studio album by the Bee Gees. Credited to Barry Gibb and the Bee Gees, it was released in November 1965 on the Australian Leedon label. It is largely a compilation of most of the Gibb brothers' singles that had been released over the previous three years in Australia, which accounts for the many different styles of music on it.
Idea is the fifth album by the Bee Gees. Released in September 1968, the album sold over a million copies worldwide. The album was issued in both mono and stereo pressings in the UK. The artwork on the Polydor release designed by Wolfgang Heilemann featured a "beehive" neon lightbulb with a group photo in its base, while the North American ATCO release designed by Klaus Voormann featured a composite head made from each band member. It was their third internationally released album – the first two albums being released only in the Australian market.
2 Years On is the eighth studio album by the Bee Gees, which reached No. 32 on the US charts. Released in 1970, the album saw the return of Robin Gibb to the group after an earlier disagreement and subsequent split following Odessa. 2 Years On was the first album with drummer Geoff Bridgford, who remained a full-time member of the group until 1972 although he was not pictured on the sleeve. The best-known track is "Lonely Days". Released as the first single by the reunited brothers, it charted high in the US, but peaked at No. 33 in the United Kingdom.
To Whom It May Concern is the tenth album by the Bee Gees. Released in October 1972, it is the follow-up to, and continues the melancholic and personal sound of its predecessor, Trafalgar. The album was recognised as "a farewell to the old Bee Gees" as the album marked the end of an era for the group in several ways: it was their last album to be recorded solely at IBC Studios, in London, their last with conductor and arranger Bill Shepherd, who had guided them since 1967, and their last under their first contract with Robert Stigwood. Some of the songs were old ones finished or rewritten for the occasion.
"Edge of the Universe" is a rock song by the Bee Gees, written by Barry and Robin Gibb from the album Main Course released in 1975, and also released as a B-side of "Nights on Broadway".
After Dark is the third and final studio album by English singer-songwriter Andy Gibb. It features his last US Top 10 single "Desire", "I Can't Help It" and two Bee Gees numbers "Rest Your Love on Me" and "Warm Ride".
Here at Last... Bee Gees... Live is the first live album by the Bee Gees. It was recorded on December 20, 1976 at the LA Forum and was released in May 1977 by RSO Records. It reached No. 8 in the US, No. 8 in Australia, No. 1 in New Zealand, and No. 2 in Spain.
"Mr. Natural" is a song by the Bee Gees, written by Barry and Robin Gibb. On 29 March 1974, it was released as a single and also released on the album of the same name in 1974. It was backed with a folk rock number "It Doesn't Matter Much to Me". The group's first single which was produced by Arif Mardin.
"Wouldn't I Be Someone" is a song by the Bee Gees. It was released on 22 June 1973 in the United Kingdom and in July 1973 in the United States. The photo on the cover of the single was also used on Best of Bee Gees, Volume 2.
"Fanny (Be Tender with My Love)" is a song written and performed by the Bee Gees for their Main Course album in 1975. It was the third single release from the album, peaking at number 12 on the United States Billboard Hot 100 and number two in Canada. According to Maurice Gibb, producer Quincy Jones called "Fanny" one of his favorite R&B songs of all time.
"Charade" is a ballad written by Barry Gibb and Robin Gibb released in 1974 by the Bee Gees. It was the third and final single released from the Mr. Natural album. Like the parent album, the single was not a hit and only managed to climb to #31 on Billboard's Adult Contemporary chart in late 1974. It did reach the Top 10 in Chile, peaking at #7.
"Bury Me Down By the River" is a song written by Barry and Maurice Gibb and recorded separately by the Bee Gees and P.P. Arnold. The Bee Gees' version was recorded in May 1969 at IBC Studios and released in April 1970 on the album Cucumber Castle.
How Old Are You? is the second solo album released by British singer Robin Gibb in 1983, thirteen years after his debut Robin's Reign in 1970. The album was not a great success in America and failed to chart in Britain but it did spawn an international hit in "Juliet" which topped the charts in Germany. The album reached No. 6 in Germany. The album was produced by Robin and Maurice Gibb with Dennis Bryon.
"Crazy for Your Love" is a song by pop music group Bee Gees, which was released in 1988 as the third single from their seventeenth studio album E.S.P. (1987). The song was written by Barry Gibb, Robin Gibb and Maurice Gibb, and produced by Arif Mardin and the Bee Gees, with co-production by Brian Tench. "Crazy for Your Love" peaked at No. 79 in the UK Singles Chart and remained in the Top 100 for two weeks.