Mushroom | |
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Background information | |
Origin | San Francisco, California, U.S. |
Genres | Jam band, alternative, experimental, psychedelic, folk rock |
Years active | 1996– |
Labels | 4 Zero Records |
Members | Ned Doherty Erik Pearson Pat Thomas Dave Brandt Gram Connah Dan Olmsted Dave Mihaly David Immerglück Victor Krummenacher Marc Weinstein |
Past members | Josh Pollock Alison Faith Levy Ralph Carney Tim Plowman Matt Cunitz Kevin Ayers Eddie Gale Michael Holt Alec Palao Kurt Statham Alex Candelaria Carroll Ashby Doug Pearson Jeff Palmer John Sanders Jon Birdsong Marc Capelle Emery Dora Brian Felix Caroleen Beatty Gary Floyd |
Website | mushroom3 |
Mushroom is a musicians' collective based in the San Francisco Bay Area. The group's sound has been described as a "diverse and eclectic blend of jazz, space rock, R&B, electronic, ambient, Krautrock and folk music". [1]
The group was founded in November 1996 by drummer Pat Thomas. [2] Thomas is known for his work as a percussionist, record producer, music journalist and editor of Ptolemaic Terrascope . [3] His credits as a producer of reissue recordings include albums by Aretha Franklin, Dusty Springfield, Television, [4] and for Omnivore Recordings, artists such as Game Theory. Thomas is the author of the book Listen, Whitey: The Sights and Sounds of Black Power, a 2012 work of African-American cultural history centering on the Black Panther Party, [5] [6] with a concurrently released CD and double LP recording of speeches and protest songs. [7]
Mushroom released its first recording in 1997, a 12" single called "The Reeperbahn," described by critic Fred Mills in Magnet as a recording that "could fool a blindfolded test applicant into thinking its 25-minute psych blowout was some long lost Krautrock epic from the early '70s. Let the band's wah-wah guitar, feedback violin, volcanic bass, jazzbo percussion, and tape loops take you down the fabled motorway, never to return to the place you once knew." [2] "The Reeperbahn" provided the basis for CDs released in 1998 in Holland and Germany. [2]
In 1999, the band released Analog Hi-Fi Surprise in the United States and Germany, followed by a European tour, by which time keyboard player Graham Connah had exited and was replaced by Michael Holt. [2] Toronto music magazine Exclaim! wrote that the band "dish out the tastiest psychedelic funk you're ever likely to encounter. The groove's the thang as these tasty tracks cruise on Rhodes-driven jazz, ambient beats, surf riffs, and post rock textures. The band brew all these elements into a mixture that travels the outer realms of progressive funk. Like Tortoise jamming with the Grateful Dead or Soft Machine exploring the Funkadelic catalog, these loose open-ended excursions raise the art of fusion to a new plateau. While each track works a groove toward heady epiphany, the album as a whole refuses to stay locked into any one genre. Booker T-styled organ gyrations, rock guitar virtuosity, Bootsy Collins funk ups, ambient jazz, electronic beats, and Krautrock trance all make a stand, but the bottom line is that this is music that will move you, and then some." [8]
The band then recorded Foxy Music (2001), which included trumpeter Jon Birdsong (known for his work with Beck). Q magazine in England wrote, "On the Foxy Music CD, the band steer away from determined psychedelia in favor of a friendly looseness to their playing. Jabs of electro-trombone and flute cluster alongside churning organ and splintered Rhodes Piano. Beck's trumpeter Jon Birdsong also turns on a great big blubbery blast of tuba, while musical director Patrick O'Hearn's clattering drums have an automaton rotary action that sometimes recalls Can's Jaki Liebezeit."
As of 2015, the members of Mushroom were Pat Thomas (congas, bongos, drum kit), Ned Doherty (bass), Erik Pearson (flute, violin, effects, acoustic and electric guitar, electric sitar), Dave Brandt (congas, bongos, vibes, djembe, gongs), Josh Pollock (acoustic guitar, vocals, megaphone electronics), Alison Levy (vocals), Ralph Carney (woodwinds/horns), Gram Connah (keyboards), Matt Cunitz (keyboards), Tim Plowman (guitar), Dan Olmsted (guitar), and Dave Mihaly (vibes, percussion). [9]
Mushroom's current label is 4 Zero Records. [10]
Post-rock is a subgenre of experimental rock characterized by the exploration of textures and timbres as well as non-rock styles, often without vocals, placing less emphasis on conventional song structures or riffs than on atmosphere for musically evocative purposes. Post-rock artists can often combine rock instrumentation and rock stylings with electronics and digital production as a means of enabling the exploration of textures, timbres and different styles. The genre emerged within the indie and underground music scenes of the 1980s and 1990s, but as it abandoned rock conventions, it began to show less musical resemblance to conventional indie rock at the time. The first wave of post-rock derives inspiration from diverse sources including ambient, electronica, jazz, krautrock, psychedelia, dub, and minimalist classical, with these influences also being pivotal for the substyle of ambient pop.
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). They featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been hailed as pioneers of the German krautrock scene.
Krautrock is a broad genre of experimental rock that developed in West Germany in the late 1960s and early 1970s. It originated among artists who blended elements of psychedelic rock, avant-garde composition, and electronic music, among other eclectic sources. Common elements included hypnotic rhythms, extended improvisation, musique concrète techniques, and early synthesizers, while the music generally moved away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can, Faust, Tangerine Dream, Kraftwerk, Cluster, Ash Ra Tempel, Popol Vuh, Amon Düül II and Harmonia.
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Neu! were a West German krautrock band formed in Düsseldorf in 1971 by Klaus Dinger and Michael Rother following their departure from Kraftwerk. The group's albums were produced by Conny Plank, who has been regarded as the group's "hidden member". They released three albums in their initial incarnation—Neu! (1972), Neu! 2 (1973), and Neu! 75 (1975)—before disbanding in 1975. They briefly reunited in the mid-1980s.
Neu! 75 is the third studio album by German krautrock band Neu!, released in February 1975 on Brain Records. It was recorded and mixed at Conny Plank's studio between December 1974 and January 1975. The album was officially reissued on CD on 29 May 2001 by Astralwerks in the US and Grönland in the UK.
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Harmonia was a West German musical "supergroup" formed in 1973 as a collaboration between members of two prominent krautrock bands: Cluster's Hans-Joachim Roedelius and Dieter Moebius joined by Neu! guitarist Michael Rother. Living and recording in the rural village of Forst, the trio released two albums—Musik von Harmonia (1974) and Deluxe (1975)—to limited sales before dissolving in 1976. AllMusic described the group as "one of the most legendary in the entire krautrock/kosmische scene."
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Ash Ra Tempel was a West German krautrock group led by guitarist Manuel Göttsching that was active from 1970 to 1976. Their debut album Ash Ra Tempel was released in 1971. Following the band's demise, Göttsching released music under the name Ashra.
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Pat Thomas is a San Francisco-based musician, music journalist and compiler of music reissues.
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