The Rip Chords

Last updated
The Rip Chords
Origin Inglewood, California, United States
Genres Pop, surf rock, hot rod music
Years active1962–1965
MembersOriginal members (1962-65)

The Rip Chords were an early-1960s American vocal group, originally known as the Opposites, composed of Ernie Bringas and Phil Stewart. [1] The group eventually expanded into four primary voices, adding Columbia producer Terry Melcher and co-producer Bruce Johnston (best known as a member of the Beach Boys). This group came to be associated with the hot-rod and surf genres of that day, although their first single ("Here I Stand") did not reflect those styles. They recorded for Columbia Records in Hollywood from 1962 to 1965. The group placed five singles on the Billboard Hot 100. They are best known for their number-four single: "Hey Little Cobra".

Contents

Group history

Bringas and Stewart became acquainted during the mid-1950s as students at Inglewood High School (about ten miles south of Hollywood). They discovered some complementary musical talents and struck up a friendship. Encouraged by their singing compatibility, they were determined to secure a recording contract. They eventually came to the attention of Arwin Records/Daywin Music in 1962. [2]

Actress-singer Doris Day and her husband, film producer Marty Melcher, owned Arwin Records and Daywin Music. Their son, Terry Melcher, had just been hired by Columbia Records as an A&R (artist and repertoire) producer. Arwin Records vice-president Bob Crystal saw potential in Bringas and Stewart's voices, and quickly arranged for an audition at Columbia Records. [3]

Columbia Contract

Following the audition, Terry Melcher signed Bringas and Stewart to a recording contract at Columbia. Their moniker, the Opposites, seemed apropos at the time because Bringas was studying for the ministry and Stewart was a private detective. But shortly before their first release, the name was changed to the Rip Chords. [4] The change was prompted by concerns that the Opposites could falsely imply a positive versus negative image of the two friends. According to Melcher, "Actually, I gave them the name and it was just a play on words. It had nothing to do with the TV show Ripcord (spelled without the h)." [4]

The Rip Chords were a vocal group. They were not a band (no musical instruments, although Stewart played limited guitar). [5] Accordingly, Bringas and Stewart needed to be backed instrumentally by studio musicians. These musicians, including guitarist Glen Campbell, drummer Hal Blaine, and bassist Ray Pohlman, and other prominent instrumentalists, were known as the Wrecking Crew.

Terry Melcher produced the Rip Chords' first release, "Here I Stand", a remake of the Wade Flemons version. Recorded on December 17, 1962, [6] it peaked at No. 51 on the Billboard Hot 100 in early 1963. Bringas and Stewart were the only singers on the first release. Bringas sang the lead, the falsetto, and also joined Stewart on the background vocals. [7] Bringas and Stewart agreed that "Glen Campbell...gave the song a great lift with his lead guitar. Recent remix attempts have watered down his contribution, but on the original release, the imprint of his lead guitar is indelible." [8]

The group's second single, again produced by Melcher, was "Gone", recorded April 26, 1963. [9] Bringas sang the lead and the falsetto, with Bringas and Stewart doing layered background vocals. Bruce Johnston (a friend of Melcher) added an interjecting falsetto, and Blossoms member Gracia Nitzche performed the spoken word intro. [10] Although the song penetrated the Billboard Hot 100, it did not fare as well as the previous hit, "Here I Stand", [11] but did well in certain markets such as San Antonio, Texas, where it climbed to number two on KTSA's top 55 survey. [12]

Following the release of "Gone", a problem arose for the Rip Chords. Bringas had just graduated from California State University at Long Beach and was planning to do graduate work at United Theological Seminary in Dayton, Ohio, where he eventually earned his Master of Divinity degree. His educational responsibilities would not allow time for the touring aspect of a recording group. [13]

Hey Little Cobra - Single

Due to his ministerial studies, Bringas was unable to get back to Hollywood for the next recording session. This left Stewart momentarily without a singing partner. Melcher and co-producer Johnston stepped in vocally to fill the void created by Bringas' brief absence; Johnston had already sung with Bringas and Stewart on their second single "Gone". Melcher and Johnston would prove to be a significant addition as the Rip Chords prepared to record and release their third single. [14]

The Rip Chords' third single was the hit "Hey Little Cobra", vocally layered by Melcher and Johnston, recorded on October 15, 1963. Melcher sang the lead vocal. He and Johnston did the background vocals. [15] [16] The song peaked at No. 4 on the Billboard Hot 100 in February 1964. [17]

Initially, when the "Cobra" single was released, Johnston and Melcher did not receive any credit for their vocal participation. However, Melcher did receive credit as the producer. Following the “Cobra” single and album, both Melcher and Johnston were credited as the two producers on all Rip Chords’ music thereafter, but their vocal contributions remained uncredited. [18]

Ernie Bringas (left), co-founder of the Rip Chords, with Bruce Johnston after a July 7, 2012 Beach Boys 50th-anniversary concert in Phoenix, Arizona Ernie Bringas and Bruce Johnson.jpg
Ernie Bringas (left), co-founder of the Rip Chords, with Bruce Johnston after a July 7, 2012 Beach Boys 50th-anniversary concert in Phoenix, Arizona

Two Albums and a Touring Group

Following the "Hey Little Cobra" single, Bringas, having missed the previous recording session, was able to rejoin the group. However, based on the success of the ″Cobra″ single, the original Rip Chords (Bringas and Stewart) would now expand into four primary voices, adding Melcher and Johnston. [19] [20]

Although Bringas was back in the studio to record, he remained unavailable for touring because of his educational commitment. Therefore, as a practicality, two young men (Rich Rotkin and Arnie Marcus) were brought on board to tour with Stewart as the Rip Chords until the group disbanded in 1965. Thus, Stewart, Rotkin, and Marcus became the official touring version of the Rip Chords. However, Rotkin and Marcus were never vocally involved in any Rip Chords' recordings. [21] [22] Columbia Records never made a distinction between the recording Rip Chords and the touring Rip Chords. On the contrary, it was only the touring Rip Chords that were promoted in all of the publicity campaigns. Their names and pictures appeared in ads, interviews, photoshoots, magazines, album covers, and so forth. [23]

Additionally, the touring ensemble was invited to appear on Dick Clark's American Bandstand and toured on Clark's 1964 Caravan of Stars (which included the Supremes and other notables). They also performed in the 1965 Hollywood film, A Swingin' Summer , with Raquel Welch.Therefore, very few of the music industry and the public at large realized that the touring Rip Chords and the recording Rip Chords—with the exception of Stewart—were not the same people. [24]

The Rip Chords' first album (released in early 1964) was Hey Little Cobra and Other Hot Rod Hits, which peaked at No. 56 on the national charts. The album featured balanced contributions from Bringas, Stewart, Melcher, and Johnston. [25] Of the 11 vocals, Melcher sang lead on five, Bringas sang lead on five and Stewart sang lead on one. An instrumental by the Wrecking Crew filled out the album. Its cover listed Bringas and Stewart as vocalists, omitting Melcher and Johnston, and incorrectly including Rotkin and Marcus. [26] [27]

The group's fourth single was "Three Window Coupe", released in April 1964 with Melcher singing lead, peaking at No. 28 on the national charts. [28] Although all four singers contributed to the recording, the Melcher-Johnston sound predominated. Johnston and Melcher's experience and vocals were a major factor in the California Sound of the Rip Chords' music. [29]

The Three Window Coupe album (CS 9016 or CL 2216), released three weeks after the "Three Window Coupe" single, [28] added another 11 vocals: Melcher sang lead on six of them, Bringas and Stewart sang lead on four, and Melcher and Bringas shared the lead on one song ("My Big Gun Board"). [30] Like Hey Little Cobra and other Hot Rod Hits, its liner notes erroneously listed Rotkin and Marcus as vocalists and Melcher and Johnston's vocal involvement was not mentioned. [28] The 2006 Summer U.S.A.! The Best of the Rip Chords released by Sundazed Music clarified all musicians involved. [31] According to the re-released 2006 CD cover: "No group epitomized the sun-soaked California Sound better than the fabulous Rip Chords... Led by legendary producer Terry Melcher along with future Beach Boy Bruce Johnston and ace-vocalists Ernie Bringas and Phil Stewart, these long-board big-guns left an indelible mark on the surf'n strip sounds of the '60s..." There is a picture of that foursome — Terry Melcher, Bruce Johnston, Ernie Bringas, Phil Stewart — on the inside cover of the 2006 CD booklet, along with photos of the touring Rip Chords. [32]

The Rip Chords' last significant release was the single "One Piece Topless Bathing Suit" in June 1964, with Bringas and Melcher singing lead. [33] Although it reached the national charts, it failed to generate major activity. In February 1965 a final single, "Don't Be Scared", failed to chart nationally. [34]

Shortly after the release of "Don't Be Scared", the group disbanded after five singles on the Billboard Hot 100 and two albums reflecting the surf music of the day. Stephen J. McParland summarized, "But something as trendy and timely as the Rip Chords' sound and image also had a built-in clock, something like those little pop-up thermometers they used to implant in roasting chickens. When your time's up, you're done." [35] Melcher, Johnston, Bringas, and Stewart recorded no music as the Rip Chords after the breakup in 1965.

New Rip Chords

Rotkin and Marcus, who toured with Stewart, [20] [36] revived the group during the mid-1990s with additional members. The new group tours and records as the Rip Chords. In 2010, the new group released a Spectra Records CD entitled The Best of the Rip Chords ... Today (not to be confused with the 2006 Summer U.S.A. The Best of the Rip Chords released by Sundazed Music). The Sundazed release features the 1960s original singing Rip Chords, the Spectra release does not. [37]

Unreleased material and background vocals

In 2006 Sundazed Music [38] released Summer U.S.A.! The Best of the Rip Chords with four additional songs, three previously unreleased. The three unreleased songs were "Wiameah Bay", an instrumental by the Wrecking Crew, and two Rip Chords hot-rod songs ("Sting Ray" and "XKE") which had been in Columbia's vault since 1965. The fourth song was "Red Hot Roadster", originally scheduled for release as a single but instead appearing on the soundtrack of 1965's A Swingin' Summer. [39] Apart from the soundtrack and the 2006 CD, it was released in 1996 on the Sundazed Three Window Coupe CD. Bringas and Stewart sang background vocals on Surfin' USA by the Hot Doggers (Bruce & Terry). Also, the backing vocals on Pat Boone's version of “Beach Girl” are the vocals that are on the Rip Chords' version. [40] [41]

Discography

Singles

Albums

Hey Little Cobra and Other Hot Rod Hits: (Columbia, February 1964) #56. Billboard Album Chart.

Three Window Coupe: (Columbia, September 1964)

Summer U.S.A.! The Best of the Rip Chords: (Sundazed, 27 June 2006)

Related Research Articles

<span class="mw-page-title-main">Bruce & Terry</span> American 1960s rock music duo

Bruce & Terry was an American rock music duo from Los Angeles that was active from 1963 to 1965. Consisting of Columbia Records staff producers Bruce Johnston and Terry Melcher, the pair recorded under a variety of names, and most notably with the band the Rip Chords. After 1965, Johnston and Melcher reduced their collaborations together, but both producers continued to occasionally contribute to tracks by the Beach Boys, including on the albums Pet Sounds (1966), Still Cruisin' (1989), and Summer in Paradise (1992).

Surf music is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys.

<span class="mw-page-title-main">Bruce Johnston</span> American musician (born 1942)

Bruce Arthur Johnston is an American singer, musician, and songwriter who is a member of the Beach Boys. He also collaborated on many records with Terry Melcher and composed the 1975 Barry Manilow hit, "I Write the Songs".

The Fantastic Baggys were an American surf and hot rod group, created by P.F. Sloan and Steve Barri. The studio group released several unsuccessful singles. They released one album internationally, Tell 'Em I'm Surfin' (1964) on Imperial Records, and several singles and albums only in South Africa, where they proved to be briefly popular.

<i>Summer in Paradise</i> 1992 studio album by The Beach Boys

Summer in Paradise is the twenty-seventh studio album by American rock band the Beach Boys, released on August 3, 1992, by Brother Records. Produced by Terry Melcher, it is the only album not to feature any new contributions from Brian Wilson, and has been regarded as the band's critical and commercial low point, failing to chart in either the US or UK and receiving almost unanimously negative reviews. In North America, it was the group's first album to be released only on CD and cassette, with a rare vinyl pressing released only in South Korea. The Beach Boys did not record another album of predominately original material until That's Why God Made the Radio in 2012. Summer in Paradise was left out of Capitol's Beach Boys CD reissue campaign of 2000 to 2001, as well as all other reissues for most of the group's discography. Both it and its predecessor, Still Cruisin', are currently out of print. Summer in Paradise, along with Still Cruisin, were pulled from later re-releases due to poor public reception.

<i>Still Cruisin</i> 1989 studio album by The Beach Boys

Still Cruisin' is the twenty-sixth studio album by the Beach Boys, their thirty-fifth official album, and their last release of the 1980s. It is also the last album of new material released during a brief return to Capitol Records.

<span class="mw-page-title-main">Terry Melcher</span> American record producer (1942–2004)

Terrence Paul Melcher was an American record producer who was instrumental in shaping the mid-to-late 1960s California Sound and folk rock movements. His best-known contributions were producing the Byrds' first two albums Mr. Tambourine Man (1965) and Turn! Turn! Turn! (1965), as well as most of the hit recordings of Paul Revere & the Raiders and Gentle Soul. He is also known for his collaborations with Bruce Johnston and for his association with the Manson Family.

<span class="mw-page-title-main">Blinded by the Light</span> 1973 song by Bruce Springsteen

"Blinded by the Light" is a song written and recorded by Bruce Springsteen, which first appeared on his 1973 debut album Greetings from Asbury Park, N.J. A cover by British rock band Manfred Mann's Earth Band reached number one on the Billboard Hot 100 in the United States in February 1977 and was also a top ten hit in the United Kingdom, New Zealand, and Canada.

"Little Deuce Coupe" is a song written by Brian Wilson and Roger Christian. The song first appeared as the B-side to The Beach Boys' 1963 single "Surfer Girl". The car referred to is the 1932 Ford Model 18. "Little Deuce Coupe" became The Beach Boys' highest charting B-side, peaking on September 28, 1963, at No. 15 on the Billboard Hot 100.

<span class="mw-page-title-main">The Teddy Bears</span> American pop music group

The Teddy Bears were an American pop music group. They were record producer Phil Spector's first vocal group.

<span class="mw-page-title-main">Be True to Your School</span> 1963 single by the Beach Boys

"Be True to Your School" is a song by American rock band the Beach Boys from their 1963 album Little Deuce Coupe. Written by Brian Wilson and Mike Love, it was issued as a single on October 28, 1963. There are two versions of this song: the album version, and the single version, which added cheerleader yells by the girl group The Honeys in between verses. The song features the melody of the University of Wisconsin's fight song, "On, Wisconsin!", although it is a tribute to Hawthorne High School, which the Wilson brothers attended. Hawthorne High School's fight song uses the same melody as "On, Wisconsin!".

"That's Not Me" is a song by the American rock band the Beach Boys from their 1966 album Pet Sounds. Written by Brian Wilson and Tony Asher, it is distinguished for its sophisticated harmonic structure and its sudden shifts in mood and instrumental textures. Owing to its relatively sparse orchestration, it is the track on Pet Sounds that most closely resembles a conventional rock song.

<span class="mw-page-title-main">Surfin' Safari (song)</span> 1962 single by the Beach Boys

"Surfin' Safari" is a song by American rock band the Beach Boys, written by Brian Wilson and Mike Love. Released as a single with "409" in June 1962, it peaked at number 14 on the Billboard Hot 100. The song also appeared on the 1962 album of the same name.

Jerry Hey is an American trumpeter, flugelhornist, horn arranger, string arranger, orchestrator and session musician who has played on hundreds of commercial recordings, including Michael Jackson's Thriller, Rock with You, "Don’t Stop ‘Til You Get Enough", "Workin’ Day and Night" and the flugelhorn solo on Dan Fogelberg's hit "Longer". Additionally, he has performed with artists such as George Benson, Nik Kershaw, Al Jarreau, Barbra Streisand, Donna Summer, Earth, Wind & Fire, Whitney Houston, Frank Sinatra, George Duke, Lionel Richie, Rufus and Chaka Khan, Natalie Cole, Aretha Franklin, Patti Austin, Toshiki Kadomatsu, Yumi Matsutoya, among many others.

A car song is a song with lyrics or musical themes pertaining to car travel. Though the earliest forms appeared in the 1900s, car songs emerged in full during the 1950s as part of rock and roll and car culture, but achieved their peak popularity in the West Coast of the United States during the 1960s with the emergence of hot rod rock as an outgrowth of the surf music scene. Though this popularity declined by the late 1960s, cars remain a frequently used subject matter in pop music into the 21st century.

<i>The Spirit of 67</i> (Paul Revere & the Raiders album) 1966 studio album by Paul Revere & the Raiders

The Spirit of '67 is the sixth studio album by American rock band Paul Revere & the Raiders. Produced by Terry Melcher and released in November 1966 by Columbia Records, and featured the singles "Hungry", "The Great Airplane Strike", and "Good Thing". The album would be reissued on LP by Harmony in 1971, by Sundazed on CD in 1996 and in 2015 by Friday Music on 180g clear red vinyl.

Alfred V. De Lory was an American record producer, arranger, conductor and session musician. He was the producer and arranger of a series of worldwide hits by Glen Campbell in the 1960s, including John Hartford's "Gentle on My Mind", Jimmy Webb's "By the Time I Get to Phoenix", "Wichita Lineman" and "Galveston". He was also a member of the 1960s Los Angeles session musicians known as The Wrecking Crew, and inducted into the Musicians Hall of Fame and Museum in 2007.

<i>Live – The 50th Anniversary Tour</i> 2013 live album by The Beach Boys

Live – The 50th Anniversary Tour is a live album by the Beach Boys released on May 21, 2013. The album was recorded during the band's 50th anniversary reunion tour.

<span class="mw-page-title-main">California sound</span> Popular music aesthetic originating in the early 1960s

The California sound is a popular music aesthetic that originates with American pop and rock recording artists from Southern California in the early 1960s. At first, it was conflated with the California myth, an idyllic setting inspired by the state's beach culture that commonly appeared in the lyrics of commercial pop songs. Later, the sound was expanded outside its initial geography and subject matter and was developed to be more sophisticated, often featuring studio experimentation.

"Hey Little Cobra" is a song released in 1963 by The Rip Chords about the Shelby Cobra. The song was produced by Terry Melcher and Bruce Johnston, who also sang vocals.

References

  1. Summer USA! Best of the Ripcords, on the CD Insert p.2.
  2. Friends Magazine, Editor, Bruce Hilton, EUB Board of Publication, 1965, p. 6. Also see: Hey Little Cobra and other Hot Rod Hits, Sony Music Special Products, © 1996, Sundazed Music, Inc., p. 3.
  3. Hollywood Reporter, December 6, 1962.
  4. 1 2 Hey Little Cobra and other Hot Rod Hits, Sony Music Special Products, © 1996, Sundazed Music, Inc., p. 3.
  5. Inglewood Daily News, March 22, 1963.
  6. Hey Little Cobra and other Hot Rod Hits, Sony Music Special Products, © 1996, Sundazed Music, Inc., p. 3. Also: Summer U.S.A.! The Best of the Rip Chords, Sony Music Special Products, © & (p) 2006, Sundazed Music, Inc., p. 8.
  7. Cash Box, 4/6/63; 4/27/63; 5/25/63.
  8. Jesusgate: A History Of Concealment Unraveled, October 2012, Rainbow Ridge Publishing, p. 1; ISBN   9781937907044
  9. Hey Little Cobra and other Hot Rod Hits, Sony Music Special Products, © 1996 Sundazed Music, Inc., pp. 3, 7.
  10. "Gracia Nitzsche Remembered". Spectropop.com. Retrieved October 3, 2019.
  11. The Best of the Rip Chords, Sony Music Special Products, © 2006, Sundazed Music, Inc., p 2.
  12. KTSA TOP 55, San Antonio, August 1, 1963
  13. Ray Black, Dayton Daily News, February 19, 1965
  14. The Best of the Rip Chords, Sony Music Special Products, © & (p) 2006, Sundazed Music, Inc., pp. 1-2.
  15. Hey Little Cobra and other Hot Rod Hits, Sony Music Special Products, © 1996, Sundazed Music, Inc., p. 4.
  16. "Bruce & Terry | Biography & History". AllMusic .
  17. Billboard , February 8, 1964.
  18. Listed as producers, but not vocalists, on these releases: Hey Little Cobra album: Stereo—CS 8951 and Monaural—CL 2151 . . . Three Window Coup album: Stereo—CS 9016 and Mono—CL 2216.
  19. Summer USA! The Best of The Rip Chords(Sundazed Music, 2006, Sony BMG MUSIC ENTERTAINMENT). The liner notes show a photo of the four recording vocalists (Terry, Ernie, Bruce, and Phil).
  20. 1 2 Summer U.S.A.! The Best of the Rip Chords, Sony Music Special Products, © & (p) 2006, Sundazed Music Inc., p. 3. Stephen J. McParland, Editor of California Music Magazine.
  21. Hey Little Cobra and other Hot Rod Hits, Sony Music Special Products, © 1996, Sundazed Music, Inc., The liner notes (p.5), state: “It appears that neither Arnie Marcus nor Rich Rotkin participated in any of the new sessions for the long player”[album].
  22. Summer USA! The Best of The Rip Chords(Sundazed Music, 2006, Sony BMG MUSIC ENTERTAINMENT). On page 3 of the liner notes, Stephen J. McParland wrote “Rich Rotkin and Arnie Marcus were hired to be part of the touring group, not the recording group …essentially creating two separate groups of Rip Chords: a recording act, and a touring entity.”
  23. Summer U.S.A.! The Best of the Rip Chords, Sony Music Special Products, © & (p) 2006, Sundazed Music Inc., p. 3.
  24. Summer U.S.A.! The Best of the Rip Chords, Sony Music Special Products, © & (p) 2006, Sundazed Music Inc., p. 3 and 4.
  25. Hey Little Cobra and other Hot Rod Hits, Sony Music Special Products, © 1996, Sundazed Music, Inc., p. 5.
  26. See the original Columbia issue of the 1964 Hey Little Cobra and other Hot Rod Hits album (CS 8951 or CL 2151). Note also there was a typo on the album cover; Bringas's first name was spelled, "Bernie".
  27. Summer U.S.A.! The Best of the Rip Chords, Sony Music Special Products, © & (p) 2006, Sundazed Music Inc.
  28. 1 2 3 Three Window Coupe (CS 9016 or CL 2216) Sony Music Special Products, © 1996, Sundazed Music, Inc., p. 4.
  29. Howard, David N. (2004). Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings. Hal Leonard Corporation. ISBN 978-0-634-05560-7. pp=59–60
  30. Both albums also featured an instrumental by The Wrecking Crew. The instrumentals served as album fillers, but they really had nothing to do with the Rip Chords per se.
  31. Published corrections of vocalists are in Summer U.S.A.! The Best of the Rip Chords, Sony Music Special Products, © & (p) 2006, Sundazed Music Inc., on the back of slipcover.
  32. Summer U.S.A.! The Best of the Rip Chords, Sony Music Special Products, © & (p) 2006, Sundazed Music Inc., on back of slipcover.
  33. Three Window Coupe, Sony Music Special Products, © 1996, Sundazed Music, Inc., pp. 5, 7.
  34. Three Window Coupe, Sony Music Special Products, © 1996, Sundazed Music, Inc., p. 5.
  35. Summer U.S.A.! The Best of the Rip Chords, Sony Music Special Products, © & (p) 2006, Sundazed Music Inc., p. 8. Stephen J. McParland, Editor of California Music Magazine.
  36. Summer U.S.A.! The Best of the Rip Chords, Sony Music Special Products, © & (p) 2006, Sundazed Music, Inc., pp. 3-4. Also: Hey Little Cobra and other Hot Rod Hits, Sony Music Special Products, © 1996, Sundazed Music, Inc., p. 5.
  37. Summer U.S.A. The Best of the Rip Chords, Sony Music Special Products, 2006, Sundazed Music Inc. The actual CD front cover has a photo of the touring group. But photos and names of the actual Rip Chords singers--Terry Melcher, Bruce Johnston, Ernie Bringas and Phil Stewart--are shown on the first inside page of the liner notes.
  38. Sundazed Music, Inc. is an independent company that licenses Rip Chords' material from Columbia Records (Sony Music).
  39. Summer U.S.A.! The Best of the Rip Chords, Sony Music Special Products, © & (p) 2006, Sundazed Music Inc., p. 8.
  40. "Doggers Album". Sundazed.com. Retrieved October 3, 2019.
  41. Surfin' U.S.A., Sony Music Special Products, © & (p) 2006, Sundazed Music Inc., p. 3.