"The Sheik of Araby" | |
---|---|
Song | |
Published | 1921 |
Genre | Jazz |
Songwriter(s) | Composer: Ted Snyder Lyricist: Harry B. Smith, Francis Wheeler |
"The Sheik of Araby" is a song that was written in 1921 by Harry B. Smith and Francis Wheeler, with music by Ted Snyder. It was composed in response to the popularity of the Rudolph Valentino feature film The Sheik .
"The Sheik of Araby" was a Tin Pan Alley hit, and was also adopted by early jazz bands, especially in New Orleans, making it a jazz standard. It was a well recognized part of popular culture. A verse also appears in the novel The Great Gatsby (1925) by F. Scott Fitzgerald. In 1926, Fleischer Studios released a cartoon with this song, recorded in Phonofilm, as part of their Song Car-Tunes series, [1] and a live action short with this title was filmed in Phonofilm in the UK, directed by Miles Mander. [2]
In 1925, composer Ted Snyder said that the song's original title was "The Rose of Araby". The Indianapolis Star reported, "A friend of Mr. Snyder's, hearing the oriental melody and recalling the popularity of the book The Sheik, held out for the masculine title, but Mr. Snyder said that a sheik meant but little or nothing in the lives of most people, whereas "The Rose of Araby" – ah, there you had romance, and everything. Then he saw the advance posters of Rudolf Valentino in the picture and gave in. So "The Sheik of Araby" came into its own – though Mr. Snyder said he whistled it around his office for some six months without anyone getting excited over it." [3]
In 1926, to go with the film The Son of the Sheik, Ted Snyder worked parts of the melody into "That Night in Araby", a related song with words by Billy Rose. [21] [22] [23]
"Alexander's Ragtime Band" is a Tin Pan Alley song by American composer Irving Berlin released in 1911; it is often inaccurately cited as his first global hit. Despite its title, the song is a march as opposed to a rag and contains little syncopation. The song is a narrative sequel to Berlin's earlier 1910 composition "Alexander and His Clarinet". This earlier composition recounts the reconciliation between an African-American musician named Alexander Adams and his flame Eliza Johnson as well as highlights Alexander's innovative musical style. Berlin's friend Jack Alexander, a cornet-playing African-American bandleader, inspired the title character.
George Gard "Buddy" DeSylva was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs, and along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records.
Tin Pan Alley was a collection of music publishers and songwriters in New York City that dominated the popular music of the United States in the late 19th and early 20th centuries. Originally, it referred to a specific location on West 28th Street, between Fifth and Sixth Avenues in the Flower District of Manhattan, as commemorated by a plaque on 28th Street between Broadway and Sixth. Several buildings on Tin Pan Alley are protected as New York City designated landmarks, and the section of 28th Street from Fifth to Sixth Avenue is also officially co-named Tin Pan Alley.
The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
The Great American Songbook is the loosely defined canon of significant 20th-century American jazz standards, popular songs, and show tunes.
The Sheik is a 1921 American silent romantic drama film produced by Famous Players–Lasky, directed by George Melford, starring Rudolph Valentino and Agnes Ayres, and featuring Adolphe Menjou. It was based on the bestselling 1919 romance novel of the same name by Edith Maude Hull and was adapted for the screen by Monte M. Katterjohn. The film was a box-office hit and helped propel Valentino to stardom.
Theodore Frank Snyder, was an American composer, lyricist, and music publisher. His hits include "The Sheik of Araby" (1921) and "Who's Sorry Now?" (1923). In 1970, he was inducted into the Songwriters Hall of Fame. As of 2007, his compositions have been used in more than twenty motion pictures.
"As Time Goes By" is a jazz song written by Herman Hupfeld in 1931. It became famous when it featured in the 1942 film Casablanca, performed by Dooley Wilson as Sam. The song was voted No. 2 on the AFI's 100 Years...100 Songs special, commemorating the best songs in film.
"Ain't We Got Fun" is a popular foxtrot published in 1921 with music by Richard A. Whiting, lyrics by Raymond B. Egan and Gus Kahn.
"The World Is Waiting for the Sunrise" is a post-World War I popular song with lyrics by American actor Eugene Lockhart, and music composed by Canadian-born concert pianist Ernest Seitz in 1918. He later claimed he conceived the refrain when he was 12 years-old. Embarrassed about writing popular music, Seitz used the pseudonym "Raymond Roberts" when the song was published on January 24, 1919, by Chappell & Co. Ltd., London, UK.
"Ain't She Sweet" is a song composed by Milton Ager, with lyrics by Jack Yellen. It was published in 1927 by Ager, Yellen & Bornstein, Inc. It became popular in the first half of the 20th century and typified the Roaring Twenties. Like "Happy Days Are Here Again" (1929), it became a Tin Pan Alley standard. Both Ager and Yellen were elected to the Songwriters Hall of Fame.
"Alabamy Bound" is a Tin Pan Alley tune written in 1924, with music by Ray Henderson and words by Buddy DeSylva and Bud Green. It was popularized by Al Jolson and included in the musical Kid Boots, where it was sung by Eddie Cantor. Successful recordings of the song were released in 1925 by Paul Whiteman, Isham Jones and Fletcher Henderson (instrumentals), as well as Blossom Seeley, whose vocal version reached number 2 on the charts. The song has sold over a million copies of sheet music and has been included in several films over the years.
"Margie", also known as "My Little Margie", is a 1920 popular song composed in collaboration by vaudeville performer and pianist Con Conrad and ragtime pianist J. Russel Robinson, a member of the Original Dixieland Jazz Band. Lyrics were written by Benny Davis, a vaudeville performer and songwriter. The song was introduced by the Original Dixieland Jazz Band in 1920 as Victor 78, 18717-A, in a medley paired with "Singin' the Blues". The B side was "Palesteena". The ODJB recorded their instrumental version on December 1, 1920.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
The English rock band The Beatles auditioned for Decca Records at Decca Studios in West Hampstead, north London, on 1 January 1962. They were rejected by the label, who instead opted to sign a contract with Brian Poole and the Tremeloes. The audition was recorded, and five of the songs—"Searchin'", "Three Cool Cats", "The Sheik of Araby", "Like Dreamers Do" and "Hello Little Girl"—were officially released on the compilation Anthology 1 in 1995.
The Parade of the Tin Soldiers, also known as The Parade of the Wooden Soldiers, is an instrumental musical character piece, in the form of a popular jaunty march, written by German composer Leon Jessel, in 1897.
"Limehouse Blues" is a popular British song written by the London-based duo of Douglas Furber (lyrics) and Philip Braham (music).
Make It Snappy was a musical revue that ran for 96 performances at the Winter Garden Theatre in the 1922–23 Broadway season. It ran from 13 April to 1 July 1922. It starred Eddie Cantor, who introduced the hit songs "Yes! We Have No Bananas" and "The Sheik of Araby".
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