Holly Near | |
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 Near in 2006 | |
| Background information | |
| Born | June 6, 1949 Ukiah, California, U.S. |
| Genres | Social change music, folk, cabaret |
| Occupation(s) | Musician, songwriter, actress, producer, motivational instructor |
| Instrument(s) | Vocals |
| Years active | 1963–present |
| Labels | Calico Tracks Music, Redwood Records, Appleseed Recordings |
| Website | hollynear |
Holly Near (born June 6, 1949) [1] is an American singer-songwriter, actress, teacher, and activist. [2]
Holly Near was born in Ukiah, California, United States, [3] and was raised on a ranch [2] in Potter Valley, California. [4] She was eight years old when she first performed publicly, [4] and she auditioned for Columbia Records when she was ten. [2] She sang in all the high school musicals, talent shows and often was invited to sing at gatherings of local service groups, such as the Soroptimist Club, Lions Club, and Garden Club. Her senior year she played Eliza Doolittle in the Ukiah High School production of My Fair Lady . In the summer Near attended performing arts camps such as Perry-Mansfield in Colorado and Ramblerny Performing Arts where she studied with jazz musicians Phil Woods and his wife, Chan Parker (Parker was married to Woods but retained the name Parker from her earlier, common law marriage to Charlie Parker), and modern dancer/choreographer Joyce Trisler.
After starting high school in 1963, Near began singing with three boys who called themselves the Freedom Singers, a folk group modeled after The Kingston Trio. When Near joined, they began to sound more like The Weavers, with three male voices and one female. Near learned later of the original Freedom Singers who sang as part of the Civil Rights Movement. Unbeknownst to her, Near would soon meet one of the founding members of that group, Dr. Bernice Johnson Reagon, an artist who would be a great influence for the next 40-plus years. She would also meet and work with the female singer in The Weavers, Ronnie Gilbert.
After high school, Near enrolled in the Theatre Arts program at UCLA; [2] her freshman year she got the lead in the UCLA production of Guys and Dolls playing soprano Sarah Brown. Because Near was trained in a lower range she got nodules on her vocal cords and had to leave the show. She entered in to a long period of silence until her voice healed. After one year, she left UCLA and began to work in film and television as well as with anti-war groups such as Another Mother for Peace.
Near's professional career began in 1969 with a part on the television show The Mod Squad , which was followed by appearances in other shows, such as Room 222, All in the Family, and The Partridge Family. She also appeared in Angel, Angel, Down We Go , Slaughterhouse-Five , and Minnie and Moskowitz . [2] Much later, she had a prominent role in the 1991 film Dogfight .
She was briefly a member of the musical comedy troupe First National Nothing and appeared on the troupe's only album If You Sit Real Still and Hold My Hand, You Will Hear Absolutely Nothing, released in 1970 on Columbia Records. [5]
In 1970, Near was a cast member of the Broadway musical Hair . [1] Following the Kent State shootings in May of that year, the entire cast staged a silent vigil in protest. The song "It Could Have Been Me" (released on A Live Album, 1974) was her response to the shootings. In 1971, she joined the FTA (Free The Army) Tour, an anti-Vietnam War road show of music, comedy, and plays that performed for soldiers, many of whom were resisting war and racism from within the military. [1] The tour was organized by antiwar activist Fred Gardner and actors Jane Fonda and Donald Sutherland. Near was only 21 and the youngest member of the troupe.
In 1972, Near founded an independent record label called Redwood Records to produce and promote music by "politically conscious artists from around the world". [3] She was one of the first women to found an independent record company. [6] Near's record company went out of business in the mid-1990s due to financial difficulties. [2]
During her long career in folk and protest music, Near has worked with a wide array of musicians, including Ronnie Gilbert, Pete Seeger, Arlo Guthrie, Mercedes Sosa, Bernice Johnson Reagon, Bonnie Raitt, Jackson Browne, Meg (Shambhavi) Christian, Cris Williamson, Linda Tillery, Joan Baez, Phil Ochs, Harry Belafonte, and many others, as well as the Chilean exile group Inti-Illimani.
Near wrote an autobiography in the early 1990s titled Fire in the Rain, Singer in the Storm. [7] Later, with her sister Timothy, Near co-wrote a one-woman show based on the stories in the book. The show was presented at The San Jose Rep and in Los Angeles at The Mark Taper Forum, as well as productions in San Francisco and off Broadway in NYC. In April 2004, Near performed at the March for Women's Lives in Washington, DC where she sang "We Are Gentle Angry People" and "Fired Up" a capella.
As of 2019, she has a discography of 29 albums. [8] She is still active as a performer and composer, and she has begun issuing CDs available through her website that include tracks from her out-of-print albums. Her song "Singing For Our Lives" appears in Singing the Living Tradition , the official hymnal of the Unitarian Universalist Association, under the title "We Are A Gentle, Angry People" (Hymn #170). [9] The hymn was performed by Quaker Friends in an episode of the TV series Six Feet Under . In 2015, the same song, credited as "Singing for Our Lives" appeared in the Australian independent film The Lives We Lead , alongside its theme song "I Am Willing", another protest song written by Near.
Near hosted many of the tributes to both Pete Seeger and Ronnie Gilbert, two members of the seminal folk group The Weavers.
Near has been an honored guest at several of the GALA Choruses Festivals, a conference of GLBTQ choirs and choruses. She also appears as a soloist with several of the choruses and many of her songs have been arranged for choral singing.
In 2018, Near released a new recording titled 2018, reflecting on issues including the environment, aging, domestic violence and the unresolved storm damage in Puerto Rico as a result of Hurricane Maria. In October 2018, a documentary film titled Holly Near: Singing for Our Lives made by director Jim Brown premiered at the Mill Valley Film Festival, detailing Near's life and work. [10]
 | This section of a biography of a living person needs additional citations for verification .(March 2020) |
As a result of her travels in the Pacific with the FTA show, Near became a feminist, linking international feminism and anti-war activism. In 1976, Near came out as a lesbian [2] and began a three-year relationship with musician Meg Christian. She added LGBT issues to her international peace work as she continued to present social change music around the world and at home. Although Near was one of the most visible artists in the lesbian community, she was also becoming aware that "monogamous" defined her sexuality more than any other title.
Near has been in a relationship with a man since 1994. However, she does not identify as bisexual. When asked why in a 2010 interview by JD Doyle for Queer Music Heritage, she replied,
I don't know why. Just isn't a handle I relate to. I include human and civil rights in all that I do. I am monogamous. I relate to that term. I am a feminist. If I am with a woman I am a feminist. If I am alone I am a feminist. If I am with a man I am a feminist. And until the one I am with and I part ways, then I am just what I am in that relationship and I don't much think about what I will do next. I focus more on what I bring to that relationship. It is a full-time job being honest one moment at a time, remembering to love, to honor, to respect. It is a practice, a discipline, worthy of every moment. I think my feminism and my ability to love has been highly informed by having had lesbian relationships. The quality of my life has, without question, been elevated. For a brief moment in time I struggled with sexual identity, somewhere in the mid-'80s. Then I realized it was the wrong question for me. That is not to say it is the wrong question for others. It just wasn't important to me. So I haven't really thought much about it since. I am going to sing lesbian love songs and support gay rights no matter what. The rest is public relations. [11]
Near is dedicated to the rights of LGBT communities and continues to work to create a cultural forum for diversity. She writes, "For many, sexual identity and/or gender identity is the primary door through which they walk. It is what politicized them. It is what feeds their emotional and spiritual perspectives. I totally honor this. Even though sexual preference is maybe 5th or 10th on my personal list of priorities now, I will always work for all of us to have self-determination over our bodies, our identities, our relationship choices."
In 2014, Near was diagnosed with breast cancer. With early detection, she had successful surgery and radiation.
Near has been recognized many times for her work for social change, including honors from the ACLU, the National Lawyers Guild, the National Organization for Women, NARAS, Ms. Magazine (Woman of the Year), and the Legends of Women's Music Award.
In 1989, Near received a Doctorate of Humane Letters from World College West in California. [12]
Near was named among the "1000 Women for the Nobel Peace Prize". [13]
Near was named as an Honoree for National Women's History Month for 2015. [4]
Peter Seeger was an American folk singer and social activist. A fixture on nationwide radio in the 1940s, Seeger also had a string of hit records during the early 1950s as a member of The Weavers, notably their recording of Lead Belly's "Goodnight, Irene," which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, counterculture, workers' rights, and environmental causes.
The Weavers were an American folk music quartet based in the Greenwich Village area of New York City originally consisting of Lee Hays, Pete Seeger, Ronnie Gilbert, and Fred Hellerman. Founded in 1948, the group sang traditional folk songs from around the world, as well as blues, gospel music, children's songs, labor songs, and American ballads. The group sold millions of records at the height of their popularity, including the first folk song to reach No. 1 on popular music charts, their recording of Lead Belly's "Goodnight, Irene." Despite their popularity, the Weavers were blacklisted during much of the 1950s.
The Almanac Singers was an American New York City-based folk music group, active between 1940 and 1943, founded by Millard Lampell, Lee Hays, Pete Seeger, and Woody Guthrie. The group specialized in topical songs, mostly songs advocating an anti-war, anti-racism and pro-union philosophy. They were part of the Popular Front, an alliance of liberals and leftists, including the Communist Party USA, who had vowed to put aside their differences in order to fight fascism and promote racial and religious inclusiveness and workers' rights. The Almanac Singers felt strongly that songs could help achieve these goals.
Ruth Alice "Ronnie" Gilbert, was an American folk singer, songwriter, actress and political activist. She was one of the original members of the music quartet the Weavers, as a contralto with Pete Seeger, Lee Hays, and Fred Hellerman.
Margaret "Peggy" Seeger is an American folk singer and songwriter. She has lived in Britain for more than 60 years and was married to the singer-songwriter Ewan MacColl until his death in 1989.
Charlie King is an American folk singer and activist.
"Deportee (Plane Wreck at Los Gatos)" is a protest song with lyrics by Woody Guthrie and music by Martin Hoffman detailing the January 28, 1948 crash of a plane near Los Gatos Canyon, 20 miles (32 km) west of Coalinga in Fresno County, California, United States. The crash occurred in Los Gatos Canyon and not in the town of Los Gatos itself, which is in Santa Clara County, approximately 150 miles away. Guthrie was inspired to write the song by what he considered the racist mistreatment of the passengers before and after the accident. The crash resulted in the deaths of 32 people, 4 Americans and 28 migrant farm workers who were being deported from California back to Mexico.
"If I Had a Hammer " is a protest song written by Pete Seeger and Lee Hays. It was written in 1949 in support of the Progressive movement, and was first recorded by the Weavers, a folk music quartet composed of Seeger, Hays, Ronnie Gilbert, and Fred Hellerman. It was a #10 hit for Peter, Paul and Mary in 1962 and then went to #3 a year later when recorded by Trini Lopez in 1963.
Hedwig Grace "Hedy" West was an American folksinger and songwriter. She belonged to the same generation of folk revivalists as Joan Baez and Judy Collins. Her most famous song "500 Miles" is one of America's most popular folk songs. English folk musician A. L. Lloyd declared West to be "far and away the best of [the] American girl singers in the [folk] revival."
Precious Friend is a double album by Arlo Guthrie and Pete Seeger with Shenandoah. The album, Guthrie's final record on Warner Bros., is a compilation of songs from when Guthrie and Seeger toured together. John Pilla produced the recording.
"Where Have All the Flowers Gone?" is a folk song written by American singer-songwriter Pete Seeger in 1955. Inspired lyrically by the traditional Cossack folk song "Koloda-Duda", Seeger borrowed an Irish melody for the music, and published the first three verses in Sing Out! magazine. Additional verses were added in May 1960 by Joe Hickerson, who turned it into a circular song. Its rhetorical "where?" and meditation on death place the song in the ubi sunt tradition. In 2010, the New Statesman listed it as one of the "Top 20 Political Songs".
"Darlin' Cory" is a well-known American folk song about love, loss, and moonshine. It is similar in theme to "Little Maggie" and "The Gambling Man" but is not considered the same as those songs.
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.
Leslie Ann Jones is a multiple Grammy Award-winning recording engineer working as Director of Music Recording and Scoring at Skywalker Sound, a Lucasfilm, Ltd. company. She is a past Chair of the National Academy of Recording Arts and Sciences Board of Trustees, the organization that awards Grammys, and in 2018 was inducted into the TEC Awards Hall of Fame. She is the daughter of novelty drummer, percussionist and bandleader Spike Jones and his wife, singer Helen Grayco.
Appleseed Recordings is an American folk music record label founded by Jim Musselman in 1997.
What's That I Hear?: The Songs of Phil Ochs is a 1998 tribute compilation to the music of the late Phil Ochs. The various performers cover several generations of Ochs' admirers. All profits from the album's sales were divided equally between the non-profits, the ACLU Foundation of Southern California and Sing Out! Magazine.
At 89 is a studio album by Pete Seeger, released on September 30, 2008, via Appleseed Records. In 2008, the album earned Seeger the Grammy Award for Best Traditional Folk Album.
Anthony D. Saletan, known professionally as Tony Saletan, is an American folk singer, children's instructional television pioneer, and music educator. Saletan is responsible for the modern rediscovery, in the mid-1950s, of two of the genre's best-known songs, "Michael Row the Boat Ashore" and "Kumbaya". In 1955, he was the first performer to appear on Boston's educational television station, WGBH. In 1969, Saletan was the first musical guest to appear on Sesame Street.
Emma's Revolution is an American folk music and social justice activist duo, consisting of songwriters Pat Humphries and Sandy Opatow. Named after activist Emma Goldman, the group has performed at protests for peace, women's rights, labor rights, environmental protection, and other progressive causes. Their songs are also covered by various choral groups, including church choirs and labor choruses.
"Last Night I Had the Strangest Dream" is a song written by American folk singer-songwriter Ed McCurdy in 1950. Due to McCurdy's connection with fellow musicians, it was common in repertoires within the folk music community. The song had its first album release when Pete Seeger recorded it as "Strangest Dream" for his 1956 album Love Songs For Friends & Foes. Seeger would later re-visit the song for his 1967 album Waist Deep in the Big Muddy and other Love Songs. The strong anti-war theme of the song led it to be recorded by multiple other artists, including The Weavers (1960), Joan Baez (1962), The Kingston Trio (1963), Simon & Garfunkel (1964), and Johnny Cash who released two versions of the song during the 2000s.
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