"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
"Just the Way You Are" is a song by Billy Joel from his fifth studio album The Stranger (1977). It was released in September 1977 as the album's lead single. It became both Joel's first US Top 10 and UK Top 20 single, as well as Joel's first gold single in the US. The song also topped the Billboard Easy Listening Chart for the entire month of January 1978.
"I Just Called to Say I Love You" is a ballad written, produced, and performed by American R&B singer and songwriter Stevie Wonder. It was a major international hit, and remains Wonder's best-selling single to date, having topped a record 19 charts.
"Ebony and Ivory" is a song that was released in 1982 as a single by Paul McCartney featuring Stevie Wonder. It was issued on 29 March that year as the lead single from McCartney's third solo album, Tug of War (1982). Written by McCartney, the song aligns the black and white keys of a piano keyboard with the theme of racial harmony. The single reached number one on both the UK and the US charts and was among the top-selling singles of 1982 in the US. During the apartheid era, the South African Broadcasting Corporation banned the song after Wonder dedicated his 1984 Academy Award for Best Original Song to Nelson Mandela.
"Silly Love Songs" is a song by the British–American rock band Wings that was written by Paul and Linda McCartney. The song first appeared in March 1976 on the album Wings at the Speed of Sound, then it was released as a single backed with "Cook of the House" on 1 April in the US, and 30 April in the UK. The song, which features disco overtones, was written in response to music critics accusing McCartney of predominantly writing "silly love songs" and "sentimental slush".
"I Was Made to Love Her" is a soul music song recorded by American musician Stevie Wonder for Motown's Tamla label in 1967. The song was written by Wonder, his mother Lula Mae Hardaway, Sylvia Moy, and producer Henry Cosby and included on Wonder's 1967 album I Was Made to Love Her.
"Until You Come Back to Me (That's What I'm Gonna Do)" is a song written by Morris Broadnax, Clarence Paul, and Stevie Wonder. The song was originally recorded by Stevie Wonder in 1967, but his version was not released as a single and did not appear on an album until 1977's anthology Looking Back. The best-known version of this song is the 1973 release by Aretha Franklin, who had a million-selling top 10 hit on Billboard charts. The song reached No. 1 on the R&B chart and No. 3 on the Hot 100 chart in 1974. It became an RIAA Gold record.
"If You Really Love Me" is a song written by Stevie Wonder and Syreeta Wright. Wonder recorded the song and released his version as a single from his 1971 album Where I'm Coming From. The single peaked in the top 10 of the Billboard Hot 100, Billboard′s R&B chart, and Billboard′s Easy Listening chart.
"How Am I Supposed to Live Without You" is a song written in 1982 by Doug James and Michael Bolton. The ballad has been recorded by many artists around the world, in several languages, most notably by Bolton himself, becoming something of a modern pop standard. Instrumental versions of the song have been recorded featuring variously the piano, guitar, saxophone, pan flute, steel drum, and music box.
"My Cherie Amour" is a 1969 song by Motown singer-songwriter Stevie Wonder. The song reached number 4 on the Billboard pop chart in August to be Wonder's third Top Ten hit. The song was co-written by Wonder, Sylvia Moy, and Henry Cosby; Cosby also served as producer of the song. At the end of 1969, the song was ranked number 32 for the year.
"Signed, Sealed, Delivered " is a soul song, by American musician Stevie Wonder, released in June 1970 as a single on Motown's Tamla label. It spent six weeks at number one on the U.S. R&B chart and peaked at number three on the U.S. Pop chart. In the same year, the song was also released on the album Signed, Sealed & Delivered.
"You Are the Sunshine of My Life" is a 1973 single released by Stevie Wonder. The song became Wonder's third number-one single on the Billboard Hot 100 chart and his first number-one on the Easy Listening chart. It won Wonder a Grammy Award for Best Male Pop Vocal Performance, and was nominated for both Record of the Year and Song of the Year. This song was the second single released from the 1972 album entitled Talking Book, which stayed at number one on the R&B albums chart for three weeks.
"Send One Your Love" is a 1979 soul single by American and Motown musician and singer Stevie Wonder from his album Stevie Wonder's Journey Through "The Secret Life of Plants" (1979). Released in November 1979 as the album's lead single, the song reached number four on the US Billboard pop singles chart in 1979 The song also became Wonder's second single to top the adult contemporary chart, following 1973's "You Are the Sunshine of My Life", topping the chart for four weeks. On the soul charts, "Send One Your Love" went to number five.
"Part-Time Lover" is a song by American R&B singer and songwriter Stevie Wonder, released as the first single from his twentieth studio album, In Square Circle (1985). The song reached number one on the Billboard Hot 100, R&B, dance, and adult contemporary charts, becoming Wonder's final number one hit to date. The song's simultaneous chart successes made Wonder the first artist to score a number-one hit on four different Billboard charts. The song was also released as a special 12" version. Lyrically, it tells the story of a man who is cheating on his wife with a mistress, only to find out in the end that his wife is cheating on him as well.
"Talk to Me" is a song recorded by the American singer and songwriter Stevie Nicks for her third solo studio album Rock a Little (1985). Written by Chas Sandford, the song was released as the lead single from Rock a Little in October 1985, through Modern Records. The single became a big hit for Nicks, peaking at number four on the Billboard Hot 100 chart for two weeks and peaking at number one on the Billboard Top Mainstream Rock Songs chart for two weeks in 1985.
"I Won't Hold You Back" is a song by American rock band Toto, written and sung by Steve Lukather for their fourth album, Toto IV, released in 1982. The song features the Eagles' bass player Timothy B. Schmit on backing vocals during the choruses.
"For Your Love" is a song written and performed by American musician Stevie Wonder, released in February 1995 as the first single from his 22nd album, Conversation Peace (1995). It won two Grammy awards for Best R&B Male Vocal Performance and Best R&B Song at the 38th Grammy Awards.
"I Miss You" is a hit single recorded by American R&B and pop band Klymaxx for their fourth album, Meeting in the Ladies Room (1984). Written and co-produced by Klymaxx keyboardist Lynn Malsby, the song was released as the album's third single. "I Miss You" eventually reached number 5 on the US Billboard Hot 100 chart, number 2 on the New Zealand Singles Chart, and number 1 on the Canadian RPM Top Singles chart. Despite peaking at number 5 in the US, it was ranked at number 3 on the year-end Billboard chart for 1986, mainly because of its run on the pop chart lasting for 29 weeks.
"I Ain't Gonna Stand for It" is the second single from Stevie Wonder's 1980 album, Hotter Than July. It reached number four on the Billboard R&B singles chart and number 11 on the Hot 100. It also hit number 10 on the UK Singles Chart. The song is famous for Wonder's imitation of a seasoned country-and-western crooner and his inspiring drumming. Charlie and Ronnie Wilson of The Gap Band provide backing vocals on the song. It was covered by Eric Clapton in 2001.
"My Love" is a song performed by Spanish singer/songwriter Julio Iglesias, written by and featuring American musician Stevie Wonder. It was released as a single in 1988 from Iglesias' album, Non Stop. The duet was a top 5 hit in the UK and Ireland, reaching numbers 5 and 2, respectively. In the U.S., it reached No. 80 on the Billboard Hot 100, and No. 14 on the Adult Contemporary chart.
