Madagascar, officially the Republic of Madagascar, is an island country comprising the island of Madagascar and numerous smaller peripheral islands. Lying off the southeastern coast of Africa, it is the world's fourth largest island, the second-largest island country and the 46th largest country in the world. Its capital and largest city is Antananarivo.
Antananarivo, also known by its colonial shorthand form Tana, is the capital and largest city of Madagascar. The administrative area of the city, known as Antananarivo-Renivohitra, is the capital of Analamanga region. The city sits at 1,280 m (4,199 ft) above sea level in the center of the island, the highest national capital by elevation among the island countries. It has been the country's largest population center since at least the 18th century. The presidency, National Assembly, Senate, and Supreme Court are located there, as are 21 diplomatic missions and the headquarters of many national and international businesses and NGOs. It has more universities, nightclubs, art venues, and medical services than any city on the island. Several national and local sports teams, including the championship-winning national rugby team, the Makis, are based here.
The highly diverse and distinctive music of Madagascar has been shaped by the musical traditions of Southeast Asia, Africa, Oceania, Arabia, Portugal, England, France and the United States over time as indigenous people, immigrants, and colonists have made the island their home. Traditional instruments reflect these widespread origins: the mandoliny and kabosy owe their existence to the introduction of the guitar by early Arab or European seafarers, the ubiquitous djembe originated in mainland Africa and the valiha—the bamboo tube zither considered the national instrument of Madagascar—directly evolved from an earlier form of zither carried with the first Austronesian settlers on their outrigger canoes.
The Merina people formerly called Amboalambo are the largest ethnic group in Madagascar. They are the "highlander" Malagasy ethnic group of the African island and one of the country's eighteen official ethnic groups. Their origins are mixed, predominantly with Austronesians arriving before the 5th century AD with Bantu Africans resulting in a core population known as Vazimba, later by large number of Javanese and a minority of Arabs, Indians and Europeans. They speak the Merina dialect of the official Malagasy language of Madagascar.
Malagasy cuisine encompasses the many diverse culinary traditions of the Indian Ocean island of Madagascar. Foods eaten in Madagascar reflect the influence of Southeast Asian, African, Oceanian, Indian, Chinese and European migrants that have settled on the island since it was first populated by seafarers from Borneo between 100 CE and 500 CE. Rice, the cornerstone of the Malagasy diet, was cultivated alongside tubers and other Southeast Asian and Oceanian staples by these earliest settlers. Their diet was supplemented by foraging and hunting wild game, which contributed to the extinction of the island's bird and mammal megafauna. These food sources were later complemented by beef in the form of zebu introduced into Madagascar by East African migrants arriving around 1,000 CE.
Hiragasy or hira gasy is a musical tradition in Madagascar, particularly among the Merina ethnic group of the Highland regions around the capital of Antananarivo. It is a day-long spectacle of music, dance, and kabary oratory performed by a troupe or as a competition between two troupes.
Hainteny is a traditional form of Malagasy oral literature and poetry, involving heavy use of metaphor. It is associated primarily with the Merina people of Madagascar. In its use of metaphor and allusion it resembles another type of poetry, the Malay pantun, and Fox suggests "it seems likely the Merina brought with them a Malayo-Polynesian poetic tradition" to Madagascar. The Ibonia, an epic poem related for centuries in different versions across Madagascar, reflects the value placed on the linguistic skills celebrated in the hainteny tradition, and offers insight into the diverse mythologies and beliefs of traditional Malagasy communities.
Malagasy mythology is rooted in oral history and has been transmitted by storytelling, notably the Andriambahoaka epic, including the Ibonia cycle. At least 6% of Madagascar are adherents of the religion, which is known as Fomba Gasy, and surveys show it is likely at least half practice some aspects of it. Adherence to Fomba Gasy is high amongst the Sakalava people, as they are reluctant to convert to faiths of foreign origin.
Andriana was both the noble class and a title of nobility in Madagascar. Historically, many Malagasy ethnic groups lived in highly stratified caste-based social orders in which the Andriana were the highest strata. They were above the Hova and Andevo (slaves). The Andriana and the Hova were a part of Fotsy, while the Andevo were Mainty in local terminology.
The KingdomofMerina, also known as the Kingdom of Madagascar and officially the Kingdom of Imerina, was a pre-colonial state off the coast of Southeast Africa that, by the 18th century, dominated most of what is now Madagascar. It spread outward from Imerina, the Central Highlands region primarily inhabited by the Merina ethnic group with a spiritual capital at Ambohimanga and a political capital 24 km (15 mi) west at Antananarivo, currently the seat of government for the modern state of Madagascar. The Merina kings and queens who ruled over greater Madagascar in the 19th century were the descendants of a long line of hereditary Merina royalty originating with Andriamanelo, who is traditionally credited with founding Imerina in 1540.
The Betsimisaraka are the second largest ethnic group in Madagascar after the Merina and make up approximately fifteen percent of the Malagasy people. They occupy a large stretch of the eastern coastal region of Madagascar, from Mananjary in the south to Antalaha in the north. The Betsimisaraka have a long history of extensive interaction with European seafarers, pirates and bourgeois traders, which produced a significant subset with mixed European-Malagasy origins, termed the zana-malata. European influence is evident in the local valse (waltz) and basesa musical genres, which are typically performed on the accordion. Tromba ceremonies feature strongly in Betsimisaraka culture.
The architecture of Madagascar is unique in Africa, bearing strong resemblance to the construction norms and methods of Southern Borneo from which the earliest inhabitants of Madagascar are believed to have immigrated. Throughout Madagascar, the Kalimantan region of Borneo and Oceania, most traditional houses follow a rectangular rather than round form, and feature a steeply sloped, peaked roof supported by a central pillar.
The Bezanozano are believed to be one of the earliest Malagasy ethnic groups to establish themselves in Madagascar, where they inhabit an inland area between the Betsimisaraka lowlands and the Merina highlands. They are associated with the vazimba, the earliest inhabitants of Madagascar, and the many vazimba tombs throughout Bezanozano territory are sites of pilgrimage, ritual and sacrifice, although the Bezanozano believe the descendants among them of these most ancient of ancestors cannot be identified or known. Their name means "those of many small plaits" in reference to their traditional hairstyle, and like the Merina they practice the famadihana reburial ceremony. There were around 100,000 Bezanozano living in Madagascar in 2013.
The Sihanaka are a Malagasy ethnic group concentrated around Lake Alaotra and the town of Ambatondrazaka in central northeastern Madagascar. Their name means the "people of the swamps" in reference to the marshlands around Lake Alaotra that they inhabit. While rice has long been the principal crop of the region, by the 17th century, the Sihanaka had also become wealthy traders in slaves and other goods, capitalizing on their position on the main trade route between the capital of the neighboring Kingdom of Imerina at Antananarivo and the eastern port of Toamasina. At the turn of the 19th century they came under the control of the Boina Kingdom before submitting to Imerina, which went on to rule over the majority of Madagascar. Today the Sihanaka practice intensive agriculture and rice yields are higher in this region than elsewhere, placing strain on the many unique plant and animal species that depend on the Lake Alaotra ecosystem for survival.
The Fandroana, termed the Royal Bath by 19th century European historians, is the annual New Year's festival of the Merina people inhabiting the highlands of central Madagascar. The origins of the festival are preserved through oral history. According to folk legend, the wild zebu cattle that roamed the Highlands were first domesticated for food in Imerina under the reign of Ralambo. Different legends attribute the discovery that zebu were edible to the king's servant or to Ralambo himself. Ralambo is credited with founding the traditional ceremony of the fandroana to celebrate this discovery, although others have suggested he merely added certain practices to the celebration of a long-standing ritual.
Philibert Rabezoza, better known by the name Rakoto Frah, was a flautist and composer of traditional music of the central highlands of Madagascar. Born in 1923 near the capital city of Antananarivo to a poor rural family, Rakoto Frah surmounted the challenges posed by his underprivileged origins to become the most acclaimed 20th century performer of the sodina flute, one of the oldest traditional instruments on the island. Through frequent international concerts and music festival performances, he promoted the music of the highlands of Madagascar and became one of the most famous Malagasy artists, both within Madagascar and on the world music scene.
Uncertain accounts of Jews in Madagascar go back to the earliest ethnographic descriptions of the island, from the mid-17th century. Madagascar has a small Jewish population, including normative adherents as well as Judaic mystics, but the island has not historically been a significant center for Jewish settlement. Despite this, an enduring origin myth across Malagasy ethnic groups suggests that the island's inhabitants descended from ancient Jews, and thus that the modern Malagasy and Jewish peoples share a racial affinity. This belief, termed the "Malagasy secret", is so widespread that some Malagasy refer to the island's people as the Diaspora Jiosy Gasy. As a result, Jewish symbols, paraphernalia, and teachings have been integrated into the syncretic religious practices of some Malagasy populations. Similar notions of Madagascar's supposed Israelite roots persisted in European chronicles of the island until the early 20th century, and may have influenced a Nazi plan to relocate Europe's Jews to Madagascar. More recently, the possibility of Portuguese Jewish conversos making contact with Madagascar in the 15th century has been proposed.
Andrianary Ratianarivo (1895-1949) was a pianist and composer of kalon'ny fahiny,vakondrazana and ba-gasy music from the central highlands of Madagascar. He was a major composer for the Malagasy theatrical genre that reached its peak between 1920 and 1940 at the Theatre d'Isotry in Antananarivo. Ratianarivo was born in the year of Madagascar's colonization to a musician of the royal palace. His pieces were typically written for piano, often with solo, duet or choral vocal accompaniment sung in the Malagasy language. He was classically trained as a conductor and composed over 500 songs and scores for theater, including an opera penned by Jean-Joseph Rabearivelo entitled Imaitsoanala (1935), which remains the only Malagasy opera. In 1929 he formed "Troupe Jeanette" in Antananarivo with musicians Rakaramanga and Jeanette; this group, with new artists, continues to perform at the Theatre d'Isotry to the present. His songs form part of the canon of classical Malagasy piano music. A street in downtown Antananarivo is named after him.
Christianity in Madagascar is practiced by 85.3% of Madagascar's population according to the Pew Research Center in 2020. However, other surveys put the figure at 58%. Malagasy Christianity is generally practised in syncretic form with traditional religious practices.
Savika, also savik'omby or savika omby, is a traditional zebu-wrestling sport of Madagascar's Betsileo people, in which fighters, called mpisavika, attempt to bring a zebu ox to the ground by its horns or hump. Though the practice can be found throughout Madagascar's Central Highlands, it is most common in the Ambositra region, outside of which it is called tolon'omby. The tradition, which accompanies many festivities and rituals for the Betsileo, is particularly important as a courtship practice for young men to impress potential brides and their families. Preparation for savika begins in childhood, with boys playing make-believe zebu games known as kiombiomby before training with real bulls.
