"Boogie Child" | ||||
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Single by Bee Gees | ||||
from the album Children of the World | ||||
B-side | "Lovers" | |||
Released |
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Recorded | 6 May 1976 | |||
Studio | Le Studio (Quebec) | |||
Genre | Disco [2] | |||
Length | 4:14 (album version) 3:30 (single version) | |||
Label | RSO | |||
Songwriter(s) | ||||
Producer(s) |
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Bee Gees singles chronology | ||||
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"Boogie Child" is the third hit single from the Bee Gees' 1976 platinum album Children of the World , released in the US in early 1977. The song peaked at no. 12 on the Billboard Hot 100 as an A-side and was then used as the B-side of the single "Children of the World" in the UK. It was the last song recorded by the Bee Gees for their album Children of the World .
"Boogie Child" perhaps evolved from the unreleased "Boogie Summer" (recorded on 2 April). It was one of the two songs, alongside "Can't Keep a Good Man Down", that were the last new tracks recorded for the album. [3] "Boogie Child" was released as a single at the start of 1977 with "Lovers" as the B-side. In the UK, RSO Records issued "Children of the World" as the third single from the album with "Boogie Child" as the B-side. [4] In New Zealand, "Children of the World" was chosen as the B-side of this single. [5]
In December 1976, before the release of the single, the Bee Gees performed it at their concert at The Forum, Los Angeles which appears on their first concert album Here at Last... Bee Gees... Live released in May 1977. The original audio of "Boogie Child" on that concert, which features uncredited background vocalists, was replaced by Barry's background vocals when it was mixed in April 1977 in France.
Billboard described "Boogie Child" as the Bee Gees' "funkiest single to date." [6] Cash Box said it has "a Sly-influenced lead vocal, incredibly crisp instrumentation and several emotive choruses." [7] Record World stated, "The Ohio Players-type groove should go across the board." [8]
Chart (1977) | Peak position |
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Canada Adult Contemporary ( RPM ) [9] | 43 |
Canada Top Singles ( RPM ) [10] | 9 |
New Zealand (Recorded Music NZ) [11] | 13 |
US Billboard Hot 100 [12] | 12 |
US Billboard Hot Soul Singles [12] | 31 |
US Cash Box [13] | 14 |
US Record World [14] | 25 |
"Jive Talkin'" is a song by the Bee Gees, released as a single in May 1975 by RSO Records. This was the lead single from the album Main Course. It hit number one on the Billboard Hot 100 and top-five on the UK Singles Chart in the middle of 1975. Largely recognised as the group's comeback song, it was their first US top-10 hit since "How Can You Mend a Broken Heart" (1971).
"Too Much Heaven" is a song by the Bee Gees, which was the band's contribution to the "Music for UNICEF" fund. They performed it at the Music for UNICEF Concert on 9 January 1979. The song later found its way to the group's thirteenth original album, Spirits Having Flown. It hit No. 1 in both the US and Canada. In the United States, the song was the first single out of three from the album to interrupt a song's stay at #1. "Too Much Heaven" knocked "Le Freak" off the top spot for two weeks before "Le Freak" returned to #1 again. "Too Much Heaven" also rose to the top three in the UK. In the US, it would become the fourth of six consecutive No. 1s, equaling the record set by Bing Crosby, Elvis Presley, and the Beatles for the most consecutive No. 1 songs. The six Bee Gee songs are "How Deep Is Your Love", "Stayin' Alive", "Night Fever", "Too Much Heaven", "Tragedy" and "Love You Inside Out". The songs spanned the years of 1977, 1978 and 1979.
Spirits Having Flown is the fifteenth album by the Bee Gees, released in 1979 by RSO Records. It was the group's first album after their collaboration on the Saturday Night Fever soundtrack. The album's first three tracks were released as singles and all reached No. 1 in the US, giving the Bee Gees an unbroken run of six US chart-toppers in a one-year period and equaling a feat shared by Bing Crosby, Elvis Presley, and The Beatles. It was the first Bee Gees album to make the UK top 40 in ten years, as well as being their first and only UK No. 1 album. Spirits Having Flown also topped the charts in Australia, Canada, Germany, New Zealand, Sweden and the US. The album has sold more than 20 million copies worldwide.
Children of the World is the fourteenth studio album by the Bee Gees, released in 1976 by RSO Records. The first single, "You Should Be Dancing", went to No. 1 in the US and Canada, and was a top ten hit in numerous other territories. The album was re-issued on CD by Reprise Records and Rhino Records in 2006. This was the first record featuring the Gibb-Galuten-Richardson production team which would have many successful collaborations in the following years. Many consider this a "prologue" to the band's foray into disco, which would culminate with the iconic Saturday Night Fever soundtrack the following year.
"You Should Be Dancing" is a song by the Bee Gees, from the album Children of the World, released in 1976. It hit No. 1 for one week on the American Billboard Hot 100, No. 1 for seven weeks on the US Hot Dance Club Play chart, and in September the same year, reached No. 5 on the UK Singles Chart. The song also peaked at No. 4 on the Billboard Soul chart. It was this song that first launched the Bee Gees into disco. It was also the only track from the group to top the dance chart.
"How Deep Is Your Love" is a ballad written and recorded by the Bee Gees in 1977 and released as a single in September of that year by RSO Records. It was ultimately used as part of the soundtrack to the film Saturday Night Fever. It was a number-three hit in the United Kingdom and Australia. In the United States, it topped the Billboard Hot 100 on 25 December 1977 and stayed in the Top 10 for 17 weeks. It spent six weeks atop the US adult contemporary chart. It is listed at No. 27 on Billboard's All Time Top 100. Alongside "Stayin' Alive" and "Night Fever", it is one of the group's three tracks on the list. The song was covered by Take That for their 1996 Greatest Hits album, reaching No. 1 on the UK Singles Chart for three weeks.
"How Can You Mend a Broken Heart" is a song released by the Bee Gees in 1971. It was written by Barry and Robin Gibb and was the first single on the group's 1971 album Trafalgar. It was their first US No. 1 single and also reached No. 1 in Cashbox magazine for two weeks.
"Lonely Days" is a ballad written and performed by the Bee Gees. It appeared on their album 2 Years On, and was released as a single, becoming their first Top Five hit in the US, peaking at number three in the Billboard Hot 100 and reaching number one in the Cashbox and Record World charts. Barry Gibb later re-recorded the song with country quartet Little Big Town for his 2021 album Greenfields.
"Holiday" is a song released by the Bee Gees in the United States in September 1967. It appeared on the album Bee Gees' 1st. The song was not released as a single in their native United Kingdom because Polydor UK released the single "World" from their next album Horizontal.
"To Love Somebody" is a song written by Barry and Robin Gibb. Produced by Robert Stigwood, it was the second single released by the Bee Gees from their international debut album, Bee Gees 1st, in 1967. The single reached No. 17 in the United States and No. 41 in the United Kingdom. The song's B-side was "Close Another Door". The single was reissued in 1980 on RSO Records with "How Can You Mend a Broken Heart" as its flipside. The song ranked at number 94 on NME magazine's "100 Best Tracks of the Sixties". The entry was a minor hit in France but reached the top 10 in Canada.
"Tomorrow Tomorrow" is a song by the Bee Gees written by Barry and Maurice Gibb. The song was originally intended to be recorded by Joe Cocker. It was the first Bee Gees single released after Robin Gibb had quit the group which was now down to a trio featuring Barry Gibb, Maurice Gibb and drummer Colin Petersen.
"I.O.I.O." is a song by the Bee Gees, released on the album Cucumber Castle. It was written by Barry and Maurice Gibb. The song was released as a single in March 1970, and was also one of the highlights of the album. The single was a relative success mainly on European charts. Its music video is taken from the film Cucumber Castle.
"Edge of the Universe" is a rock song by the Bee Gees, written by Barry and Robin Gibb from the album Main Course released in 1975, and also released as a B-side of "Nights on Broadway".
Here at Last... Bee Gees... Live is the first live album by the Bee Gees. It was recorded on December 20, 1976 at the LA Forum and was released in May 1977 by RSO Records. It reached No. 8 in the US, No. 8 in Australia, No. 1 in New Zealand, and No. 2 in Spain.
"Mr. Natural" is a song by the Bee Gees, written by Barry and Robin Gibb. On 29 March 1974, it was released as a single and also released on the album of the same name in 1974. It was backed with a folk rock number "It Doesn't Matter Much to Me". The group's first single which was produced by Arif Mardin.
"Run to Me" is a song by the Bee Gees, the lead single from the group's album To Whom It May Concern (1972). The song reached the UK Top 10 and the US Top 20.
"Wouldn't I Be Someone" is a song by the Bee Gees. It was released on 22 June 1973 in the United Kingdom and in July 1973 in the United States. The photo on the cover of the single was also used on Best of Bee Gees, Volume 2.
"Love So Right" is an R&B ballad recorded by the Bee Gees. It was the second single released on the album Children of the World.
"Saw a New Morning" is the 1973 single released by the Bee Gees. It was also the group's first single released on Robert Stigwood's newly created records label RSO Records. The Bee Gees moved to Los Angeles in 1972 to record the album Life in a Tin Can which was a new direction for the group, who had been recording in England since 1967. The B-side, "My Life Has Been a Song" features lead vocal by Robin Gibb as well as Barry Gibb.
"(Our Love) Don't Throw It All Away" is a song penned by Barry Gibb and Blue Weaver and recorded by the Bee Gees in 1977 on the Saturday Night Fever sessions but was not released until Bee Gees Greatest (1979). A different version was released in September 1978 by RSO Records as the third single by Andy Gibb from his second studio album Shadow Dancing. His version was produced by Gibb-Galuten-Richardson.