"The Sheik of Araby" | |
---|---|
Song | |
Published | 1921 |
Genre | Jazz |
Songwriter(s) | Composer: Ted Snyder Lyricist: Harry B. Smith, Francis Wheeler |
"The Sheik of Araby" is a song that was written in 1921 by Harry B. Smith and Francis Wheeler, with music by Ted Snyder. It was composed in response to the popularity of the Rudolph Valentino feature film The Sheik .
"The Sheik of Araby" was a Tin Pan Alley hit, and was also adopted by early jazz bands, especially in New Orleans, making it a jazz standard. It was a well recognized part of popular culture. A verse also appears in the novel The Great Gatsby (1925) by F. Scott Fitzgerald. In 1926, Fleischer Studios released a cartoon with this song, recorded in Phonofilm, as part of their Song Car-Tunes series, [1] and a live action short with this title was filmed in Phonofilm in the UK, directed by Miles Mander. [2]
In 1925, composer Ted Snyder said that the song's original title was "The Rose of Araby". The Indianapolis Star reported, "A friend of Mr. Snyder's, hearing the oriental melody and recalling the popularity of the book The Sheik, held out for the masculine title, but Mr. Snyder said that a sheik meant but little or nothing in the lives of most people, whereas "The Rose of Araby" – ah, there you had romance, and everything. Then he saw the advance posters of Rudolf Valentino in the picture and gave in. So "The Sheik of Araby" came into its own – though Mr. Snyder said he whistled it around his office for some six months without anyone getting excited over it." [3]
In 1926, to go with the film The Son of the Sheik, Ted Snyder worked parts of the melody into "That Night in Araby", a related song with words by Billy Rose. [21] [22] [23]
"Alexander's Ragtime Band" is a Tin Pan Alley song by American composer Irving Berlin released in 1911; it is often inaccurately cited as his first global hit. Despite its title, the song is a march as opposed to a rag and contains little syncopation. The song is a narrative sequel to Berlin's earlier 1910 composition "Alexander and His Clarinet". This earlier composition recounts the reconciliation between an African-American musician named Alexander Adams and his flame Eliza Johnson as well as highlights Alexander's innovative musical style. Berlin's friend Jack Alexander, a cornet-playing African-American bandleader, inspired the title character.
George Gard "Buddy" DeSylva was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs and, along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records.
The 32-bar form, also known as the AABA song form, American popular song form and the ballad form, is a song structure commonly found in Tin Pan Alley songs and other American popular music, especially in the first half of the 20th century.
The Great American Songbook is the loosely defined canon of significant 20th century American jazz standards, popular songs, and show tunes.
The Sheik is a 1921 American silent romantic drama film produced by Famous Players–Lasky, directed by George Melford, starring Rudolph Valentino and Agnes Ayres, and featuring Adolphe Menjou. It was based on the bestselling 1919 romance novel of the same name by Edith Maude Hull and was adapted for the screen by Monte M. Katterjohn. The film was a box-office hit and helped propel Valentino to stardom.
Theodore Frank Snyder, was an American composer, lyricist, and music publisher. His hits include "The Sheik of Araby" (1921) and "Who's Sorry Now?" (1923). In 1970, he was inducted into the Songwriters Hall of Fame. As of 2007, his compositions have been used in more than twenty motion pictures.
"As Time Goes By" is a jazz song written by Herman Hupfeld in 1931. It became famous when it featured in the 1942 Warner Bros. film Casablanca, performed by Dooley Wilson as Sam. The song was voted No. 2 on the AFI's 100 Years...100 Songs special, commemorating the best songs in film.
"Ain't We Got Fun" is a popular foxtrot published in 1921 with music by Richard A. Whiting, lyrics by Raymond B. Egan and Gus Kahn.
"The World Is Waiting for the Sunrise" is a post-World War I popular song, with lyrics by American actor Eugene Lockhart, and music composed by Canadian-born concert pianist Ernest Seitz in 1918. He later claimed he conceived the refrain when he was 12 years-old. Embarrassed about writing popular music, Seitz used the pseudonym "Raymond Roberts" when the song was published on January 24, 1919, by Chappell & Co. Ltd., London, UK.
"You Took Advantage of Me" is a 1928 popular song composed by Richard Rodgers, with lyrics by Lorenz Hart, for the musical Present Arms (1928), where it was introduced by Joyce Barbour and Busby Berkeley as the characters Edna Stevens and Douglas Atwell. The characters were formerly married, but still have romantic feelings for each other. On opening night, Berkeley forgot the lyrics and had to scat and hum the entire second verse. Berkeley also claimed that his nonsense lyrics for the improvised second verse left Hart "almost apoplectic", but the audience was amused and Hart later forgave him. The song was subsequently included in the 1930 film Leathernecking, an adaptation of Present Arms.
"Alabamy Bound" is a Tin Pan Alley tune written in 1924, with music by Ray Henderson and words by Buddy DeSylva and Bud Green. It was popularized by Al Jolson and included in the musical Kid Boots, where it was sung by Eddie Cantor. Successful recordings of the song were released in 1925 by Paul Whiteman, Isham Jones and Fletcher Henderson (instrumentals), as well as Blossom Seeley, whose vocal version reached number 2 on the charts. The song has sold over a million copies of sheet music and has been included in several films over the years.
"Chinatown, My Chinatown" is a popular song written by William Jerome (words) and Jean Schwartz (music) in 1906 and later interpolated into the musical Up and Down Broadway (1910). The song has been recorded by numerous artists and is considered an early jazz standard.
"Margie", also known as "My Little Margie", is a 1920 popular song composed in collaboration by vaudeville performer and pianist Con Conrad and ragtime pianist J. Russel Robinson, a member of the Original Dixieland Jazz Band. Lyrics were written by Benny Davis, a vaudeville performer and songwriter. The song was introduced by the Original Dixieland Jazz Band in 1920 as Victor 78, 18717-A, in a medley paired with "Singin' the Blues". The B side was "Palesteena". The ODJB recorded their instrumental version on December 1, 1920.
Other popular versions in 1920-21 were by Gene Rodemich; Eddie Cantor; Ted Lewis; and Frank Crumit. The Rega Dance Orchestra recorded the song in October, 1920 for Okeh Records, 4211.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
The English rock band The Beatles auditioned for Decca Records at Decca Studios in West Hampstead, north London, on 1 January 1962. They were rejected by the label, who instead opted to sign a contract with Brian Poole and the Tremeloes. The audition was recorded, and five of the songs—"Searchin'", "Three Cool Cats", "The Sheik of Araby", "Like Dreamers Do" and "Hello Little Girl"—were officially released on the Beatles rarities compilation Anthology 1 in 1995.
The Parade of the Tin Soldiers, also known as The Parade of the Wooden Soldiers, is an instrumental musical character piece, in the form of a popular jaunty march, written by German composer Leon Jessel, in 1897.
"A Pretty Girl Is Like A Melody" is a popular song written by Irving Berlin in 1919 which became the theme song of the Ziegfeld Follies. The first verse and refrain are considered part of the Great American Songbook and are often covered as a jazz standard.
"Limehouse Blues" is a popular British song written by the London-based duo of Douglas Furber (lyrics) and Philip Braham (music).
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