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Big Beat Records is a British record label and import distributor owned by Ace Records, specialising in garage rock. [1] [2]
| | This article needs additional citations for verification .(March 2018) |
Big Beat Records is a British record label and import distributor owned by Ace Records, specialising in garage rock. [1] [2]
Releases include:
Punk rock is a music genre that emerged in the mid-1970s. Rooted in 1950s rock and roll and 1960s garage rock, punk bands rejected the corporate nature of mainstream 1970s rock music. They typically produced short, fast-paced songs with hard-edged melodies and singing styles with stripped-down instrumentation. Lyricism in punk typically revolves around anti-establishment and anti-authoritarian themes. Punk embraces a DIY ethic; many bands self-produce recordings and distribute them through independent labels.
Ska is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae. It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat. It was developed in Jamaica in the 1960s when Stranger Cole, Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads.
The Cramps were an American rock band formed in 1976 and active until 2009. Their lineup rotated frequently during their existence, with the husband-and-wife duo of singer Lux Interior and guitarist Poison Ivy the only ever-present members. The band are credited as progenitors of the psychobilly subgenre, fusing elements of punk rock with rockabilly. The addition of guitarist Bryan Gregory and drummer Pam Balam resulted in the first complete lineup in April 1976. They released their debut album Songs the Lord Taught Us in 1980. The band split after the death of lead singer Interior in 2009.
Garage rock is a raw and energetic style of rock music that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord structures played on electric guitars and other instruments, sometimes distorted through a fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family garage, although many were professional.
Pub rock is a subgenre of rock music that emerged in the early to mid-1970s in the United Kingdom. A back-to-basics movement, which incorporated roots rock, pub rock was a reaction against the expensively-recorded and produced progressive rock and flashy glam rock scenes at the time. Although short-lived, pub rock was played live in small traditional venues like pubs and clubs. Since major labels showed no interest in pub rock groups, pub bands sought out independent record labels such as Stiff Records. Indie labels used relatively inexpensive recording processes, so they had a much lower break-even point for a record than a major label.
The Mighty Mighty Bosstones were an American ska punk band from Boston, Massachusetts, formed in 1983. From the band's inception, lead vocalist Dicky Barrett, bassist Joe Gittleman, tenor saxophonist Tim "Johnny Vegas" Burton and dancer ("Bosstone") Ben Carr remained constant members. The band's final line-up also included drummer Joe Sirois, saxophonist Leon Silva, guitarist Lawrence Katz, keyboardist John Goetchius, and trombonist Chris Rhodes.
Power pop is a subgenre of rock music and form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful-sounding music underpinned by a sense of yearning, longing, despair, or self-empowerment. The sound is primarily rooted in pop and rock traditions of the early-to-mid 1960s, although some artists have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia.
Ska punk is a fusion genre that mixes ska music and punk rock music. Ska punk tends to feature brass instruments, especially horns such as trumpets, trombones and woodwind instruments like saxophones, making the genre distinct from other forms of punk rock. It is closely tied to third wave ska which reached its zenith in the mid-1990s.
Proto-punk is rock music from the 1960s to mid-1970s that foreshadowed the punk rock movement. A retrospective label, the musicians involved were generally not originally associated with each other and came from a variety of backgrounds and styles; together, they anticipated many of punk's musical and thematic attributes. The tendency towards aggressive, simplistic rock songs is a trend critics such as Lester Bangs have traced to as far back as Ritchie Valens' 1958 version of the Mexican folk song "La Bamba", which set in motion a wave of influential garage rock bands including the Kingsmen, the Kinks, the 13th Floor Elevators and the Sonics. By the late 1960s, Detroit bands the Stooges and MC5 had used the influence of these groups to form a distinct prototypical punk sound. In the following years, this sound spread both domestically and internationally, leading to the formation of the New York Dolls and Electric Eels in the United States, Dr. Feelgood in England, and the Saints in Australia.
Indie pop is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of indie pop has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop.
Motörhead is the debut studio album by English rock band Motörhead. It was released on 12 August 1977 by pub rock and early punk rock label Chiswick Records, one of the first for the label, and the band's only release under Chiswick. The album contains the "classic" Motörhead line-up of Lemmy Kilmister on bass and vocals, "Fast" Eddie Clarke on lead guitar, and Philthy Animal Taylor on drums. The sleeve artwork featured the debut of Snaggletooth, the War-Pig, the fanged face logo created by artist Joe Petagno that would become an icon of the band.
Norton Records is an American independent record label founded by musicians Miriam Linna and Billy Miller in 1986. The label concentrates on rock, rockabilly, primitive music, punk, garage rock and early rhythm and blues. Most of its output, both new releases and reissues, is issued on vinyl.
Phantom Records was an Australian record store and independent record label established in 1978 on Pitt Street in Sydney. Phantom Records was one of Australia's first indie labels, and the store was known for its guerilla marketing strategies.
Red Rockers were an American musical band from New Orleans, Louisiana, United States, active from 1979 to 1985. Originally formed as a hard-charging punk rock band, they changed their style to a smoother, more melodic sound and released two albums in the new wave vein of their record label, 415. They are best known for their 1983 hit single "China".
Ugly Things (UT) is a music magazine established in 1983, based in La Mesa, California. The editor is Mike Stax. The magazine covers mainly 1960s Beat, garage rock, and psychedelic music. The name Ugly Things is a pun that refers to the band The Pretty Things.
Post-punk is a broad genre of music that emerged in 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines.
The Sting-rays were a British rock band from Greater London which recorded on Ace Records' garage and psychedelic subsidiary Big Beat and Joe Foster's Kaleidoscope Sound in the 1980s.
The Opposite Six were an American garage rock band from Sacramento, California, United States, who were active in the 1960s. They are not to be confused with another group of the same name, also from the Bay area, but from Marin County that had a more rhythm and blues orientation and comprised the basis of the later group the Sons of Champlin. This group was known for a more primal 60s punk sound, which in spite of their lack of wider success, have come to the attention of garage rock collectors and enthusiasts over the years. Their work has appeared on several compilations.
Women in rock describes the role of women singers, instrumentalists, record producers and other music professionals in rock music and popular music and the many subgenres and hybrid genres that have emerged from these genres. Women have a high prominence in many popular music styles as singers. However, professional women instrumentalists are uncommon in popular music, especially in rock genres such as heavy metal. "[P]laying in a band is largely a male homosocial activity, that is, learning to play in a band is largely a peer-based... experience, shaped by existing sex-segregated friendship networks. As well, rock music "...is often defined as a form of male rebellion vis-à-vis female bedroom culture."
