Country Joe and the Fish was an American psychedelic rock band formed in Berkeley, California, in 1965. The band was among the influential groups in the San Francisco music scene during the mid- to late 1960s. Much of the band's music was written by founding members Country Joe McDonald and Barry "The Fish" Melton, with lyrics pointedly addressing issues of importance to the counterculture, such as anti-war protests, free love, and recreational drug use. Through a combination of psychedelia and electronic music, the band's sound was marked by innovative guitar melodies and distorted organ-driven instrumentals which were significant to the development of acid rock.
Electric Music for the Mind and Body is Country Joe and the Fish's debut album. Released in May 1967 on the Vanguard label, it was one of the first psychedelic albums to come out of San Francisco.
"Young Blood" is a song written by Doc Pomus along with the songwriting team Jerry Leiber and Mike Stoller that first became a hit by The Coasters in 1957.
"Chapel of Love" is a song written by Jeff Barry, Ellie Greenwich and Phil Spector, and made famous by The Dixie Cups in 1964, spending three weeks at number one on the Billboard Hot 100. The song tells of the happiness and excitement the narrator feels on her wedding day, for she and her love are going to the "chapel of love", and "[they'll] never be lonely anymore." Many other artists have recorded the song.
Diamond Days is the fourth album by the British band The Outfield. The album reached No. 90 on the Billboard 200 album chart. Diamond Days was the first album the band released under the MCA record label, having previously recorded for Columbia Records. Drummer Alan Jackman left the band prior to this album's recording, so this album featured a new session drummer in Simon Dawson.
"Summer Breeze" is a 1972 song by American soft rock duo Seals and Crofts. It is the title track of their fourth studio album, and was released as the album's lead single in August 1972. The song reached No. 6 on the US Billboard Hot 100 chart in the US. In 2013, it was ranked No. 13 in Rolling Stone′s "Best Summer Songs of All Time". The song also became a hit for the Isley Brothers in 1974.
Garden Party is the twenty-first studio album by Rick Nelson, this one a country rock album recorded with the Stone Canyon Band in 1972. The title song tells the story of Nelson being booed at a concert at Madison Square Garden.
I-Feel-Like-I'm-Fixin'-to-Die is the second studio album by the influential San Francisco psychedelic rock band, Country Joe and the Fish, released at the end of 1967.
"Let's Hang On!" is a song composed by Bob Crewe, Sandy Linzer, and Denny Randell that was popularized by the Four Seasons in 1965.
Rick Sings Nelson is the nineteenth studio album by Rick Nelson and the Stone Canyon Band. It was the first album on which Nelson wrote every song.
"Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show The New Moon, where the song was introduced by Evelyn Herbert and Robert Halliday. The song was published in 1928.
"My Little Town" is a 1975 song by the American duo Simon & Garfunkel. It was written by Paul Simon, who produced the track along with Art Garfunkel and Phil Ramone. The song was included on the 1975 solo releases from both Simon and Garfunkel (Breakaway). It would not appear on any of the duo's albums until the 1997 anthology box set Old Friends and the 1999 compilation album The Best of Simon and Garfunkel. It was the first single release credited to the duo since the 1972 release of "America", released in conjunction with Simon and Garfunkel's Greatest Hits.
Loveline is the fifth studio album by American country music artist Eddie Rabbitt. It was released in 1979 under the Elektra Records label. The album produced three singles including "Suspicions", which reached number one on country charts, 13 on the Billboard 100 and 9 on the Adult Contemporary chart. The other singles included "Pour Me Another Tequila" and "Gone Too Far", which peaked at 5 and 1, respectively, on Country Charts. The song "I Don't Wanna Make Love " previously appeared on Rabbitt's album Rocky Mountain Music and was re-recorded on this album.
Have 'Twangy' Guitar Will Travel is the debut album by the guitarist Duane Eddy. It was released in 1958 on Jamie Records, as JLP-3000. There were five charting singles and a B-side of an additional charting single taken from this album.
Together is the third album by the San Francisco psychedelic rock band Country Joe and the Fish, released in 1968. Country Joe McDonald had briefly left the band prior to the recording sessions. All of the band members contributed to the songwriting. Together is the most commercially successful album from the band.
Reunion is the sixth studio album by the American psychedelic rock group Country Joe and the Fish, released in 1977. It constituted a reunion of the members of the 1967 band. It was produced by Sam Charters for Fantasy Records and recorded between January and April 1977. The music is not as psychedelic, and several tracks are country rock.
"Real Love" is a hit song by The Doobie Brothers, the first of three singles from their 1980 LP, One Step Closer.
CJ Fish is the fifth album by the San Francisco psychedelic rock group, Country Joe and the Fish, released in April 1970 on the Vanguard label. It would be the first production with Tom Wilson and Country Joe & the Fish's last studio album for Vanguard Records. Recording took place at the Record Plant in Los Angeles, California.
The Archies is the debut studio album by The Archies, a fictional pop band from the Archie comics. The album was originally released on the Calendar Records label in 1968 and included 12 songs. It was produced by Jeff Barry and co-produced by Don Kirshner. The band's debut single was "Bang-Shang-A-Lang"; it peaked at No. 22 on the Billboard Hot 100 in 1968. The album peaked on the Billboard 200 chart at number 88. The song "Seventeen Ain't Young" became a Top 40 hit in Australia for Frank Howson in 1969.
Chapel of Love is the debut studio album by the New Orleans pop girl group The Dixie Cups. The album was produced by Jerry Leiber, Mike Stoller, Jeff Barry and Ellie Greenwich. It includes 11 tracks and was first released on Red Bird Records in August 1964. It was available in both mono and stereo, catalogue numbers RB 20-100 and RBS 20-100.
