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"Play It Cool, Man" "Play It Cool" | ||||
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Single by George Jones | ||||
from the album The Grand Ole Opry's New Star | ||||
B-side |
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Released | May 29, 1954 | |||
Format | 10" single 7" single | |||
Recorded | January 19, 1954 Beaumont, TX | |||
Genre | Country, rockabilly | |||
Length | 2:33 | |||
Label | Starday Starday 146 | |||
Songwriter(s) | George Jones | |||
Producer(s) | Jack Starnes | |||
George Jones singles chronology | ||||
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"Play It Cool, Man" is a song by George Jones. It was released as his second single on May 29, 1954 on Starday Records. It is the oldest recording to be included on his debut album in 1956.
George Glenn Jones was an American musician, singer and songwriter. He achieved international fame for his long list of hit records, including his best known song "He Stopped Loving Her Today", as well as his distinctive voice and phrasing. For the last twenty years of his life, Jones was frequently referred to as the greatest living country singer. Country music scholar Bill Malone writes, "For the two or three minutes consumed by a song, Jones immerses himself so completely in its lyrics, and in the mood it conveys, that the listener can scarcely avoid becoming similarly involved." Waylon Jennings expressed a similar opinion in his song "It's Alright": "If we all could sound like we wanted to, we'd all sound like George Jones." The shape of his nose and facial features earned Jones the nickname "The Possum".
Starday Records was a record label producing traditional country music during the 1950s and 1960s.
Jones' first recording session wrapped up 5 songs (2 unissued). The third song cut was a rockabilly slide titled "Play It Cool, Man." Like the other songs recorded during the session, the song was greatly influenced by his idols. "No Money in This Deal," "For Sale or For Lease," and "If You Were Mine" displayed a very evident Lefty Frizzell influence. However, Play It Cool, Man displayed a clear Hank Williams influence (Jones' favorite singer). From Jones' bluesy vocal delivery to the steel guitar break, which is reminiscent of Hank's "Honky Tonk Blues," the song's swing and swagger also points unerringly towards rockabilly. Nick Tosches notes in his 1994 Texas Monthly article "The Devil in George Jones", "Though Jones would never acknowledge it, the rockabilly impulse of the early fifties had affected his sound as much as the lingering voices of Acuff and Williams. 'Play It Cool, Man, Play It Cool,' recorded by Jones in 1954, several months before Elvis's debut, had bordered on pure rockabilly..."
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