Rumble Fish | |
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![]() Theatrical release poster by John Solie | |
Directed by | Francis Ford Coppola |
Screenplay by | S. E. Hinton Francis Ford Coppola |
Based on | Rumble Fish by S. E. Hinton |
Produced by | Francis Ford Coppola Doug Claybourne Fred Roos |
Starring | |
Cinematography | Stephen H. Burum |
Edited by | Barry Malkin |
Music by | Stewart Copeland |
Production company | |
Distributed by | Universal Pictures |
Release date |
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Running time | 94 minutes |
Country | United States |
Language | English |
Budget | $10 million |
Box office | $2,494,480 [1] |
Rumble Fish is a 1983 American drama film directed by Francis Ford Coppola. It is based on the 1975 novel Rumble Fish by S. E. Hinton, who also co-wrote the screenplay with Coppola. The film stars Matt Dillon, Mickey Rourke, Vincent Spano, Diane Lane, Diana Scarwid, Nicolas Cage, Chris Penn, and Dennis Hopper.
The film centers on the relationship between a character called the Motorcycle Boy (Rourke), a revered former gang leader wishing to live a more peaceful life, and his younger brother, Rusty James (Dillon), a teenaged hoodlum who aspires to become as feared as his brother.
Coppola wrote the screenplay for the film with Hinton on his days off from shooting The Outsiders . He made the films back-to-back, retaining much of the same cast and crew, particularly Matt Dillon and Diane Lane. [2] Rumble Fish is dedicated to Coppola's brother August. [3]
The film is notable for its avant-garde style with a film noir feel, shot on stark high-contrast black-and-white film, using the spherical cinematographic process with allusions to French New Wave cinema and German Expressionism. Rumble Fish features an experimental score by Stewart Copeland, drummer of the musical group The Police, who used a Musync, a new device at the time. [4]
In Tulsa, Oklahoma, Rusty James is the younger brother of "The Motorcycle Boy", a legendary figure amongst the gangs in the area who brokered peace between them. The Motorcycle Boy has been missing for two months, leaving the gangs to start to dissolve as heroin takes over the streets, while Rusty James tries to live up to his reputation.
Rusty James fights a rival gang leader and gets the upper hand, but is distracted by the Motorcycle Boy's return, causing him to be wounded. The Motorcycle Boy runs the man down with his cycle before nursing Rusty James back to health. Rusty James's awkward, nerdy friend Steve helps the Motorcycle Boy, but is wary due to his rumored insanity similar to that of his long-absent mother. The brothers spend time with their impoverished, alcoholic father, who notes that the Motorcycle Boy takes after his mother.
Rusty James quits school after his fighting gets him suspended and cheats on his girlfriend Patty at a party hosted by his friend Smokey. She breaks up with him and Smokey accosts her, making Rusty James realize that the party was set up so Smokey could take advantage of the situation and date her. Steve and the brothers go drinking and the Motorcycle Boy mentions that he found his mother dating a television producer while out in California and laments not getting to see the Pacific Ocean. Steve and Rusty James are mugged as they leave a bar, and Rusty James is beaten to the point where he has a brief out-of-body experience. The Motorcycle Boy saves them and tries to convince Rusty James to leave the gang life, but Steve decries him as insane, which Rusty James starts to believe.
Rusty James finds the Motorcycle Boy in a pet store, where he is taken with the Siamese fighting fish (which he dubs "rumble fish" and are the only element of color in the film, as the Motorcycle Boy is colorblind). Patterson, a police officer who hates the Motorcycle Boy, regards them with suspicion. Rusty James's father tells him that the Motorcycle Boy and their mother are people with an "acute perception" rather than crazy.
The brothers ride back to the pet store, where the Motorcycle Boy sets the animals loose while Rusty James fails to convince him to return to gang life. As the Motorcycle Boy asks him to take his cycle to the Pacific and hurries to a nearby river to drop the fighting fish, he is shot dead by a patrolling Patterson. Rusty James takes the fish and finishes carrying them to the river before speeding away on the motorcycle, taking it to the ocean.
Francis Ford Coppola was drawn to S. E. Hinton's novel Rumble Fish because of the strong personal identification he had with the subject matter — a younger brother who hero-worships an older, intellectually superior brother, which mirrored the relationship between Coppola and his brother, August. [5] A dedication to August appears as the film's final end credit. The director said that he "started to use Rumble Fish as my carrot for what I promised myself when I finished The Outsiders ". [6] Halfway through the production of The Outsiders, Coppola decided that he wanted to retain the same production team, stay in Tulsa, and shoot Rumble Fish right after The Outsiders. He wrote the screenplay for Rumble Fish with Hinton on Sundays, their day off from shooting The Outsiders. [5]
Warner Bros. was not happy with an early cut of The Outsiders and passed on distributing Rumble Fish. [7] Despite the lack of financing, Coppola recorded the film on video, in its entirety, during two weeks of rehearsals in a former school gymnasium and afterwards was able to show the cast and crew a rough draft of the film. [8] To get Rourke into the mindset of his character, Coppola gave him books written by Albert Camus and a biography of Napoleon. [9] The Motorcycle Boy's look was patterned after Camus complete with trademark cigarette dangling out of the corner of his mouth — taken from a photograph of the author that Rourke used as a visual handle. [10] Rourke remembers that he approached his character as "an actor who no longer finds his work interesting". [7]
Coppola hired Michael Smuin, a choreographer and co-director of the San Francisco Ballet, to stage the fight scene between Rusty James and Biff Wilcox because he liked the way he choreographed violence. [8] He asked Smuin to include specific visual elements: a motorcycle, broken glass, knives, gushing water and blood. The choreographer spent a week designing the sequence. Smuin also staged the street dance between Rourke and Diana Scarwid, modeling it after one in Picnic featuring William Holden and Kim Novak. [8]
Before filming started, Coppola ran regular screenings of old films during the evenings to familiarize the cast, and in particular the crew, with his visual concept for Rumble Fish. [8] Most notably, Coppola showed Anatole Litvak's Decision Before Dawn , the inspiration for the film's smoky look, F. W. Murnau's The Last Laugh to show Matt Dillon how silent actor Emil Jennings used body language to convey emotions, and Robert Wiene's The Cabinet of Dr. Caligari , which became Rumble Fish's "stylistic prototype". [8] Coppola's extensive use of shadows, oblique angles, exaggerated compositions, and an abundance of smoke and fog are all hallmarks of these German Expressionist films. Godfrey Reggio's Koyaanisqatsi , shot mainly in time-lapse photography, motivated Coppola to use this technique to animate the sky in his own film. [8]
Six weeks into production, Coppola made a deal with Universal Studios and principal photography began on July 12, 1982 with the director declaring, "Rumble Fish will be to The Outsiders what Apocalypse Now was to The Godfather ." [10] He shot in deserted areas at the edge of Tulsa with many scenes captured via a hand-held camera in order to make the audience feel uneasy. He also had shadows painted on the walls of the sets to make them look ominous. [11] In the dream sequence where Rusty James floats outside of his body Matt Dillon wore a body mold which was moved by an articulated arm and also flown on wires. [12]
To mix the black-and-white footage of Rusty James and the Motorcycle Boy in the pet store looking at the Siamese fighting fish in color, Burum shot the actors in black and white and then projected that footage on a rear projection screen. They put the fish tank in front of it with the tropical fish and shot it all with color film. [13] Filming finished by mid-September 1982, on schedule and on budget. [11]
The film is notable for its avant-garde style, shot on stark high-contrast black-and-white film, using the spherical cinematographic process with allusions to French New Wave cinema. The striking black-and-white photography of the film's cinematographer, Stephen H. Burum, lies in two main sources: the films of Orson Welles and German cinema of the 1920s. [14] When the film was in its pre-production phase, Coppola asked Burum how he wanted to film it and they agreed that it might be the only chance they were ever going to have to make a black-and-white film. [12]
Rumble Fish: Original Motion Picture Soundtrack | ||||
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Soundtrack album by | ||||
Released | November 8, 1983 | |||
Recorded | 1983 | |||
Genre | Soundtrack | |||
Length | 43:08 | |||
Label | A&M | |||
Producer | Stewart Copeland | |||
Stewart Copeland chronology | ||||
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Singles from Rumble Fish (Original Motion Picture Soundtrack) | ||||
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Coppola envisioned a largely experimental score to complement his images. [15] He began to devise a mainly percussive soundtrack to symbolize the idea of time running out. As Coppola worked on it, he realized that he needed help from a professional musician. He asked Stewart Copeland, then drummer of the musical group The Police, to improvise a rhythm track. Coppola soon concluded that Copeland was a far superior composer and let him take over. [15] Copeland recorded street sounds of Tulsa and mixed them into the soundtrack with the use of Musync—a music and tempo editing hardware and software system invented by Robert Randles (subsequently nominated for an Oscar for Scientific Achievement), to modify the tempo of his compositions and synchronize them with the action in the film. [16] [15]
An edited version of the song "Don't Box Me In", a collaboration between Copeland and singer/songwriter Stan Ridgway, was released as a single and enjoyed significant radio airplay.
All songs written by Stewart Copeland, except where noted.
Coppola did not employ the flashback structure of the novel. [17] He also removed a few passages from the novel that further established Steve and Rusty James' relationship in order to focus more on the brothers' relationship.
The theme of time passing faster than the characters realize is conveyed through time-lapse photography of clouds racing across the sky and numerous shots of clocks. The black-and-white photography was meant to convey the Motorcycle Boy's color blindness while also evoking film noir through frequent use of oblique angles, exaggerated compositions, dark alleys, and foggy streets. [19]
Coppola utilized many new filmmaking techniques never before used in the production of a commercial motion picture, and the film was well received on the independent circuit. At the San Sebastián International Film Festival, it won the International Critics' Big Award. At its world premiere at the New York Film Festival however, there were several walkouts and at the end of the screening, boos and catcalls. [20] Former head of production at Paramount Pictures Michael Daly remembers legendary producer Robert Evans' reaction to Coppola's film, "Evans went to see Rumble Fish, and he remembers being shaken by how far Coppola had strayed from Hollywood. Evans says, 'I was scared. I couldn't understand any of it.'" [6]
The film was first released on VHS in 1984 and on DVD on September 9, 1998 with no extra material. A special edition was released on September 13, 2005 with an audio commentary by Coppola, six deleted scenes, a making-of featurette, a look at how Copeland's score was created and the "Don't Box Me In" music video. In August 2012, The Masters of Cinema Series released a special Blu-ray edition of the film (and accompanying Steelbook edition) in the UK. In April 2017, the Criterion Collection released the film on Blu-ray and DVD. Chuck Bowen, in a review of the blu-ray edition, referred to Rumble Fish as one "of Francis Ford Coppola's most underrated and deeply felt films." He suggests that with the blu-ray edition, it "receives a gorgeously ephemeral restoration that should hopefully jump-start its reevaluation as an essential American work." [21]
Rumble Fish was released on October 8, 1983 and it only grossed $18,985 on its opening weekend, playing in one theater. Its widest release was in 296 theaters and it was a box office disaster, grossing only $2.5 million domestically. [1] Its estimated budget was $10 million; a large sum for the time.
Jay Scott wrote for The Globe and Mail , "Francis Coppola, bless his theatrical soul, may have the commercial sense of a newt, but he has the heart of a revolutionary, and the talent of a great artist." [22] Jack Kroll in his review for Newsweek stated: "Rumble Fish is a brilliant tone poem ... Rourke's Motorcycle Boy is really a young god with a mortal wound, a slippery assignment Rourke handles with a fierce delicacy.". [23] David Thomson has written that Rumble Fish is "maybe the most satisfying film Coppola made after Apocalypse Now ". [24] . Sofia Coppola named it as her favorite among her father's movies in an interview with The Guardian. [25] [26] Coppola himself has variously called it his favorite of his own movies and as among his three favorites, saying it "was the film I really wanted to make". [27]
Film critic Roger Ebert gave the film three-and-a-half out of four stars and wrote, "I thought Rumble Fish was offbeat, daring, and utterly original. Who but Coppola could make this film? And, of course, who but Coppola would want to?" [28] In her review for The New York Times , Janet Maslin wrote that "the film is so furiously overloaded, so crammed with extravagant touches, that any hint of a central thread is obscured". [29] Gary Arnold in The Washington Post wrote, "It's virtually impossible to be drawn into the characters' identities and conflicts at even an introductory, rudimentary level, and the rackety distraction of an obtrusive experimental score ... frequently makes it impossible to comprehend mere dialogue". [30] Time magazine's Richard Corliss wrote, "In one sense, then, Rumble Fish is Coppola's professional suicide note to the movie industry, a warning against employing him to find the golden gross. No doubt: this is his most baroque and self-indulgent film. It may also be his bravest." [31] David Denby in New York and Andrew Sarris in The Village Voice gave the film harsh reviews. [32]
Rumble Fish earned 76% based on 37 reviews at Rotten Tomatoes. [33] The film has a weighted average score of 63/100 on Metacritic. [34]
Rumble Fish won the highest prize in the 32nd San Sebastián International Film Festival, the International Critics' Big Award. [35]
Francis Ford Coppola is an American film director, producer, and screenwriter. He is considered one of the leading figures of the New Hollywood film movement of the 1960s and 1970s and is widely considered one of the greatest directors of all time. Coppola is the recipient of five Academy Awards, six Golden Globe Awards, two Palmes d'Or, and a British Academy Film Award (BAFTA).
Christopher Thomas Howell is an American actor. He has starred in the films Soul Man, The Hitcher, Grandview U.S.A., Red Dawn, Secret Admirer, and The Outsiders. He has also appeared in Gettysburg and Gods and Generals as Thomas Chamberlain; E.T. the Extra-Terrestrial; The Amazing Spider-Man; Justice League: The Flashpoint Paradox; and Suicide Squad: Hell to Pay.
Susan Eloise Hinton is an American writer best known for her young-adult novels (YA) set in Oklahoma, especially The Outsiders (1967), which she wrote during high school. Hinton is credited with introducing the YA genre.
Matthew Raymond Dillon is an American actor. He has received various accolades, including an Academy Award nomination and Grammy nomination.
Philip Andre "Mickey" Rourke Jr. is an American actor and former professional boxer who has appeared primarily as a leading man in drama, action, and thriller films.
The Outsiders is a coming-of-age novel by S.E. Hinton published in 1967 by Viking Press. The book details the conflict between two rival gangs of White Americans divided by their socioeconomic status: the working-class "Greasers" and the upper-middle-class "Socs". The story is told in first-person perspective by teenage protagonist Ponyboy Curtis, and takes place in Tulsa, Oklahoma in 1965, although this is never explicitly stated in the book.
That Was Then, This Is Now is a coming-of age, young adult novel by S. E. Hinton, first published in 1971. Set in the 1960s, it follows the relationship between two brothers, Mark Jennings and Bryon Douglas, who are foster brothers, but find their relationship rapidly changing and deteriorating. The book was later adapted into a 1985 film starring Emilio Estevez and Craig Sheffer.
Stanard "Stan" Ridgway is an American singer-songwriter, and film and television composer known for his distinctive voice, dramatic lyrical narratives, and eclectic solo albums. He was the original lead singer and a founding member of the band Wall of Voodoo.
This is a summary of mass communications media in Tulsa, Oklahoma.
Daniel O'Connor, better known as Danny Boy or Danny Boy O'Connor, is an American rapper, art director, and the executive director of The Outsiders House Museum. O'Connor spent his childhood in New York, before moving to Los Angeles in the 1980s. In the 1990s, O'Connor co-founded the rap group House of Pain, with fellow rapper Erik Schrody (Everlast) and DJ Leor Dimant. Based on their cultural heritage they fashioned themselves as rowdy Irish-American hooligans. O'Connor played the role of art director, designing logos, branding, hype man, and co-rapper. In 1992, with the singles "Jump Around" and "Shamrocks and Shenanigans", their self-titled debut album, also known as Fine Malt Lyrics, went platinum.
The Outsiders is a 1983 American coming-of-age crime drama film directed by Francis Ford Coppola. The film is an adaptation of the 1967 novel of the same name by S. E. Hinton and was released on March 25, 1983, in the United States. Jo Ellen Misakian, a librarian at Lone Star Elementary School in Fresno, California, and her students were responsible for inspiring Coppola to make the film.
Tex is a novel by S. E. Hinton, published in 1979. The book takes place in the same universe as Hinton's first book The Outsiders, but in a rural town called Garyville, Oklahoma, a fictional suburb of Tulsa.
Gian-Carlo Coppola was an American film producer and actor. He was the oldest child of set decorator/artist Eleanor Coppola and film director Francis Ford Coppola, and brother to screenwriter/producer Roman Coppola and director Sofia Coppola.
The Outsiders is an American drama television series that aired from March 25 to July 22, 1990 on Fox. Based on the characters from the 1967 novel of the same title by S. E. Hinton, the series' executive producer was the 1983 film's director Francis Ford Coppola.
Tex is a 1982 American coming-of-age drama film directed by Tim Hunter in his directorial debut, from a screenplay by Charles S. Haas and Hunter, based on S. E. Hinton's best-selling 1979 novel of the same name. It follows two teenage brothers in rural Oklahoma and their struggle to grow up after their mother's death and their father's departure. The film stars Matt Dillon in the title role, with Jim Metzler, Meg Tilly, Emilio Estevez, in his film debut, Bill McKinney, Frances Lee McCain and Ben Johnson in supporting roles. Metzler was nominated for a Golden Globe Award for his performance.
Rumble Fish is a 1975 novel for young adults by S. E. Hinton, author of The Outsiders. It was adapted to film and directed by Francis Ford Coppola in 1983.
Rusty James is a fictional character in author S. E. Hinton's 1975 novel Rumble Fish. The book was adapted to film and directed by Francis Ford Coppola in 1983. In the film, Rusty-James is played by Matt Dillon. In the book, Rusty James is a tall 14 year old kid in Junior High School with dark red hair and Hershey brown eyes.
The Outsiders House Museum is a museum in Tulsa, Oklahoma, about Francis Ford Coppola's coming-of-age movie,The Outsiders (1983), and the 1967 novel by the same name it adapts by S. E. Hinton. It aims to preserve the house which served as the primary film set for the Curtis Brothers. The museum was created by hip-hop artist Danny Boy O'Connor, who is a long-time fan of The Outsiders.
The Outsiders is a 2023 musical with music and lyrics by Jonathan Clay and Zach Chance from the folk rock band Jamestown Revival alongside Justin Levine and a book by Adam Rapp and Levine. It is based on The Outsiders, first published in 1967 and written by S. E. Hinton, and on its 1983 film adaptation written by Kathleen Rowell and directed by Francis Ford Coppola. In 1990, playwright Christopher Sergel published a play version of the story.
Ponyboy Curtis is a fictional character and the main protagonist of S. E. Hinton's 1967 novel The Outsiders. On screen, he is played by C. Thomas Howell in Francis Ford Coppola's 1983 film adaptation and by Jay R. Ferguson in the 1990 sequel TV series. Brody Grant originated the role on stage in the 2023 stage musical adaptation.
I don't mean to overpraise Rumble Fish, but I think it is a haunting evocation of teenage years and maybe the most satisfying film Coppola made after Apocalypse Now.