"Theme of Exodus" | |
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Single by Ernest Gold | |
from the album Exodus | |
B-side | "Summer In Cyprus" |
Released | 1960 |
Genre | Epic, film score |
Length | 2:45 |
Label | RCA Victor |
Songwriter(s) | Ernest Gold |
Producer(s) | Ernest Gold |
"Theme of Exodus" | ||||
---|---|---|---|---|
Single by Ferrante & Teicher | ||||
from the album Golden Piano Hits | ||||
B-side | "Twilight" | |||
Released | October 1960 | |||
Genre | Easy listening, film score | |||
Length | 2:54 | |||
Label | United Artists | |||
Songwriter(s) | Ernest Gold | |||
Producer(s) | Don Costa | |||
Ferrante & Teicher singles chronology | ||||
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"Theme of Exodus" is a song composed and performed by Ernest Gold. It serves as the main theme song to Otto Preminger's epic film Exodus , based on the 1958 novel of the same name by Leon Uris, which tells the story of founding of the modern State of Israel.
The song was released on the soundtrack album for the picture. All music was written by Gold, who won both Best Soundtrack Album and Song of the Year at the 1961 Grammy Awards for the soundtrack and theme to Exodus respectively. It is the only instrumental song to ever receive that award. [1]
Following its initial film appearance, the theme has been recorded by many artists in both instrumental and vocal versions, and has also appeared in a number of subsequent films and television programs. The best-known cover version of the theme is an instrumental version. [2] This version was accompanied by the Sinfonia of London orchestra. [3] Bob Marley incorporated portions of the theme into his song "Exodus". [4]
An instrumental version of the song by Ferrante & Teicher made No. 3 in Canada in December 1960, [5] [6] [7] No. 1 on the Cashbox Top 100 and No. 2 on the Billboard Hot 100 in January 1961, [8] No. 6 in the UK in April 1961 [9] and No. 2 on the Australian Kent Music Report charts also in April 1961. [10] It reached No. 1 in New Zealand. [11]
In 2012, American animator Nina Paley released a satirical animated music video set to the song (as performed by Andy Williams), which have enmassed millions of views through various forms over the internet. [12] [13] The video is part of a animated feature film by Nina called Seder-Masochism.
The video depicts the conflicts of ownership over the region commonly known today as Palestine, through time; from the Neolithic, to the Ancient Egyptians, Babylonians, Knights Templars and many others, all the way to the modern day Israeli–Palestinian conflict. Video shows the various cultures who have ruled over the region through the ages, entering the scene and killing the previous owner, which works as an allegory for the regions history. [14]
Bert Kaempfert was a German orchestra leader, multi-instrumentalist, music producer, arranger, and composer. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including "Strangers in the Night", “Danke Schoen” and "Moon Over Naples".
"Moon River" is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 film Breakfast at Tiffany's, winning an Academy Award for Best Original Song. The song also won the 1962 Grammy Awards for Record of the Year and Song of the Year. In 1999, Mancini's recording was inducted into the Grammy Hall of Fame.
"Blue Moon" is a popular song written by Richard Rodgers and Lorenz Hart in 1934 that has become a standard ballad. Early recordings included those by Connee Boswell and by Al Bowlly in 1935. The song was a hit twice in 1949, with successful recordings in the U.S. by Billy Eckstine and Mel Tormé.
"Runaway" is a number-one Billboard Hot 100 song made famous by Del Shannon in 1961. It was written by Shannon and keyboardist Max Crook, and became a major international hit. It topped the Billboard charts for four consecutive weeks, and Billboard ranked it as the No. 5 song for 1961. It was No. 472 on the 2010 version of Rolling Stone's list of the 500 Greatest Songs of All Time and No. 466 on the 2004 version.
Alexander Emil Caiola was an American guitarist, composer and arranger, who spanned a variety of music genres including jazz, country, rock, and pop. He recorded over fifty albums and worked with some of the biggest names in music during the 20th century, including Elvis Presley, Ray Conniff, Ferrante & Teicher, Frank Sinatra, Percy Faith, Buddy Holly, Mitch Miller, and Tony Bennett.
"Witch Doctor" is a 1958 American 1958 novelty song written and recorded by Ross Bagdasarian. Bagdasarian sang the song, varying the tape speeds to produce high-pitched voices. The technique developed for the voice of the witch doctor was later used for the creation of the voices of Bagdasarian's virtual band Alvin and the Chipmunks. It became a number one hit and rescued Liberty Records from near-bankruptcy.
William Everett Justis Jr. was an American pioneer rock and roll musician, composer, and musical arranger, best known for his 1957 Grammy Hall of Fame song, "Raunchy". As a songwriter, he was also often credited as Bill Everette.
"Theme from A Summer Place" is a song with lyrics by Mack Discant and music by Max Steiner, written for the 1959 film A Summer Place, which starred Sandra Dee and Troy Donahue. It was recorded for the film as an instrumental theme by Steiner. Originally known as the "Molly and Johnny Theme", this lush extended cue, as orchestrated by Murray Cutter, is not the main title theme of the film, but an oft-heard secondary love theme for the characters played by Dee and Donahue. A subsequent recording by Hugo Winterhalter was the first to use the "Theme from A Summer Place" title. The theme has become a canonical representation of the easy listening genre, and is considered by some to be the definitive easy listening track of all time.
"The Twist" is an American pop song written and originally released in 1958 by Hank Ballard and the Midnighters as a B-side to "Teardrops on Your Letter". It was inspired by the twist dance craze. Ballard's version was a moderate hit, peaking at number 28 on the Billboard Hot 100 in 1960. On the US Billboard Hot R&B Sides chart, the original version of "The Twist" first peaked at number 16 in 1959 and at number six in 1960. By 1962, the record sold in excess of one million copies, becoming Ballard's fourth million seller.
"I Will Follow Him" is a popular song that was first recorded in 1961 by Franck Pourcel, as an instrumental entitled "Chariot". The song achieved its widest success when it was recorded by American singer Little Peggy March with English lyrics in 1963. The music was written by Franck Pourcel and Paul Mauriat. It was adapted by Arthur Altman. The completely new English lyrics were written by Norman Gimbel.
"To Sir with Love" is the theme from James Clavell's 1967 film To Sir, with Love. The song was performed by British singer and actress Lulu, and written by Don Black and Mark London. Mickie Most produced the record, with Mike Leander arranging and conducting. The song peaked at the top of the Billboard Hot 100, and became the best-selling single of 1967 in the United States.
"Wooly Bully" is a song originally recorded by rock and roll band Sam the Sham and the Pharaohs in 1964. Based on a standard 12-bar blues progression, it was written by the band's frontman, Domingo "Sam" Samudio. It was released as a single on the small Memphis-based XL label (#906) in 1964 and was picked up in 1965 by MGM. The song was recorded at Sam C. Phillips Recording Studio at 639 Madison Avenue in Memphis, the successor to Phillips' original Sun Studio.
"At the Hop" is a 1950s pop song written by Artie Singer, John Medora, and David White and originally released by Danny & the Juniors. The song was released in the fall of 1957 and reached number one on the US charts on January 6, 1958, becoming one of the top-selling singles of 1958. "At the Hop" also hit number one on the R&B Best Sellers list. Somewhat more surprisingly, the record reached #3 on the Music Vendor country charts. It was also a big hit elsewhere, which included number 1 for 3 weeks in Canada and a number 3 placing on the UK charts.
"Goldfinger" is the title song from the 1964 James Bond film of the same name. Composed by John Barry and with lyrics by Leslie Bricusse and Anthony Newley, the song was performed by Shirley Bassey for the film's opening and closing title sequences, as well as the soundtrack album release. The single release of the song gave Bassey her only Billboard Hot 100 top forty hit, peaking in the Top 10 at No. 8 and No. 2 for four weeks on the Adult Contemporary chart, and in the United Kingdom the single reached No. 21.
"Tonight" is a song from the 1957 musical West Side Story with music written by Leonard Bernstein and lyrics by Stephen Sondheim. It was published in 1956.
"Let's Twist Again" is a song written by Kal Mann and Dave Appell, and released as a single by Chubby Checker. One of the biggest hit singles of 1961, it reached No.8 on the U.S. Billboard pop chart in August of that year and subsequently reached No.2 in the UK in the spring of 1962. The song refers to the Twist dance craze and Checker's 1960 single "The Twist", a two-time U.S. No.1 single.
Exodus is a soundtrack album by Ernest Gold with the Sinfonia of London from the 1960 film Exodus directed by Otto Preminger.
"Peter Gunn" is the theme music composed by Henry Mancini for the television show of the same name. The song was the opening track on the original soundtrack album, The Music from Peter Gunn, released by RCA Victor in 1959. Mancini won an Emmy Award and two Grammys for Album of the Year and Best Arrangement. In 2005, the song was inducted into the Grammy Hall of Fame.
"Portrait of My Love" is a song written by Norman Newell and Cyril Ornadel, which was released by Matt Monro in 1960, and was an international hit for Steve Lawrence in 1961.
Seder-Masochism is a 2018 American animated musical biblical comedy-drama film written, directed, produced and animated by American artist Nina Paley. The film reinterprets the Book of Exodus, especially stories associated with the Passover Seder, such as the death of the Egyptian first-born, and Moses leading the Israelites out of slavery in Egypt. The film depicts these events against a backdrop of widespread worship of the Great Mother Goddess, showing the rise of patriarchy.