"The Battle of New Orleans" | ||||
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Single by Johnny Horton | ||||
B-side | "All for the Love of a Girl" | |||
Released | April 6, 1959 | |||
Recorded | 1959 | |||
Studio | Bradley Studios (Nashville, Tennessee) [1] | |||
Genre | ||||
Length | 2:33 | |||
Label | Columbia | |||
Songwriter(s) | Jimmy Driftwood | |||
Producer(s) | Don Law | |||
Johnny Horton singles chronology | ||||
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"The Battle of New Orleans" is a song written by Jimmy Driftwood in 1936. The song describes the Battle of New Orleans from the perspective of an American soldier; the song tells the tale of the battle with a light tone and provides a rather comical version of what actually happened at the battle. It has been recorded by many artists, but the singer most often associated with this song is Johnny Horton. His version, recorded at Bradley Studios in Nashville, Tennessee, [1] scored number 1 on the Billboard Hot 100 in 1959 (see 1959 in music). Billboard ranked it as the No. 1 song for 1959, it was very popular with teenagers in the late 1950s/early 1960s in an era mostly dominated by rock and roll music.
Horton's version began with the quoting of the first 12 notes of the song "Dixie," by Daniel Emmett. It ends with the sound of an officer leading a count off in marching, as the song fades out.
In Billboard magazine's rankings of the top songs in the first 50 years of the Billboard Hot 100 chart, "The Battle of New Orleans" was ranked as the 28th song overall [3] and the number-one country music song to appear on the chart. [4]
Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. [5]
In 1959 at the 2nd Annual Grammy Awards, Johnny Horton won the Grammy for Best Country & Western Performance for his recording of "The Battle Of New Orleans". [6] In 2002, the 1959 recording of the song by Horton on Columbia Records was inducted into the Grammy Hall of Fame. [7]
The melody is based on a well-known American fiddle tune "The 8th of January," which was the date of the Battle of New Orleans. Jimmy Driftwood, a school principal in Arkansas with a passion for history, set an account of the battle to this music in an attempt to get students interested in learning history. [8] It seemed to work, and Driftwood became well known in the region for his historical songs. He was "discovered" in the late 1950s by Don Warden, and eventually was given a recording contract by RCA, for whom he recorded 12 songs in 1958, including "The Battle of New Orleans." [9]
Weekly charts
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All-time charts
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Johnny Horton's 1959 version is the best-known recording of the song, which omits the mild expletives and many of the historical references of the original. Horton also recorded an alternative version for release in British Commonwealth countries, avoiding the unfavorable lyrics concerning the British: the word "British" was replaced with "Rebels," along with a few other differences.
Many other artists have recorded this song. Notable versions include the following:
"The Battle of Kookamonga" | |
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Single by Homer and Jethro | |
from the album Homer and Jethro at the Country Club | |
B-side | "Waterloo" |
Released | 1959 |
Genre | Country, Parody |
Length | 2:38 |
Label | RCA Victor |
Songwriter(s) | Jimmy Driftwood, J. J. Reynolds |
Country music parodists Homer and Jethro parodied "The Battle of New Orleans" with their song "The Battle of Kookamonga". The single was released in 1959 and featured production work by Chet Atkins. In this version, the scene shifts from a battleground to a campground, with the combat being changed to the Boy Scouts chasing after the Girl Scouts.
James Corbitt Morris, known professionally as Jimmy Driftwood or Jimmie Driftwood, was an American folk music songwriter and musician, most famous for his songs "The Battle of New Orleans" and "Tennessee Stud". Driftwood wrote more than 6,000 folk songs, of which more than 300 were recorded by various musicians.
"Moon River" is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 film Breakfast at Tiffany's, winning an Academy Award for Best Original Song. The song also won the 1962 Grammy Awards for Record of the Year and Song of the Year. In 1999, Mancini's recording was inducted into the Grammy Hall of Fame.
John LaGale Horton was an American country, honky tonk and rockabilly musician during the 1950s. He is best known for a series of history-inspired narrative country saga songs that became international hits. His 1959 single "The Battle of New Orleans" was awarded the 1960 Grammy Award for Best Country & Western Recording. The song was awarded the Grammy Hall of Fame Award and in 2001 ranked No. 333 of the Recording Industry Association of America's "Songs of the Century". His first No. 1 country song was in 1959, "When It's Springtime in Alaska ".
"Misty" is a jazz standard written and originally recorded in 1954 by pianist Erroll Garner. He composed it as an instrumental in the traditional 32-bar format, and recorded it on July 27, 1954 for the album Contrasts. Lyrics were added later by Johnny Burke. It appeared on Johnny Mathis' 1959 album Heavenly, and this recording reached number 12 on the U.S. Pop Singles chart later that year. It has since become Mathis’ signature song.
"Only You (And You Alone)" (often shortened to "Only You") is a pop song composed by Buck Ram. It was originally recorded by The Platters with lead vocals by Tony Williams in 1955.
This is a list of notable events in country music that took place in the year 1959.
"If I Had a Hammer " is a protest song written by Pete Seeger and Lee Hays. It was written in 1949 in support of the Progressive movement, and was first recorded by the Weavers, a folk music quartet composed of Seeger, Hays, Ronnie Gilbert, and Fred Hellerman. It was a #10 hit for Peter, Paul and Mary in 1962 and then went to #3 a year later when recorded by Trini Lopez in 1963.
"Ramblin' Rose" is a 1962 popular torch song written by brothers Noel Sherman (words) and Joe Sherman (music) and popularized by Nat King Cole. The recording by Nat King Cole reached No. 2 on the Billboard Hot 100 chart in 1962.
"City of New Orleans" is a country folk song written by Steve Goodman, describing a train ride from Chicago to New Orleans on the Illinois Central Railroad's City of New Orleans in bittersweet and nostalgic terms.
"Theme from A Summer Place" is a song with lyrics by Mack Discant and music by Max Steiner, written for the 1959 film A Summer Place, which starred Sandra Dee and Troy Donahue. It was recorded for the film as an instrumental theme by Steiner. Originally known as the "Molly and Johnny Theme", this lush extended cue, as orchestrated by Murray Cutter, is not the main title theme of the film, but an oft-heard secondary love theme for the characters played by Dee and Donahue. A subsequent recording by Hugo Winterhalter was the first to use the "Theme from A Summer Place" title. The theme has become a canonical representation of the easy listening genre, and is considered by some to be the definitive easy listening track of all time.
"Dream Lover" is a song written by American musician Bobby Darin. Darin recorded his composition on March 5, 1959 and released it as a single the following month. It was produced by Ahmet Ertegun and Jerry Wexler and engineered by Tom Dowd.
"Smoke Gets in Your Eyes" is a show tune written by American composer Jerome Kern and lyricist Otto Harbach for the 1933 musical comedy Roberta. The song was sung in the Broadway show by Tamara Drasin. It was first recorded by Gertrude Niesen, with orchestral direction from Ray Sinatra, Frank Sinatra's second cousin, on October 13, 1933. Niesen's recording of the song was released by Victor, with in the B-side "Jealousy", a song featuring Isham Jones and his Orchestra. The line "When your heart's on fire, smoke gets in your eyes" apparently comes from a Russian proverb.
"The Twist" is an American pop song written and originally released in 1958 by Hank Ballard and the Midnighters as a B-side to "Teardrops on Your Letter". It was inspired by the twist dance craze. Ballard's version was a moderate hit, peaking at number 28 on the Billboard Hot 100 in 1960. On the US Billboard Hot R&B Sides chart, the original version of "The Twist" first peaked at number 16 in 1959 and at number six in 1960. By 1962, the record sold in excess of one million copies, becoming Ballard's fourth million seller.
"Mountain of Love" is a song written by Harold Dorman. Dorman released his version as a single in 1960. It was originally recorded in late 1959 at the Royal Recording Studios in Memphis before the backing vocals were overdubbed. It performed well, spending 19 weeks on the Billboard Hot 100 chart, peaking at No. 21 in May 1960, while reaching No. 7 on the Billboard Hot R&B Sides chart, and No. 25 on Canada's "CHUM Hit Parade". The song was his only top forty hit on the Billboard Hot 100 and was the highest-charting single of his career.
"If I Were a Carpenter" is a folk song written by Tim Hardin in the 1960s, and re-recorded with commercial success by various artists including Bobby Darin, The Four Tops and Johnny Cash. Hardin's own recording of the piece appeared on his 1967 album Tim Hardin 2. It was one of two songs from that release performed by Hardin at Woodstock in 1969. The song, believed by some to be about male romantic insecurity, is rumored to have been inspired by his love for actress Susan Morss, as well as the construction of Hardin's recording studio.
"Love Letters in the Sand" is a popular song first published in 1931.
"Sleep Walk" is an instrumental song written, recorded, and released in 1959 by American instrumental rock and roll duo Santo & Johnny Farina, with their uncle Mike Dee playing the drums. Prominently featuring steel guitar, the song was recorded at Trinity Music in Manhattan, New York City. "Sleep Walk" entered Billboard's Top 40 on August 17, 1959. It rose to the number 1 position for the last two weeks in September and remained in the Top 40 until November 9. "Sleep Walk" also reached number 4 on the R&B chart. It was the last instrumental to hit number 1 in the 1950s and earned a gold record for Santo and Johnny. In Canada, the song reached number 3 in the CHUM Charts. In the UK it peaked at number 22 on the charts.
"By the Time I Get to Phoenix" is a song written by Jimmy Webb. Originally recorded by Johnny Rivers in 1965, it was reinterpreted by American country music singer Glen Campbell on his album of the same name. Released on Capitol Records in 1967, Campbell's version topped RPM's Canada Country Tracks, reached number two on Billboard's Hot Country Singles chart, and won two awards at the 10th Annual Grammys. Broadcast Music, Inc. (BMI) named it the third most performed song from 1940 to 1990. The song was ranked number 20 on BMI's Top 100 Songs of the Century. Frank Sinatra called it "the greatest torch song ever written." It was No. 450 on Rolling Stone magazine's Top 500 Songs of All Time.
"Mona Lisa" is a popular song written by Ray Evans and Jay Livingston for the Paramount Pictures film Captain Carey, U.S.A. (1949), in which it was performed by Sergio de Karlo and a recurrent accordion motif. The title and lyrics refer to the renaissance portrait Mona Lisa painted by Leonardo da Vinci. The song won the Academy Award for Best Original Song in 1950.
"North to Alaska" is a 1960 hit song recorded by Johnny Horton that was featured in the movie of the same name. The song was written by Mike Phillips, along with Tillman Franks. Though Horton had sung several popular movie tie-in songs, this was the first one that was sung over the opening titles. Horton died in an automobile accident November 5, 1960 two days before the movie was released. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.
...but the biggest single of 1959...had nothing to do with rock 'n' roll. Instead, it was a novelty march...
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