Bomp! Records | |
---|---|
Founded | 1974 |
Founder | Greg Shaw, Suzy Shaw |
Genre | Proto-punk, punk rock, pop rock, indie rock |
Country of origin | United States |
Location | Los Angeles, California |
Official website | www |
Bomp! Records is a Los Angeles-based record label formed in 1974 by fanzine publisher and music historian Greg Shaw, and Suzy Shaw.
Editor | Greg Shaw |
---|---|
Categories | Music |
First issue | January 1970 |
Final issue Number | 1979 21 |
Country | United States |
Website | www |
Who Put the Bomp was a rock music fanzine edited and published by Greg Shaw from 1970 to 1979. [1] [2] Its name came from the 1961 hit doo-wop song by Barry Mann, "Who Put the Bomp". Later, the name was shortened to Bomp!Bomp!, and extended by Shaw to the record label Bomp! Records, which he headed until his death in 2004. [3] [4]
The magazine was a departure from the mainstream and its writing style unique with its own opinion described as almost partisan. [5] The magazine was first published in 1970. It was created by Greg Shaw and his wife. The magazine chronicled bands that Shaw deemed worthy of covering. And he did it passionately. [6] Shaw made it known too that the magazine was not going to cater to nostalgia or be an info receptacle for fanatical collectors of obscure out of print records. [7]
A significant number of writers who wrote for the magazine went on to greater things. [6] Two journalists who had their careers launched via the magazine were Lester Bangs and Greil Marcus. [8]
Ken Barnes who wrote articles like "10 Greatest Power Pop Songs" for Best Classic Bands, and other publications such as Fusion and Phonograph Record was once co-editor for the magazine. [9] Jay Kinney who was a key man in the underground comics movement in the late 1960s, served as art director for the magazine. [8]
Shaw was one of the first and best-known rock fanzine editors. Active in science fiction fandom as a young man, he became familiar with fanzines. Shaw founded one of the earliest rock fanzines, the mimeographed Mojo Navigator and Rock 'n Roll News in 1966.
The label has featured punk, pop, power pop, garage rock, new wave, old school rock, neo-psychedelia among other genres. Its roster has included the Modern Lovers, Iggy and the Stooges, Stiv Bators and the Dead Boys, 20/20, Shoes, Devo, the Weirdos, the Romantics, Spacemen 3, the Germs, SIN 34, Jeff Dahl, the Brian Jonestown Massacre, and Black Lips.
Greg Shaw died from heart failure at the age of 55 on October 19, 2004. Bomp! Records is headed by his ex-wife, Suzy Shaw. [10]
Suzy Shaw and Mick Farren co-authored Bomp: Saving the World One Record at a Time, published by Ammo Books in 2007. [10] In 2009, Bomp! and Ugly Things published Bomp 2 – Born in the Garage, edited by Suzy Shaw and Mike Stax.
Punk rock is a music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Lyricism in punk typically revolves around anti-establishment and anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent labels.
Power pop is a subgenre of rock music and a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, despair, or self-empowerment. The sound is primarily rooted in pop and rock traditions of the early-to-mid 1960s, although some artists have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia.
Spacemen 3 were an English rock band, formed in 1982 in Rugby, Warwickshire, by Peter Kember and Jason Pierce, known respectively under their pseudonyms Sonic Boom and J Spaceman. Their music is known for its brand of "trance-like neo-psychedelia" consisting of heavily distorted guitar, synthesizers, and minimal chord or tempo changes.
Steven John Bator, known professionally as Stiv Bator and later as Stiv Bators, was an American punk rock vocalist and guitarist from Youngstown, Ohio. He is best remembered for his bands Dead Boys and The Lords of the New Church.
A punk zine is a zine related to the punk subculture and hardcore punk music genre. Often primitively or casually produced, they feature punk literature, such as social commentary, punk poetry, news, gossip, music reviews and articles about punk rock bands or regional punk scenes.
Frank Secich is an American rock musician, songwriter, author and record producer. He was the bass player and founding member of the group Blue Ash from 1969 to 1979 and guitarist and bassist for the Stiv Bators band from 1979 until 1981. He played in the Cleveland-based group Club Wow with Jimmy Zero of the Dead Boys from 1982 to 1985 and produced the Ohio band the Infidels from 1985 to 1990. He is currently the rhythm guitarist for the Deadbeat Poets who were formed in 2006 in Youngstown, Ohio. Frank Secich's autobiography "Circumstantial Evidence" was published by High Voltage Publishing of Australia in 2015. His second book "Not That Way Anymore" was published in November 2023 by High Voltage Publishing. His current band, The Deadbeat Poets are on Pop Detective Records, which is owned by Mark Hershberger.
The Weirdos are an American punk rock band from Los Angeles. They formed in 1975, split-up in 1981, re-grouped in 1986 and have remained semi-active ever since. Critic Mark Deming calls them "quite simply, one of the best and brightest American bands of punk's first wave."
Greg Shaw was an American writer, publisher, magazine editor, music historian and record executive.
The Masque was a small punk rock club in central Hollywood, California which existed from 1977 to 1978. It is remembered as a key part of the early LA punk scene.
Slash was a punk rock-related fanzine published by Steve Samiof and Melanie Nissen in the United States from 1977 to 1980. The magazine was a large-format tabloid focused on the Los Angeles punk scene. The fanzine also gave birth to Slash Records, an important punk record label.
Neo-psychedelia is a diverse genre of psychedelic music that draws inspiration from the sounds of 1960s psychedelia, either updating or copying the approaches from that era. Originating in the 1970s, it has occasionally seen mainstream pop success but is typically explored within alternative rock scenes. It initially developed as an outgrowth of the British post-punk scene, where it was also known as acid punk. After post-punk, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques.
The history of the punk subculture involves the history of punk rock, the history of various punk ideologies, punk fashion, punk visual art, punk literature, dance, and punk film. Since emerging in the United States, the United Kingdom and Australia in the mid-1970s, the punk subculture has spread around the globe and evolved into a number of different forms. The history of punk plays an important part in the history of subcultures in the 20th century.
DMZ was a first-wave American punk rock/garage rock bands from Boston, Massachusetts, strongly influenced by 1960s garage rock.
Garage punk is a rock music fusion genre combining the influences of garage rock, punk rock, and often other genres, that took shape in the indie rock underground between the late 1980s and early 1990s. Bands drew heavily from 1960s garage rock, stripped-down 1970s punk rock, and Detroit proto-punk, and often incorporated numerous other styles into their approach, such as power pop, 1960s girl groups, hardcore punk, blues, early R&B and surf rock.
The Vampire Lovers, also styled as Vampyre Lovers or Vampire Lovers, were an Australian punk rock band formed in 1982 in Brisbane, Queensland. Original band members were Axle "Axe Babe" Conrad on vocals, Brendan Kibble on guitar, Shane Cooke on bass guitar, Matt "Nasty" Le Noury on guitar and Dave Chamberlain on drums. Other members included guitarist Jason Shepherd; and drummer, Ziggy Staten. Initially the group existed from 1982 to 1984 and then reformed in 1988 to disband finally in 1990. In 1983 their first single, "Buzzsaw Popstar", brought greater recognition from the Australia alternative rock fans. In 1991 they released a mini-LP, Acid Commandos from Planet Fuzz, a year after they had disbanded.
Slope Records is a record label based in Sunnyslope, Arizona.
The Original Modern Lovers is an album of songs recorded by American rock band the Modern Lovers. The sessions were produced by Kim Fowley in 1973 and first released in 1981 by Fowley's short-lived Mohawk Records label, a subsidiary of Bomp! Records.
Disconnected is the debut solo album by Stiv Bators, released in December 1980 on Bomp!. The album is a radical departure from the punk rock sound of his previous band the Dead Boys, and sees Bators venturing into 1960s-inspired power pop.
The 'B' Girls were a Toronto punk rock band from the first wave of punk rock in the late 1970s and early 1980s. Where Toronto band The Curse was North America's first all-female punk band, the B-Girls were the second such band in Toronto.
Punk 45: Chaos in the City of Angels and Devils is a 2016 compilation album released by Soul Jazz Records. The album compiles early music from the Los Angeles punk rock music scene from various intendent music labels, such as Dangerhouse, Upsetter and Bomp! Records.