"Cordelia Malone" | |
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Song | |
Written | 1904 |
"Cordelia Malone" is a novelty song written in 1904 by Billy Jerome and Jean Schwartz, and recorded that same year by popular Irish American singer Billy Murray. [1]
The lyrics are a stableboy's first-hand account of his courtship of Cordelia Malone, a "smart Irish girl". Over the course of the song, he describes his seemingly successful efforts to woo Cordelia through use of the then newly invented telephone, stating that:
"...Young suitors can all nightly flock 'round the door,since her sister Bedelia won fame,but her smiles don't you see,they are only for me,so they might as well leave her alone, 'cause she seems to rejoice at the sound of my voice when I sing through the Bell telephone:"Hello, hello, sweet Cordelia"..."
The name given to Cordelia's sister, 'Bedelia', may be in reference to a popular 1903 song, "Bedelia (I Want to Steal Ye, Bedelia, I Love You So)", also written by Billy Jerome and Jean Schwartz. [2]
Ira Gershwin was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", "The Man I Love" and "Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera Porgy and Bess.
This is a list of notable events in music that took place in the year 1903.
"Molly Malone" is a song set in Dublin, Ireland, which has become its unofficial anthem.
Jean Schwartz was a Hungarian-born American songwriter.
William Jerome Flannery, September 30, 1865 – June 25, 1932) was an American songwriter, born in Cornwall-on-Hudson, New York of Irish immigrant parents, Mary Donnellan and Patrick Flannery. He collaborated with numerous well-known composers and performers of the era but is best remembered for his decade-long association with Jean Schwartz with whom he created many popular songs and musical shows in the 1900s and early 1910s.
Dorothy Fields was an American librettist and lyricist. She wrote over 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), "Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and "Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters.
William Thomas Murray was one of the most popular singers in the United States in the early 20th century. While he received star billing in vaudeville, he was best known for his prolific work in the recording studio, making records for almost every record label of the era.
"The Yankee Doodle Boy", also well known as "(I'm a) Yankee Doodle Dandy" is a patriotic song from the Broadway musical Little Johnny Jones written by George M. Cohan. The play opened at the Liberty Theater on November 7, 1904. The play concerns the trials and tribulations of a fictional American jockey, Johnny Jones, who rides a horse named Yankee Doodle in the English Derby. Cohan incorporates snippets of several popular traditional American songs into his lyrics of this song, as he often did with his songs. The song was performed by James Cagney in the 1942 film Yankee Doodle Dandy, in which he played Cohan.
Berlin v. E.C. Publications, Inc., 329 F.2d 541, was an important United States copyright law case decided by the United States Court of Appeals for the Second Circuit in 1964 involving the right to parody a well-known melody.
"Cotton-Eyed Joe" is a traditional American country folk song popular at various times throughout the United States and Canada, although today it is most commonly associated with the American South. The song is also an instrumental banjo and bluegrass fiddle standard.
"Back in Your Own Backyard" is a popular song. Officially the credits show it as written by Al Jolson, Billy Rose, and Dave Dreyer; in fact, Billy Rose was exclusively a lyricist, Dreyer a composer, and Al Jolson a performer who was often given credits so he could earn some more money, so the actual apportionment of the credits would be likely to be music by Dreyer, lyrics by Rose, and possibly some small contribution by Jolson.
Sam M. Lewis was an American singer and lyricist.
"Hello! Ma Baby" is a Tin Pan Alley song written in 1899 by the songwriting team of Joseph E. Howard and Ida Emerson, known as "Howard and Emerson". Its subject is a man who has a girlfriend he knows only through the telephone. At the time, telephones were relatively novel, present in fewer than 10% of U.S. households, and this was the first well-known song to refer to the device. Additionally, the word "Hello" itself was primarily associated with telephone use after Edison's utterance—by 1889, "Hello Girl" was slang for a telephone operator—though it later became a general greeting for all situations.
Hello, Hawaii, How Are You? is a song written in 1915, by Jean Schwartz, Bert Kalmar and Edgar Leslie.
Charles William Murphy was a prolific British composer of music hall and musical theatre tunes.
"Chinatown, My Chinatown" is a popular song written by William Jerome (words) and Jean Schwartz (music) in 1906 and later interpolated into the musical Up and Down Broadway (1910). The song has been recorded by numerous artists and is considered an early jazz standard.
"If It Wasn't for the Irish and the Jews" is a song written in 1912 by the Tin Pan Alley duo William Jerome and Jean Schwartz. The lyrics reflect a common theme in comic songs of the era: the pairing of disparate ethnic groups, especially Irish and Jews.
Hello Central, Give Me Heaven is a popular Tin Pan Alley song first published in 1901, with lyrics and music by Charles K. Harris, and was among Harris's most popular songs. It was first recorded by Byron G. Harlan and released in July 1901.
Irish Molly-o is a traditional Irish song of Irish and Scottish origin. Widely popular in North America in the early 19th century, it was first published by A.W. Aunner in Philadelphia around 1830 and later in New York City by Kennedy. Both "The Hat My Father Wore" and "The Sash My Father Wore" were adapted from this song.
'"Hello Central! Give Me No Man's Land" is a World War I era song released in 1918. Lyrics were written by Sam M. Lewis and Joe Young. Jean Schwartz composed the music. The song was published by Waterson Berlin & Snyder, Co. of New York City. Artist Albert Wilfred Barbelle designed the sheet music cover, which features a photo of Al Jolson next to a shadow of a child on the phone. Explosions in No Man's Land take up the rest of the red background. The song was written for both voice and piano. It was first introduced in the 1918 musical Sinbad.