Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbres, as well as non-rock styles, with less emphasis on conventional song structures or riffs. Post-rock artists typically combine rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it began to increasingly show little resemblance musically to conventional indie rock at the time, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical, with these influences also being pivotal for the style of ambient pop.
Can were a German experimental rock band formed in Cologne in 1968 by Holger Czukay, Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group featured several vocalists, including the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene.
Krautrock is a broad genre of experimental rock that developed in West Germany in the late 1960s and early 1970s. It originated among artists who blended elements of psychedelic rock, avant-garde composition, and electronic music, among other eclectic sources. Common elements included hypnotic rhythms, extended improvisation, musique concrète techniques, and early synthesizers, while the music generally moved away from the rhythm & blues roots and song structure found in traditional Anglo-American rock music. Prominent groups associated with the krautrock label included Neu!, Can, Faust, Tangerine Dream, Kraftwerk, Cluster, Ash Ra Tempel, Popol Vuh, Amon Düül II and Harmonia.
Nurse with Wound is the main recording name for British musician Steven Stapleton. Nurse with Wound was originally a band, formed in 1978 by Stapleton, John Fothergill and Heman Pathak. The band's work has explored genres such as industrial, noise, dark ambient, and drone.
Mouse on Mars is a German electronic music duo formed in 1993 by Jan St. Werner and Andi Toma. Their music is a blend of electronic genres including IDM, dub, krautrock, breakbeat and ambient, featuring heavy use of organic analog synth and cross-frequency modulation. Their music also features live instrumentation including strings, horns, drums, bass, and guitar.
New Adventures in Hi-Fi is the tenth studio album by the American alternative rock band R.E.M. It was their fifth major-label release for Warner Bros. Records, released on September 9, 1996, in Europe and Australia, and the following day in the United States. New Adventures in Hi-Fi was the band's final album recorded with founding drummer Bill Berry, original manager Jefferson Holt, and long-time producer Scott Litt. The members of R.E.M. consider the recorded album representative of the band at their peak, and fans generally regard it as the band's last great record before a perceived artistic decline during the late 1990s and early 2000s. It has sold around seven million units, growing in cult status years after its release, with several retrospectives ranking it among the top of the band's recorded catalogue.
Neu! were a West German krautrock band formed in Düsseldorf in 1971 by Klaus Dinger and Michael Rother following their departure from Kraftwerk. The group's albums were produced by Conny Plank, who has been regarded as the group's "hidden member". They released three albums in their initial incarnation—Neu! (1972), Neu! 2 (1973), and Neu! 75 (1975)—before disbanding in 1975. They briefly reunited in the mid-1980s.
Neu! 75 is the third studio album by the krautrock band Neu!. It was recorded and mixed at Conny Plank's studio between December 1974 and January 1975. It was released in 1975 by Brain Records, and officially reissued on CD on 29 May 2001 by Astralwerks in the US and by Grönland Records in the UK.
Ferociously Stoned is the debut album by American band the Cherry Poppin' Daddies, released in November 1990 on Sub Par Records. It was subsequently re-released on the Daddies' own independent label Space Age Bachelor Pad Records in 1994.
No-Man are an English art pop duo, formed in 1987 as No Man Is an Island (Except the Isle of Man) by singer Tim Bowness and multi-instrumentalist Steven Wilson. The band has so far produced seven studio albums and a number of singles/outtakes collections (most notably, 2006's career retrospective, All the Blue Changes). The band was once lauded as "conceivably the most important English group since The Smiths" by Melody Maker music newspaper, and a 2017 article of Drowned in Sound described them as "probably the most underrated band of the last 25 years".
Ash Ra Tempel was a West German krautrock group led by guitarist Manuel Göttsching that was active from 1970 to 1976. Their debut album Ash Ra Tempel was released in 1971. Following the band's demise, Göttsching released music under the name Ashra.
Tago Mago is the second studio album by the German krautrock band Can, originally released as a double LP in August 1971 on the United Artists label. It was the band's first full studio album to feature Damo Suzuki after the 1970 departure of previous vocalist Malcolm Mooney, though Suzuki had been featured on most tracks on the compilation album Soundtracks the prior year. Recorded at Schloss Nörvenich, a medieval castle near Cologne, the album features long-form experimental tracks blending rock and jazz improvisation, funk rhythms, and musique concrète tape editing techniques.
Celestiial is a funeral doom metal band from Minnesota. Initially consisting only of Tanner R. Anderson, the band was later joined by Jason William Walton (bass) and Timothy Glenn (percussion). Celestiial is known for using numerous instruments in its music, combining traditional folk instruments with those more typically used in metal music, as well as sampling the sounds of the natural world. Celestiial's music is intended to evoke images of the natural world.
The Eric Singer Project (ESP) is an American rock band. It was founded in the 1990s by Eric Singer, drummer for rock bands such as Lita Ford, Black Sabbath, Badlands, Alice Cooper, and Kiss, along with Bruce Kulick on guitar, John Corabi on guitar and bass, and Karl Cochran on guitar and bass. Lead vocal duties were shared by Eric, John, and Karl.
Desolate North is the debut studio album by the funeral doom metal band Celestiial, first released by Bindrune Recordings on June 6, 2006. It comprises the five tracks from Celestiial's demo, Ashen, combined with three more tracks recorded separately. It was written, performed and recorded entirely by Tanner Anderson, the member of Celestiial, and was never written to be an album or to be performed. The Bindrune CD release is out-of-print, but Desolate North is still available digitally and in LP-format, the latter having been released by music distributor Handmade Birds in 2011.
Music for Dead Birds are an anti-folk band from Galway and County Mayo, Ireland. Its members are Jimmy Monaghan and Dónal Walsh (drums).
Futurians are a New Zealand sci-fi punk band formed in Dunedin in 2001. Foxy Digitalis magazine called them the "best punk band on the fucken planet."
Earthling Society were an English space/psychedelic rock band formed in Fleetwood, England in January 2004 by vocalist/guitarist Fred Laird and drummer Jon Blacow with bassist, David Fyall.
Pat Thomas is a San Francisco-based musician, music journalist and compiler of music reissues.
Psychedelic funk is a music genre that combines funk music with elements of psychedelic rock. It was pioneered in the late 1960s and early 1970s by American acts like Sly and the Family Stone, Jimi Hendrix, and the Parliament-Funkadelic collective. It would influence subsequent styles including '70s jazz fusion and the '90s West Coast hip hop style G-funk.
