The Big Doll House | |
---|---|
Directed by | Jack Hill |
Screenplay by | Don Spencer |
Produced by | Jane Schaffer |
Starring |
|
Cinematography | Fred Conde |
Edited by | Cliff Fenneman |
Music by | Hall Daniels |
Production company | |
Distributed by | New World Pictures |
Release date |
|
Running time | 95 minutes |
Countries | United States Philippines |
Language | English |
Budget | $125,000 [1] or $200,000 [2] |
Box office | $10 million [3] |
The Big Doll House is a 1971 American women-in-prison film starring Pam Grier, Judy Brown, Roberta Collins, Brooke Mills, and Pat Woodell. The film follows six female inmates through daily life in a gritty, unidentified tropical prison. Later the same year, the film Women in Cages featured a similar story and setting and much the same cast, and was shot in the same abandoned prison buildings. A nonsequel follow-up, titled The Big Bird Cage , was released in 1972. [4]
Collier (Brown) enters prison, having been found guilty of killing her husband. She is introduced to the beautiful occupants of her cell, doing time for crimes ranging from political insurgency to heroin addiction. The women often clash, which leads to their torture by sadistic guard Lucian (Kathryn Loder). The torture ceremonies are viewed by an impassive cloaked figure.
Collier's cellmates Alcott and Bodine (Collins and Woodell) plan to escape. Collier and another cellmate Ferina (Gina Stuart) agree to go along. Assisting is their other lesbian cellmate Grear (Pam Grier), though doubts exist Grear's heroin-addict girlfriend Harrad (Brooke Mills) will be equipped to escape.
Ferina, Alcott, and Bodine break from the solitary-confinement sauna and take their revenge on Lucian. The escapees wield guns, attitude, and sexuality to free themselves.
During their escape, they round up various personnel from the prison as hostages, taking elegant prison warden Miss Dietrich (Christiane Schmidtmer), sympathetic prison medic Dr Phillips (Jack Davis), and two local men regularly allowed access to the prison to sell market produce, Harry (Sid Haig) and Fred (Jerry Franks).
This was one of the first films made by B movie giant Roger Corman for his company New World Pictures. According to Stephanie Rothman, Corman originally purchased a screenplay by James Gordon White, which he then asked to be rewritten. Rothman says her husband Charles S. Swartz, New World story editor Frances Doel, and she pitched story proposals to Jack Hill, who did not like any of them. They then plotted a new storyline themselves and hired Don Spencer to write the screenplay. Rothman also says that Corman wanted her to direct the picture, but she turned it down, so Corman hired Jack Hill, instead. [5]
John Ashley says Corman originally intended to make the film in Puerto Rico, but he persuaded them to make it in the Philippines. Ashley and his partners went on to put up the above-the-line part of the budget, with Corman providing the rest. [6] [7]
The film earned $3 million in movie rentals. [8]
Roger William Corman was an American film director, producer and actor. Known under various monikers such as "The Pope of Pop Cinema", "The Spiritual Godfather of the New Hollywood", and "The King of Cult", he was known as a trailblazer in the world of independent film.
Jackie Brown is a 1997 American crime film written and directed by Quentin Tarantino, based on the 1992 novel Rum Punch by Elmore Leonard. It stars Pam Grier as Jackie Brown, a flight attendant who smuggles money between the United States and Mexico. Samuel L. Jackson, Robert Forster, Bridget Fonda, Michael Keaton, and Robert De Niro appear in supporting roles.
Pamela Suzette Grier is an American actress and singer. Described by Quentin Tarantino as cinema's first female action star, she achieved fame for her starring roles in a string of 1970s action, blaxploitation and women in prison films for American International Pictures and New World Pictures. Her accolades include nominations for an Emmy Award, a Golden Globe Award, a Screen Actors Guild Award, a Satellite Award and a Saturn Award.
Foxy Brown is a 1974 American blaxploitation action film written and directed by Jack Hill. It stars Pam Grier as the title character who takes on a gang of drug dealers who killed her boyfriend. The film was released by American International Pictures as a double feature with Truck Turner. The film uses Afrocentric references in clothing and hair. Grier starred in six blaxploitation films for American International Pictures.
Coffy is a 1973 American blaxploitation action film written and directed by Jack Hill. The story is about a black female vigilante played by Pam Grier who seeks violent revenge against a heroin dealer responsible for her sister's addiction.
Jack Hill is an American film director in the exploitation film genre. Several of Hill's later films have been characterized as feminist works.
Black Mama White Mama, also known as Women in Chains, Hot, Hard and Mean and Chained Women, is a 1973 women in prison film directed by Eddie Romero and starring Pam Grier and Margaret Markov. The film has elements of blaxploitation.
The Arena, also known as Naked Warriors, is a 1974 gladiator exploitation film directed by Steve Carver and starring Margaret Markov and Pam Grier. Joe D'Amato, the film's cinematographer, has stated that he took over direction of the fight scenes in the film.
Stephanie Rothman is an American film director, producer, and screenwriter, known for her low-budget independent exploitation films made in the 1960s and 1970s, especially The Student Nurses (1970) and Terminal Island (1974).
Angels' Wild Women is a 1972 biker film written and directed by cult director Al Adamson. Preceded by Satan's Sadists (1969) and Hell's Bloody Devils (1970), it is the last in a trio of (unrelated) motorcycle gang films directed by Adamson for Independent-International Pictures Corp., a company he co-founded with Sam Sherman. The plot centers on a group of tough biker babes who leave their cycle gang boyfriends to go on a violent rampage. When a cult leader kills one of the girls, the others go out for revenge.
It's a Bikini World is a 1967 American musical comedy film starring Tommy Kirk, Deborah Walley and Bobby Pickett. The film features cameos by the music groups the Gentrys, the Animals, Pat & Lolly Vegas, the Castaways and R&B girl group the Toys. Featuring a pro-feminist plotline, it is the only film in the beach party genre to be directed by a woman.
Roberta Collins was a film and television actress who was known for her attractive physique, blonde, curly hair, and Marilyn Monroe appearance. She starred in many exploitation films, including the prostitute Clara in Tobe Hooper's Eaten Alive and Matilda the Hun in the science-fiction film Death Race 2000.
The Big Bird Cage is a 1972 American exploitation film of the "women in prison" subgenre. It serves as a non-sequel follow-up to the 1971 film The Big Doll House. The film was written and directed by Jack Hill, and stars Pam Grier, Sid Haig, Anitra Ford, and Carol Speed.
Christiane Schmidtmer was a German actress, fashion model, nude model, and memoirist.
Hit Man is a 1972 American crime film directed by George Armitage and starring Bernie Casey, Pam Grier and Lisa Moore. It is a blaxploitation-themed adaptation of Ted Lewis' 1970 novel Jack's Return Home, more famously adapted as Get Carter (1971), with the action relocated from England to the United States.
Terminal Island, released theatrically in the U.K. as Knuckle Men, is a 1973 American action–drama thriller film directed by Stephanie Rothman. It features early screen performances by Tom Selleck and Roger E. Mosley. Although an exploitation film, it has been treated with much serious discussion by critics and academics over the years. It is regarded as a cult film.
The Young Nurses is a 1973 film directed by Clint Kimbrough. It was the fourth in the popular "nurses" cycle for New World Pictures, starting with The Student Nurses (1970).
The Woman Hunt is a 1972 film directed by Eddie Romero and starring John Ashley, Pat Woodell, and Sid Haig.
The Twilight People is a 1972 Filipino-American horror film directed by Eddie Romero. It was produced by Romero and John Ashley, and written by Romero and Jerome Small. It stars Ashley and features, in an early film appearance, Pam Grier in a supporting role.
Machete Maidens Unleashed! is a 2010 Australian documentary film directed by Mark Hartley.