Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.
I'd Rather Be Right is a 1937 musical with a book by Moss Hart and George S. Kaufman, lyrics by Lorenz Hart, and music by Richard Rodgers. The story is a Depression-era political satire set in New York City about Washington politics and political figures such as President Franklin D. Roosevelt. The plot centers on Peggy Jones and her boyfriend Phil, who needs a raise in order for them to get married. The President steps in and solves their dilemma.
Yankee Doodle Dandy is a 1942 American biographical musical film about George M. Cohan, known as "The Man Who Owned Broadway". It stars James Cagney, Joan Leslie, Walter Huston, and Richard Whorf, and features Irene Manning, George Tobias, Rosemary DeCamp, Jeanne Cagney, and Vera Lewis. Joan Leslie's singing voice was partially dubbed by Sally Sweetland.
Roberta is a musical from 1933 with music by Jerome Kern, and lyrics and book by Otto Harbach. The musical is based on the novel Gowns by Roberta by Alice Duer Miller. It features the songs "Yesterdays", "Smoke Gets in Your Eyes", "Let's Begin", "You're Devastating", "Something Had To Happen", "The Touch of Your Hand" and "I'll Be Hard to Handle".
Ah, Wilderness! is a comedy play by American playwright Eugene O'Neill that premiered on Broadway at the Guild Theatre on October 2, 1933. It differs from a typical O'Neill play in its happy ending for the central character, and depiction of a happy family in turn of the century America. It is O'Neill's only well-known comedy.
Oh, Kay! is a musical with music by George Gershwin, lyrics by Ira Gershwin, and a book by Guy Bolton and P. G. Wodehouse. It is based on the play La Présidente by Maurice Hennequin and Pierre Veber. The plot revolves around the adventures of the Duke of Durham and his sister, Lady Kay, English bootleggers in Prohibition Era America. Kay finds herself falling in love with a man who seems unavailable. The show is remembered for its enduring song, "Someone to Watch Over Me".
Fay Templeton was an American actress, singer, songwriter, and comedian.
Little Johnny Jones is a musical by George M. Cohan. The show introduced Cohan's tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy." The "Yankee Doodle" character was inspired by real-life Hall of Fame jockey Tod Sloan.
Peter Lind Hayes was an American vaudeville entertainer and film and television actor.
Oh, Boy! is a musical in two acts, with music by Jerome Kern and book and lyrics by Guy Bolton and P. G. Wodehouse. The story concerns befuddled George, who elopes with Lou Ellen, the daughter of Judge Carter. He must win over her parents and his Quaker aunt. His dapper polo champion friend Jim is in love with madcap actress Jackie, but George must hide her while she extricates herself from a scrape with a bumbling constable whom she punched at a party raid.
Chip Deffaa is an American author, playwright, screenwriter, jazz historian, singer, songwriter, director, and producer of plays and recordings. For 18 years, he wrote for the New York Post, covering jazz, cabaret, and theater. He has contributed to Jazz Times, The Mississippi Rag, Down Beat, Cabaret Scenes, England's Crescendo, and Entertainment Weekly. He's written nine books and 20 plays, and has produced more than 40 albums. As D.A. Bogdnov noted in a lengthy profile of Deffaa published in TheaterScene.net on December 5, 2022, Deffaa "has produced more recordings of George M. Cohan songs than anyone living, just as he's produced more recordings of Irving Berlin songs than anyone living. And having produced more than 40 albums in total now, Deffaa has surely recorded more members of New York's theater/cabaret community than anyone living." He was born in New Rochelle, New York. Mentored by former vaudevillian Todd Fisher and studying at the American Academy of Dramatic Arts in his youth, Deffaa became hooked on show business while performing as a child actor. His interests evolved into writing. He wrote his first play and first song at age 17. He graduated from Princeton University. He freelanced for various publications before finding a longtime home at The New York Post, where editors V.A. Musetto, Matt Diebel, Steve Cuozzo, and Faye Penn gave him wide latitude to write about jazz, cabaret, classic pop, and theater.
George M! is a Broadway musical based on the life of George M. Cohan, the biggest Broadway star of his day who was known as "The Man Who Owned Broadway." The book for the musical was written by Michael Stewart, John Pascal, and Francine Pascal. Music and lyrics were by George M. Cohan himself, with revisions for the musical by Cohan's daughter, Mary Cohan.
Oh, Captain! is a musical comedy based on the 1953 film The Captain's Paradise with music and lyrics by Jay Livingston and Ray Evans and the book by Al Morgan and José Ferrer. The basis of the musical was the 1953 film The Captain's Paradise, which had been written by Alec Coppel and Nicholas Phipps.
Tintypes is a musical revue conceived by Mary Kyte with Mel Marvin and Gary Pearle. The score, featuring works by George M. Cohan, John Philip Sousa, Joseph E. Howard, Scott Joplin, and Victor Herbert, among others, is a blend of the patriotic songs, romantic tunes, and ragtime popular during the era between 1897 and 1914. The show features five actors representing various historical characters of the period, including Emma Goldman, Theodore Roosevelt, and Anna Held.
George Michael Cohan was an American entertainer, playwright, composer, lyricist, actor, singer, dancer and theatrical producer.
"Oh! How I Hate to Get Up in the Morning" is a song written by Irving Berlin in 1918 that gives a comic perspective on military life. Berlin composed the song as an expression of protest against the indignities of Army routine shortly after being drafted into the United States Army in 1918. The song soon made the rounds of camp and became popular with other soldiers, partly because hatred of reveille was universal.
Strike Up the Band is a 1940 American musical film produced by the Arthur Freed unit at Metro-Goldwyn-Mayer. The film was directed by Busby Berkeley and stars Mickey Rooney and Judy Garland, in the second of a series of musicals they co-starred in, after Babes in Arms, all directed by Berkeley. The story written for the 1927 stage musical Strike Up the Band, and its successful 1930 Broadway revision, bear no resemblance to this film, aside from the title song.
Oh! Calcutta! is an avant-garde, risqué theatrical revue created by British drama critic Kenneth Tynan. The show, consisting of sketches on sex-related topics, debuted Off-Broadway in 1969 and then in the West End in 1970. It ran in London for over 3,900 performances, and in New York initially for 1,314. Revivals enjoyed even longer runs, including a 1976 Broadway revival that ran for 5,959 performances, making the show the longest-running revue in Broadway history, the second longest-running revival, and the eighth longest-running Broadway show ever.
Leave It to Jane is a musical in two acts, with music by Jerome Kern and book and lyrics by Guy Bolton and P. G. Wodehouse, based on the 1904 play The College Widow, by George Ade. The story concerns the football rivalry between Atwater College and Bingham College, and satirizes college life in a Midwestern U.S. town. A star halfback, Billy, forsakes his father's alma mater, Bingham, to play at Atwater, to be near the seductive Jane, the daughter of Atwater's president.
Little Nellie Kelly was a two-act musical comedy of the Jazz Age, written, produced and directed by George M. Cohan. After opening in Boston in July 1922, it had long runs on Broadway in 1922–1923, in the West End of London in 1923–1924, and on tours.
