"Make Me Smile (Come Up and See Me)" | ||||
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Single by Steve Harley and Cockney Rebel | ||||
from the album The Best Years of Our Lives | ||||
B-side | "Another Journey" | |||
Released | 31 January 1975 | |||
Recorded | 1974 | |||
Length | 4:01 | |||
Label | EMI | |||
Songwriter(s) | Steve Harley | |||
Producer(s) |
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Steve Harley and Cockney Rebel singles chronology | ||||
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Audio sample | ||||
"Make Me Smile (Come Up and See Me)" is a song by the English rock band Steve Harley & Cockney Rebel, released on 31 January 1975 by EMI as the lead single from the band's third studio album The Best Years of Our Lives . The song was written by Harley, and produced by Harley and Alan Parsons. In February 1975, the song reached number one on the UK chart and received a gold certification from the British Phonographic Industry in October 2021. [1] It spent nine weeks in the Top 50, and as of 2015, has sold over 1.5 million copies worldwide. The song is one of the most-played songs in British broadcasting history. [2]
More than 120 cover versions of the song have been recorded by other artists, [3] most notably by Duran Duran and Erasure, [4] although Harley stated his favourite cover version was by the Wedding Present. [3]
The song was the first single to be released under the name "Steve Harley and Cockney Rebel", as opposed to simply "Cockney Rebel". In July 1974, the original Cockney Rebel disbanded, and Harley then assembled a new line-up later in the year. "Make Me Smile" described Harley's feelings on the band's split. For many years, it was believed that Harley purposely chose to disband the original line-up and embark on a new career path. Years later, Harley began to reveal the truth behind the band's split. [5]
Between May and July 1974, Cockney Rebel embarked on a major British tour to promote their second studio album The Psychomodo . As the tour progressed, the band began facing growing tensions, which ultimately led to their split at the end of the tour in late July. On 18 July, the band received a 'Gold Award' for outstanding new act of 1974, and a week later they had split up over their disagreements. [6] Jean-Paul Crocker, Milton Reame-James and Paul Jeffreys had approached Harley, insisting they could also write material for the group. Harley, the band's sole songwriter, felt this was unfair as he had been the one to originally hire the musicians for his group, and explained the deal to them at the time. [7]
After the band split, only the original line-up's drummer, Stuart Elliott, would join the new line-up. In a television interview recorded in 2002, Harley described how the lyrics were vindictively directed at the former band members who, he felt, had abandoned him. [8] [9]
On The One Show in October 2010, Harley called the lyric "a finger-pointing piece of vengeful poetry. It's getting off my chest how I felt about the guys splitting up a perfectly workable machine. I wrote it saying 'Look, you'll learn how well we're doing here, we're doing well, why are you doing this?'" He elaborated: [10]
Three of them came to me in a little posse with several ultimatums. They wanted to write songs for the third album, and I said 'Well you know I started the band, and I auditioned you, and I told you the deal at the time. We're not moving the goal posts here.' They knew this, and they came to me demanding that they could write songs too, and I just said 'Well go and do it then'.
Harley began writing the song only days after the band's split. The tune was based on an unused Harley-penned track called "Laid in the Shade", which was the first song Harley ever performed when he began playing in London folk clubs on open-mike nights in 1971 and one which he demoed that same year using his classical guitar at Venus Recording Studios in Whitechapel. He later recalled the song was "absolute rubbish" but felt "the tune worked". [11] [12] Returning to this earlier tune, he wrote new lyrics and came up with a slow blues track with a dark mood, a song vastly different from the one that was recorded. In January 2012, he told Uncut magazine that the first verse was probably written at four in the morning after a bottle of brandy, feeling sorry for himself. [13] On The One Show Harley added, "I was in distress, there's no doubt at all, out of adversity I had to talk about it, I had to write about it. I had to say these things, I had to get it off my chest." [10]
In One Thousand UK Number One Hits by Jon Kutner and Spencer Leigh, Harley recalled the end of Cockney Rebel version 1: [4]
We split up because they wanted to take my leadership away. They wanted to dilute it and "Make Me Smile" is saying 'Come back one day and I'll laugh.' It was arrogant but I knew they were wrong - they didn't understand the group like I did.
The new line-up of the band recorded The Best Years of Our Lives album in November–December 1974 at Abbey Road Studios in London. On a day in November, Harley arrived at the studio and played the band the original "slow blues" version of the song for them to rehearse. [14] Harley recalled to Uncut in 2012 that it was "a little dirgy, slower and a little pedestrian, very on the beat", [13] while guitarist Jim Cregan recounted in 2022 that the original presentation was "a bit ramshackle" and "not an obvious single". [15]
After producer Alan Parsons heard the song, he suggested speeding the song's tempo up, as he felt it would suit the song better. Harley then developed the song further, introducing tacets, dead stops and gaps into it. Harley recalled in 2014: "Alan was great, he didn't try to dissuade me, he just said, 'Do it'." On The One Show, Harley added: "Suddenly it was swinging, and bopping, and ooh-la-la. We saw a hit record being built here, there was no doubt." [10]
In a 2015 interview for Songwriting Magazine, Parsons recalled: [16]
I think a good producer can transform a song. If you make a small change compositionally that really makes a song gel then you can say production is part of songwriting. For example I remember on Steve Harley's "Make Me Smile (Come Up And See Me)" he was phrasing the chorus completely differently and I suggested that he made it more rhythmic and I think that is part of the hook of the whole record, so I take a bit of credit for that – although I didn't get paid for it.
Keyboardist Duncan Mackay came up with the ascending notes used for the song's introduction. [15] A saxophone solo was originally planned for the song's instrumental break. However, after hearing Harley's idea for the solo, Cregan began to play the idea on the guitar. Harley recalled in 2014: [17]
The guitar solo was over a completely new chord sequence. The middle-eight is totally separate from the rest of the song, with no lyrics, so it's an instrumental break that's a little bit left field. We took ages getting the solo right. Some of the guys who play the guitar for me now have a lot of problems with it. It's a tough solo to play properly. It was a composite of three separate takes.
A number of backing singers contributed to the song, including future chart-topper Tina Charles, as well as Yvonne Keeley, Linda Lewis and Liza Strike. [18]
When the song was near completion, Harley played an early mix of the song to Bob Mercer, who was the head of A&R at EMI. Harley remembered: "We were all drinking Martini, it was late at night, and we were completely knackered. Bob came in and was absolutely blown away. I asked him what he thought and he said simply, 'Number one'". [19]
By the time the song was finished, Harley and the band felt confident the song was a hit single. He recalled: "We certainly smelled something cooking that was very special. We had a huge chorus on there. Once they'd [the backing vocalists] had done their bit I came up with The Beatles bit – 'Ooh-la-la-la' – kind of from their "Rubber Soul" period. I made the song really hooky because the lyrics are quite dark and cynical, frankly." [20]
In 2000, Harley re-recorded "Make Me Smile", with backing vocals by the London Community Gospel Choir, for the British film Best . [21] In a 2000 interview with VH-1, Harley said he was approached by the film's producers and continued, "They wanted a different [version]. They knew my voice had changed and I said I wanted to put a gospel choir on it, so we've done a new one. It's not vastly different to the original." [22] In 2005, a remix of the 2000 recording, featuring a new lead vocal track, was released as a single to celebrate the song's 30th anniversary. Harley stated, "It's a bit quicker [than the original] and has a real edge to it". [23]
"Make Me Smile (Come Up and See Me)" was released in the UK by EMI Records on 31 January 1975. [24] [25] It was also released in various European countries, Australasia, South Africa and Japan, as well as in the US in 1976. [26] [27] The single's B-side was the non-album track "Another Journey", which was written by Harley. [28]
"Make Me Smile (Come Up and See Me)" became Steve Harley and Cockney Rebel's biggest selling hit and has sold over 1.5 million copies worldwide as of 2015. [3] It was also the band's only number-one hit in their home country, topping the UK Singles Chart in February 1975. It reached number one on the Irish Singles Chart the same month. In addition to this, it was the band's only Billboard entry in the US, reaching number 96 on the Billboard Hot 100 chart in 1976. [29]
"Make Me Smile" has been reissued a number of times in the UK. Its first was through EMI on 3 October 1980 to promote the compilation album The Best of Steve Harley and Cockney Rebel . [30] [31] On 25 November 1983 and again on 28 October 1991, it was reissued on the Old Gold label, with a picture sleeve included with the 1991 release. [32] [33] All three reissues failed to chart.
On 13 April 1992, EMI reissued the single on 7-inch, cassette and CD formats ahead of their Make Me Smile – The Best of Steve Harley and Cockney Rebel compilation. [34] It reached number 46 in the UK charts and remained in the top 75 for two weeks. [35] Old Gold reissued the single on CD format on 30 October 1995, [36] and another EMI reissue followed on cassette and CD on 18 December 1995, [37] to coincide with the song's use in a Christmas TV advertisement for Carlsberg. [38] [39] This release reached number 33 in the UK and spent three weeks in the chart. [35]
On 20 June 2005, [40] a "30th Anniversary Re-mix" of the song, based on the 2000 re-recorded version, was released as a single by Gott Discs. It reached number 55 in the UK and spent two weeks in the charts. [35] Following a request on Top Gear to download the song, "Make Me Smile" re-entered the UK charts at number 72 in early February 2015. [41]
The song has been used in the soundtracks of the films Rik Mayall Presents Dancing Queen (1993), The Full Monty (1997), Velvet Goldmine (1998), Best – The George Best Story (2000), Saving Grace (2000), and Blackball (2003). It was also used in a 2006 Marks & Spencer advertisement and during the opening of episode 3 of Phoenix Nights series 1 (2001). The song also featured in adverts for Furniture Village. The song was also featured in an advert for Viagra Connect drug for erectile dysfunction, first broadcast in the UK in May 2018. [42]
The song was later included as a playable song in Lego Rock Band (2009) for the seventh generation of games consoles.
In late 2014, Harley received a speeding fine of £1,000, and six points on his licence, after being caught by a speed camera doing 70 miles per hour on the M25 in Kent, in an area where the limit had been temporarily reduced to 40 mph. In January 2015, this incident was discussed on the BBC television series Top Gear . The show's presenters Jeremy Clarkson, Richard Hammond and James May urged viewers to download the song in a bid to help him pay the fine. Clarkson had commented, "He's making a meagre living out of, let's be honest, one hit single. Everybody loves that song – you can't trust someone who doesn't like that song." Hammond added, "Imagine if everybody did it – he would wake up tomorrow and think 'I'm number one, where did that come from?' It would cheer him up." [43]
The campaign, dubbed the "Make Me Smile Foundation" by Clarkson, saw Harley respond with a message via Twitter: "Thanks Jeremy Clarkson for kicking off the Make Me Smile Foundation, more than happy to subsidise the poor sods who drive down Swanley Way!" Additionally, Harley posted a YouTube video where he performed a forty-second version of the song acoustically, with a new set of lyrics relating to the speeding fine. [44]
In late January 2015, the song entered the Top 30 on iTunes, [43] the Top 15 on Amazon.co.uk's Top 100 Bestsellers, and the number one best-seller under the Rock category on the same website. On 27 January, the song entered at number 25 on the official UK mid-week chart, [45] and number 72 on the overall chart for the week. [41]
Upon its original release, the band performed the song on UK music show Top of the Pops . The performance on the show featured mimed instrumental backing, with Harley performing a live vocal. [46] On the show, Harley was suffering from jet-lag, and subsequently forgot the lyrics to the majority of the second and third verses. [13] According to the EMI producer of the single, Tony Clark, it was Marc Bolan who made the phone call to Top of the Pops, and had Harley in the BBC studio that same evening of the recording. The band also performed the song on the Russell Harty Show while it was at number one. [47]
The reaction from the UK music press was mixed. In Melody Maker , Colin Irwin criticised Harley's vocals as "excruciatingly stylised" but called the song a "strongly Dylanish, tuneful thing", and commended Harley for having "concentrated on producing a good song without relying so heavily on his own syle and character to see it through". [48] However, Steve Clarke of NME stated that it was "not a good song" and that it "employed those irritating stop-go instrumental/vocal touches". [49] Sue Byrom of Record & Popswop Mirror felt the song lacked the "punch" and "innovative flash" of the original Cockney Rebel, but predicted it would be a hit. [50] John Peel, writing for Sounds , rated it three out of five stars and predicted it would reach the top 10. He considered it to show a "softer Harley" as he "put[s] his stylised voice to work on an attractive pop song" with the "soft accompaniment [of] acoustic guitar, classical guitar and singing ladies". [51] The Irvine Herald felt the song "knocks spots off their old material" and added that the guitar solo is "a delight to listen to". [52] Jim Green of Trouser Press considered it "simple and somewhat catchy", with Harley's "excessively mannered vocal provid[ing] a nice contrast to the chick singers hooting in the background". [53]
Alan Jones, writing for Music Week in 1995, called the song a "classic contrivance" that is "forged mainly from tongue-in-cheek observation of Dylan mannerisms, though it does have a melodic strength and grace all of its own." [54] In a retrospective review of The Best Years of Our Lives, Donald A. Guarisco of AllMusic described it as a "romantic pop tune" that "pairs Harley's clever wordplay with a clever pop tune that boasts an inventive stop-start arrangement and a lovely flamenco-styled acoustic guitar solo". [55]
7-inch single [56]
7-inch single (1980 UK reissue) [31]
7-inch single (1983 and 1991 UK reissue) [57] [58]
7-inch and cassette single (1992 UK reissue) [59] [60]
CD single (1992 UK reissue) [61]
Cassette single (1995 UK reissue) [62]
CD single (1995 UK reissue) [63]
7-inch single (2005 UK 30th Anniversary Re-mix) [64]
CD single (2005 UK 30th Anniversary Re-mix) [65]
Steve Harley and Cockney Rebel:
| Additional personnel
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Weekly charts
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Chart (1975) | Position |
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Australia (Kent Music Report) [67] | 92 |
Belgium (Ultratop Flanders) [79] | 77 |
Netherlands (Dutch Top 40) [80] | 63 |
Netherlands (Single Top 100) [81] | 42 |
Region | Certification | Certified units/sales |
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United Kingdom (BPI) [1] | Platinum | 600,000‡ |
‡ Sales+streaming figures based on certification alone. |
"Come Up and See Me (Make Me Smile)" | |
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Single by Duran Duran | |
A-side | "The Reflex" |
Released | 16 April 1984 |
Recorded | 16 November 1982 |
Venue | Hammersmith Odeon, London |
Genre | Rock |
Length | 4:54 |
Label | EMI |
Songwriter(s) | Steve Harley |
A live cover version of "Make Me Smile" was released as the B-side to Duran Duran's 1984 number one single "The Reflex". On the label and sleeve, the song's original title was reversed and listed as "Come Up and See Me (Make Me Smile)". The band frequently covered the song during their early concerts, and this recording was made during a 16 November 1982 live performance for the BBC College Concert series. The entire concert was released on the live CD/DVD Live at Hammersmith '82! in September 2009.
After dropping the song from their set list for over twenty years, the reunited Duran Duran brought the song back as a surprise encore at their 28 May 2005 homecoming gig at the Birmingham Football Ground to an audience of 25,000 fans. Harley was invited to perform with them, but was unable to attend. [82]
The Duran Duran version of the song appeared on the soundtrack to the movie Threesome (1994), and as a bonus track on the double CD single for "Perfect Day", from their 1995 covers album Thank You .
Track Listing
No. | Title | Writer(s) | Length |
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1. | "The Reflex" | Duran Duran | 4:20 |
No. | Title | Writer(s) | Length |
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1. | "Come Up and See Me (Make Me Smile)" (live) | Steve Harley | 4:54 |
"Make Me Smile (Come Up and See Me)" | |
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Single by The Wedding Present | |
from the album 3 Songs EP | |
Released | 28 September 1990 |
Recorded | 1990 |
Genre | Post-punk |
Length | 3:40 |
Label | RCA |
Songwriter(s) | Steve Harley |
Producer(s) | Steve Albini |
A version by the Wedding Present peaked at number 25 on the UK Singles Chart in 1990, [83] as a track on the 3 Songs EP. Steve Harley was very positive about this version, saying, "There are 120 cover versions of 'Make Me Smile', but only the Wedding Present have done it differently. They did a punk version and made it kick. They understood the venom in the lyrics." [4] The cover is also included on the 2001 version of the album Seamonsters and the compilation The Pop Years – 1990–1991.
7-inch EP
"Make Me Smile (Come Up and See Me)" | ||||
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Single by Erasure | ||||
from the album Other People's Songs | ||||
B-side | ||||
Released | 7 April 2003 [84] | |||
Length | 3:58 | |||
Label | Mute | |||
Songwriter(s) | Steve Harley | |||
Producer(s) |
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Erasure singles chronology | ||||
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Music video | ||||
Erasure – "Make Me Smile (Come Up and See Me)" on YouTube |
The English synth-pop duo Erasure included "Make Me Smile (Come Up and See Me)" on their cover versions album Other People's Songs . After the UK top-ten success of their previous single "Solsbury Hill", Erasure again charted well when "Make Me Smile" reached number 14 on the UK Singles Chart. It also reached number 19 in Denmark and number 58 in Germany.
Erasure's version appeared in the first episode of season one of the television show My Name Is Earl in 2005. A live performance recorded in Copenhagen on 9 June 2003 is included on the DVD The Erasure Show – Live in Cologne .
The music video has Erasure members Vince Clarke and Andy Bell in the midst of computer-generated special effects and graphics. The statue in the video also appears in their 2005 video for "Breathe".
CD single
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Make Me Smile (Come Up and See Me)" (Dave Bascombe Edit Mix) | Steve Harley | 3:27 |
2. | "Oh L'amour" (Acoustic, recorded live at the Sirius National Broadcast Studios in New York on 14 January 2003 ) | Vince Clarke, Andy Bell | 3:28 |
3. | "Walking in the Rain" (37b Remix) | Barry Mann, Cynthia Weil, Phil Spector | 2:48 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Make Me Smile (Come Up and See Me)" (Dan Frampton Radio Mix) | Harley | 3:32 |
2. | "Make Me Smile (Come Up and See Me)" (Manhattan Clique Extended Remix) | Harley | 7:30 |
3. | "When Will I See You Again" (37b Remix) | Gamble and Huff | 2:26 |
DVD single
No. | Title | Writer(s) | Length |
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1. | "Make Me Smile (Come Up and See Me)" (Album version) | Harley | 3:56 |
2. | "Can't Help Falling in Love" (Acoustic, recorded live at the Sirius National Broadcast Studios in New York on 14 January 2003 ) | George David Weiss, Hugo Peretti, Luigi Creatore | 3:12 |
No. | Title | Writer(s) | Length |
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3. | "Solsbury Hill" (Music video, directed by Vince Clarke) | Peter Gabriel | 4:20 |
Chart (2003) | Peak position |
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Denmark (Tracklisten) [85] | 14 |
Germany (GfK) [86] | 58 |
Romania (Romanian Top 100) [87] | 98 |
Scotland (OCC) [88] | 15 |
UK Singles (OCC) [89] | 14 |
UK Indie (OCC) [90] | 1 |
Australian group Nick Barker & the Reptiles' version reached the top 30 on the ARIA Singles Chart in November 1989. [91]
Steve Harley & Cockney Rebel were an English rock band who formed in the early 1970s in London. Their music covered a range of styles from pop to progressive rock. Over the years, they have had five albums on the UK Albums Chart and twelve singles on the UK Singles Chart.
Stephen Malcolm Ronald Nice, known by his stage name Steve Harley, was an English singer-songwriter and frontman of the rock group Cockney Rebel. The band achieved six UK hit singles in the mid-1970s, including "Judy Teen", "Mr. Soft", and the number one "Make Me Smile ". Harley later scored a further three UK hit singles as a solo artist, including "The Phantom of the Opera", a duet with Sarah Brightman.
The Psychomodo is the second studio album by Cockney Rebel, released on 2 June 1974 by EMI. It was produced by Steve Harley and Alan Parsons.
The Best Years of Our Lives is the third studio album by Steve Harley & Cockney Rebel, released by EMI on 7 March 1975. It was the first album to feature Harley's name ahead of the band's. The album was produced by Harley and Alan Parsons, and contains the band's only UK number one, the million-selling "Make Me Smile ".
Timeless Flight is the fourth studio album by Steve Harley & Cockney Rebel, which was released by EMI in 1976. It was written and produced by Steve Harley.
"Ballerina (Prima Donna)" is a song recorded by English singer-songwriter Steve Harley, released by Stiletto Records as a non-album single on 29 July 1983. The song, written and produced by Mike Batt, reached number 51 in the UK Singles Chart.
"The Last Goodbye" is a song by the English rock band Steve Harley & Cockney Rebel, released on 6 February 2006 as a single from their sixth and final studio album, The Quality of Mercy (2005). The song was written by Harley and ex-Cockney Rebel guitarist Jim Cregan, and was produced by Harley.
"Irresistible" is a song written and recorded by British singer-songwriter Steve Harley. It was released three times as a single; the first being in 1985 as a non-album single under his band's name Steve Harley & Cockney Rebel. In 1986, a remixed version of the song was released by Harley as a solo single in the UK, and in 1992, he re-released this version as a single in Europe from his solo album Yes You Can. "Irresistible" was written by Harley and produced by English producer Mickie Most.
"Black or White" is a song by British rock band Steve Harley & Cockney Rebel, released on 14 November 1975 as the lead single from their fourth studio album Timeless Flight (1976). The song was written and produced by Harley.
The Cockney Rebel – A Steve Harley Anthology is a remastered three-disc box-set anthology by Steve Harley, released in 2006. The anthology features material from Cockney Rebel, Steve Harley & Cockney Rebel and Harley's solo career. It covers all of Harley's albums, spanning over 33 years, from 1973's The Human Menagerie to 2005's The Quality of Mercy. The anthology was released by EMI Music UK. It was released on CD in the UK only. Today, the physical CD release is out-of-print.
"Mr. Raffles " is a song by the British rock band Steve Harley & Cockney Rebel, released on 23 May 1975 as the second and final single from their third studio album The Best Years of Our Lives. The song was written by Harley, and produced by Harley and Alan Parsons. "Mr. Raffles " reached number 13 in the UK Singles Chart.
More Than Somewhat – The Very Best of Steve Harley is a compilation album by Steve Harley, released by EMI on 23 March 1998. It features sixteen tracks recorded by Cockney Rebel, Steve Harley & Cockney Rebel and Harley as a solo artist, spanning from Cockney Rebel's 1973 debut album The Human Menagerie to Harley's 1996 solo album Poetic Justice. At least one song from each studio album is included, with the exception of Harley's 1979 album The Candidate.
"Judy Teen" is a song by the British rock band Cockney Rebel, fronted by Steve Harley. It was released as a non-album single in 1974, and became the band's first UK hit, after their debut single, "Sebastian", was only a hit in continental Europe. "Judy Teen" was written by Harley, and produced by Harley and Alan Parsons.
"Mr. Soft" is a song by the British rock band Cockney Rebel, fronted by Steve Harley, which was released in 1974 as the second single from their second studio album The Psychomodo. The song was written by Harley, and produced by Harley and Alan Parsons. "Mr. Soft" peaked at number 8 in the UK Singles Chart.
"Sebastian" is a song by the British rock band Cockney Rebel, fronted by Steve Harley. It was released as the band's debut single in 1973 from their album The Human Menagerie. The song was written by Harley and produced by Neil Harrison.
The Best of Steve Harley and Cockney Rebel is a compilation album by Steve Harley & Cockney Rebel, released by EMI in September 1980. It features material from the original line-up of Cockney Rebel, the Steve Harley & Cockney Rebel line-up, and two tracks from Harley's solo career.
The Cream of Steve Harley & Cockney Rebel is a compilation album by Steve Harley & Cockney Rebel, released by EMI Gold on 15 March 1999. It features material from Cockney Rebel, Steve Harley & Cockney Rebel and Harley's solo career. It contains sixteen tracks, covering Harley and the band's career from Cockney Rebel's 1973 album The Human Menagerie to Harley's 1979 album The Candidate, as well as the 1982 non-album single "I Can't Even Touch You". The album was reissued on 7 July 2008 as The Best of Steve Harley and Cockney Rebel.
Make Me Smile – The Best of Steve Harley and Cockney Rebel is a compilation album by the British band Steve Harley & Cockney Rebel, released by EMI on 27 April 1992.
Beam of Light is the second studio album from Dutch singer Patricia Paay, which was released by EMI in 1975.
"Dandy in the Underworld" is a song by English rock band T. Rex, released by EMI on 27 May 1977 as the third single from their twelfth and final studio album Dandy in the Underworld. The song was written and produced by Marc Bolan.
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