Doo-wop is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s and continued to influence performers in other genres.
The Marcels were an American doo-wop group known for turning popular music songs into rock and roll. The group formed in 1959 in Pittsburgh, Pennsylvania and signed to Colpix Records with lead Cornelius Harp, bass Fred Johnson, Gene Bricker, Ron Mundy, and Richard Knauss. The group was named after a popular hair style of the day, the marcel wave, by Fred Johnson's younger sister Priscilla.
Barry Mann is an American songwriter and musician, and was part of a successful songwriting partnership with his wife, Cynthia Weil.
The Tokens were an American doo-wop band and record production company group from Brooklyn, New York City. The group has had four top 40 hits on the Billboard Hot 100, all in the 1960s, their biggest being the chart-topping 1961 hit single "The Lion Sleeps Tonight", which borrowed heavily from the 1939 song "Mbube" by South African singer Solomon Linda. They are also known for having Neil Sedaka as an original member, before he pursued a solo career.
"Blue Moon" is a popular song written by Richard Rodgers and Lorenz Hart in 1934 that has become a standard ballad. Early recordings included those by Connee Boswell and by Al Bowlly in 1935. The song was a hit twice in 1949, with successful recordings in the U.S. by Billy Eckstine and Mel Tormé.
"Bristol Stomp" is a song written in 1961 by Kal Mann and Dave Appell, two executives with the Cameo-Parkway record label, for The Dovells, a doo-wop singing group from Philadelphia, Pennsylvania, who recorded it for Cameo-Parkway late that year. Appell also produced and arranged the track and his Cameo-Parkway's house band served as the studio musicians.
The Edsels were an American doo-wop group from Campbell, Ohio who were active during the late 1950s and early 1960s. The name of the group was originally The Essos, after the oil company, but was changed to match the new Ford automobile, the Edsel. They recorded over 25 songs and had multiple performances on Dick Clark's American Bandstand. The Edsels were one of the few doo-wop groups to sign with a major record label, as most groups of that era found success with small independent labels; before their national hit "Rama Lama Ding Dong", songs like "What Brought Us Together", "Bone Shaker Joe" and "Do You Love Me" helped the group land a major recording contract with Capitol Records in 1961.
Bomp! Records is a Los Angeles-based record label formed in 1974 by fanzine publisher and music historian Greg Shaw, and Suzy Shaw.
Le Tigre is the debut studio album of American music trio Le Tigre. It was released October 25, 1999, on Mr. Lady Records. The album combined pop music with the band's feminist political lyrics. It received positive reviews from music critics.
"I Wonder Why" is a doo-wop song, written by Melvin Anderson with lyrics by Ricardo Weeks. The song was first recorded by Dion and the Belmonts.
"Silhouettes" is a song made famous by the doo-wop group the Rays in 1957, peaking at number 3 on the U.S Billboard Hot 100. A competing version by the Diamonds was also successful. In 1965 it was a number 5 hit in the US for Herman's Hermits, and in 1990 it was a number 10 hit in the UK for Cliff Richard.
Non-lexical vocables, which may be mixed with meaningful text, are a form of nonsense syllable used in a wide variety of music. Common English examples are "la la la", "na na na" and "da da da".
Ronald David Bright was an American R&B and doo-wop singer of the 1950s, 1960s and 1970s. He was born in New York City.
Doo-Wops & Hooligans is the debut studio album by American singer-songwriter Bruno Mars. It was released on October 4, 2010, by Atlantic and Elektra Records and was made available to listen before its official release on September 24, 2010. After the release of the EP It's Better If You Don't Understand, Mars's writing and production team, the Smeezingtons, began working on the album with Needlz, Supa Dups and Jeff Bhasker as producers. The album title was chosen to reflect simplicity and appeal to both men and women.
"Liquor Store Blues" is a song by American singer-songwriter Bruno Mars from his debut studio album Doo-Wops & Hooligans (2010), featuring Jamaican artist Damian Marley. It was released as the first promotional single from the record, on September 21, 2010, by Elektra Records. "Liquor Store Blues" is a reggae track with dub influences written by Mars, Phillip Lawrence, Ari Levine, Dwayne Chin-Quee, Mitchum Chin, Marley and Thomas Pentz. It was produced by the former three, under their alias, the Smeezingtons and Chin-Quee. Lyrically, the song addresses a way of avoiding problems by drinking hoping everything will be fine.
"Talking to the Moon" is a song by American singer-songwriter Bruno Mars from his debut studio album, Doo-Wops & Hooligans (2010). The song was first unveiled on Mars's debut extended play, It's Better If You Don't Understand (2010), as its last track. It was written by Mars, Philip Lawrence, Ari Levine, Albert Winkler, and Jeff Bhasker, while production was handled by the Smeezingtons in collaboration with Bhasker. "Talking to the Moon" is a pop and R&B power ballad about a failed relationship, solitude, and sadness. Instrumentally, the track relies on drum percussion and piano.
"Count On Me" is a song by American singer-songwriter Bruno Mars from his debut studio album, Doo-Wops & Hooligans (2010). The song was first unveiled on Mars's debut extended play, It's Better If You Don't Understand (2010). It was serviced to Australian contemporary hit radio and adult contemporary radio on November 7, 2011, as the overall sixth and final single from the album. It was composed by Mars, Philip Lawrence, and Ari Levine, under their alias, the Smeezingtons. Musically, "Count On Me" is a folk and tropical record that lyrically details the importance of friendship and conveys a positive message.
The Acappella Swingers is a musical voice group founded in Catania in 2005. It consists of two male and two female voices and the style is that of the doo-wop and a cappella sound.
"I Can't Stay Mad at You" is a song written by Gerry Goffin and Carole King. It was originally recorded by American country artist Skeeter Davis, becoming her second top-ten hit on the Billboard Hot 100 in 1963. "I Can't Stay Mad at You" followed on the popular success of Davis' earlier 1963 crossover hit "The End of the World". The song was one of the first Goffin-King compositions to be recorded by a country music performer.
"Pretty Little Angel Eyes" is a 1961 song by American singer Curtis Lee. It was released on Dunes Records, #45-2007. Phil Spector served as producer, and also produced Lee's follow-up hit "Under the Moon of Love".
