"Love to Hate You" | ||||
---|---|---|---|---|
Single by Erasure | ||||
from the album Chorus | ||||
B-side |
| |||
Released | 9 September 1991 [1] | |||
Genre | ||||
Length | 3:56 | |||
Label | ||||
Songwriter(s) | ||||
Producer(s) | Martyn Phillips | |||
Erasure singles chronology | ||||
| ||||
Music video | ||||
"Love to Hate You" on YouTube |
"Love to Hate You" is a song by English synth-pop duo Erasure, released in September 1991 as the second single from their fifth studio album, Chorus (1991). Written by band members Vince Clarke and Andy Bell, it is an electronic dance track inspired by disco music. The synthesizer melody in the chorus is an interpolation of the string break from American singer Gloria Gaynor's disco-era classic "I Will Survive". [2] [3] The duo also recorded a Spanish version of the song, called "Amor y Odio" (Love and Hatred), and one in Italian called "Amo Odiarti". The single was released by Mute Records in the UK and Sire Records in the US. It peaked at number one in Israel as well as number four on the UK Singles Chart and became a top-10 hit in Austria, Denmark, Finland, Greece, Ireland, and Sweden. Its music video was directed by David Mallet.
"Love to Hate You" is one of Erasure's most successful singles on the UK Singles Chart, peaking at number four. [4] It became a top-ten hit also in Greece, where it reached number nine; Finland, where it reached number seven; [5] Austria, where it reached number six; [6] Denmark and Ireland, where it reached number five; [7] [8] and Sweden, where it reached number four. [9] In the US, it reached number 17 on the Billboard Hot Dance Music/Club Play chart, [10] number 10 on the Billboard Hot Dance Music/Maxi-Singles Sales chart, [11] and number six on the Billboard Modern Rock Tracks chart. [12] In South America, "Love to Hate You" was a top-10 hit in Colombia, Ecuador, Peru and Uruguay.
Larry Flick from Billboard named "Love to Hate You" a "techno-conscious twirler", that nicks an idea or two from Gloria Gaynor's "I Will Survive". He complimented Andy Bell's "sassy and soulful" performance as an interesting contrast to the track's "overall electro tone". [2] Andy Kastanas from The Charlotte Observer declared it as "a much more pop-oriented song, lacking the trademark Erasure synth riff". [13] Bill Wyman from Entertainment Weekly felt that it "has a thumpy bottom and a passable hook". [14] Dave Jennings of Melody Maker considered the song to be "likeable, upbeat, a little bloodless but nevertheless a guaranteed top five entry". He also noted the "mildly interesting lyric". [15] Pan-European magazine Music & Media stated that it's a "top rate pop/dance song, which draws influences from '70s Giorgio Moroder productions. The synthesizer outfit takes us to a lovely Caribbean bridge that will work as well on EHR as in clubland." [16]
A reviewer from Music Week constated that the "instant familiarity" of "Love to Hate You" "is due in no small part to the fact that it seems to be based on several previous hits, most notably Gloria Gaynor's 'I Will Survive', Elton John's 'Nobody Wins' and even Modern Romance's 'Everybody Salsa'. Typically throbbing Hi-NRG, subtle it is not, but a hit it most certainly is." [3] Sherman at the Big Controls, writing for NME , felt it was "totally over the top pop" with a "sickly verse, death defying numbing Brits abroad chorus, wanky 'fake' horns and the worst keyboard sounds Vince could find". [17] Mark Frith from Smash Hits wrote that "it's rather nice to welcome Erasure back. With a tune that's, erm, borrowing bits from certain '70s dance tunes, it's a tale of life's annoying Casanovas, and full of beans it is too." [18]
AllMusic editor Ned Raggett described the song as "supersassy". [19] In a 2007 review, the Daily Vault's Michael R. Smith viewed it as "an instant crowd pleaser of sorts", adding that it "comes complete with live audience effects in the background". [20] In 2014, Chris Gerard from Metro Weekly described it as "old-school disco with echoes of 'I Will Survive' in the verse and hints of ABBA as well. It's a killer dance tune, but it's just as good as a pop single. The vocal arrangement is clever, and the crowd noise during the big synth solos add to the excitement." [21] In 2009, Darren Lee from The Quietus noted "the camp melodrama", naming it one of "the most gloriously effervescent pop anthems ever recorded". [22] In a 2020 review, Christopher Smith from Talk About Pop Music described it as "more early-80's style electro pop and yet it felt so fresh in 1991". He added: "This is one of those Erasure songs that you know word for word and are able to quote without fail at any concert where this is played." [23]
A music video was produced to promote the single, directed by British director of music videos and concert films David Mallet. It features Erasure performing the song on a futuristic stage with a long, connected runway which extends out into the audience. As Bell dances down the runway, it is revealed that the floor is covered in water. Vince Clarke is also seen playing a circular keyboard similar to one previously used by Jean-Michel Jarre. These shots were filmed after hours in London's Leadenhall Market. Mallet told in 2020, "I saw Vince's character as this mad scientist with lots of tape recorders and all of this bizarre electronic equipment. His character was based on one of my absolute heroes, Joe Meek. 'Love to Hate You' was basically Joe Meek, in his house, making these fantastic recordings of Andy." [24]
|
|
Weekly charts
| Year-end charts
|
Erasure are an English synth-pop duo formed in London in 1985, consisting of lead vocalist and songwriter Andy Bell with songwriter, producer and keyboardist Vince Clarke, previously co-founder of the band Depeche Mode and a member of synth-pop duo Yazoo. From their fourth single, "Sometimes" (1986), Erasure established themselves on the UK Singles Chart, becoming one of the most successful acts of the mid-1980s to the mid-1990s. From 1986 to 2007, the pair achieved 24 consecutive top-40 entries in the UK singles chart. By 2009, 34 of their 37 chart-eligible singles and EPs had made the UK top 40, including 17 climbing into the top 10. At the 1989 Brit Awards, Erasure won the Brit Award for Best British Group.
Chorus is the fifth studio album by English synth-pop duo Erasure, released on 14 October 1991 by Mute Records in Germany and the UK and on 15 October 1991 by Sire/Reprise Records in the United States. In 1999, Ned Raggett ranked the album at number 45 in his list of "The Top 136 or So Albums of the Nineties".
Crackers International is a Christmas EP released by English synth-pop duo Erasure in November 1988, in between the albums The Innocents (1988) and Wild! (1989). The EP reached number-one in Denmark and Argentina, and peaked at number two in the United Kingdom and Ireland.
Hits! The Very Best of Erasure is the second greatest hits album by English synth-pop duo Erasure, released on 20 October 2003 by Mute Records. Capitalising on a resurgence of Erasure's music after their successful covers album Other People's Songs, Mute released Hits! in order to reintroduce people to the duo's music and to give an update to their 1992 singles compilation Pop! The First 20 Hits.
"Oh l'amour" is a song by English synth-pop duo Erasure, released in April 1986 as their third single. Written by Erasure members Vince Clarke and Andy Bell, it is a lament from someone experiencing unrequited love. The song is an uptempo, synth-pop dance track and its popularity was further fueled in dance clubs by the "Funky Sisters Remix", which appeared on the UK 12-inch single and as a bonus track on the US edition of Erasure's debut album, Wonderland (1986). A different mix of the song was submitted for the single release, adding new instrumentation and extra sounds. This version appears on all of the band's compilation albums. A version of the 12" single was included with early copies of the debut LP Wonderland. One of the B-sides is a cover version of "Gimme! Gimme! Gimme! ", the first time Erasure covered a song from the ABBA songbook. It was issued by Mute Records in the UK and Sire Records in the US to herald the June release of Wonderland, but became the third consecutive commercial failure for the band in both territories. Despite its low chart placement, "Oh l'amour" has proven to be one of Erasure's signature songs, due to its popularity in dance clubs. It remains a favourite among fans, particularly when performed live.
"Chains of Love" is a song by English synth-pop duo Erasure, released in May 1988 as their ninth single overall. It was written by Vince Clarke and Andy Bell, and released by Mute Records as the second single from Erasure's third studio album, The Innocents (1988). In the United States, Sire Records released it as the first single. The chorus is memorable for Bell's use of falsetto. The album version was produced by Stephen Hague and was slightly remixed for its single release. The accompanying music video featured Clarke and Bell performing the song while being hoisted through the air by thick, metal chains.
"A Little Respect" is a song written and recorded by British synth-pop duo Erasure, released in September 1988 by Mute. It was written by Vince Clarke and Andy Bell. The lyrics are a plea to a lover to show compassion and respect. The heavily synthesized instrumentation is accentuated by acoustic guitar and Bell's vocal falsetto in the chorus. It was their tenth single and was taken from their third studio album, The Innocents (1988). Known as one of their signature songs, the single reached number four on the UK Singles Chart and was Erasure's second consecutive top-20 hit on the US Billboard Hot 100, where it made number 14, and reached number two on the US Billboard Dance Club Play chart.
"Drama!" is the first single released from English synth-pop duo Erasure's fourth studio album, Wild! (1989). Written by Vince Clarke and Andy Bell, the song begins with a low-key keyboard line and a subdued vocal from Bell. As the song progresses, the instrumentation and vocals become more hectic, ultimately ending as a full-blown dance track. "Drama!" contains a "Guilty!" exclamation throughout, provided by Scottish band the Jesus and Mary Chain, who were recording in the studio next door. The song was met with critical acclaim from both music critics and fans.
"Blue Savannah" is a song by English synth-pop duo Erasure from their fourth studio album, Wild! (1989). Written by members Vince Clarke and Andy Bell, the song was released as a single in Japan on 25 January 1990 and was issued in the United Kingdom the following month. Alfa Records released it in Japan as the album's lead single, Mute Records released it in Europe as the album's third single, and Sire Records released it in the United States as the album's second single. The music video for the song was directed by Kevin Godley, featuring a mysterious blue hand painting Bell and Clarke completely blue. Considered one of the band's signature songs, the duo still perform it regularly in concerts. It has been described as an uplifting love song; the instrumentation is crisp and heavily synthesized, accented with sweeping, programmed piano.
"Chorus" is a song by English synth-pop duo Erasure, released in June 1991 as the first single from their fifth studio album of the same name (1991). Produced by Martyn Phillips and written by Erasure members Vince Clarke and Andy Bell, the song features Clarke's electronic soundscapes and Phillips' computerised production. The single was released by Mute Records in the United Kingdom and Sire Records in the United States. It peaked at number three in both Denmark and the UK while reaching number four in Ireland. In the US, it peaked at number 83 on the Billboard Hot 100 and number four on the Billboard Modern Rock Tracks chart.
"Am I Right?" is a song by English synth-pop duo Erasure, released in November 1991 in Europe and Canada as the third single from their fifth studio album, Chorus (1991). Written by Erasure members Vince Clarke and Andy Bell, the ballad peaked at number 15 on the UK Singles Chart.
"Breath of Life" is a song by English synth-pop duo Erasure, released as the fourth and final single from their fifth studio album, Chorus (1991), in March 1992. It was written by Erasure members Vince Clarke and Andy Bell with additional input from Pat O'Brien. An uptempo synth-pop song, its dance music elements were strongly accentuated for the club remixes. For the single release, it was remixed slightly, including a shortened intro. In the United States, it was the third single released from the album.
"Always" is a song by English synth-pop duo Erasure. The ballad was released on 11 April 1994 as the first single from their sixth studio album, I Say I Say I Say (1994). Written by Erasure members Vince Clarke and Andy Bell, it was produced by Martyn Ware. Mute Records issued the single in the United Kingdom, and Elektra Records released it in the United States.
"Run to the Sun" is a song by English synth-pop duo Erasure, released in July 1994 by Mute and Elektra as the second single from the duo's sixth studio album, I Say I Say I Say (1994). The song is written by Vince Clarke with fellow Erasure member Andy Bell and is an uptempo dance music track that displays signature synthesizer programming by Clarke. The UK 7-inch single of "Run to the Sun" was issued on yellow-coloured vinyl and featured a fold-out poster of the single's cover artwork. The single's B-side, a ballad entitled "Tenderest Moments", was later re-recorded by Erasure in an acoustic version for their 2006 album Union Street.
"I Love Saturday" is an EP and song by English synth-pop duo Erasure, released as the third single from their sixth studio album, I Say I Say I Say (1994), on 18 November 1994 in Japan. The track was written by Vince Clarke and Andy Bell, and produced by Martyn Ware. In the United Kingdom, Mute credited the first CD single as the I Love Saturday EP, which contains several new tracks; it was released on 21 November 1994.
"Breathe" is a song by English synth-pop duo Erasure. It was released by Mute Records in the UK and the US as the first single from the band's 11th studio album, Nightbird (2005). Written and produced by Erasure members Vince Clarke and Andy Bell, the song was remixed slightly for its radio version. The UK CD single includes CD-ROM information that allowed buyers to download the Digipro software package and use isolated musical tracks of "Breathe" to create their own remixes. For a short time, fans were able to upload their finished "Breathe" remixes to Erasure's website to share with others.
"I Love You Always Forever" is the debut single by British singer Donna Lewis from her debut album, Now in a Minute (1996). Written by Lewis and produced by Lewis and Kevin Killen, it was released as the album's lead single in the United States on 16 April 1996 and in the United Kingdom on 26 August 1996. The song is inspired by H. E. Bates' novel Love for Lydia, from which the chorus is taken.
"Love Today" is the second single released by London-based singer Mika, taken from his debut studio album, Life in Cartoon Motion (2007). The song was produced by Greg Wells at Rocket Carousel studios and engineered by Drew Pearson. It was released in the United Kingdom on 16 April 2007 as a digital download, with the official physical release appearing on 23 April 2007, and peaked at number six on the UK Singles Chart. The single was released in Australia on 23 July 2007, reaching number three on the ARIA Singles Chart, and was used for Austereo radio station network advertising. The song was nominated for a Grammy for Best Dance Recording at the 50th Grammy Awards but lost to Justin Timberlake's "LoveStoned/I Think She Knows".
"Move (You Make Me Feel So Good)" is a song by American electronic musician Moby, with a chorus sampling from Loleatta Holloway's 1980 song "Love Sensation". It was first released as the title track on Moby's extended play Move, which was issued on August 31, 1993, as his first release on Mute Records in the United Kingdom and on Elektra Records in the United States. It hit number one on the US Billboard Hot Dance Music/Club Play chart and number 21 on the UK Singles Chart.
"Ooh Aah... Just a Little Bit" is a song recorded by Australian singer and songwriter Gina G, with music composed by Steve Rodway and lyrics written by Simon Tauber. It was her debut solo single, and it was released on 25 March 1996 by Eternal and Warner Bros. as the first single from her debut album, Fresh! (1997). It represented the United Kingdom in the Eurovision Song Contest 1996, held in Oslo, where it finished in eighth place. The single topped the UK Singles Chart in May 1996, peaked at No. 12 on the US Billboard Hot 100, and was nominated for Best Dance Recording at the 40th Annual Grammy Awards in 1998. "Ooh Aah... Just a Little Bit" is also the fourth-highest charting Eurovision entry in the US, behind "Nel blu dipinto du blu (Volare)" (1958), "Waterloo" (1974) and "Eres tú" (1973); it remained the last Eurovision entry to chart in the US until "Arcade", the 2019 winning entry in 2021.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)