Shoulder rest

Last updated

Shoulder rest for violin. Coussin2.JPG
Shoulder rest for violin.

The shoulder rest is an accessory that can be found on violins and violas. The shoulder rest appeared around the middle part of the 20th century. [1] It may be made of wood, aluminium, carbon fiber or plastic. Usually, the shoulder rest attaches to the edge of the back of the violin with "feet" padded with rubber tubing or made of soft plastic. The goal of a shoulder rest is to allow a more comfortable attitude while playing by adding height to the shoulder and preventing the instrument from slipping. [2] A shoulder rest generally follows the curve of the shoulder; some shoulder rests are bendable, others are made of sponge-like material, and a few have an extension that hooks further over the shoulder for stability.

Contents

Function

A shoulder rest, whatever its design, is an accessory to facilitate holding the instrument in place while playing. This can lighten the task of the left hand, enabling smoother and lighter shifting technique. All rests must make a compromise between violin support and freedom (or flexibility in holding the violin). There are both soft rests and rigid rests on the market.

The shoulder rest is an invention of the middle part of the 20th century. Prior to its invention, violinists and violists employed a number of strategies to hold their instruments: the violin in particular was often depicted in the 16th and 17th centuries being held on or below the collarbone, though this does restrict shifting somewhat. Leopold Mozart is portrayed holding his violin quite low on his shoulder. Large violas were typically played with the aid of straps around the neck, and violins could be attached to the players' cravat. There are two common approaches to playing without a shoulder rest. The first is to hold the violin horizontal with the support of the left hand at all times. This usually decreases the mobility of the thumb during downshifts and requires the thumb never to leave the neck of the violin in order to support the instrument. The second approach is to support the instrument almost fully at the neck-shoulder region, often requiring the use of some form of padding beside the collar bone to bring the violin closer to the jaw and to hold the instrument in place. Some violinists may even raise their shoulder to achieve this, particularly when shifting positions and when using vibrato. Problems frequently surface while doing this, such as constant muscle tension which obstructs fluidity of technique, and may lead to injury in the long term. These problems can also arise from incorrect usage of shoulder rests. Modern musicians who chose not to use shoulder rests may also prefer in its place a thin sponge or a cloth. Some instruments have also been marked by shoulder rests due to friction on the wood or added tension to the instrument.

See also

Related Research Articles

<span class="mw-page-title-main">Classical guitar</span> Member of the guitar family used in classical music

The classical guitar is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar.

<span class="mw-page-title-main">Cello</span> Bowed string instrument

The cello ( CHEL-oh; plural celli or cellos) or violoncello ( VY-ə-lən-CHEL-oh; Italian pronunciation: [vjolonˈtʃɛllo]) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages.

<span class="mw-page-title-main">Double bass</span> Bowed string instrument

The double bass, also known simply as the bass, amongst other names, is the largest and lowest-pitched string instrument in the modern symphony orchestra. Similar in structure to the cello, it has four, although occasionally five, strings.

<span class="mw-page-title-main">Guitar</span> Fretted string instrument

The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier.

<span class="mw-page-title-main">Violin</span> Bowed string instrument

The violin, sometimes known as a fiddle, is a wooden chordophone in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings, usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow.

<span class="mw-page-title-main">Viola</span> Bowed string instrument

The viola ( vee-OH-lə, alsovy-OH-lə, Italian: [ˈvjɔːla, viˈɔːla]) is a string instrument that is bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to C3, G3, D4, and A4.

<span class="mw-page-title-main">String instrument</span> Class of musical instruments with vibrating strings

String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner.

In music, a bow is a tensioned stick which has hair coated in rosin affixed to it. It is moved across some part of a musical instrument to cause vibration, which the instrument emits as sound. The vast majority of bows are used with string instruments, such as the violin, viola, cello, and bass, although some bows are used with musical saws and other bowed idiophones.

<span class="mw-page-title-main">Suzuki method</span> Music teaching method

The Suzuki method is a music curriculum and teaching philosophy dating from the mid-20th century, created by Japanese violinist and pedagogue Shinichi Suzuki (1898–1998). The method aims to create an environment for learning music which parallels the linguistic environment of acquiring a native language. Suzuki believed that this environment would also help to foster good moral character.

<span class="mw-page-title-main">Forceps</span> Handheld, hinged instrument used for grasping and holding objects

Forceps are a handheld, hinged instrument used for grasping and holding objects. Forceps are used when fingers are too large to grasp small objects or when many objects needed to be held at one time while the hands are used to perform a task. The term "forceps" is used almost exclusively in the fields of biology and medicine. Outside biology and medicine, people usually refer to forceps as tweezers, tongs, pliers, clips or clamps.

<span class="mw-page-title-main">Baroque violin</span> Bowed string instrument

A Baroque violin is a violin set up in the manner of the baroque period of music. The term includes original instruments which have survived unmodified since the Baroque period, as well as later instruments adjusted to the baroque setup, and modern replicas. Baroque violins have become relatively common in recent decades thanks to historically informed performance, with violinists returning to older models of instrument to achieve an authentic sound.

<span class="mw-page-title-main">Violin family</span> Class of wooden bowed stringed instruments

The violin family of musical instruments was developed in Italy in the 16th century. At the time the name of this family of instruments was viole da braccio which was used to distinguish them from the viol family. The standard modern violin family consists of the violin, viola, cello, and (possibly) double bass.

<span class="mw-page-title-main">Tuning mechanisms for stringed instruments</span> Different types of stringed instrument parts and their methods for tuning stringed instruments

A variety of methods are used to tune different stringed instruments. Most change the pitch produced when the string is played by adjusting the tension of the strings.

<span class="mw-page-title-main">Chinrest</span>

A chinrest is a shaped piece of wood attached to the body of a violin or a viola to aid in the positioning of the player's jaw or chin on the instrument. The chinrest may be made of ebony, rosewood, boxwood, or plastic.

<span class="mw-page-title-main">Violin construction and mechanics</span>

A violin consists of a body or corpus, a neck, a finger board, a bridge, a soundpost, four strings, and various fittings. The fittings are the tuning pegs, tailpiece and tailgut, endpin, possibly one or more fine tuners on the tailpiece, and in the modern style of playing, usually a chinrest, either attached with the cup directly over the tailpiece or to the left of it. There are many variations of chinrests: center-mount types such as Flesch or Guarneri, clamped to the body on both sides of the tailpiece, and side-mount types clamped to the lower bout to the left of the tailpiece.

<span class="mw-page-title-main">Violin technique</span> Details of violin playing technique

Playing the violin entails holding the instrument between the jaw and the collar bone. The strings are sounded either by drawing the bow across them (arco), or by plucking them (pizzicato). The left hand regulates the sounding length of the strings by stopping them against the fingerboard with the fingers, producing different pitches.

<span class="mw-page-title-main">History of the violin</span>

The violin, viola and cello were first built in the early 16th century, in Italy. The earliest evidence for their existence is in paintings by Gaudenzio Ferrari from the 1530s, though Ferrari's instruments had only three strings. The Académie musicale, a treatise written in 1556 by Philibert Jambe de Fer, gives a clear description of the violin family much as we know it today.

<span class="mw-page-title-main">Position (music)</span>

On a string instrument, position is the relative location of the hand on the instrument's neck, indicated by ordinal numbers. Fingering, independent of position, is indicated by numbers, 1-4. Different positions on the same string are reached through shifting.

<span class="mw-page-title-main">Bow frog</span>

The bow frog is the end part of a stringed musical instrument's bow that encloses the mechanism responsible for tightening and holding the bow hair ribbon. Most of the bow frogs used in today's classical bows are made of ebony; some synthetic bows have frogs made with materials that imitate ebony, while Baroque bows use frogs made with various woods.

Fiddler's neck is an occupational disease that affects violin and viola players.

References

  1. "Holding the Baroque Violin Part I". baroque-violin.info.
  2. Kreitman, Edward (1998). Teaching from the Balance Point. Western Springs School of Talent Education. p. 30.
Notes