The Drug Years | |
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Genre | Documentary series |
Created by | Hart Perry, and Dana Heinz Perry |
Developed by | VH1 The Sundance Channel |
Country of origin | United States |
Original language | English |
No. of episodes | 4 |
Production | |
Executive producers | VH1: Brad Abramson Shelly Tatro Michael Hirschorn The Sundance Channel: Laura Michalchyshyn Lynne Kirby |
Producers | Hart Perry Dana Heinz Perry Audrey Costadina |
Running time | ~45 minutes (commercial-free) |
Release | |
Original network | VH1 The Sundance Channel |
Original release | 2006 |
The Drug Years is a 2006 television documentary series produced by the Sundance Channel and VH1 about illicit drug use in the United States in the second half of the 20th century.
It is divided into four episodes, based on chronology:
The Summer of Love was a social phenomenon that occurred during the summer of 1967, when as many as 100,000 people, mostly young people sporting hippie fashions of dress and behavior, converged in San Francisco's neighborhood of Haight-Ashbury. More broadly, the Summer of Love encompassed the hippie music, hallucinogenic drugs, anti-war, and free-love scene throughout the West Coast of the United States, and as far away as New York City.
Psychedelia usually refers to a style or aesthetic that is resembled in the psychedelic subculture of the 1960s and the psychedelic experience produced by certain psychoactive substances. This includes psychedelic art, psychedelic music and style of dress during that era. This was primarily generated by people who used psychedelic drugs such as LSD, mescaline and psilocybin and also non-users who were participants and aficionados of this subculture. Psychedelic art and music typically recreate or reflect the experience of altered consciousness. Psychedelic art uses highly distorted, surreal visuals, bright colors and full spectrums and animation to evoke, convey, or enhance the psychedelic experience. Psychedelic music uses distorted electric guitar, Indian music elements such as the sitar, tabla, electronic effects, sound effects and reverb, and elaborate studio effects, such as playing tapes backwards or panning the music from one side to another.
A hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the 1960s, originally a youth movement that began in the United States during the mid-1960s and spread to different countries around the world. The word hippie came from hipster and was used to describe beatniks who moved into New York City's Greenwich Village, in San Francisco's Haight-Ashbury district, and Chicago's Old Town community. The term hippie was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier.
VH1 is an American basic cable television network based in New York City and owned by Paramount Global. It was created by Warner-Amex Satellite Entertainment, at the time a division of Warner Communications and the original owner of MTV, and launched on January 1, 1985, in the former space of Turner Broadcasting System's short-lived Cable Music Channel.
The Human Be-In was an event held in San Francisco's Golden Gate Park Polo Fields on January 14, 1967. It was a prelude to San Francisco's Summer of Love, which made the Haight-Ashbury district a symbol of American counterculture and introduced the word "psychedelic" to suburbia.
Haight-Ashbury is a district of San Francisco, California, named for the intersection of Haight and Ashbury streets. It is also called The Haight and The Upper Haight. The neighborhood is known as one of the main centers of the counterculture of the 1960s.
Lonnie Ray Frisbee was an American Charismatic evangelist and self-described "seeing prophet" in the late 1960s and 1970s. He maintained a hippie appearance. He was notable as a minister and evangelist in the Jesus movement.
Flower power was a slogan used during the late 1960s and early 1970s as a symbol of passive resistance and nonviolence. It is rooted in the opposition movement to the Vietnam War. The expression was coined by the American Beat poet Allen Ginsberg in 1965 as a means to transform war protests into peaceful affirmative spectacles. Hippies embraced the symbolism by dressing in clothing with embroidered flowers and vibrant colors, wearing flowers in their hair, and distributing flowers to the public, becoming known as flower children. The term later became generalized as a modern reference to the hippie movement and so-called counterculture of drugs, psychedelic music, psychedelic art and social permissiveness.
The Psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s to mid-1970s. The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world.
The freak scene was originally a component of the bohemian subculture which began in California in the mid-1960s, associated with the hippie movement. The term is also used to refer to the post-hippie and pre-punk period of the early to mid-1970s. It can be viewed as encompassing a range of disparate groups including hippies, pacifists, politicized radicals, as well as psychedelic and progressive rock fans. Those connected with the subculture often attended rock festivals, free festivals, happenings, and alternative society gatherings of various kinds.
The Berkeley Barb was a weekly underground newspaper published in Berkeley, California, during the years 1965 to 1980. It was one of the first and most influential of the counterculture newspapers, covering such subjects as the anti-war movement and Civil Rights Movement, as well as the social changes advocated by youth culture.
The counterculture of the 1960s was an anti-establishment cultural phenomenon that developed in the Western world starting in the mid-1960s, and continued until the early 1970s. The effects of the movement have been ongoing to the present day. The aggregate movement gained momentum as the civil rights movement in the United States had made significant progress, such as the Voting Rights Act of 1965, and with the intensification of the Vietnam War that same year, it became revolutionary to some. As the movement progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding human sexuality, women's rights, traditional modes of authority, rights of non-white people, end of racial segregation, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Many key movements related to these issues were born or advanced within the counterculture of the 1960s.
Cyberdelic was the fusion of cyberculture and the psychedelic subculture that formed a new counterculture in the 1980s and 1990s.
This article discusses the etymology of the word hippie.
The hippie subculture began its development as a youth movement in the United States during the early 1960s and then developed around the world.
The Love-Ins is a 1967 American counterculture-era exploitation movie about LSD that was directed by Arthur Dreifuss.
The Mantra-Rock Dance was a counterculture music event held on January 29, 1967, at the Avalon Ballroom in San Francisco. It was organized by followers of the International Society for Krishna Consciousness (ISKCON) as an opportunity for its founder, A. C. Bhaktivedanta Swami Prabhupada, to address a wider public. It was also a promotional and fundraising effort for their first center on the West Coast of the United States.
Hippie exploitation films are late 1960s-early-to-late 1970s exploitation films about the hippie counterculture with situations associated with the movement such as marijuana and LSD use, sex and wild psychedelic parties.