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Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense, or noir.
An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", though some set trends, attract critical attention, become historically important, and even gain a cult following.
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In Italian cinema, giallo is a genre of murder mystery fiction that often contains slasher, thriller, psychological horror, sexploitation, and, less frequently, supernatural horror elements.
Harald Reinl was an Austrian film director. He is known for the films he made based on Edgar Wallace and Karl May books and also made mountain films, Heimatfilms, German war films and entries in such popular German film series as Dr. Mabuse, Jerry Cotton and Kommissar X. His directing output includes more than 60 titles. With his Edgar Wallace and Karl May adaptations, Reinl advanced to become one of the most successful directors in German cinema in the 1960s: with the four Karl May films he made between 1962 and 1965 alone, Reinl reached 32 million viewers.
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František "Frank" Daniel was a Czech-American screenwriter, film director and teacher. He is known for developing the sequence paradigm of screenwriting, in which a classically constructed movie can be broken down into three acts, and a total of eight specific sequences. He served as co-chair of the Columbia University film program, and as a dean of FAMU, the American Film Institute and the USC School of Cinema-Television. He was also an Artistic Director of the Sundance Institute.
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Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills–Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypes often involved in crime. The genre does rank among the first after the race films in the 1940s and 1960s in which black characters and communities are the protagonists and subjects of film and television, rather than sidekicks supportive characters, antagonists or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s.
Ho Meng Hua was a Chinese film director from Shanghai, working in the Cinema of Hong Kong and the Cinema of Taiwan.
Pearl Bowser was an American author, collector, television director, film scholar, film director, producer, filmmaker, independent distributor and film archivist. Along with her peers Mel Roman and Charles Hobson, Bowser researched and curated "The Black Film" retrospective at the Jewish Museum in 1970. This prompted a new wave of public interest into "exhibiting, producing, and engaging with African American cinema beyond borders". Most of her exalted career was spent traveling the globe in order to cultivate audiences for marginalized filmmakers. An example of her efforts, and also her most groundbreaking work, manifested in her research on "early-1900s Black film pioneer Oscar Micheaux". This research can be seen in her book on the first ten years of the career of Oscar Micheaux, an African-American who directed 40 "race pictures" between 1918 and 1940. She is thus credited for having helped rediscover some of Oscar Micheaux's rare surviving films. She is the founder of African Diaspora Images, a collection of visual and oral histories that documents the history of African-American filmmaking. Part of her journey included teaching young people film in the 1960s and 1970s.
References
- ↑ Gelmis, Joseph (13 Sep 1972). "Black Movies: Hollywood's Big Box-Office Kick". Austin American-Statesman. Retrieved 2020-06-07.
- 1 2 McKay, Elisa (February 24, 2023). "Red Carpet Memorial Tribute for Director Oscar S. Williams at Caribbean Cinemas Sunday". St. Thomas Source. Retrieved September 27, 2023.
- ↑ "Death Drug". Turner Classic Movies . United States: Turner Broadcasting System . Retrieved July 16, 2018.
