Jingoism is nationalism in the form of aggressive and proactive foreign policy, such as a country's advocacy for the use of threats or actual force, as opposed to peaceful relations, in efforts to safeguard what it perceives as its national interests. Colloquially, jingoism is excessive bias in judging one's own country as superior to others – an extreme type of nationalism.
"Space Oddity" is a song by the English singer-songwriter David Bowie. It was first released on 11 July 1969 by Philips Records as a 7-inch single, then as the opening track of his second studio album, David Bowie. Produced by Gus Dudgeon and recorded at Trident Studios in London, it is a tale about a fictional astronaut named Major Tom; its title and subject matter were partly inspired by 2001: A Space Odyssey (1968) and Bowie's feelings of alienation at that point in his career. One of the most musically complex songs he had written up to that point, it represented a change from the music hall-influenced sound of his debut to a sound akin to psychedelic folk and inspired by the Bee Gees.
"Life on Mars?" is a song by the English singer-songwriter David Bowie, first released on his 1971 album Hunky Dory. Bowie wrote the song as a parody of Frank Sinatra's "My Way". "Life on Mars?" was recorded on 6 August 1971 at Trident Studios in London, and was co-produced by Bowie and Ken Scott. Bowie's backing band consisted of guitarist and string arranger Mick Ronson, bassist Trevor Bolder, drummer Mick Woodmansey and Strawbs member Rick Wakeman on piano. "Life on Mars?" is primarily a glam rock ballad, with elements of cabaret and art rock; it has a complex structure that includes chord changes throughout. The lyrics are about a girl who goes to a cinema to escape reality, and include surreal images that reflect optimism and the effects of Hollywood.
The Man Who Sold the World is the third studio album by the English musician David Bowie, originally released through Mercury Records in the United States on 4 November 1970 and in the United Kingdom on 10 April 1971. Produced by Tony Visconti and recorded in London from April to May 1970, the album features the first appearances on a Bowie record of future Spiders from Mars members Mick Ronson and Mick Woodmansey.
Major Tom is a persona of David Bowie's, referenced in the songs "Space Oddity", "Ashes to Ashes", "Hallo Spaceboy", "Blackstar" and more. Bowie's own interpretation of the character evolved throughout his career. "Space Oddity" (1969) depicts an astronaut who casually slips the bonds of the world to journey beyond the stars. In the song "Ashes to Ashes" (1980), Bowie reinterprets Major Tom as an oblique autobiographical symbol for himself. Major Tom is described as a "junkie, strung out in heaven's high, hitting an all-time low". This lyric was interpreted as a play on the title of Bowie's album Low (1977), which was inspired by the withdrawal symptoms he suffered while undergoing treatment for drug addiction. Additionally, the choked and self-recriminating tone used in the lyrics "Time and again I tell myself I'll stay clean tonight" reinforces an autobiographical and retrospective interpretation. A short time later, there is another reversal of Major Tom's original withdrawal, turning 'outwards' or towards space.
"The Man Who Sold the World" is a song by the English singer-songwriter David Bowie. The title track of Bowie's third studio album, it was released in November 1970 in the US and in April 1971 in the UK by Mercury Records. Produced by Tony Visconti, it was recorded at Trident and Advision Studios in London in May 1970, towards the end of the album's sessions; Bowie recorded his vocal on the final day of mixing for the album, reflecting his generally dismissive attitude during the sessions. Musically, it is based around a "circular" guitar riff from Mick Ronson. Its lyrics are cryptic and evocative, being inspired by numerous poems including the 1899 "Antigonish" by William Hughes Mearns. Bowie's vocals are heavily "phased" throughout and have been described as "haunting".
"Golden Years" is a song by the English musician David Bowie, released by RCA Records on 21 November 1975 as the lead single from his tenth studio album Station to Station (1976). Partially written before Bowie began shooting for the film The Man Who Fell to Earth (1976), the song was mostly compiled in the studio and was the first track completed for the album. Co-produced by Bowie and Harry Maslin, recording took place at Cherokee Studios in Los Angeles during September 1975. Due to Bowie's heavy cocaine use, he later recalled remembering almost nothing of Station to Station's production.
Tin Machine is the debut studio album by the Anglo-American hard rock band Tin Machine, released on 22 May 1989 through EMI America Records. The band consisted of the English singer-songwriter David Bowie, the American guitarist Reeves Gabrels and brothers Tony Fox and Hunt Sales on bass and drums, respectively, while Englishman Kevin Armstrong acted as an additional guitarist. The project was spearheaded by Bowie, who felt disconnected in his career by 1987 and looked to reinvent himself. After meeting Gabrels through his Glass Spider Tour, the two agreed to work together and would collaborate frequently for the next decade. Bowie hired the Sales brothers, neither of whom he had worked with since the 1970s, after a meeting in Los Angeles, while English producer Tim Palmer was hired to co-produce.
"'Heroes'" is a song by the English musician David Bowie from his 12th studio album of the same name. Co-written by Bowie and Brian Eno and co-produced by Bowie and Tony Visconti, the song was recorded in mid-1977 at Hansa Studio 2 in West Berlin. The backing track was recorded fully before lyrics were written; Bowie and Eno added synthesiser overdubs while Robert Fripp contributed guitar. To record the vocal, Visconti devised a "multi-latch" system, wherein three microphones were placed at different distances from Bowie and would open when he sang loud enough. Like other album tracks, he improvised lyrics while standing at the microphone.
"Rock 'n' Roll Suicide" is a song by the English singer-songwriter David Bowie, originally released as the closing track on the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars on 16 June 1972. Co-produced by Ken Scott, Bowie recorded it with his backing band the Spiders from Mars – comprising Mick Ronson, Trevor Bolder and Mick Woodmansey. It detailed Ziggy's final collapse like an old, washed-up rock star and, as such, was also the closing number of the Ziggy Stardust live show. In April 1974 RCA issued it as a single.
"Breaking Glass" is a song by the English singer-songwriter David Bowie. It was co-written by Bowie, bassist George Murray and drummer Dennis Davis in September 1976. Originally a track on Bowie's 1977 album Low, a reworked version of the song was a regular on the Isolar II Tour. A live version from that tour was used as the lead track on a 7-inch EP to promote his second live album, Stage in 1978. The EP reached number 54 on the UK Singles Chart in December 1978.
"Strangers When We Meet" is a song by English musician David Bowie, originally recorded for his 1993 album The Buddha of Suburbia. In 1995, Bowie re-recorded the song for his 20th studio album, Outside (1995), and this version was edited and released in November 1995 by RCA as the second single from the album, paired with a reworked version of Bowie's 1970 song "The Man Who Sold the World". The double A-side reached number 39 on the UK Singles Chart. In Sweden, "Strangers When We Meet" peaked at number 56 in 1996.
"After All" is a song written by the English singer-songwriter David Bowie in 1970 for the album The Man Who Sold the World, released later that year in the United States and in April 1971 in the UK. One of a number of Bowie songs from the early 1970s reflecting the influence of Friedrich Nietzsche and Aleister Crowley, it has been described by biographer David Buckley as "the album's hidden gem", and by Nicholas Pegg as "one of Bowie's most underrated recordings".
"Oh! You Pretty Things" is a song by the English singer-songwriter David Bowie from his 1971 album Hunky Dory. It was the first song he wrote for the album. Bowie recorded the song as a demo before giving it to singer Peter Noone, lead singer of Herman's Hermits, who decided to release it as his debut solo single. Featuring Bowie on piano, Noone's recording was produced by Mickie Most and featured structural and lyrical differences from Bowie's later version. Released by RAK Records in April 1971 under the title "Oh You Pretty Thing", the single peaked at number 12 in the UK, becoming Bowie's biggest success as a songwriter since his own single "Space Oddity" two years earlier.
"Stay" is a song by the English musician David Bowie, released on his 1976 album Station to Station. The song was recorded in late 1975 at Cherokee Studios in Los Angeles. Co-produced by Bowie and Harry Maslin, the recording featured guitarists Carlos Alomar and Earl Slick, bassist George Murray, drummer Dennis Davis, pianist Roy Bittan and Warren Peace on percussion. The track features prominent dual guitar work from Slick and Alomar, who mostly composed it in the studio. Based on the chord structure of "John, I'm Only Dancing (Again)", a funk reworking of "John, I'm Only Dancing" (1972), "Stay" emulates funk rock, soul and hard rock. The song's lyrics are abstract and relate to love.
"Subterraneans" is a song by David Bowie, the closing track of his 1977 album Low. As with most of Side 2, "Subterraneans" is mostly instrumental, with brief, obscure lyrics sung near the song's end.
"The Pretty Things Are Going to Hell" is a song by the English musician David Bowie from his 1999 album Hours. Written by Bowie and Reeves Gabrels, its title references past songs such as "Oh! You Pretty Things" and the Stooges' Raw Power track "Your Pretty Face Is Going to Hell". On Hours, the song is a rockier number that contains elements of 1970s glam rock. The lyrics offer views on disillusionment and aging. The song was first released in a different mix in the film Stigmata before being released as the first single from the album in Australia and Japan, replacing "Thursday's Child". An unreleased music video was filmed that depicted Bowie encountering several of his past personas. It was performed live in 1999 and 2000.
Little Round Mirrors is a single/EP by Harvey Danger. It was released on Barsuk Records on October 10, 2006.
The expression by Jingo is a minced oath that appeared rarely in print, but which may be traced as far back as to at least the 17th century in a transparent euphemism for "by Jesus". The OED attests the first appearance in 1694, in an English edition of the works of François Rabelais as a translation for the French par Dieu!.
