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A soprano clarinet is a clarinet that is higher in register than the basset horn or alto clarinet. The unmodified word clarinet usually refers to the B♭ clarinet, which is by far the most common type. The term soprano also applies to the clarinets in A and C, and even the low G clarinet—rare in Western music but popular in the folk music of Turkey—which sounds a whole tone lower than the A. While some writers reserve a separate category of sopranino clarinets for the E♭ and D clarinets, those are generally regarded as soprano clarinets as well. All have a written range from the E below middle C to about the C three octaves above middle C, with the sounding pitches determined by the particular instrument's transposition.
A consort of instruments was a phrase used in England during the 16th and 17th centuries to indicate an instrumental ensemble. These could consist of the same or a variety of instruments. Consort music enjoyed considerable popularity at court and in the households of the wealthy in the Elizabethan era, and many pieces were written for consorts by the major composers of the period. In the Baroque era, consort music was absorbed into chamber music.
The lirone is the bass member of the lira family of instruments that was popular in the late 16th and early 17th centuries. It is a bowed string instrument with between 9 and 16 gut strings and a fretted neck. When played, it is held between the legs in the manner of a cello or viol.
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The Buffet family was a family of French musical instrument makers.
Heinrich Traxdorf was an early German organ builder. He was born in Mainz, probably in the beginning of the 15th century. During the 1440s he built three organs in Nuremberg and one in Salzburg, for St. Peter's abbey church. Traxdorf was a progressive builder, one of the first to depart from the gothic organ model by dividing the Blockwerk into independent divisions, dividing the chests and separating the front stops into Flute (Principal) and Octave. The instruments had a single manual and pedal, whose ranges were B to d" (manual) and A to b (pedal).
References
- ↑ Hawkins, John (1776). A General History Of The Science and Practice Of Music: In Five Volumes, Volume 4, p.339-40. Payne.
- 1 2 Taruskin, Richard (2009). Music in the Seventeenth and Eighteenth Centuries:The Oxford History of Western Music. ISBN 9780199796038. Cites Thomas Mace.
- ↑ H. G. Bonavia Hunt (2005). A Concise History of Music From the Commencement of the Christian Era to the Present Time, p.142. ISBN 9781417906451.
- ↑ Busby, Thomas (1827). A Dictionary Music: Theoretical and Practical, p.55. Richard Phillips and Company.
- 1 2 Howard Meyer Brown and Ian Woodfield. "Chest of viols", Grove Music Online , ed. L. Macy (accessed November 4, 2006), grovemusic.com Archived 2008-05-16 at the Wayback Machine (subscription access).
- ↑ Christina Bashford. "Chamber music, §3: 17th and 18th centuries (i) 1600–1740.", Grove Music Online , ed. L. Macy (accessed November 4, 2006), grovemusic.com Archived 2008-05-16 at the Wayback Machine (subscription access).
- ↑ Fletcher, Alan J. Drama, Performance, and Polity in Pre-Cromwellian Ireland. University of Toronto Press, Toronto, 2000. ISBN 0-8020-4377-1.
- ↑ Eliasen, Alan. "Frink" (accessed June 15, 2010)
