| Part of a series on the |
| Culture of Liberia |
|---|
 |
| History |
| People |
| Languages |
| Cuisine |
| Festivals |
| Religion |
| Art |
| Music |
| Sport |
| Republic of Liberia |
|---|
 |
| Subdivisions |
The culture of Liberia reflects this nation's diverse ethnicities and long history. Liberia is located in West Africa on the Atlantic Coast.
The official language of Liberia is English. [1] There are also more than 16 indigenous languages. [1] Among the most widely studied Liberian languages in schools and universities are Kpelle and Bassa languages and to a lesser extent, Vai. Loma and Mende also have their own unique alphabets but are studied less.
Both languages are noted for their unique alphabets and phonetics that are not based on the Latin alphabet, or any European language but emerged from visions of each language's inventor. Bassa alphabet was popularized by Dr. Thomas Narvin Lewis in the early 20th century, after attending studies in the U.S at Syracuse University. He modeled it after he came into contact with former slaves of Bassa origin in Brazil and the West Indies who were still using the alphabet. Vai is another well known ancient script from Liberia, but distinct from the Bassa alphabet. [2]
Among the listed alphabets, Bassa Vah is compared to include Armenian, Coptic (used by Egyptian Coptic and Coptic Church), Avestan used in Ancient Persia to write sacred hymns of Zoroastrianism, Georgian language in Republic of Georgia, Mongolian, Meroitic alphabet of ancient Sudan and parts of Nile Valley, and many other ancient scripts, Greek-based and Cyrillic alphabets. Some Vah letters resemble certain letters from the Ge'ez alphabet of Ethiopia and Eritrea, N'ko alphabet in Guinea, and Armenian alphabet. [3]
The syllabary of Vai also been compared to Hiragana and Katakana scripts also syllabary for Japanese language. However many linguists hold that Bassa and Vai alphabets are unique in their own right for being African languages with alphabets alongside Ge'ez, N'ko, and Tifinagh (used to write Berber languages) that are neither influenced by Latin or Western writing system. [3]
According To the 2008 National Census, 85.5% of Liberia's population practices Christianity. [4] Muslims comprise 12.2% of the population, largely coming from the Mandingo and Vai ethnic groups. [4]
Regardless of public statements of identification with Christianity, a "vast majority" [5] of Liberians believe a supernatural world of ancestral and bush spirits that impact daily life. [5] Ethnic groups in all regions of Liberia participate in the traditional religious practices of the Poro and Sande secret societies, with the exception of the Krahn ethnic group, who have their own secret society. [6]
"Liberian religious culture is characterised by a predisposition towards secrecy (encapsulated in the concept of ifa mo - "do not speak it") and an ingrained belief in the intervention of mysterious forces in human affairs". [6] "Both elite and non-elite Liberians usually attribute events to the activities of secret powers and forces". [7]
"Beliefs include the conviction that there are deep and hidden things about an individual that only diviners, priests, and other qualified persons can unravel. [5] This presupposes that whatever exists or happens in the physical realm has foundations in the spirit world". [5]
While still belonging to Christian or Muslim denominations, ethnic groups in all regions participate in religious secret societies associated with the spirit world, including the Poro and Sande gender-based secret societies. [8] [9] The Sande society champions women's social and political interests and promotes their solidarity vis-a-vis the Poro society, a complementary secret society for men. The Poro society is found among the Bassa, Gola, Kissi, Kpelle, Loma, People and Vai of Liberia. [8] [9]
One third of married Liberian women between the ages of 15-49 are in polygamous marriages. [10] Customary law allows men to have up to 4 wives. [11]
Numerous newspapers, radio stations and TV programs are broadcast and can be heard in the capital Monrovia, coastal cities and towns and countryside. Radio, newspapers and online news articles are the main form of mass communication in Liberia in recent years, surpassing TV stations as the most accessible forms of media to Liberians. Many popular FM radio stations have their headquarters in Monrovia along with several major national newspapers. [12]
Many radio stations are community based operated by joint United Nations and community councils, activists, youth groups, universities and neighborhood programs. The major radio stations in Liberia are UNMIL Radio, Radio ELWA, Truth Radio, ELBC Radio, and STAR radio. All have programs available to listen to online. There are currently no AM radio stations (which existed before the war) but there are a few shortwave stations. Radio also serves to promote peace, reconciliation and connect the country both rural and urban Liberians through community based apprenticeship programs for youths and young adults.
A famous news blackboard in Monrovia is The Daily Talk . The Daily Talk is accessible for free. [13] According to The New York Times , the blackboard is "the most widely read report" in Monrovia, as many Monrovians lack the money or the electricity necessary for access to the conventional mass media. [13]
The most widely read newspapers include the Liberia Herald , The Analyst, Liberian Observer , The News, The Heritage, and The Inquirer, among others. Several Liberian journalists have been awarded national and international awards and acclaim around the world for their commitment to press freedom and promotion of Democracy in post war countries and regions.[ citation needed ]
Liberia has its own ancient music and instruments. While Liberian music is part of wider West African music heritage, it is also distinct from its neighbors. There are several different types of drums used in traditional music. Drums are one of the most widely used instruments in many ceremonies both official and nonofficial, weddings, christenings, naming ceremonies, holidays, graduations, etc. Next to drums, beaded gourd rattles called Saasaa are also used in mainstream music by many Liberian singers, musicians, and ensembles across the country.
Songs are sung in both English and all indigenous languages. Other instruments similar to the xylophone include Yomo Gor. Music is a main highlight of Liberian culture not only used as entertainment but to educate society on issues ranging from culture, politics, history to human rights.
Religious music is also popular. Christian music is heavily influenced by its counterpart in United States regardless of region. Islamic nasheeds popular in many countries with Muslim communities are almost unheard of in Liberia. Instead, music for Liberian Muslims are based on Quranic citations, adhan and music related to everyday life called suku. Aside from religious and traditional music, rap and HiLife are widely popular especially with younger Liberians and American music aficionados. Both can be heard in discothèques, parties, clubs and on radios throughout the country. Jazz, funk, soul, rap and a new music style or Liberian rap called Hipco combining rap, R&B, traditional rhymes, and joint Liberian and American influences are part of the wider Music of Liberia.
Liberia is renowned for its detailed decorative and ornate masks, large and miniature wood carvings of realistic human faces, famous people, scenes of everyday life and accessories particularly combs, spoons and forks which are often enlarged sculptures. Sculptures are produced in both the countryside and cities. Liberian wood curved sculptures are heavily influenced by ancient history predating modern Liberia, folklore, proverbs, spirituality, rural life and show the artist's strong observations for grand detail and their connections to the people and objects sculpted. Liberian artists both in the country and diaspora have also gained recognition for various styles of paintings in abstract, perspective and graphic art.
Due to its strong relationship with the United States, Liberia has also produced its own American-influenced quilts. The free and former US slaves who emigrated to Liberia brought with them their sewing and quilting skills and was originally done by Americo-Liberians beginning in the 19th century. Queen Victoria invited Martha Ann Ricks, on behalf of Liberian Ambassador Edward Wilmot Blyden, to Windsor Castle on 16 July 1892. [14]
Ricks, a former slave from Tennessee, had saved for more than fifty years, to afford the voyage from Liberia to England to personally thank the Queen for the British navy's actions against the slave trade. Ricks shook hands with the Queen and presented her with a Coffee Tree quilt, which Victoria later sent to the 1893 World's Columbian Exposition for display. A mystery remains as to where the quilt is today. [14]
The census of 1843 indicated a variety of occupations, including hatter, milliner, seamstress and tailor. [15] Liberia hosted National Fairs in 1857 and 1858 in which prizes were awarded for various needle arts. However today, Liberians from all ethnic groups make quilts though it is not a popular as it once was when the country was adapting American customs, culture and lifestyle in mid 19th century. In modern times, Liberian presidents would present quilts as official government gifts, and when current Liberian President Ellen Johnson Sirleaf moved into the Executive Mansion, she reportedly had a Liberian-made quilt installed in her presidential office. [16]
A literary tradition has existed in Liberia for over a century. Liberia had no written tradition until the 19th century. Numerous Liberian authors throughout the years have contributed to the writings of various genres. They have written on folk art, ancient proverbs, everyday life in countryside, city life, religion and observation of their own lives. Culture, tradition, identity, society, taboo subjects, human rights, equality and diversity within Liberia, multiculturalism, Pan-Africanism, colonialism and its reverberating consequences today, post-colonial African countries and future of the country have been featured in novels, books, magazines, and novelettes since the 19th century. The first novel by an African published in English was written by a Liberian, Joseph Jeffrey Walters, a Vai convert to Christianity studying at Oberlin College in the United States. The book titled Guanya Pau: A Story of an African Princess was published in 1891 by Lauer and Mattil of Cleveland, Ohio. The book deals with the issue of child marriage and women's rights. <Griffiths, G. and Singler, J. V. (Edited, republished). Guanya Pau: A Story of an African Princess, Broadview Editions.
Poetry is a prominent canon of Liberian literature. Many authors have presented their pose in all poetic styles. Often adding their own unique perspectives, writing styles and observation of the material and spiritual worlds into their books. Liberia's prominent writers also share a variety of genres that cross several decades.
In the 19th century, Edward Wilmot Blyden was the most renowned Liberian author. A diplomat, educator, statesman and writer, Blyden was considered one of the early fathers of Pan Africanism along with W. E. B. Du Bois and Marcus Garvy. His writings revolved around the need for Africans to develop their own identity, be culturally, spiritually and politically aware of their own potential and preside over their own self-rule and to disprove the European view of Africans as culture-less. These writings inspired many Liberian authors in later years and still does today. In the end, he is known in world history and on African continent as the genius behind the phrase, "Africa for Africans!" and later inspired Marcus Garvey's Back to Africa Movement. Blyden is a national hero in Liberia.
During the 20th century and currently in first decade of the 21st century, other authors have taken a less political but prominent role in Liberian literature. Several authors are renowned for their starling, detailed and deep observation of Liberian life both in the country and abroad in Diaspora in Europe or United States. Authors Bai T. Moore, E.G. Bailey, Roland T. Dempster, Wilton G. S. Sankawulo, have all reflected on culture, tradition, modernization and pain of exile, loneliness, lost and remembrance in fiction, and non fiction works.
Bai T. Moore's novelette Murder in the Cassava Patch , is often required reading for many Liberian high school students. Published in 1968, the novelette is based on true story of a murder that discusses the most taboo subjects in mid-20th century Liberia as the story reveals the lives of the main characters and their hometown. E.G. Bailey is a spoken word artist, theatre and radio producer.
Politician and author Wilton G. S. Sankawulo published many collections of poems and stories which later became praised anthologies on Liberian folklore and wider African literary tradition entitled, More Modern African stories. His most celebrated book is Sundown at Dawn: A Liberian Odyssey. According to the book's publisher, Dusty Spark Publishing, it is regarded as "one of the literary achievements of postwar Liberia and contemporary Africa." [17]
Liberian cuisine has rice as its staple. Other ingredients include cassava, fish, bananas, citrus fruit, plantains, coconut, okra and sweet potatoes. [18] Heavy stews spiced with habanero and scotch bonnet chillies are popular and eaten with fufu. [19]
Liberia, officially the Republic of Liberia, is a country on the West African coast. It is bordered by Sierra Leone to its northwest, Guinea to its north, Ivory Coast to its east, and the Atlantic Ocean to its south and southwest. It has a population of around 5 million and covers an area of 43,000 square miles (111,369 km2). In the republic of Liberia, English is the official language however it is important to note that over 20 indigenous languages are spoken, reflecting the country's ethnic and cultural diversity. The country's capital and largest city is Monrovia.
As of 2006, Liberia has the highest population growth rate in the world. 43.5% of Liberians were below the age of 15 in 2010. With recent civil wars being fought along ethnic lines, Liberia is a multiethnic and multicultural country.
The Krahn are an ethnic group of Liberia and Ivory Coast. This group belongs to the Kru language family and its people are sometimes referred to as the Wee, Guéré, Sapo, or Wobe. It is likely that Western contact with the Kru language is the primary reason for the development of these different names.
Monrovia is the capital city of the West African country of Liberia. Founded in 1822, it is located on Cape Mesurado on the Atlantic coast and as of the 2008 census had 1,010,970 residents, home to 29% of Liberia’s total population. As the nation's primate city, Monrovia is the country's economic, financial and cultural center; its economy is primarily centered on its harbor and its role as the seat of Liberian government.
The Bassa people are a West African ethnic group primarily native to Liberia. The Bassa people are a subgroup of the larger Kru people of Liberia and Ivory Coast. They form a majority or a significant minority in Liberia's Grand Bassa, Rivercess, Margibi and Montserrado counties. In Liberia's capital of Monrovia, they are the largest ethnic group. With an overall population of about 1.05 million, they are the second largest ethnic group in Liberia (18%), after the Kpelle people (26%). Small Bassa communities are also found in Sierra Leone and Ivory Coast.
The Poro, or Purrah or Purroh, is a men's secret society in Sierra Leone, Liberia, Guinea, and the Ivory Coast, introduced by the Mane people. It is sometimes referred to as a hunting society and only males are admitted to its ranks. The female counterpart of the Poro society is the Sande society.
The Gola or Gula are a West African ethnic group who share a common cultural heritage, language and history and who live primarily in western/northwestern Liberia and Eastern Sierra Leone. The Gola language is an isolate within the Niger–Congo language family. As of 2015, it is spoken by about 278,000 people.
Sande, also known as zadεgi, bundu, bundo and bondo, is a women's initiation society in Liberia, Sierra Leone, Guinea and the Ivory Coast. The Sande society initiates girls into adulthood by rituals including female genital mutilation. It is said by its supporters to confer fertility, to instill notions of morality and proper sexual comportment, and to maintain an interest in the well-being of its members throughout their lives.
Momolu Duwalu Bukele was the inventor of the Vai syllabary used for writing the Vai language of Liberia—one of several African languages to develop its own writing system.
Islam in Liberia is practiced by an estimated 12.2% of the population. The vast majority of Liberian Muslims are Malikite Sunni, with sizeable Shia and Ahmadiyya minorities. The primary Muslim ethnic groups are the Vai and Mandingo but also Gbandi, Kpelle and other ethnic groups. Historically, Liberian Muslims have followed a relaxed and liberal form of Islam that is heavily influenced by indigenous religions that were integrated into Islam when it came to Liberia in the 16th century with the collapse of the Songhai Empire in Mali. Islamic religious practices vary in cities and towns across the country. Younger Liberian Muslims, particularly in the cities along the coast, tend to be more secular but still practice Islam in everyday life. In rural areas, Liberian Muslims are more conservative in dressing modestly, performing prayers and attending religious studies. The practice of Islam in Liberia has been compared to Islam common in Senegal and Gambia, with strong orientation toward Sufism. The major Islamic holidays, Eid el Fitr, Ramadan and Eid al Adha, called Tabaski Day, are celebrated annually in Liberia. People have begun to go on Hajj to Mecca in recent years. Joint English-Arabic language, Quranic, and Muslim universities and Islamic studies schools have opened and been rebuilt in the capital Monrovia, rural towns and other cities. Islam appears to be experiencing revival alongside Christianity in the country as a result of the Liberian Civil War. America-Liberian Methodists, the first Christians in Liberia, arrived on January 7, 1822.
Cuttington University is a private university in Suacoco, Liberia. Founded in 1889 as Cuttington College by the Episcopal Church of the United States (ECUSA), it is the oldest private, coeducational, four-year, degree-granting institution in sub-Saharan Africa.
The Loma people, sometimes called Loghoma, Looma, Lorma or Toma, are a West African ethnic group living primarily in mountainous, sparsely populated regions near the border between Guinea and Liberia. Their population was estimated at 330,000 in the two countries in 2010. They are closely related to the Mende people.
The writing systems of Africa refer to the current and historical practice of writing systems on the African continent, both indigenous and those introduced.
Bai Tamia Johnson Moore, commonly known by his pen name Bai T. Moore, was a Liberian poet, novelist, folklorist and essayist. He held various cultural, educational and tourism posts both for the Liberian government and for UNESCO. He was the founder of Liberia's National Cultural Center. He is best known for his novella Murder in the Cassava Patch (1968), the tale of a crime passionnel in a traditional Liberian setting. It became such a classic in Liberian literature that it is still taught in high schools.
Christianity is the predominant religion in Liberia, with Protestantism being its largest denomination. Muslims are the largest minority group, largely coming from the Mandingo and Vai ethnic groups. The vast majority of Muslims are Malikite Sunni, with sizeable Shia and Ahmadiyya minorities.
Kwi is a Liberian term used to connote Westernization, adherence to Christianity, a Westernized first name and surname, literacy through a Western-style education, and adherence to a cash economy instead of a subsistence economy, regardless of an individual's ethnic origin. However, it has historically denoted strong adherence to Americo-Liberian cultural norms, although one need not identify as ethnically Americo-Liberian in order to be kwi.
Religion in Guinea is approximately 89 percent Muslim, 7 percent Christian, with 2 percent adhering to indigenous religious beliefs. There are also smaller numbers of Atheists and practitioners of other religions in the country. Much of the population, both Muslim and Christian, also incorporate indigenous African beliefs into their outlook.
The extent of gender inequalities varies throughout Liberia in regard to status, region, rural/urban areas, and traditional cultures. In general, women in Liberia have less access to education, health care, property, and justice when compared to men. Liberia suffered two devastating civil wars from 1989–1996 and 1999–2003. The wars left Liberia nearly destroyed with minimal infrastructure and thousands dead. Liberia has a Human Development Report ranking of 174 out of 187 and a Gender Inequality Index rank of 154 out of 159.
Fatima Massaquoi-Fahnbulleh was a Liberian writer and academic. After completing her education in the United States, she returned to Liberia in 1946, making significant contributions to the cultural and social life of the country.
The Autobiography of an African Princess, published in 2013, is an account of the early years (1912–1946) in the life of Fatima Massaquoi, a descendant of the royal families of the Gallinas from Sierra Leone and Liberia. It describes her early childhood in Africa, her schooling in Germany and Switzerland and her university studies in the United States.
