This article includes a list of general references, but it lacks sufficient corresponding inline citations .(March 2020) |
The Jazz Soul of Little Stevie | ||||
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Studio album by | ||||
Released | September 1962 | |||
Studio | Hitsville USA, Detroit | |||
Genre | ||||
Length | 29:51 | |||
Language | Instrumental [3] | |||
Label | Tamla | |||
Producer | Henry Cosby, Clarence Paul | |||
Little Stevie Wonder chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Tom Hull | B [3] |
The Jazz Soul of Little Stevie is the debut studio album by Little Stevie Wonder, released in September 1962 on the Tamla Motown label.
The album showcases the 12-year-old Wonder's talents as a composer and instrumentalist and is one of two Wonder studio albums on which he does not sing (the other being Eivets Rednow ); he is featured on percussion, the keyboard, and the harmonica. Wonder's mentors Clarence Paul and Henry Cosby wrote and produced the material on The Jazz Soul of Little Stevie Wonder, with the young Wonder himself also co-writing two of the compositions. The original studio version of "Fingertips" is included on the album; a live version would become Wonder's first hit single.
Stevland Hardaway Morris, known professionally as Stevie Wonder, is an American singer-songwriter, musician, and record producer. He is credited as a pioneer and influence by musicians across a range of genres that include R&B, pop, soul, gospel, funk, and jazz. A virtual one-man band, Wonder's use of synthesizers and other electronic musical instruments during the 1970s reshaped the conventions of contemporary R&B. He also helped drive such genres into the album era, crafting his LPs as cohesive and consistent, in addition to socially conscious statements with complex compositions. Blind since shortly after his birth, Wonder was a child prodigy who signed with Motown's Tamla label at the age of 11, where he was given the professional name Little Stevie Wonder.
The Funk Brothers were a group of Detroit-based session musicians who performed the backing to most Motown recordings from 1959 until the company moved to Los Angeles in 1972.
"Uptight (Everything's Alright)" is a song recorded by American singer-songwriter Stevie Wonder for the Tamla (Motown) label. One of his most popular early singles, "Uptight (Everything's Alright)" was the first hit single that Wonder himself co-wrote.
"Fingertips" is a 1963 hit single recorded live by "Little" Stevie Wonder for Motown's then Tamla label.
I Was Made to Love Her is the seventh studio album by American musician Stevie Wonder, released on August 28, 1967 under Tamla Records, a Motown subsidiary.
Tribute to Uncle Ray is the second studio album by Little Stevie Wonder, released by Motown in October 1962, shortly after The Jazz Soul of Little Stevie. Even though it was released second, it had been recorded first, when Wonder was just 11 years old. The album was an attempt by Berry Gordy and Motown to associate the young "Little Stevie Wonder" with the successful and popular Ray Charles who was also a blind African American musician. Like his debut, this album failed to generate hit singles as Motown struggled to find a sound to fit Wonder, who was just 12 when this album was released.
Recorded Live: The 12 Year Old Genius is the first live album by Little Stevie Wonder. The album was released on the Tamla record label in May 1963, the same month as the single release of "Fingertips". "Fingertips" topped both the Billboard Hot 100 chart and the R&B Singles chart, and Recorded Live: The 12 Year Old Genius topped the Billboard 200, all of which happened in 1963. This is the last album to use the "Little" in Stevie Wonder's name. Starting with the next album, he would go by just "Stevie Wonder." Wonder was the second and youngest solo artist to chart on the Billboard Top LPs under the age of 18. He was only 13 years old when that occurred.
Stevie at the Beach is the fourth studio album by American singer-songwriter Stevie Wonder released on the Tamla (Motown) label on June 23, 1964. With the exception of the mild hit, "Hey Harmonica Man", it was a concept album of sorts, focusing on beach and surfer anthems as an attempt to get Wonder to now sing surf tunes. However, much like the label's attempts to first make him the teenage version of Ray Charles and then for one album as a lounge singer, it failed to connect with audiences. Wonder would not have another hit until 1965 when he was finally allowed to showcase his musical talents more.
Up-Tight is a 1966 album by American singer Stevie Wonder, released by Motown on the Tamla label. It was his fifth studio release.
Down to Earth is the sixth studio album by American singer-songwriter Stevie Wonder, released on November 16, 1966 on the Tamla (Motown) label. The album was a departure from Wonder's earlier, teen pop-driven albums, and, along with its predecessor, Up-Tight, it re-established the sixteen-year-old Wonder, whose voice had recently changed, as a Motown hitmaker.
For Once in My Life is the tenth studio album by American singer-songwriter Stevie Wonder on Motown Records, released in November 1968. Then eighteen years old, Wonder had established himself as one of Motown's consistent hit-makers. This album continued Wonder's growth as a vocalist and songwriter, and is the first album where he shares credit as producer. It featured four songs that hit the Hot 100 charts: "For Once in My Life" (#2), "Shoo-Be-Doo-Be-Doo-Da-Day" (#9) and the modest hits "I Don't Know Why" (#39) and "You Met Your Match" (#35). It also marked the debut of the Hohner Clavinet on a Stevie Wonder album, which would become a mainstay on albums to come.
My Cherie Amour is an album by American singer-songwriter Stevie Wonder released on the Tamla (Motown) label on August 29, 1969, his eleventh studio album. The album yielded a couple of Top 10 hits in the Billboard Hot 100, including the title track (#4) and "Yester-Me, Yester-You, Yesterday" (#7), as well as Wonder's takes on the 1967 hit "Light My Fire" by The Doors, "Hello, Young Lovers" from The King and I and "The Shadow of Your Smile" from the 1965 film The Sandpiper. It reached #12 in the UK album chart and #34 in the Billboard 200 album charts.
Signed, Sealed & Delivered is the 12th studio album by American recording artist Stevie Wonder, released on August 7, 1970, by Tamla Records. The album featured four hits that hit the Billboard Hot 100: "Signed, Sealed, Delivered I'm Yours" (#3), "Heaven Help Us All" (#9), "Never Had a Dream Come True" (#26) and Wonder's cover of The Beatles' "We Can Work It Out" (#13). The album hit #25 on the Billboard Pop Albums chart as well as #7 on the R&B Albums chart.
Henry R. Cosby was an American songwriter, arranger, record producer and musician who worked for Motown Records from its formative years. Along with Sylvia Moy, Cosby was a key collaborator with Stevie Wonder from 1963 to 1970. Cosby co-wrote and/or co-produced three No. 1 US hits: Stevie Wonder's "Fingertips" (1963), The Supremes' "Love Child" (1968), and The Miracles' "The Tears of a Clown" (1968).
Make It Happen is a 1967 album by Smokey Robinson & the Miracles. It featured ballads such as the hit singles "The Love I Saw in You Was Just a Mirage" and "More Love", as well as the up-tempo "The Tears of a Clown" co-written by Stevie Wonder and his producer Hank Cosby.
Someday at Christmas is the eighth studio album by Stevie Wonder, first released on November 27, 1967 by Motown Records under its Tamla imprint. Produced by Henry Cosby, it marked Wonder's first Christmas album. Someday at Christmas consists of twelve tracks, featuring four cover versions of Christmas standards and carols, as well as eight original songs, chiefly penned by Ron Miller along with his wife Aurora as well as Bryan and Deborah Wells, including its title track and "What Christmas Means to Me". "Twinkle Twinkle Little Me" had been included two years earlier on The Supremes' Christmas album Merry Christmas.
Looking Back, also later known as Anthology, is a triple LP anthology by American soul musician Stevie Wonder, released in 1977 on Motown Records. Since its release in 12-inch triple LP format, it has not been reissued and is considered a limited edition. The album chronicles 40 songs from Wonder's first Motown period, which precedes the classic period of his critically acclaimed albums.
"Stars on Stevie" a.k.a. "Stars Medley" a.k.a. "Stars on 45 III: A Tribute to Stevie Wonder" is a song issued in 1982 by the Dutch studio group Stars on 45, in the UK credited to 'Starsound', in the US 'Stars On'. It was the first single from the band's third full-length release The Superstars and was Stars on 45's fourth single release in both Europe and North America.
Song Review: A Greatest Hits Collection is a double-disc compilation album by Stevie Wonder. It was also released as a single disc edition which contained 6 tracks not featured on the 2CD release. The Australian edition has a slightly different track listing.
Manufacturers of Soul is an album by soul music vocalist Jackie Wilson and jazz pianist and bandleader Count Basie featuring performances of jazz versions of contemporary R&B/soul hits recorded in 1968 and released on the Brunswick label.