13, 28 and 29 March 1967"},"studio":{"wt":"[[Abbey Road Studios|EMI]], London"},"venue":{"wt":""},"genre":{"wt":"{{flatlist|\n* [[Rock music|Rock]]{{cite web| last=Unterberger| first=Richie| year=2009| title=Good Morning, Good Morning| work=[[AllMusic]]| url={{Allmusic|class=song|id=0010100280|pure_url=yes}}| access-date=27 October 2013}}{{Dead link|date=June 2024 |bot=InternetArchiveBot |fix-attempted=yes }}\n* [[hard rock]]Elizabeth Thomson and David Gutman, \"The Lennon companion: twenty-five years of comment\", {{ISBN|0-306-81270-3}}, p.119.\n}}"},"length":{"wt":"*2:41 (stereo)\n*{{duration|2:35}} (mono)"},"label":{"wt":"[[Parlophone]]"},"writer":{"wt":"[[Lennon–McCartney]]"},"producer":{"wt":"[[George Martin]]"}},"i":0}}]}" id="mwCQ">1967 song by the Beatles
"Good Morning Good Morning" | |
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![]() Cover of the Northern Songs sheet music (licensed to Sonora Musikförlag) | |
Song by the Beatles | |
from the album Sgt. Pepper's Lonely Hearts Club Band | |
Released | 26 May 1967 [1] |
Recorded | 8 and 16 February, 13, 28 and 29 March 1967 |
Studio | EMI, London |
Genre | |
Length |
|
Label | Parlophone |
Songwriter(s) | Lennon–McCartney |
Producer(s) | George Martin |
"Good Morning Good Morning" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band . It was written by John Lennon [4] and credited to Lennon–McCartney. Inspiration for the song came to Lennon from a television commercial for Kellogg's Corn Flakes. [4] [5] Another reference to contemporary television was the lyric "It's time for tea and Meet the Wife ", referring to the BBC sitcom. [6]
Lennon himself was critical of the track. "It's a throwaway, a piece of garbage, I always thought," he once said. "I always had the TV on very low in the background when I was writing, and it came over, and then I wrote the song." [7]
The basic track was recorded on 8 February 1967, with overdubs on 16 February (bass guitar and lead vocals), 13 March (brass section), 28 March (backing vocals and guitar solo), and 29 March (animal noises). [8] The guitar solo was played by Paul McCartney on a Fender Esquire. [8] [9] [10] At Lennon's request, George Martin brought in Sounds Incorporated to provide the song's prominent brass backing. [6] Take eight, which contains Lennon's vocals from the subsequent session but also omits animal sounds, was released on Anthology 2 in 1996.
Lennon asked engineer Geoff Emerick to arrange the animal noises heard at beginning (and end) of the song so that each animal heard was one capable of devouring (or frightening) the animal preceding it. [6] [9] The final sound effect of a chicken clucking was so placed that it transforms into the guitar on the following track, "Sgt. Pepper's Lonely Hearts Club Band (Reprise)". According to Emerick, these animal noises were inspired by the coda of "Caroline, No" that ended the Beach Boys' Pet Sounds album. [11] They begin with the crow of a rooster, while the other animal sounds heard at the end of the song include birds, a cat, a dog, a cow, a horse, a sheep, a group of bloodhounds accompanying fox hunters on horseback with horns blasting, and a chicken.
The rapid 16th note bass drum fills were done on two bass drums, according to Beatles historian Mark Lewisohn. [12]
For the Beatles' 2006 remix album, Love , the horse sounds were mixed into "Being for the Benefit of Mr. Kite!". [13]
The song is played at 117 beats per minute, has an unusual rhythmic feel, and uses different time signatures. Beats are played in groups of 2, 3 and 4, and time signature changes frequently. Parts with 5
4 and 4
4 bars alternate, with 3
4 transitions. [14] Most of the song uses simple time, where the beats are divided into two, but the middle eight sections use compound time, where the beats are divided into triplets.
The song is divided into seven sections, two of which are repeated once and one twice, in a time-symmetric pattern A, B, C, B, C, B, A (disregarding the fade out of the last bar):
A: 4,4,4,4,4 (introduction: five bars, 20 beats)
B: 5,5,5,3,4,5,4,3,3,4,4 (eleven bars, 44 beats)
C: 5,5,5,3,4,4,4,4,4,4 (contains refrain: ten bars, 42 beats)
B: 5,5,5,3,4,5,4,3,3,4,4 (eleven bars, 44 beats)
C: 5,5,5,3,4,4,4,4,4,4 (contains refrain: ten bars, 42 beats)
B: 5,5,5,3,4,5,4,3,3,4,4 (eleven bars, 44 beats)A: 4,4,4,4,4,4 (end: six bars, 24 beats, with fade out bar)
That adds up to 64 bars with 260 beats which, at the published 117 beats per minute, would result in a length of 2:13.333... minutes. [15] [16] [17]
Personnel per Ian MacDonald [20] and the Sgt. Pepper’s Lonely Heart’s Club Band 50th Anniversary booklet. [21]
Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.
Geoffrey Ernest Emerick was an English sound engineer and record producer who worked with the Beatles on their albums Revolver (1966), Sgt. Pepper's Lonely Hearts Club Band (1967) and Abbey Road (1969). Beatles producer George Martin credited him with bringing "a new kind of mind to the recordings, always suggesting sonic ideas, different kinds of reverb, what we could do with the voices".
"Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartney songwriting partnership. Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide. Lennon repeatedly denied that he had intended it as a drug song, and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.
"Being for the Benefit of Mr. Kite!" is a song recorded by the English rock band the Beatles for their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written and composed primarily by John Lennon and credited to Lennon–McCartney.
"With a Little Help from My Friends" is a song recorded by English rock band the Beatles for their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by Paul McCartney with contributions from John Lennon, and is sung by drummer Ringo Starr, his lead vocal for the album. As the second track on the album, it segues from the applause on the title track.
"When I'm Sixty-Four" is a song by the English rock band The Beatles, written by Paul McCartney and released on their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was one of the first songs McCartney wrote; he was about 14, probably in April or May 1956. The song was recorded in a key different from the final version; it was sped up at the request of McCartney to make his voice sound younger. It prominently features a trio of clarinets throughout.
"Getting Better" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written mainly by Paul McCartney, with some of the lyrics written by John Lennon, and credited to the Lennon–McCartney partnership.
"Come Together" is a song by the British rock band The Beatles, written by John Lennon and credited to Lennon–McCartney. The song is the opening track on the band's 1969 album Abbey Road. It was also a double A-side single in the United Kingdom with "Something", reaching No. 4 in the UK charts.
"Oh! Darling" is a song by the English rock band the Beatles, appearing as the fourth song on their eleventh studio album Abbey Road (1969). It was written primarily by Paul McCartney and credited to Lennon–McCartney. Its working title was "Oh! Darling ". Although not issued as a single in either the United Kingdom or the United States, a regional subsidiary of Capitol successfully edited it as a single in Central America, having "Maxwell's Silver Hammer" as its B-side. It was also issued as a single in Portugal. Apple Records released "Oh! Darling" in Japan with "Here Comes the Sun" in June 1970.
"Carnival of Light" is an unreleased avant-garde recording by the English rock band the Beatles. It was commissioned for the Million Volt Light and Sound Rave, an event held at the Roundhouse in London on 28 January and 4 February 1967. Recorded during a session for the song "Penny Lane", "Carnival of Light" is nearly 14 minutes long and contains distorted, echo-laden sounds of percussion, keyboards, guitar and vocals. Its creation was initiated by Paul McCartney's interest in the London avant-garde scene and through his connection with the design firm Binder, Edwards & Vaughan.
"Sgt. Pepper's Lonely Hearts Club Band" is a song by the English rock band the Beatles, written by Paul McCartney, credited to Lennon–McCartney, and released in 1967 on the album of the same name. The song appears twice on the album: as the opening track, and as "Sgt. Pepper's Lonely Hearts Club Band (Reprise)", the penultimate track. As the title song, the lyrics introduce the fictional band that performs on the album.
"Fixing a Hole" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written by Paul McCartney and credited to Lennon–McCartney.
"She's Leaving Home" is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon, and released on their 1967 album Sgt. Pepper's Lonely Hearts Club Band. Paul McCartney wrote and sang the verse and John Lennon wrote the chorus, which they sang together. Neither George Harrison nor Ringo Starr were involved in the recording. The song's instrumental background was performed entirely by a small string orchestra arranged by Mike Leander, and is one of only a handful of Beatles recordings in which none of the members played a musical instrument.
"Lovely Rita" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written mainly by Paul McCartney and credited to Lennon–McCartney. It is about a meter maid and the narrator's affection for her.
"Hey Bulldog" is a song by the English rock band the Beatles released on their 1969 soundtrack album Yellow Submarine. Credited to Lennon–McCartney, but written primarily by John Lennon, it was finished in the recording studio by both Lennon and Paul McCartney. The song was recorded during the filming of the "Lady Madonna" promotional film, and, with "Lady Madonna", is one of the few Beatles songs based on a piano riff.
"Baby, You're a Rich Man" is a song by the English rock band the Beatles that was released as the B-side of their "All You Need Is Love" single in July 1967. It originated from an unfinished song by John Lennon, titled "One of the Beautiful People", to which Paul McCartney added a chorus. It is one of the best-known pop songs to make use of a clavioline, a monophonic keyboard instrument that was a forerunner to the synthesizer. Lennon played the clavioline on its oboe setting, creating a sound that suggests an Indian shehnai. The song was recorded and mixed at Olympic Sound Studios in London, making it the first of the Beatles' EMI recordings to be entirely created outside EMI Studios.
"Magical Mystery Tour" is a song by the English rock band the Beatles and the title track to the December 1967 television film of the same name. It was released on the band's Magical Mystery Tour soundtrack record, which was a double EP in Britain and most markets but an album in America, where Capitol Records supplemented the new songs with tracks issued on the Beatles' 1967 singles. The song was written primarily by Paul McCartney and credited to the Lennon–McCartney partnership.
"Christmas Time (Is Here Again)" is a Christmas song by the English rock band the Beatles, originally recorded for their fifth fan club Christmas record, Christmas Time Is Here Again! (1967). One of the few Beatles songs credited to all four members of the band, it consists of a blues based backing track as well as double-tracked vocals sung by them, George Martin and Victor Spinetti. The lyrics are mostly made up of the song's title refrain, repeated across nine verses.
The studio practices of the Beatles evolved during the 1960s and, in some cases, influenced the way popular music was recorded. Some of the effects they employed were sampling, artificial double tracking (ADT) and the elaborate use of multitrack recording machines. They also used classical instruments on their recordings and guitar feedback. The group's attitude towards the recording process was summed up by Paul McCartney: "We would say, 'Try it. Just try it for us. If it sounds crappy, OK, we'll lose it. But it might just sound good.' We were always pushing ahead: Louder, further, longer, more, different."
The recordings made by the Beatles, a rock group from Liverpool, England, from their inception as the Quarrymen in 1957 to their break-up in 1970 and the reunion of their surviving members in the mid-1990s, have huge cultural and historical value. The studio session tapes are kept at Abbey Road Studios, formerly known as "EMI Recording Studios," where the Beatles recorded most of their music. While most have never been officially released, their outtakes and demos are seen by fans as collectables, and some of the recordings have appeared on countless bootlegs. The only outtakes and demos to be officially released were on The Beatles Anthology series and its tie-in singles and anniversary editions of their studio albums. Bits of some previously unreleased studio recordings were used in The Beatles: Rock Band video game as ambient noise and to give songs studio-sounding beginnings and endings. In 2013, Apple Records released the album The Beatles Bootleg Recordings 1963, which includes previously unreleased outtakes and demos from 1963, to stop the recordings from falling into the public domain.