Carnival of Sound | ||||
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Studio album by | ||||
Released | February 22, 2010 (full release) [1] | |||
Recorded | 1966–1968 | |||
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Genre | ||||
Length | 79:20 (CD version) | |||
Label | Rhino Handmade Records | |||
Producer |
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Jan and Dean chronology | ||||
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Carnival of Sound is the last studio album by the American rock duo Jan and Dean. Though recorded sporadically from 1966 to 1968, it was not released until 2010. Even though it is credited as a Jan and Dean record, it is actually more of a Jan Berry solo effort. [1] Berry died in 2004. The album consists mostly of original material, with a few covers of songs by artists such as The Five Satins and The Coasters. The album is notable for having a more psychedelic sound than other Jan and Dean records. [3]
Sessions for a new Jan and Dean album began in March 1966, with a few tracks completed before Jan Berry's debilitating car accident the following month. Sessions continued sporadically until December 1968 as Berry slowly recovered. [3] The project was also significantly over budget.[ citation needed ] The album was deemed complete in 1969 but was never released, while collectors circulated unofficial bootleg versions. [4] The album's disappearance prevented a possible psychedelic comeback for Jan and Dean, and their working relationship as a duo soon ended. [5] [6]
Rhino Handmade Records released the first official version of the album as a limited-edition mono vinyl record in November 2009, followed by a wider release on compact disc in February 2010. Included were tracks intended for the original album in 1968 plus 15 bonus tracks from the same sessions. Producer Andrew Sandoval contributed extensive liner notes. [1] AllMusic compared the album to Brian Wilson's Smile , calling it "just as tantalizing a 'lost' artifact of the psychedelic '60s" and that Jan Berry had become "far more self-consciously ambitious" than on previous Jan and Dean records. [3]
While presented as a Jan and Dean album, Jan Berry (even though he wrote and produced the material) only played and sang on a few songs due to complications from his car accident. Dean Torrence, who by that time had become disillusioned with the duo's prospects, only appears on one song. Glen Campbell made some contributions to the sessions, and singer Tom Bahler performed lead vocals on several songs. [7]
Jan and Dean were an American rock duo consisting of William Jan Berry and Dean Ormsby Torrence. In the early 1960s, they were pioneers of the California Sound and vocal surf music styles popularized by the Beach Boys.
My Generation is the debut studio album by English rock band the Who, released on 3 December 1965 by Brunswick Records in the United Kingdom, and Festival Records in Australia. In the United States, it was released on 25 April 1966 by Decca Records as The Who Sings My Generation, with a different cover and a slightly altered track listing. Besides the members of the Who, being Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums), the album features contributions by session musician Nicky Hopkins (piano).
Nuggets: Original Artyfacts from the First Psychedelic Era is a compilation album of American psychedelic and garage rock singles that were released during the mid-to-late 1960s. It was created by Lenny Kaye, who was a writer and clerk at the Village Oldies record shop in New York. He would later become the lead guitarist for the Patti Smith Group. Kaye produced Nuggets under the supervision of Elektra Records founder Jac Holzman. Kaye conceived the project as a series of roughly eight LP installments focusing on different US regions, but Elektra convinced him that one double album would be more commercially viable. It was released on LP by Elektra in 1972 with liner notes by Kaye that contained one of the first uses of the term "punk rock". It was reissued with a new cover design by Sire Records in 1976. In the 1980s, Rhino Records issued Nuggets in a series of fifteen installments, and in 1998 as a 4-cd box set.
Beach Boys Concert is the first live album by the American rock band the Beach Boys, released on October 19, 1964. It is their seventh album in all, and their third alone in the same year. It was their first of two chart-topping albums in the US, as well as the first live album to top pop music record charts, maintaining its position for four weeks during a sixty-two-week chart stay, and becoming another gold seller.
Electric Music for the Mind and Body is Country Joe and the Fish's debut album. Released in May 1967 on the Vanguard label, it was one of the first psychedelic albums to come out of the San Francisco Bay Area.
Mind Blowin' is the second studio album by American rapper Vanilla Ice. Released on March 22, 1994, it is the rapper's final release on SBK Records. The album did not chart and received unfavorable reviews. Songs from the album made up one third of Vanilla Ice's tours during 1992–2010. The album shifted just 42,000 copies in the United States, a massive drop in comparison to his blockbuster debut album To the Extreme. Despite this, lead single "Roll 'Em Up" received some airplay in Europe.
In Search of the Lost Chord is the third album by the Moody Blues, released in July 1968 on the Deram label.
Jill Gibson is an American singer, songwriter, photographer, painter and sculptor. She is mostly known for her collaboration work with Jan & Dean and for having briefly been a member of the successful 1960s rock group the Mamas and the Papas. She was also one of the main photographers at the historic Monterey Pop Festival in 1967.
The Pet Sounds Sessions is a 4-CD box set by the American rock band the Beach Boys. Released on November 4, 1997, by Capitol Records, it compiles tracks from the group's 11th studio album Pet Sounds (1966) and its 1965–66 recording sessions. The entire album is included in its original mono mix, as well as a specially-created digital stereo mix. The set also contains instrumental tracks, vocals-only tracks, alternate mixes, and edited highlights from the recording sessions for many of the album's songs, along with several tracks not included on the album.
Hawthorne, CA, subtitled Birthplace of a Musical Legacy, is the second anthology collection by the Beach Boys and released through Capitol Records. A double-compact disc, it was put together after the positive reaction to the Endless Harmony Soundtrack to give hardcore Beach Boys fans more rarities and alternate versions of well-known songs. The collection features spoken word tracks from different band members recorded throughout the 1990s during production of the Endless Harmony documentary, as well as a clip from a 1969 radio show. Home recordings dating back to 1960 and a backing track from 1973's "Sail On, Sailor" were also included. It never charted in either the United States or the United Kingdom, and it is currently out of print.
Emperors of Soul is a 1994 box set compilation for The Temptations, released by Motown Records. The five-disc collection covers the Temptations' entire four-decade history, from the first recording of The Distants in 1959 to four new recordings by the then-current Temptations lineup of Ali-Ollie Woodson, Theo Peoples, Ron Tyson, and stalwart members Otis Williams and Melvin Franklin.
"The Little Old Lady (from Pasadena)" is a song written by Don Altfeld, Jan Berry and Roger Christian, and recorded by 1960s American pop singers Jan and Dean. Singer/songwriter P.F. Sloan sings the falsetto part usually sung by Dean Torrence, while Dean sings one of the backup parts. This was the first time P.F. sang the falsetto on a single, although P.F. had already sung some falsetto on the last album Dead Man’s Curve/The New Girl In School.
My People Were Fair and Had Sky in Their Hair... But Now They're Content to Wear Stars on Their Brows is the debut album by psychedelic folk band Tyrannosaurus Rex. The release of the album was planned for early May but delayed until 5 July 1968 by record label Regal Zonophone.
"Dead Man's Curve" is a 1964 hit song by Jan and Dean whose lyrics detail a teen street race gone awry. It reached number eight on the Billboard Hot 100 singles chart and number 39 in Canada. The song was written and composed by Brian Wilson, Artie Kornfeld, Roger Christian, and Jan Berry at Wilson's mother's house in Santa Monica. It was part of the teenage tragedy song phenomenon of that period, and one of the most popular such selections of all time. "Dead Man's Curve" was added to the Grammy Hall of Fame in 2008.
The Very Best of the Beach Boys is a compilation album released by the American rock and roll band the Beach Boys. The album was released by EMI in 2001 and features 30 of their greatest hits digitally remastered. It is the first compilation of the Beach Boys that makes a full retrospective of their career. Other compilations had already been released throughout the years, but only focusing on certain time periods of the band, or focusing on their complete career, but with several volumes.
Ready Steady Who is the first EP by the Who, released on 11 November 1966, about a month prior to their album A Quick One. The title refers to a Ready Steady Go! TV special the band had recently appeared in, but the EP contains different recordings from those performed on the TV show.
"You're Gonna Miss Me" is a song by the American psychedelic rock band the 13th Floor Elevators, written by Roky Erickson, and released as the group's debut single on Contact Records in 1966. It was reissued nationally on International Artists, in May 1966. Musically inspired by traditional jug band and R&B music, combined with the group's own experimentation, "You're Gonna Miss Me" with its Stacy Sutherland and Tommy Hall-penned B-side "Tried to Hide" was influential in developing psychedelic rock and garage rock, and was one of the earlier rock compositions to use the electric jug. Accordingly, critics often cite "You're Gonna Miss Me" as a bona fide garage rock song and a classic of the counterculture era.
The Epic Masters is a box set compilation comprising ten remastered albums by Shakin' Stevens. Released on 16 November 2009, the set contains nine albums originally released by Epic Records between 1980 and 1990, plus an exclusive CD of 12" extended mixes. The set was also made available as a download through iTunes.
Future is the third studio album by Los Angeles rock band the Seeds. The album is a notable shift in musical direction for the band as they moved away from garage rock, and began experimenting more with psychedelic rock. Upon its release in 1967, the album reached the Top 100 on the Billboard 200, but their single, "A Thousand Shadows", was less successful than The Seeds' previous hits.
"You Really Know How to Hurt a Guy" is a song whose music was composed by Jan Berry, Jill Gibson, and Roger Christian, which was recorded by 1960s American pop singers, Jan and Dean. The song was recorded and released as a single and then appeared on the 1965 album Jan & Dean Golden Hits, Volume 2. The B-side of the single is "It's As Easy As 1,2,3." "You Really Know How to Hurt A Guy" reached up to number 27 on the Billboard Hot 100 on July 10, 1965, which was their highest-charting single of the year on the U.S. Billboard Hot 100, by edging "I Found a Girl" which charted at number 30 later in 1965. Jan and Dean were known for their music of the 1960s surf era with songs like "Dead Man's Curve," "Drag City," and "The Little Old Lady from Pasadena." This single marked the beginning of Jan & Dean getting away from their Surfing roots that they were known for.