Carnival of Sound | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 2010 | |||
Recorded | 1966-1968 | |||
Genre | ||||
Label | Rhino Handmade Records | |||
Jan and Dean chronology | ||||
|
Carnival of Sound is the last studio album by the American rock duo Jan and Dean. Though recorded sporadically from 1966 to 1968, it was not released until 2010. Even though it is credited as a Jan and Dean record, it is actually more of a Jan Berry solo effort. [1] Jan died in 2004. The album consists mostly of original material, with a few covers of songs by artists such as The Five Satins and The Coasters. The album is notable for having a more psychedelic sound than other Jan and Dean records. [2]
Sessions for a new Jan and Dean album began in March 1966, with a few tracks completed before Jan Berry's debilitating car accident the following month. Sessions continued sporadically until December 1968 as Berry slowly recovered. [2] The project was also significantly over budget.[ citation needed ] The album was deemed complete in 1969 but was never released, while collectors circulated unofficial bootleg versions. [3] The album's disappearance prevented a possible psychedelic comeback for Jan and Dean, and their working relationship as a duo soon ended. [4] [5]
Rhino Handmade Records released the first official version of the album as a limited-edition mono vinyl record in November 2009, followed by a wider release on compact disc in February 2010. Included were tracks intended for the original album in 1968 plus 15 bonus tracks from the same sessions. Producer Andrew Sandoval contributed extensive liner notes. [1] AllMusic compared the album to Brian Wilson's Smile , calling it "just as tantalizing a 'lost' artifact of the psychedelic '60s" and that Jan Berry had become "far more self-consciously ambitious" than on previous Jan and Dean records. [2]
While presented as a Jan and Dean album, Jan Berry (even though he wrote and produced the material) only played and sang on a few songs due to complications from his car accident. Dean Torrence, who by that time had become disillusioned with the duo's prospects, only appears on one song. Glen Campbell made some contributions to the sessions, and singer Tom Bahler performed lead vocals on several songs. [6]
Jan and Dean was an American rock duo consisting of William Jan Berry and Dean Ormsby Torrence. In the early 1960s, they were pioneers of the California Sound and vocal surf music styles popularized by the Beach Boys.
Magical Mystery Tour is a record by the English rock band the Beatles that was released as a double EP in the United Kingdom and an LP in the United States. It includes the soundtrack to the 1967 television film of the same name. The EP was issued in the UK on 8 December 1967 on the Parlophone label, while the Capitol Records LP release in the US and Canada occurred on 27 November and features an additional five songs that were originally released as singles that year. In 1976, Parlophone released the eleven-track LP in the UK.
My Generation is the debut studio album by English rock band the Who, released on 3 December 1965 by Brunswick Records in the United Kingdom, and Festival Records in Australia. In the United States, it was released on 25 April 1966 by Decca Records as The Who Sings My Generation, with a different cover and a slightly altered track listing. Besides the members of the Who, being Roger Daltrey (vocals), Pete Townshend (guitar), John Entwistle (bass) and Keith Moon (drums), the album features contributions by session musician Nicky Hopkins (piano).
Beach Boys Concert is the first live album by American rock band the Beach Boys, released on October 19, 1964. It is their seventh album in all, and their third alone in the same year. It was their first of two chart-topping albums in the US, as well as the first live album to top pop music record charts, maintaining its position for four weeks during a sixty-two-week chart stay, and becoming another gold seller.
"I'm Only Sleeping" is a song by the English rock band the Beatles from their 1966 studio album Revolver. In the United States and Canada, it was one of the three tracks that Capitol Records cut from the album and instead included on Yesterday and Today, released two months before Revolver. Credited as a Lennon–McCartney song, it was written primarily by John Lennon. The track includes a backwards lead guitar part, played by George Harrison, the first time such a technique was used on a pop recording.
Jill Gibson is an American singer, songwriter, photographer, painter and sculptor. She is mostly known for her collaboration work with Jan & Dean and for having briefly been a member of the successful 1960s rock group the Mamas and the Papas. She was also one of the main photographers at the historic Monterey Pop Festival in 1967.
The Pet Sounds Sessions is a 4-CD box set by the American rock band the Beach Boys. Released on November 4, 1997 by Capitol Records, it compiles tracks from the group's 11th studio album Pet Sounds (1966) and its 1965–66 recording sessions. The entire album is included in its original mono mix, as well as a specially-created digital stereo mix. The set also contains instrumental tracks, vocals-only tracks, alternate mixes, and edited highlights from the recording sessions for many of the album's songs, along with several tracks not included on the album.
Hawthorne, CA, subtitled Birthplace of a Musical Legacy, is the second anthology collection by The Beach Boys and released through Capitol Records. A double-compact disc, it was put together after the positive reaction to the Endless Harmony Soundtrack to give hardcore Beach Boys fans more rarities and alternate versions of well-known songs. The collection features spoken word tracks from different band members recorded throughout the 1990s during production of the Endless Harmony documentary, as well as a clip from a 1969 radio show. Home recordings dating back to 1960 and a backing track from 1973's "Sail On, Sailor" were also included. It never charted in either the United States or the United Kingdom, and it is currently out of print.
More of the Monkees is the second studio album by the American pop rock band the Monkees. It was recorded in late 1966 and released on Colgems label #102 on January 9, 1967. It displaced the band's own debut album from the top of the Billboard 200 chart and remained at No.1 for 18 weeks—the longest of any Monkees album. Combined, the first two Monkees albums were at the top of the Billboard chart for 31 consecutive weeks. More of the Monkees also went to No.1 in the UK. In the U.S. it has been certified quintuple platinum by the RIAA with sales of more than five million copies. More of the Monkees is also notable for being the first pop/rock album to be the best-selling album of the year in the U.S.
The Monkees is the debut studio album by the American band the Monkees. It was released in October 1966 by Colgems Records in the United States and RCA Victor in the rest of the world. It was the first of four consecutive U.S. number one albums for the group, taking the top spot on the Billboard 200 for 13 weeks, after which it was displaced by the band's second album. It also topped the UK charts in 1967. The Monkees has been certified quintuple platinum by the RIAA, with sales of over five million copies.
The Birds, the Bees & the Monkees is the fifth studio album by the Monkees. Released in April 1968, it was the first Monkees album not to reach Billboard's number one, peaking at No. 3 on the U.S. charts. It was also their first album to miss the UK charts altogether, with their four previous efforts all having reached the top ten. The album has sold over a million copies.
"The Little Old Lady " is a song written by Don Altfeld, Jan Berry and Roger Christian, and recorded by 1960s American pop singers, Jan and Dean. Singer/songwriter P.F. Sloan sings the falsetto part usually sung by Dean Torrence, while Dean sings one of the backup parts. This was the first time P.F. sang the falsetto on a single, although P.F. had already sung some falsetto on the last album Dead Man’s Curve/The New Girl In School.
The Very Best of the Beach Boys is a compilation album released by the American rock and roll band the Beach Boys. The album was released by EMI in 2001 and features 30 of their greatest hits digitally remastered. It is the first compilation of the Beach Boys that makes a full retrospective of their career. Other compilations had already been released throughout the years, but only focusing on certain time periods of the band, or focusing on their complete career, but with several volumes.
Ready Steady Who is the first 7" EP by The Who, released on 11 November 1966, about a month prior to their album A Quick One. The title refers to a Ready Steady Go! TV special the band had recently appeared in, but the EP contains different recordings from those performed on the TV show.
The Epic Masters is a box set compilation comprising ten remastered albums by Shakin' Stevens. Released on 16 November 2009, the set contains nine albums originally released by Epic Records between 1980 and 1990, plus an exclusive CD of 12" extended mixes. The set was also made available as a download through iTunes.
Never Before is a compilation album by the American rock band the Byrds, consisting of previously unreleased outtakes, alternate versions, and rarities. It was initially released by Re-Flyte Records in December 1987 and was subsequently reissued on CD in 1989, with an additional seven bonus tracks.
"The New Girl in School" is a song written by Jan Berry, Roger Christian, Brian Wilson, and Bob Norberg for the American rock duet Jan and Dean. It was the B-side of their hit single "Dead Man's Curve". Both songs were released on their album Dead Man's Curve / The New Girl In School. "The New Girl From School" charted at number 37 on the Billboard Hot 100.
Future is the third studio album by Los Angeles rock band the Seeds. The album is a notable shift in musical direction for the band as they moved away from garage rock, and began experimenting more with psychedelic rock. Upon its release in 1967, the album reached the Top 100 on the Billboard 200, but their single, "A Thousand Shadows", was less successful than The Seeds' previous hits.
"You Really Know How to Hurt a Guy" is a song whose music was composed by Jan Berry, Jill Gibson, and Roger Christian, which was recorded by 1960s American pop singers, Jan and Dean. The song was recorded and released as a single and then appeared on the 1965 album Jan & Dean Golden Hits, Volume 2. The B-side of the single is "It's As Easy As 1,2,3." "You Really Know How to Hurt A Guy" reached up to number 27 on the Billboard Hot 100 on July 10, 1965, which was their highest-charting single of the year on the U.S. Billboard Hot 100, by edging "I Found a Girl" which charted at number 30 later in 1965. Jan and Dean were known for their music of the 1960s surf era with songs like "Dead Man's Curve," "Drag City," and "The Little Old Lady from Pasadena." This single marked the beginning of Jan & Dean getting away from their Surfing roots that they were known for.
Revolver: Special Edition is an expanded reissue of the 1966 album Revolver by the English rock band the Beatles. It was released on 28 October 2022, and includes a new stereo remix of the album by Giles Martin, with the help of de-mixing technology developed by Peter Jackson's WingNut Films, as well as the original mono mix, session recordings, demos, and an EP including new mixes of the non-album single "Paperback Writer" and its B-side, "Rain", recorded during the Revolver sessions.