The clean-cut members of the local sportscar club are enjoying summer in Malibu, California - driving their Corvettes, going to the beach, hanging out at the malt shop. But tensions simmer, nonetheless. Rick Martin (Clarke) and Bart Thorson (Bob Turnbull) both consider Janet Pearson (Lime) to be "their" girl. The boys almost come to blows, but Rick refuses to fight.
Rick lives with his mother, Norma (Wray), a war widow, and Gramps (Ted Wedderspoon), his paternal grandfather. The stern Gramps believes that Norma is coddling Rick by giving him an expensive sportscar and letting him loaf away the summer.
A motorcycle gang with leather jackets, greasy hair, motorcycle boots and long sideburns invades the malt shop, rudely ordering beer instead of the Cokes that the sportscar kids drink. The lone motorcycle girl is unlike the sportscar girls. She wears tight pants instead of dresses, and smokes cigarettes, and when she and one of the sportscar girls collide rumps while dancing, she says angrily, "Pull in your bumper, sister!" The two fight. Bart bumps the arm of Silva (Gabe DeLutri), the gang's leader, but makes it look as if Rick caused Silva to spill his beer. Silva challenges Rick to a fight, but Rick walks away.
Outside the malt shop, Silva again challenges Rick. This time Rick loses his temper and in the ensuing fight pins Silva to the ground. As the gang leaves, a humiliated Silva menacingly tells Rick that "this is only round one." Bart aligns himself with the motorcyclists because with Rick out of the way, Janet will be all his.
The sportscar boys enter a road race. Bart, trailing in second place, forces Rick out of the lead and goes on to win. Rick confronts Bart, accepting Bart's dare to a "train drag," in which they park their cars side by side on railway tracks and face a train speeding toward them at 90mph (146km/h). The "winner" is the driver who moves out of the way last, after the "loser" has chickened out and sped away. Rick wins, but realizing that he could have been killed, admits his stupidity to Janet.
After Bart tells the motorcycle gang where Rick is, they chase Rick up a mountain road. Silva pulls his motorcycle alongside Rick's Corvette, swinging wildly at him with a large wrench. After several misses, Rick stomps on his brakes and Silva accidentally hits fellow gang member Gordie (Barry Truex) on the head. Gordie fatally crashes; Silva blames Rick. An honourable Rick turns himself in to face a manslaughter charge.
When the sportscar kids read a newspaper article about Rick, they're shocked that he had spent six months in reform school for beating a boy when he was 14. Rick tells Janet that the boy had pulled a knife on him, but he was convicted as the boy was the son of "some bigshot politician." It is the reason Rick avoids fighting.
Bart tips off the gang that Rick and Janet are at the beach. They ambush the couple. Silva produces a speargun, intending to kill them to avenge Gordie's death. But just as Silva fires, Janet breaks free and the spear strikes Bart, who had been forced against his will to restrain Janet while Silva shoots her. A brawl erupts.
Norma and Gramps arrive. Instead of trying to stop the mayhem, though, Gramps encourages Rick to fight. A police car pulls up. The officers fire their guns into the air to stop the brawl and quickly arrest the motorcyclists. Bart survives being speared. Rick and Janet walk arm-in-arm down the beach, away from everything.
The film's working title was Teenage Rumble;[2] in the UK the film had the more sober title, The Reckless Age, but it also ran as Dragstrip Riot. The British Board of Film Censors (BBFC) approved the film under both titles for exhibition in the UK after reviewing it on 21 May 1958 and requiring that unspecified cuts be made. The BBFC issued the movie an A-certificate, which meant that it was "more suitable for adults."[3][4]
Dragstrip Riot was in production at Sunset Stages in Los Angeles between 19 August and "early September" 1957, with location filming done in Malibu itself and at Paradise Cove, a beach in Malibu.[2] The film's premiere in March 1958, along with that of The Cool and the Crazy, "may have been" in Kansas City, Missouri, where The Cool and the Crazy had been filmed in its entirety.[5]
Clarke said in an interview with academic film historian Tom Weaver that the film had had three directors: credited director David Bradley, producer O'Dale Ireland and someone who lasted such a short time that he couldn't remember his name. As a result, he said, the actors "mostly directed ourselves." Although the film is listed as being in production for three weeks, Clarke said in the same interview that Dragstrip Riot was actually shot over a six-month period, although the actors were only paid for the contractual three weeks.[6]
Dragstrip Riot was Wray's final film[7] and Clarke's first.[8]
Distribution
Dragstrip Riot was distributed in the US by AIP;[2] in Canada by Astral Pictures;[9] and in the UK by Anglo Amalgamated.[3]
The film was sold twice into US television syndication: in 1965 as part of the 69-film "AIP Package" from Screen Entertainment[10] and again in 1971 by AIP as part of its 26-film "A.I.P. Feature Group" package.[5]
Reception
Dragstrip Riot got mixed reviews from the publications consulted by BoxOffice magazine for its weekly "Review Digest." Film Daily rated it as "good"; BoxOffice, Harrison's Reports and Variety called it "fair"; and The Hollywood Reporter ranked it as "poor."[11] But in terms of audience, the film scored an average of 101 points on the "Boxoffice Barometer," where reports from various cities were compiled on a scale on which 100 points represented "average" box office receipts. Four cities reported above-average scores: Kansas City at 140; Denver and Milwaukee, 125 each; and Buffalo, 115. Detroit had an average score of 100. Below-average scores were recorded in San Francisco and Portland, 90 each; Boston, 75; and Los Angeles, 50.[12]
The BoxOffice review had little to say about the film itself. However, it did note that Dragstrip Riot and The Cool and the Crazy were marketed as a "package." The magazine said that AIP specialized in "those modestly budgeted programmers for which the product-starved exhibitors were screaming. Then to make doubly sure that their product commanded the attention they had foreseen, they started pairing them, thus giving unprecedented importance to the so-called package deals which have proven so financially successful (...)." Comparing the two movies, the anonymous reviewer wrote that "As concerns script, performances, production, etc., it's about a tossup as to which of the offerings in the better."[13]
The movie was given a rather bad review by the RochesterDemocrat and Chronicle newspaper. Reviewer JW called it "a hideous little production that maligns teen-agers generally" and wrote that "Besides being a sloppy picture that deals with sick kids, it is a third rate production from the standpoint to cast and direction."[14] It was playing at the time of the review at the Paramount Theater in Rochester on a 10:30 pm "Twin Rock 'N Roll Show" as the first film on a double bill with The Cool and the Crazy.[15]
Academic film historian Peter Stansfeld contrasts the train drag in Dragstrip Riot with the over-the-cliff chicken race in Rebel Without a Cause (1955). He writes that the train drag sequence is constructed in such a way that "filmmakers are tantalizing their audience with thrills" that they don't see. "The movie is thus rendered as a harmless and uncontroversial entertainment," he continues. "The film's lack of affect, however, was more certainly a consequence of the fact the filmmakers did not have the resources to produce the kind of finely-honed cinematic rendering of danger, suspense, and thrills that was achieved in Rebel.[16]
In 2019 film critic Rob Craig described Dragstrip Riot as being a "trite melodrama of the soap opera variety" and "a wheezy, long-winded affair which seems to go on forever."[5]
Music
Music for Dragstrip Riot was composed and conducted by Nicholas Carras, with song lyrics by Carl Eugster.[2] According to the website Ringostrack, the songs "Teenage Rumble," "Rock & Rollin Joe" and "Only One to a Customer" were performed by the Rip Chords. Connie Stevens, accompanied by The Rip Chords, sang "Something New" and "Jamaica Rock."[17]
Although unrelated to the movie, the Seattle alternative rock/punk band The Flesh Eaters released a recording titled "Dragstrip Riot," which is also the title of a song on it. An LP, cassette and CD were issued by SST Records in 1991.[18]
Related Research Articles
American International Pictures LLC is an American film production company owned by Amazon MGM Studios. In its original operating period, AIP was an independent film production and distribution company known for producing and releasing films from 1955 until 1980, a year after its acquisition by Filmways in 1979.
Grease 2 is a 1982 American musical romantic comedy film, and a standalone sequel to the 1978 film Grease, adapted from the 1971 musical of the same name by Jim Jacobs and Warren Casey. Originally titled More Grease, the film was produced by Allan Carr and Robert Stigwood, and directed and choreographed by Patricia Birch, who choreographed the original stage production and prior film. The plot returns to Rydell High School two years after the original film's graduation, with a largely new cast, led by Maxwell Caulfield and Michelle Pfeiffer in her first starring role.
Rumble Fish is a 1983 American drama film directed by Francis Ford Coppola. It is based on the 1975 novel Rumble Fish by S. E. Hinton, who also co-wrote the screenplay with Coppola. The film stars Matt Dillon, Mickey Rourke, Vincent Spano, Diane Lane, Diana Scarwid, Nicolas Cage, Chris Penn, and Dennis Hopper.
The Wild Angels is a 1966 American independent outlaw biker film produced and directed by Roger Corman. Made on location in Southern California, The Wild Angels was the first film to associate actor Peter Fonda with Harley-Davidson motorcycles and 1960s counterculture. It inspired the biker film genre that continued into the early 1970s.
The beach party film is an American film genre of feature films which were produced and released between 1963 and 1968, created by American International Pictures (AIP), beginning with their surprise hit, Beach Party, in July 1963. With this film, AIP is credited with creating the genre. In addition to the AIP films, several contributions to the genre were produced and released by major and independent studios alike. According to various sources, the genre comprises over 30 films, with the lower-budget AIP films being the most profitable.
The Cool and the Crazy is a 1958 motion picture that was distributed by American-International Pictures as a double feature with Dragstrip Riot. It stars Scott Marlowe and Gigi Perreau.
Dr. Goldfoot and the Bikini Machine is a 1965 Pathécolor comedy film directed by Norman Taurog and distributed by American International Pictures. Starring Vincent Price, Frankie Avalon, Dwayne Hickman, Susan Hart and Jack Mullaney, and featuring Fred Clark, the film is a parody of the then-popular spy trend, made using actors from AIP's beach party and Edgar Allan Poe films. The film was retitled Dr G. and the Bikini Machine in England due to a threatened lawsuit from Eon, holder of the rights to the James Bond series.
John Ashley was an American actor, producer and singer. He was best known for his work as an actor in films for American International Pictures, producing and acting in horror films shot in the Philippines, and for producing various television series, including The A-Team.
The Principal is a 1987 action thriller film starring Jim Belushi, Louis Gossett Jr. and Rae Dawn Chong. Written by Frank Deese and directed by Christopher Cain, it was filmed in Oakland, California, and at Northgate High School in nearby Walnut Creek and distributed by TriStar Pictures on Panavision. Belushi reprised his role as Rick Latimer in the 1991 film Abraxas, Guardian of the Universe.
The outlaw biker film is a film genre that portrays its characters as motorcycle riding rebels. The characters are usually members of an outlaw motorcycle club.
Alex Gordon was a British film producer and screenwriter.
Hot Rod Girl is an independent, black-and-white 1956 teen-oriented action film produced by Norman T. Herman, directed by Leslie H. Martinson and released by American International Pictures as a double feature with Girls in Prison. Hot Rod Girl stars Lori Nelson, Chuck Connors and John Smith. The film centers on efforts to keep hot-rodding teenagers from dangerous drag racing on city streets and having them move to the safety of a specialized drag strip, and the consequences when an aggressive newcomer to town goads them into street racing again.
Hummie Mann is a Canadian-born American film score composer. His credits include the Mel Brooks films Robin Hood: Men in Tights and Dracula: Dead and Loving It.
Lou Rusoff was a Canadian-born screenwriter and producer best known for his work with American International Pictures.
Dragstrip Girl is a 1957 film starring John Ashley in his first lead role. American International Pictures released the film as a double feature with Rock All Night and it proved an early success for the studio.
Motorcycle Gang is a 1957 film which is a semi-remake of Dragstrip Girl. It was released by American International Pictures as a double feature with Sorority Girl.
Ghost of Dragstrip Hollow is a 1959 AIP horror comedy film. It was a sequel to their film Hot Rod Gang. American International Pictures released the film in July 1959 as a double feature with Diary of a High School Bride.
Paul Blaisdell was an American painter, sculptor and visual effects creator, best remembered for his work in science fiction and horror B movies of the 1950s.
Silence is a 1931 American pre-Code crime film directed by Louis J. Gasnier and Max Marcin and written by Max Marcin, adapted from his play. The film stars Clive Brook, Marjorie Rambeau, Peggy Shannon, Charles Starrett, Willard Robertson, John Wray and Frank Sheridan. It was released on August 29, 1931, by Paramount Pictures.
References
↑ Gary A. Smith, American International Pictures: The Golden Years, Bear Manor Media 2013 p 76
1 2 3 Craig, Rob (2019). American International Pictures: A Comprehensive Filmography. Jefferson NC: McFarland & Company Inc. pp.98, 137, 430. ISBN978-1-4766-6631-0.
↑ p. 17 Weaver, Tom Gary Clarke Interview in Earth vs. the Sci-Fi Filmmakers: 20 Interviews McFarland, 23 Jun. 2014
↑ Wise, Wyndham, ed. (2001). Take One's Essential Guide to Canadian Film. Toronto, Ontario, Canada: University of Toronto Press Inc. p.226. ISBN978-0-8020-8398-2.
↑ Heffernan, Kevin (2004). Ghouls, Gimmicks, and Gold: Horror Films and the American Movie Business 1953–1968. Durham NC: Duke University Press. pp.252–253. ISBN978-0-8223-3215-2.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
