Culture of Eswatini

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Swazi culture is the way of life and customs of the Swazi people through various historical stages. The culture of Swazi people involves music, food, religion, architecture, and kinship, among many other things. [1] The Swazi people are composed of various Nguni clans who speak the Nguni language siSwati. These people mostly reside in Eswatini and South Africa. Presently, Swazi people may also include citizens of Eswatini. In Eswatini, one of the most visible features of cultural identity is the traditional political structure of the nation and the home. In the national level, the Ngwenyama (the "Lion", or King) is considered the head of the nation alongside the Ndlovukati (the "She-Elephant", or Queen Mother) who is the spiritual leader of the nation. National cultural events often involve the Ngwenyama or Ndlovukati. At home, the patriarch of the family is the head and often practices polygamy. This headman, usually referred to as umnumzane is central to all activities of the home. A group of homes forming a community and the land they reside on forms a chiefdom or umphakatsi. Several chiefdoms form an inkhundla which then belongs of a regional division of the country. This connects the older traditional leadership structures to more modern forms of government.

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There are national cultural events such as umhlanga , emaganu and incwala which take place at Royal residences of the Ngwenyama and Ndlovukati. Local cultural events in communities or imiphakatsi, take place at the residence of the chief also called emphakatsini. Weddings, funerals and religious events are usually carried out at family homesteads where neighbors are usually invited to partake.

Swazi kinship

A traditional homestead in Eswatini. Swaziland - Traditional homes.jpg
A traditional homestead in Eswatini.

The principal Swazi social unit is the homestead, a traditional beehive hut thatched with dry grass. In a polygamous homestead, each wife has her own hut and yard surrounded by reed fences. There are three structures for sleeping, cooking, and storage (brewing beer). In larger homesteads there are also structures used as bachelors' quarters and guest accommodation.[ citation needed ]

Central to the traditional homestead is the cattle byre, or kraal, a circular area enclosed by large logs inter-spaced with branches. The cattle byre has ritual as well as practical significance as a store of wealth and symbol of prestige. It contains sealed grain pits. Facing the cattle byre is the great hut which is occupied by the mother of the headman.[ citation needed ]

The headman is central to all homestead affairs and he is often polygamous. He leads through example and advises his wives on all social affairs of the home as well as seeing to the larger survival of the family. He also spends time socialising with the young boys, who are often his sons or close relatives, advising them on the expectations of growing up and manhood.[ citation needed ]

Traditional healers

The Sangoma is a traditional diviner chosen by the ancestors of that particular family. The training of the Sangoma is called "kwetfwasa". At the end of the training, a graduation ceremony takes place where all the local sangoma come together for feasting and dancing. The diviner is consulted for various reasons, such the cause of sickness or even death. His diagnosis is based on "kubhula", a process of communication, through trance, with the natural super-powers. The Inyanga (a medical and pharmaceutical specialist in western terms) possesses the bone throwing skill ("kushaya ematsambo") used to determine the cause of the sickness.[ citation needed ]

Incwala

Swazi warriors at the incwala ceremony. Swazi Warriors.jpg
Swazi warriors at the incwala ceremony.
Warriors in full incwala dress. Incwala warrior.jpg
Warriors in full incwala dress.

The most important cultural event in Eswatini is the Incwala ceremony. It is held on the fourth day after the full moon nearest the longest day, 21 December. Incwala is often translated in English as 'first fruits ceremony', but the King's tasting of the new harvest is only one aspect among many in this long pageant. Incwala is best translated as Kingship Ceremony. When there is no king, there is no Incwala. It is high treason for any other person to hold an Incwala.

Every Swazi may take part in the public parts of the Incwala. The climax of the event is the fourth day of the Big Incwala. The key figures are the King, Queen Mother, royal wives and children, the royal governors (indunas), the chiefs, the regiments, and the "bemanti" or "water people".

Umhlanga

Princess Sikhanyiso Dlamini at the reed dance. Princess Sikhanyiso Dlamini of Eswatini.jpg
Princess Sikhanyiso Dlamini at the reed dance.
Girls dancing at the 2010 reed dance. 2010 umhlanga.jpg
Girls dancing at the 2010 reed dance.

Eswatini's best-known cultural event is the annual Umhlanga Reed Dance. In the eight-day ceremony, girls cut reeds, present them to the Queen Mother and then dance. (There is no formal competition.) It is done in late August or early September. Only childless, unmarried girls can take part. The aims of the ceremony are to preserve girls' chastity, provide tribute labour for the Queen Mother and to encourage solidarity by working together. The royal family appoints a commoner maiden to be "induna" (captain) of the girls and she announces over the radio the dates of the ceremony. She will be an expert dancer and knowledgeable on royal protocol. One of the King's daughters will be her counterpart.

The Reed Dance today is not an ancient ceremony but a development of the old "umchwasho" custom. In "umchwasho", all young girls were placed in a female age-regiment. If any girl became pregnant outside of marriage, her family paid a fine of one cow to the local chief. After a number of years, when the girls had reached a marriageable age, they would perform labour service for the Queen Mother, ending with dancing and feasting. The country was under the chastity rite of "umchwasho" until 19 August 2005.

Arts and crafts

Swazi art varies from pottery to jewellery among many other things. Historically Swazi people have made jewellery and clothing items from beads. An example of this is ligcebesha, a colourful necklace and indlamu and colourful skirt for girls. [2] Historical pottery in Eswatini includes mostly clay pots that are used for carrying water, beer cooking and decorations. These clay pots are called tindziwo. Wooden sculptures were also very popular as utensils, for example umcwembe used for serving meat. Swazis also made a lot of items using special grasses. These include grass mats called emacansi and tihlantsi. Other grass items are brooms, baskets among others.

Eswatini is also known for a strong presence in the handcrafts industry. The formalised handcraft businesses of Eswatini employ over 2,500 people, many of whom are women (per TechnoServe Swaziland Handcrafts Impact Study," February 2011). The products are unique and reflect the culture of Eswatini, ranging from housewares, to artistic decorations, to complex glass, stone, or wood artwork.

Sports culture in Eswatini

The sport of football is the most popular sport in the country of Eswatini. It is run by the Eswatini Football Association. [3] The association administers the Eswatini national football team, as well as the Premier League of Eswatini. [4]

Stadiums in Eswatini

Female Eswatini basketball team members. Female basketball team members - Eswatini.jpg
Female Eswatini basketball team members.
StadiumCapacityCityTenantsImage
Somhlolo National Stadium 20,000 Lobamba Eswatini national football team

See also

Related Research Articles

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<span class="mw-page-title-main">History of Eswatini</span>

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<span class="mw-page-title-main">Religion in Eswatini</span>

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<span class="mw-page-title-main">Incwala</span>

Incwala is the main ritual of kingship in the Kingdom of Eswatini. This is a national event that takes place during the summer solstice. The main participant in incwala is the King of Eswatini; when there is no king there is no incwala. Incwala takes place over a period of time of about a month, starting with the small incwala, incwala lencane, and culminating in the big incwala, incwala lenkhulu. A number of activities—such as lusekwane, kuhlamahlama, and umdvutjulwa—mark the key events of this age old tradition.

Ngwane III was King of kaNgwane from 1745 to 1780. He is considered to be the first King of modern Eswatini. For his name the people were called bakaNgwane and the country was called kaNgwane or lakaNgwane. Ngwane was the son of Dlamini III and Queen LaYaka Ndwandwe. Dlamini was succeeded by Ngwane III his son with Queen LaYaka Ndwandwe. He took over the Dlamini chieftaincy and established settlements south of the Pongola River, later moving them to the north of the river banks. This makes Ngwane and his followers the founders of modern Swaziland. Ngwane ruled his Kingdom from the south east of Swaziland in the present Shiselweni district and his headquarters were called Zombodze at the foot of the Mhlosheni hills. It was at Zombodze that the Nguni ceremony incwala was celebrated for the first time.

<span class="mw-page-title-main">Umhlanga (ceremony)</span> Annual Swazi womans ritual

Umhlanga, or Reed Dance ceremony, is an annual Swazi event that takes place at the end of August or at the beginning of September. In Eswatini, tens of thousands of unmarried and childless Swazi girls and women travel from the various chiefdoms to the Ludzidzini Royal Village to participate in the eight-day event. The young, unmarried girls were placed in female age-regiments; girls who had fallen pregnant outside wedlock had their families fined a cow.

<span class="mw-page-title-main">Succession to the Swazi throne</span>

In Eswatini, no king can appoint his successor. Instead, the Liqoqo, an independent traditional council, decides which of the wives shall be "Great Wife" and "Indlovukazi". The son of this "Great Wife" will automatically become the next king.

A traditional Swazi wedding ceremony is called umtsimba, where the bride commits herself to her new family for the rest of her life. The ceremony is a celebration that includes members of both the bride's - and the groom's - natal village. There are stages to the wedding that stretch over a few days. Each stage is significant, comprising symbolic gestures that have been passed on from generation to generation. The first stage is the preparation of the bridal party before leaving their village. The second stage is the actual journey of the bridal party from their village to the groom's village. The third stage is the first day of the wedding ceremony that spans three days, and starts on the day the bridal party arrives at the grooms’ village. Thereafter the actual wedding ceremony takes place which is the fourth stage of the umtsimba. The fifth stage takes place the day after the wedding ceremony and is known as kuteka, which is the actual wedding. The final stage may take place the day after the wedding day, and is when the bride gives the groom's family gifts and is the first evening the bride spends with the groom. Although the traditional wedding ceremony has evolved in modern times, the details below are based on historic accounts of anthropologist Hilda Kuper and sociological research describing the tradition

The following lists events that happened during 1978 in Eswatini.

References

  1. SNTC. "CULTURAL RESOURCES: Swazi Culture". Swaziland National Trust Commission. Archived from the original on 24 February 2015. Retrieved 22 February 2015.
  2. SNTC. "CULTURAL RESOURCES: Swazi Lifestyle". Archived from the original on 2 March 2015. Retrieved 22 February 2015.
  3. "Times Of Swaziland". Times.co.sz. Retrieved 5 December 2013.
  4. "The Swazi Observer". Observer.org.sz. 18 February 2012. Retrieved 2 December 2013.