It Was Twenty Years Ago Today | |
---|---|
Written by | Colin Bell |
Directed by | John Sheppard |
Starring | Peter Coyote Peter Fonda Allen Ginsberg George Harrison Abbie Hoffman Timothy Leary Paul McCartney Derek Taylor |
Country of origin | United Kingdom |
Production | |
Producers | Simon Albury, John Sheppard |
Running time | 105 mins (approx.) |
Original release | |
Release | 1 June 1987 |
It Was Twenty Years Ago Today (also known as Sgt. Pepper: It Was Twenty Years Ago Today) [1] is a 1987 British-made television documentary film about the 1967 Summer of Love. It premiered on 1 June 1987, twenty years after the official release date of the Beatles' album Sgt. Pepper's Lonely Hearts Club Band , and presents the album as the central factor behind the events and scenes that led to the full emergence of the 1960s counterculture. [1] [2]
The film was directed by John Sheppard for Granada Television. In addition to archive footage, it features interviews with key figures from the period, including Derek Taylor (who also served as consultant on the production), [3] George Harrison, Paul McCartney, Allen Ginsberg, Abbie Hoffman and Timothy Leary.
Its release was accompanied by the book It Was Twenty Years Ago Today, written by Taylor. After the documentary's initial broadcast on the ITV network in the UK, it was shown by PBS in the US on 11 November 1987.
Together with the Monterey International Pop Festival, held in California on 16–18 June 1967, the release of the Beatles' Sgt. Pepper's Lonely Hearts Club Band is usually cited by historians as the start of the Summer of Love. [4] Sociomusicologist Simon Frith described 1967 as the year that "it all came together", in terms of the realisation of the 1960s youth movement's search for independence from societal norms and a new path dedicated to enlightenment. [5] This movement manifested as a counterculture, embracing communal living, pacifism, consciousness-raising hallucinogenic drugs, psychedelic fashions and art, and Indian mysticism. [6] The main centre was the Haight-Ashbury district of San Francisco, while movements were also underway in London, Los Angeles, New York, Amsterdam, Berlin and Paris. [7] Timothy Leary, a former Harvard professor, extolled students and young professionals to "Turn on, tune in, drop out", a phrase that became a catch-cry for the hippie phenomenon. [8] With the Beatles as the most popular and influential act of the era, music was the principal agent of these changes. [5] [9] Having become a leading publicist in Los Angeles following his work with the Beatles in 1964, Derek Taylor co-founded the Monterey festival. [10] This event showcased the diversity of musical styles and influences that constituted the new "rock" medium, as well as pop music's ascendancy to the level of art. [11]
Pop's maturity beyond the category of teenage entertainment had only recently been recognised at this time. [12] In the United States, it was marked by the appointment of the first rock critic, Richard Goldstein, at The Village Voice in June 1966 [13] and, in April the following year, the screening of a television documentary hosted by classical composer Leonard Bernstein, Inside Pop: The Rock Revolution . [14] The latter sought to explain the merits of contemporary pop music to a mainstream audience and demystify the generation gap it represented. [15] [16] In Britain, the authorities had begun clamping down on the perceived threat posed by pop musicians and members of the UK underground. These measures included the arrest of Rolling Stones members Mick Jagger and Keith Richards on drugs charges, to which The Times responded with an editorial titled "Who Breaks a Butterfly upon a Wheel?", and the attempted closure of the International Times . [17]
It Was Twenty Years Ago Today was directed and produced by John Sheppard, [7] whose previous television work included directing musical performances on the 1960s pop program Ready Steady Go! and making pioneering segments for Granada's World in Action current affairs shows. [18] Sheppard said of 1967: "That summer there was a social, sexual and musical revolution and Sgt. Pepper was at the heart of it. It was the year of the hippie, of Peace, Flower Power and the Summer of Love. All over the world young people were experimenting with new ways of living and seeking to create a better future. Hope was in the air." [7]
The film includes footage from ITN's report from outside EMI Studios on 20 December 1966, early in the recording sessions for Sgt. Pepper. Each of the Beatles is asked to comment on rumours that the band are splitting up in the wake of an announcement that they had retired from live performance. [19] Recalling the inspiration behind the album twenty years later, Paul McCartney says: "we started to incorporate more of the crazy life that we were living at the time into the music. We started to believe there weren't that many frontiers, not too many barriers, really …" [7]
Allen Ginsberg, an American poet and counterculture figure, is shown providing a rundown of the album's themes, song by song. [3] Ginsberg remarks on the joyous celebration of life expressed throughout Sgt. Pepper. [20] Latter-day commentary on the album and the Summer of Love is also provided by George Harrison, Taylor, Leary and Yippie activist Abbie Hoffman. Other interviewees include William Rees-Mogg (former editor of The Times), Barry Miles (International Times), Hollywood actors Peter Fonda and Peter Coyote (the latter a countercultural playwright in 1967 [3] and a member of the San Francisco diggers), [21] music critic William Mann, musicologist Wilfrid Mellers, and Californian musicians Roger McGuinn, Paul Kantner and Michelle Phillips. [22] The only female interviewee, [2] Phillips recalls the ethos behind the Summer of Love: "We were going to take care of the world and its problems, and we were going to do it through a unified front of people who cared." [7]
Among footage used to establish the context of 1967 is film of Jagger and Richards' court hearing [4] and, following their acquittal, Jagger's arrival by helicopter to meet with establishment figures such as the Archbishop of Canterbury. [2] Aside from the Beatles, contemporary music is represented through footage of Bob Dylan, the Rolling Stones, the Byrds, the Grateful Dead, Jefferson Airplane, Otis Redding, Jimi Hendrix, Pink Floyd, Buffalo Springfield [3] and Janis Joplin. [7] The era's fascination with India is represented by archival film of Indian classical musician Ravi Shankar and Maharishi Mahesh Yogi, [7] whose Transcendental Meditation technique the Beatles soon turned to as an alternative to LSD. [23] The film and television clips also include footage of the Human Be-In and other hippie events in Haight-Ashbury, and anti-Vietnam War demonstrations. [3] The ideological division between hippies and the older generation is shown in footage of tourist coach trips around Haight-Ashbury, and a clip from Inside Pop [4] in which, referring to a character in Dylan's song "Ballad of a Thin Man", Leonard Bernstein asks: "You know who Mr Jones is, don't you? Us!" [3]
Performances are shown from the Monterey Pop Festival, [4] [7] as is the Beatles' appearance, before an audience estimated at up to 400 million, on the Our World satellite broadcast, where they performed the purpose-written song "All You Need Is Love". The film also covers the attempted levitation of the Pentagon in Washington, DC, [7] an event initiated by Hoffman in October 1967. [24] In the conclusion to the documentary, several of the interviewees are asked whether they believe that "Love is all you need", as the Beatles had contended in "All You Need Is Love". [4] Harrison, McCartney and Coyote agree that it is, [3] while Hoffman firmly disagrees and says, "Justice is all you need." [22] In Ginsberg's opinion, "awareness is all you need ... love stems from awareness." [4] Coyote rebuts the idea, as proposed in 1987 ideology, that the 1960s were merely "a drug-induced euphoria ... a failure", and he adds: "The times they are changing. They really are." [7]
It Was Twenty Years Ago Today was broadcast on the ITV network in Britain on 1 June 1987. It was one of many television and radio programs honouring the twentieth anniversary of the release of Sgt. Pepper, although the actual release date in 1967 had been brought forward to late May. [25] In addition to the publication of Taylor's book, the album was issued on compact disc for the first time [26] and peaked at number 3 on the UK Albums Chart. [27] In a contemporary interview, Taylor said: "I haven't seen anything like this in a number of years. I have a feeling of dread that we have Beatlemania back again." [26] The documentary was shown by PBS in the US on 11 November. [28]
The documentary received highly favourable reviews. [18] Richard Harrington of The Washington Post described it as "much more than musical nostalgia or a Beatles memorial. It's a thoughtful, expansive look back at the times, the dreams, the rude realities and the untarnished aspirations of many of its key players." He said that Harrison offered the most insightful comments on the times, and added: "One comes away from 'It Was 20 Years Ago Today' with a remembrance of the invitations that defined the era. Invitations not just to 'feed your head' or 'turn on, tune in, drop out,' but to participate in a new community, to explore changes and exchanges, to experiment, to join in a 'tide of playfulness.'" [3] Writing in The New York Times , John Corry welcomed the two former Beatles' insights, although he rued the presence of Leary, Hoffman and Fonda, and that the frequent interview comments limited the amount of music that was heard. Corry also questioned the filmmakers' contention that the Beatles were solely responsible for the cultural changes of 1967 and said that "The paradox in the documentary is that Mr. McCartney and Mr. Harrison ... claim a good deal less than their apostles." [2]
Hoffman said that Sheppard's film was "simply brilliant" and "the only thing I'm ever going to recommend to anybody about the 60s". [18] When asked in a Q magazine interview in late 1987 why he had been the only person to unequivocally agree with the sentiments of "All You Need Is Love", Harrison replied: "They all said All You Need Is Love but you also need such-and-such else. But … love is complete knowledge. If we all had total knowledge, then we would have complete love and, on that basis, everything is taken care of. It's a law of nature." [29]
The Summer of Love was a major social phenomenon that occurred in San Francisco during the summer of 1967. As many as 100,000 people, mostly young people, hippies, beatniks, and 1960s counterculture figures, converged in San Francisco's Haight-Ashbury district and Golden Gate Park. More broadly, the Summer of Love encompassed hippie culture, spiritual awakening, hallucinogenic drugs, anti-war sentiment, and free love throughout the West Coast of the United States, and as far away as New York City. An episode of the PBS documentary series American Experience referred to the Summer of Love as "the largest migration of young people in the history of America".
A hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the 1960s, originally a youth movement that began in the United States during or around 1964 and spread to different countries around the world. The word hippie came from hipster and was used to describe beatniks who moved into New York City's Greenwich Village, San Francisco's Haight-Ashbury district, and Chicago's Old Town community. The term hippie was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier.
Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.
Derek Wyn Taylor was a British journalist, writer, publicist and record producer. He is best known for his role as press officer to the Beatles, with whom he worked in 1964 and then from 1968 to 1970, and was one of several associates to earn the moniker "the Fifth Beatle". Before returning to London to head the publicity for the Beatles' Apple Corps organisation in 1968, he worked as the publicist for California-based bands such as the Byrds, the Beach Boys and the Mamas and the Papas. Taylor was known for his forward-thinking and extravagant promotional campaigns, exemplified in taglines such as "The Beatles Are Coming" and "Brian Wilson Is a Genius". He was equally dedicated to the 1967 Summer of Love ethos and helped stage that year's Monterey Pop Festival.
The English rock band the Beatles, comprising John Lennon, Paul McCartney, George Harrison and Ringo Starr, are commonly regarded as the foremost and most influential band in popular music history. They sparked the "Beatlemania" phenomenon in 1963, gained international superstardom in 1964, and remained active until their break-up in 1970. Over the latter half of the decade, they were often viewed as orchestrators of society's developments. Their recognition concerns their effect on the era's youth and counterculture, British identity, popular music's evolution into an art form, and their unprecedented following.
The Human Be-In was an event held in San Francisco's Golden Gate Park Polo Fields on January 14, 1967. It was a prelude to San Francisco's Summer of Love, which made the Haight-Ashbury district a symbol of American counterculture and introduced the word "psychedelic" to suburbia.
Haight-Ashbury is a district of San Francisco, California, named for the intersection of Haight and Ashbury streets. It is also called the Haight and the Upper Haight. The neighborhood is known as one of the main centers of the counterculture of the 1960s.
Flower power was a slogan used during the late 1960s and early 1970s as a symbol of passive resistance and nonviolence. It is rooted in the opposition movement to the Vietnam War. The expression was coined by the American Beat poet Allen Ginsberg in 1965 as a means to transform war protests into peaceful affirmative spectacles. Hippies embraced the symbolism by dressing in clothing with embroidered flowers and vibrant colors, wearing flowers in their hair, and distributing flowers to the public, becoming known as flower children. The term later became generalized as a modern reference to the hippie movement and the so-called counterculture of drugs, psychedelic music, psychedelic art and social permissiveness.
"All You Need Is Love" is a song by the English rock band the Beatles that was released as a non-album single in July 1967, with "Baby, You're a Rich Man" as its B-side. It was written by John Lennon and credited to the Lennon–McCartney partnership. The song was Britain's contribution to Our World, the first live global television link, for which the band were filmed performing it at EMI Studios in London on 25 June. The programme was broadcast via satellite and seen by an audience of over 400 million in 25 countries. Lennon's lyrics were deliberately simplistic, to allow for broad appeal to the show's international audience, and captured the utopian ideals associated with the Summer of Love. The single topped sales charts in Britain, the United States and many other countries, and became an anthem for the counterculture's embrace of flower power philosophy.
Flower child originated as a synonym for Hippie, especially among the idealistic young people who gathered in San Francisco and the surrounding area during the Summer of Love in 1967. It was the custom of "flower children" to wear and distribute flowers or floral-themed decorations to symbolize ideals of universal belonging, peace, and love. The mass media picked up on the term and used it to refer in a broad sense to any Hippie. Flower children were also associated with the flower power political movement, which originated in ideas written by Allen Ginsberg in 1965.
"Within You Without You" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. Written by lead guitarist George Harrison, it was his second composition in the Indian classical style, after "Love You To", and inspired by his stay in India in late 1966 with his mentor and sitar teacher Ravi Shankar. Recorded in London without the other Beatles, it features Indian instrumentation such as sitar, tambura, dilruba and tabla, and was performed by Harrison and members of the Asian Music Circle. The recording marked a significant departure from the Beatles' previous work; musically, it evokes the Indian devotional tradition, while the overtly spiritual quality of the lyrics reflects Harrison's absorption in Hindu philosophy and the teachings of the Vedas.
"Blue Jay Way" is a song by the English rock band the Beatles. Written by George Harrison, it was released in 1967 on the group's Magical Mystery Tour EP and album. The song was named after a street in the Hollywood Hills of Los Angeles where Harrison stayed in August 1967, shortly before visiting the Haight-Ashbury district of San Francisco. The lyrics document Harrison's wait for music publicist Derek Taylor to find his way to Blue Jay Way through the fog-ridden hills, while Harrison struggled to stay awake after the flight from London to Los Angeles.
"Baby, You're a Rich Man" is a song by the English rock band the Beatles that was released as the B-side of their "All You Need Is Love" single in July 1967. It originated from an unfinished song by John Lennon, titled "One of the Beautiful People", to which Paul McCartney added a chorus. It is one of the best-known pop songs to make use of a clavioline, a monophonic keyboard instrument that was a forerunner to the synthesizer. Lennon played the clavioline on its oboe setting, creating a sound that suggests an Indian shehnai. The song was recorded and mixed at Olympic Sound Studios in London, making it the first of the Beatles' EMI recordings to be entirely created outside EMI Studios.
"It's All Too Much" is a song by the English rock band the Beatles from their 1969 album Yellow Submarine. Written by George Harrison in 1967, it conveys the ideological themes of that year's Summer of Love. The Beatles recorded the track in May 1967, a month after completing their album Sgt. Pepper's Lonely Hearts Club Band. It was one of four new songs they then supplied for the 1968 animated film Yellow Submarine, to meet their contractual obligations to United Artists.
The San Francisco sound refers to rock music performed live and recorded by San Francisco-based rock groups of the mid-1960s to early 1970s. It was associated with the counterculture community in San Francisco, particularly the Haight-Ashbury district, during these years. San Francisco is a westward-looking port city, a city that at the time was 'big enough' but not manic like New York City or spread out like Los Angeles. Hence, it could support a 'scene'. According to journalist Ed Vulliamy, "A core of Haight Ashbury bands played with each other, for each other"
The hippie subculture began its development as a youth movement in the United States during the early 1960s and then developed around the world.
The Love-Ins is a 1967 American counterculture-era exploitation movie about LSD that was directed by Arthur Dreifuss.
The Mantra-Rock Dance was a counterculture music event held on January 29, 1967, at the Avalon Ballroom in San Francisco. It was organized by followers of the International Society for Krishna Consciousness (ISKCON) as an opportunity for its founder, A. C. Bhaktivedanta Swami Prabhupada, to address a wider public. It was also a promotional and fundraising effort for their first center on the West Coast of the United States.
In late August 1967, the English rock band the Beatles attended a seminar on Transcendental Meditation (TM) held by TM creator Maharishi Mahesh Yogi at Bangor Normal College in Bangor, Wales. The visit attracted international publicity for Transcendental Meditation and presented the 1960s youth movement with an alternative to psychedelic drugs as a means to attaining higher consciousness. The Beatles' endorsement of the technique followed the band's incorporation of Indian musical and philosophical influences in their work, and was initiated by George Harrison's disillusionment with his visit to San Francisco's Haight-Ashbury district in early August.
"It's So Far Out, It's Straight Down" is an episode of the 1960s Granada Television news/documentary series Scene at 6.30. It aired in the Granada region of the British Independent Television network on 7 March 1967. The episode focuses on the burgeoning London underground movement and psychedelic music scene of the time. It features interviews with Paul McCartney of the Beatles and leading underground figures connected to the International Times newspaper and Indica Bookshop, such as Barry Miles. It was directed by John Sheppard and produced by Jo Durden-Smith. The episode also includes footage of the band Pink Floyd performing at the UFO Club.
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